This composition revises & unites several hitherto orphaned movements into a sonatina, strongly dance-like in character, yet not devoid of reflective moments. It is dedicated with deepest gratitude to my dear friend Catherine, who has inspired me so much in these last few years.

This revision revises the third movement substantially, and clarifies much of the notation. My sincere thanks to Maria Ljungdahl and Rob Tuley for their keen suggestions and help.