Violin II part from Reliquary of Sacred Music - Bach, J.S.- Christians, On This Day Of Gladness from the Schemelli Gesang-buch - arr. for High Voice & String Quartet by Gerald Manning

Composer
J.S. Bach
Publisher
Duration
2 minutes
Genre
Classical music
Other parts

Georg Christian Schemelli (Music Editor) Born: c1678 (or c 1678) - Herzberg, Elster Died: March 5, 1762

The musician, Georg Christian Schemelli, was a pupil of the Thomasschule at Leipzig from 1695. Early in 1727 he took up the post of court Kantor at Zeitz. Bach's second wife, Anna Magdalena, was from Zeitz and Bach may therefore have first come into contact with Schemelli while on a family visit to the town. Alternatively, contact may have been made through Schemelli's son Christian Friedrich, who was at the Thomasschule from 1731 to 1734, during which time he studied with J.S. Bach.

Georg Christian's only known publication, the Musicalisches Gesangbuch, popularly referred to as the Schemelli Songbook, was printed and published in Leipzig in 1736 by B.C. Breitkopf as: Musicalische Gesang-Buch, Darinnen 954 geistreische, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discant und Bass, befindlich sind� Of a decidedly Pietistic bent, it contains the texts of 954 hymns and includes engraved plates giving melody, figured bass, and first verse or text incipit for 69 of these. Bach seems to have acted as musical consultant for the project. In the preface the compiler states that the tunes in his book were partly newly composed, partly improved, by J.S. Bach. This is borne out by the presence of Bach's hand in the reproduction engravings from the collection, either throughout a given setting, in the bass only, or in isolated passages in the bass.

Various authorities on the life of Bach have spent much labour in investigating which were the tunes newly composed by him, and which were merely revised and corrected by him. While Spitta attributes 29 out of the 69 tunes to Bach, F. W�llner, the editor of the volume of the Bach Gesellschaft (xxxix.) in which the hymns appear, considers that only 24 are Bach's; while Q.-L. assigns only 22 to Bach. According to recent research, only three melodies from the collection have been attributed to Bach: Dir, dir, ]ehova (autograph in Anna Magdalena's Music Book of 1725); Komm, s�sser Tod (attributed to Bach on stylistic grounds); and the beautiful Vergiss mein nicht. The last, curiously enough, is the only one of the sacred songs of which the collection mainly consists, to which J.S. Bach name is appended to (above which is written 'di J. S. Bach, D.M. Lips'.). All are arias rather than chorales.

Which method of viewing music should I use?

Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:

seView

seView, is the most compatible option. You should be able to view music on all modern web browsers including most mobile devices. Even if your device does not support javascript you should still be able to preview at least page one of the music.

You do not need to install any additional software to use seView.

Scorch

Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.

If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.

cloud scorch goes here

Licensing for this music

This part was published on Score Exchange by Gerald Manning. When you buy it, you are granted a license that includes the following:

Sharing the file you download
When you buy the score - make multiple copies
When you buy parts - make multiple copies

For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

In order to submit this part to ScoreExchange.com Gerald Manning has declared that they own the copyright to this work in its entirety or that they have been granted permission from the copyright holder to use their work. If you believe that this part should be not available here because it infringes your or someone elses copyright, please report this part using the copyright abuse form.