Were You There? Oboe & Piano

By: trad.
For: Solo Oboe + piano
page one of Were You There?  Oboe & Piano

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Composer
trad.
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
1 minute
Genre
Other
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement for Oboe & Piano of Were You There?

Negro spirituals were primarily expressions of religious faith. Some may also have served as socio-political protests veiled as assimilation to white American culture. They originated among enslaved Africans in the United States. Slavery was introduced to the British colonies in the early 17th century, and enslaved people largely replaced indentured servants as an economic labor force during the 17th century. These people would remain in bondage for the entire 18th century and much of the 19th century. Most were not fully emancipated until the ratification of the Thirteenth Amendment to the United States Constitution.

An African American spiritual that probably predates the Civil War, "Were You There" was first published in William Barton's Old Plantation Hymns (1899). The spiritual's earlier roots include a white spiritual known in Tennessee as "Have you heard how they crucified my Lord?" Additional stanzas are available from oral and written tradition.

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Moonlight Serenade for Oboe & Piano, In Dulci Jubilo "In sweet rejoicing" for Oboe Consort, Lullaby for an Oboist, Keyboard & Bass, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for Flute, Bassoon & Piano (Pro version), Twenty Minute Tango for Oboe & Piano, Mattinata for Oboe & Piano, Air on the G String from the Suite No. 3 in D for Oboe & Orchestra , Arrival of the Queen of Sheba for two Oboes & String Orchestra, M’Appari Tutt’ Amor for Oboe & Piano, Bollywood Tango for Oboe, Bassoon & Keyboard, Arrival of the Queen of Sheba for Oboe Consort, Eternal Father Strong, to Save (Naval hymn) for Oboe Consort, The Saint’s Visit Havana with a Touch of W.A.M. for Oboe & Piano, March from Scipio for Oboe Quintet with optional Keyboards & Percussion, Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen), Quando Me’n Vo (Musetta’s waltz) for Oboe & Piano, Cwm Rhondda for 2 Oboes & English Horn, 8 Swinging Xmas Carols for Oboe & Piano, Amazing Grace for Oboe & Piano, Czardas for Oboe & Pianoforte, O Sole Mio for Oboe & Piano, Jasmine Flower (The) for Oboe & Piano, Fanfare & Soliloquy for Oboe & Piano, O Mio Babbino Caro for Oboe & Piano, Prelude from the Te Deum (Eurovision Song Contest Theme) for Oboe & Organ w pedals, Mitt hjerte alltid vanker for Wind Quartet, Allegro from Torelli’s Concerto for Trumpet for Oboe & Keyboard , Air from the Suite No. 3 in D for Oboe Quartet, Stanley Trumpet Voluntary for Oboe & Organ + Pedals, Franzosisches Lied: Est-ce Mars? for Wind Quintet, Swing Low, Sweet Chariot for Oboe & Keyboard, Homage for Orchestra & Woodwind, Tico-Tico no fubá for Oboe, Bassoon & Piano, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, Keep the Fire Alive for solo Oboe & Concert Band and 7 Popular Carols for two Oboes

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