Double-Bass part from Triptych for Strings

Duration
11 minutes
Genre
Modern classical music
Other parts

As its title suggests, �Triptych� is in three movements. The first is a bold �Intrada� which contains fanfare-like ideas as well as more lyrical passages. The central movement is titled �Aria� and is the emotional heart of the work. Like arias of the Baroque period, it is cast in ternary form, with ornamentation of the melody upon its return. The rather austere central section of the �Aria� features a canon set against an ostinato figure. The movement ends with shimmering tremolando in the second violin and viola parts. The final movement is a fugue. Not a �dry� or �academic� fugue, but a devilish romp based on a compound-time subject that almost uses every note of the chromatic scale. If you thought fugues cannot be fun, think again! These movements are arranged from my Suite for Organ.

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