You are here: Home > Solo instrument + piano > What Shall We Do With The Drunken Tenor Recorder Player ?
Buy this score now!
Price: $3.99
(+ VAT at 20% when applicable)
Add to basket
Purchased to print!

You have purchased this score, so you can print it until .

Before printing this score we stongly recommend that you test printing from Scorch by printing our test score.

To print the score you have purchased, just click the print icon in the scorch toolbar:

This score is free!

This score is available free of charge. Just click the print icon in the scorch toolbar:

What Shall We Do With The Drunken Tenor Recorder Player ?
Composer English Sea Shanty Arr:Keith Terrett
Arranger Keith Terrett
Publisher Music for all Occasions
Difficulty Moderate (Grades 4-6)
Duration 2 minutes
Genre Classical music
Instrumentation Solo instrument + piano
Instrumental parts
Related scores
Czardas for Tenor Recorder & Piano, Czardas for Descant Recorder & Piano, Swing Low, Sweet Chariot for Treble Recorder & Piano, What Shall We Do With The Drunken Descant Recorder Player ?, What Shall We Do With The Drunken Treble Recorder Player ?, Swing Low, Sweet Chariot for Recorder Consort, Allegro from Torreli’s Trumpet Concerto for Tenor Recorder & Keyboard, Allegro from Torelli’s Trumpet Concerto for Treble Recorder & Keyboard, Air from the Suite No. 3 in D for Recorder Consort, Eight Carols for Tenor Recorder & Piano, Eight Carols for Treble Recorder & Piano, Swing Low, Sweet Chariot for Descant Recorder & Piano, Havana Rhubarb Rumba for Recorder Septet, African National Anthem for Recorder Quartet, Arrival of the Queen of Sheba for two Descant Recorders & String Orchestra, Arrival of the Queen of Sheba for Recorder Consort, Echo for Recorder Octet, Japanese National Anthem for Recorder Consort, God Save The Queen for Recorder Consort, Welsh National Anthem for Recorder Consort (Land of my Fathers), March from 'Judas Maccabaeus' for Recorder Consort (School Junior Recorder Series), Three Welsh Chorales for Recorder Quartet, Franzosisches Lied: Est-ce Mars? for Recorder Consort, Fugue on B-a-c-h for Recorder Consort, Ar Hyd Y Nos (All Through the Night) for Recorder Trio & Harp, Lustpiel Overture for Recorder Consort, Eight Christmas Carols for Descant Recorder & Piano, Slaves Chorus from Nabucco for Recorder Consort, March from Scipio for Recorder Consort (School Junior Recorder Series), What Shall We Do With The Drunken Recorder Consort?, The Gypsy Recorder Player in New Orleans, Solveigs sang for Descant Recorder & Keyboard, A Serenade for Descant Recorder & Keyboard, Eternal Father Strong to Save for Recorder Consort , A Bass Recorder Player Goes Ballroom Dancing, Overture from Suite in D for Two Descant Recorders & Harpsichord, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Descant Recorder & Harpsichord, Chorale Theme & Seven Variations for Recorder Consort, Traumerei for Recorder Consort, Norwegian National Anthem for Recorder Consort, A Descant Recorder Goes Ballroom Dancing, Three Popular Hymns for Recorder Consort, 7 Carols for Recorder Consort (Norwegian Christmas carols), Allegro from Torelli’s Concerto (Tpt & Strings) for Descant Recorder & Harpsichord, Von Fremden Landern und Menschen for Recorder Consort, Badinerie from Suite No.2 for Treble Recorder & Piano, Badinerie from Suite No.2 for Tenor Recorder, Fanfare & Soliloquy for Descant Recorder & Piano and Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Treble Recorder & Harpsichord
Share

Drunken Sailor arranged for Tenor Recorder & Piano, in a spectacular arrangement for your next performance!

The air was taken from a traditional Irish dance and march tune, "Oró Sé do Bheatha ’Bhaile", originally in dorian mode. The same tune has also been used for other songs, possibly Ten Little Injuns.

The music was first reproduced in printed form in 1824-25 in Cole’s Selection of Favourite Cotillions published in Baltimore. However, the lyrics were first published in 1891 under the title "What to do with a Drunken Sailor?". Another version appears in The Shanty Book, Part I, Sailor Shanties, by Richard Runciman Terry, categorised as a "Windlass and Capstan" shanty. He says of it: "Although mostly used for windlass or capstan, Sir Walter Runciman tells me that he frequently sang to it for ’hand-over-hand’ hauling. Whall gives it on page 107 under the title ’Early in the morning.’ It is one of the few shanties that were sung in quick Time."

This score was submitted by Keith Terrett. If you wish to perform, record, or broadcast this music then you should contact them first. To view the score you need the Scorch web browser plug-in - find out more about Scorch.

In order to submit this score to ScoreExchange.com Keith Terrett has declared that they own the copyright to this work in its entirety or that they have been granted permission from the copyright holder to use their work. If you believe that this score should be not available here because it infringes your or someone elses copyright, please report this score using the copyright abuse form.

This score has instrumental parts available to purchase. Would you like to add a set of parts to your basket as well as the score?
Select Name Price
Total:
(Prices exclude VAT at 20% where applicable)
website by ADAP Solutions Ltd
Visa, Mastercard, Maestro, Electron, Delta, Solo logos - powered by PayPoint.net
Powered by Sibelius Scorch