Ave Maria (Voice with Solo Viola Accompaniment) Bb-EASIER

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Ave Maria (Voice with Solo Viola Accompaniment) Bb-EASIER

Composer	Franz Schubert
Year of composition	1825
Arranger	Joel Jacklich
Lyricist	Roman Catholic Liturgy
Publisher	Jacklich Music Publishing
Difficulty	Moderate (Grades 4-6)
Duration	3 minutes
Genre	Classical music
Instrumentation	Solo instruments
Instrumental parts	Viola and Voice
Related scores	Ave Maria (Two Violins and Cello w/solo in violin) D-High, Ave Maria (Two Violins and Cello w/solo in violin) D-Low, Funeral March from the Sonata in B-Flat Minor, Op. 35, The Big Book of Christmas Carols II for Clarinet Quartet, Ave Maria (String Trio w/solo in cello) D-Low, Columbia, the Gem of the Ocean (1843), Sheep May Safely Graze (Chorale Melody in Violin), The Water Is Wide (O Waly, Waly), Ave Maria (Two Violins and Cello w/solo in cello) D-Low, War March of the Priests from Athalia, Ave Maria (String Trio w/solo in cello) D-High, Ave Maria (String Trio w/solo in viola) D, The Man I Love, Ave Maria (String Trio w/solo in violin) D-Low, Ave Maria (String Trio w/solo in violin) D-High, The Big Book of Christmas Carols II for String Orchestra, The Big Book of Christmas Carols II for Brass Quintet, Amapola, Blow the Man Down, Someone to Watch Over Me, The Carman's Whistle, Voi, che sapete, from Le Nozze di Figaro (arr. for string trio), Libiamo ne’ lieti calici (Drinking Song) from La Traviata (for string quartet), Sheep May Safely Graze (Chorale Melody in Viola), The Marines’ Hymn (From the Halls of Montezuma), O mio babbino caro (1918) (for wordless voice and string quartet), America, the Beautiful, The Big Book of Christmas Carols I for Brass Quintet, Shenandoah, Ave Maria (Medium Voice and String Orchestra) G, Concerto Grosso, Op. 6, No. 8 (Christmas Concerto), Ein Mannlein steht im Walde (from the opera Hansel und Gretel), The Big Book of Christmas Carols I for String Orchestra, Sonata in G minor, Vol. I, No. 11, arr. for viola and string orchestra, The Prince of Denmark’s March (Viola Solo in String Quartet, Transposed to B-flat), Embraceable You, Sailing, Sailing (Over the Bounding Main), Royal Fireworks Music, La Paix (Clarinet Quartet), Torna a Surriento (Come Back to Sorrento), What do you with a drunken sailor?, Wiener Blut Waltzes, Op. 354 for String Quartet, Bi-Ba-Bützemann, Semper Fidelis, Semper Paratus (official song of the U.S. Coast Guard), Funeral March for a Marionette (Sax Quartet), Royal Fireworks Music, La Rejouissance (Clarinet Quartet), Voices of Spring, Grün, grün sind alle meine kleider, Pavane, Op. 50 (String Quartet), Wedding Processional, Op. 21 (1889), La Golondrina (SATB), Susy, Little Susy (from the opera Hansel und Gretel), Blue Danube Waltzes, Op. 314 (String Orchestra), Pavane, Op. 50, La donna e mobile (for string quartet) Easier Key Bb, Medley of Popular American Children’s Songs, The Midshipmite, Bruder, komm und tanz mit mir (from the opera Hansel und Gretel), The Holy City (String Quartet), Royal Fireworks Music, Overture (Saxophone Quartet, AATB), Royal Fireworks Music, Bourrée (Clarinet Quartet), Royal Fireworks Music, Minuets I & II (Clarinet Quartet), Royal Fireworks Music, Overture (Clarinet Quartet), Anchors Aweigh, A quoi bon la richesse (from Cendrillon) for voice, violin, and piano, Hungarian Dance #5, Air from the Third Orchestral Suite (arr. for string quintet of 3 violins, viola, and cello), Ave Maria (Two Flutes and Cello) G, Radetzky March, Op.228 (Sax Quartet-AATB or SATB), Radetzky March, Op.228 (Clarinet Quartet), Annen Polka, Op, 117 (Saxophone Quartet), Annen Polka, Op. 117 (Clarinet Quartet), Annen Polka, Op. 117, Radetzky March, Op. 228, Little Fugue in G Minor, BWV 578, Ave Maria (Voice with Solo Cello) Bb, Ave Maria (Voice and Solo Viola) G, Ave Maria (Voice with Solo Viola Accompaniment) Bb, Ave Maria (Voice and Solo Cello) G and Air from the Third Orchestral Suite (arr for string quintet of 3 violins, viola solo, and cello)
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I had a request from a former student for an arrangement of Schubert’s Ave Maria in B-flat for voice with solo viola accompaniment which I have posted. I then added this arrangement for voice with solo cello accompaniment for its deeper and richer tone quality. Violists, practice the Prelude to Bach’s First Suite for Unaccompanied Cello before you tackle this arrangement.

If you like this arrangement, check out more than 170 arrangements (mainly for string quartet) at http://stores.sibeliusmusic.com/jacklichmusic

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