Pavane, Op. 50

By: Gabriel Faur�
For: Orchestra
page one of Pavane, Op. 50

Buy this score and parts

Pavane, Op. 50

$35.00

$10.00

$25.00

from $1.50

(+ VAT when applicable)

Preview individual parts:

PDF icon

Instant download

You are purchasing high quality sheet music PDF files suitable for printing or viewing on digital devices.
Composer
Gabriel Faur�
Year of composition
1887
Arranger
Lyricist
Marie Joseph Robert Anatole, Comte de Montesquiou-Fozensac (1855-1921)
Difficulty
Moderate (Grades 4-6)
Duration
7 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Gabriel; Faur� (1845-1924) wrote his Pavane, Op. 50, as a composition for orchestra and optional chorus in 1887. The piece is scored for strings and one pairs of flutes, oboes, clarinets, bassoons, and horns. Originally the work was written for orchestral alone, and was to be played at a series of light summer concerts conducted by Jules Danbe. Later, when Faur� dedicated the work to his patron, Countess �lisabeth Greffulhe, he added choral lyrics based on some trivial verses on the romantic helplessness of man, which had been contributed by the Countess' cousin, the symbolist poet Marie Joseph Robert Anatole, Comte de Montesquiou-Fozensac (1855-1921).

In performance, the lyics are most often omitted nowadays; however, at a request of an orchestra performing this work with soprano soloist in Springfield this coming season, I have taken the lead melodic lines from the choral parts and used Rob�t. M.-F.�s original lyrics to arrange a line for solo soprano. I have also altered the key to G minor at the request of the soprano. Robert, Comte de Montesquioui-Fozensac�s inconsequential French lyrics (and their English translation) are listed below:

C�est Lin-dor! c�est Tir-cis! et c�est tous nos vain-queurs! C�est Myr-til! c�est Ly-d�! Les rei-nes de nos coeurs! Comme ils sont pro-vo-cants, comme ils sont fiers tou-jours! Comme on o-se r�-gner sur nos sorts et jours! Fai-tes at-ten-ti-on! Ob-ser-vez la me-su-re! O la mor-telle in-ju-re! La ca-dence est moins len-te! Et la chute plus s�-re! Nous ra-bat-trons bien leurs ca-quets! Nous se-rons bien t�t leurs la-quais! Qu�ils sont laids! Chers mi-nois! Qu�ils sont fols! Airs co-quets! Et c�est tou-jours de m�-me! Et c�est tain si tou-jours! On s�a-do-re! On se hait! on mau-dit ses a-mours! On s�a-do-re! On se hait! on mau-dit ses a-mours! A-dieu, Myr-til! E-gl�! Cho-�! D�-mons mo-queurs! A-dieu donc et bons jours aux ty-rans de nos coeurs! Et bons jours!

It�s Lindor! It�s Tercis! And all our conquerors! It�s Myrtil! It�s Lyd�! The queens of our hearts! How provocative they are, how forever proud! How they dare to reign over our destinies and our lives! Watch out! Keep to the measure! O the mortal injury! The cadence is not so slow! And the fall more certain! We�ll tone down their chatter! Soon we�ll be their lackeys! How ugly they are! Sweet faces! How madcap they are! Coquettish airs! And always it is the same! And so will always be! They adore one another! They hate one another! They curse their loves! Farewell, Myrtil! Egl�!, Chlo�!! Mocking demons! Farewell and good day to the tyrants of our hearts!

I have also included an alternate vocal line for wordless vocalise (a la Streisand).

To purchase this score, please add it to your cart above. To purchase music not currently available on Score Exchange or for extended license requests, please contact the publisher directly.
Funeral March from the Sonata in B-Flat Minor, Op. 35, Amapola, The Big Book of Christmas Carols II for Clarinet Quartet, Columbia, the Gem of the Ocean (1843), The Water Is Wide (O Waly, Waly), Sonata in G minor, Vol. I, No. 11, arr. for viola and string orchestra, The Big Book of Christmas Carols II for String Orchestra, The Big Book of Christmas Carols I for Brass Quintet, The Big Book of Christmas Carols I for String Orchestra, Funeral March for a Marionette (Sax Quartet), What do you with a drunken sailor?, Pavane, Op. 50 (String Quartet), The Midshipmite, The Holy City (String Quartet), Royal Fireworks Music, Overture (Saxophone Quartet, AATB), Royal Fireworks Music, La Rejouissance (Clarinet Quartet), Royal Fireworks Music, Minuets I & II (Clarinet Quartet), La donna e mobile (for string quartet) Easier Key Bb, Royal Fireworks Music, Overture (Clarinet Quartet), "Goin’ Home" ("New World" Symphony, Mvt. II) EASIER KEY-D, arranged for string orchestra, Susy, Little Susy (from the opera Hansel und Gretel), Evening Prayer (from the opera Hansel und Gretel), Bruder, komm und tanz mit mir (from the opera Hansel und Gretel), Grün, grün sind alle meine kleider, A quoi bon la richesse (from Cendrillon) for voice, violin, and piano, Two-Part Invention, No. 1 (arr. for violin & viola), Air from the Third Orchestral Suite (arr. for string quintet of 3 violins, viola, and cello), Ave Maria (Two Flutes and Cello) G, Radetzky March, Op.228 (Clarinet Quartet), Wedding Processional, Op. 21 (1889) (String Quartet), Radetzky March, Op. 228, The Prince of Denmark’s March (Viola Solo in String Quartet, Transposed to B-flat), Badinerie from the Second Orchestral Suite (String Quartet), Rigaudon & Trio from the Water Music, Little Fugue in G Minor, BWV 578, Concerto in A Minor (3rd Mvt.), Concerto in C Major for Four Guitars (Unaccompanied), Ave Maria (Voice with Solo Viola Accompaniment) Bb, Ave Maria (Voice with Solo Viola Accompaniment) Bb-EASIER, Tritsch Tratsch Polka, Ave Maria (Voice and Solo Cello) G, Tritsch Tratsch Polka (Sax Quartet), Pizzicato Polka (arr. for Saxophone Quartet--2A,T,B), Thunder and Lightning Polka (arr. for Saxophone Quartet--2A,T,B), Thunder and Lightning Polka (arr. for Clarinet Quartet), Roses from the South, Op. 388, Symphony in C, III, Voi, che sapete from "Le Nozze di Figaro", Waltz from Sleeping Beauty, Je suis déshéritée (arranged for String Quintet - 3 violins, viola, and cello), Largo from The Four Season's "Winter" (for String Quintet - 3 violins, solo viola, & cello), Adagio from the Oboe Concerto in D Minor (Arr. for Solo Cello, 3 Violins, and Viola), Largo from the Mandolin Concerto in D Major, R.V. 93 (String Quintet - 3 Violins, Viola, Cello), Romanza Andaluza, Op. 22, No. 1 (Arr. for String Quartet), Gigue (String Quintet - 3 violins, viola, and cello), Overture to "H. M. S. Pinafore" (String Trio), Ave Maria (String Trio w/solo in viola) G, Ave Maria (String Trio w/solo in violin) G, Miserere (arranged for String Quartet), Wedding March from "The Marriage of Figaro", Salut d’Amour, Jesu, Joy of Man's Desiring (SATB Choir w/String Quartet), Jesu, Joy of Man’s Desiring (Chamber Orchestra), Country Dance No. 4 (for Two French Horns), Country Dance No. 2 (for Two French Horns), Romanza Andaluza, Op. 22, No. 1 for Solo Violin and String Orchestra, Two Elegiac Melodies, Op. 34, No. 1, Heart Wounds, Two Elegiac Melodies, Op. 34, No. 2, The Last Spring, Crown With Thy Benediction (for String Quartet), Laudate Dominum, K. 339 (for Soprano and String Quartet), Overture to "Iolanthe" (String Quartet), Overture to "The Pirates of Penzance" (String Quartet), O Sole Mio, Royal Fireworks Music, La Paix, Alleluja from the motet "Exultate, jubilate", K. 165, arranged for string quartet alone, Ave Maria (High Voice and String Orchestra) Bb, Celtic Medley No. 1 for Solo Violin with Guitar and String Bass accompaniment, Adiós, Mamá Carlota (SAB Chorus with Guitar and String Bass Accompaniment), Coronation March from The Prophet, for String Quartet, Romanza Andaluza, Op. 22, No. 1 arr. for TWO Solo Violins and String Orchestra, Las Campanas de Belén (SAB), March and Procession of Bacchus from the ballet Sylvia (Piano), Ave Maria on the First Prelude of J. S. Bach (String Quartet. plus Voice and Kbd.) F, Air from the Third Orchestral Suite, arr. for String Quartet, Bridal Chorus from "Lohengrin" for String Quartet, The Prince of Denmark’s March (EASIER KEY [Bb] FOR AMATEUR TRUMPET), La Golondrina (String Quartet), Water Music Suite II in D for String Quartet (COMPLETE: Nos. 10, 11, 19, 14, 15), Water Music Suite III in G for String Quartet (COMPLETE: Nos. 12, 13, 16, 17, 18), Suite of Spanish Christmas Carols for Two Flutes and String Orchestra, "Goin’ Home" ("New World" Symphony, Mvt. II) EASIER KEY D MAJOR, Wedding March from A Midsummer Night’s Dream, Water Music Suite, No. 18, Cantabile & Affettuoso (G), Two-part Invention in C Major in the Style of J. S. Bach, Water Music Suite, No. 17, Menuetto II (g min.), Water Music Suite, No. 16, Menuetto I (g min.), Wine, Women, and Song Waltzes, Op. 333, for String Quartet, Träumerei (String Quartet), Water Music Suite, No. 13, Rigaudon (G), Royal Fireworks Music, Bourrée, Water Music Suite, No. 10, Allegro (D), Ein Kleines Liebeslied, Jesu, Joy of Man’s Desiring (Vln Solo), Ave Verum Corpus, K.618, String Quartet, Komm, süsser Tod (String Quartet), Panis Angelicus, String Quartet, Water Music Suite, No. 9, Dialogue (d min.), Ave Maria (Solo Violin in String Quartet. w/opt. Voice/Piano) G, Water Music Suite, No. 2, Adagio e staccato (d min.), Water Music Suite, No. 4, Menuetto and Trio (F), Water Music Suite, No. 8, Hornpipe (F), Water Music Suite, No. 7, Bourrée (F), Water Music Suite, No. 3a, Allegro Deciso (F), Ode to Joy (Hymn) for String Quartet, Emperor Waltzes, Op. 437, for String Quartet and Pizzicato Polka (String Quartet)

Reviews of Pavane, Op. 50

Sorry, there's no reviews of this score yet. Please .