Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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I must have been in a very bitter mood when I wrote this one. It is a standard scherzo and trio, "scherzo" being the Italian word for "joke". If it is a joke, then it's a rather grim one! Two things to note here: As for all my scherzos, you should implement a D.C. at the end - Sibelius doesn't do this! Also, the accented notes at the beginnings of some bars have been put in to make sure that these are emphasized to be the first notes in the bars. In the case of bar 1, for instance, players should empahsize that the B natural is the first beat of the bar, and not the first C. It is so tempting to make the Cs and later the Gs the downbeat, which leads to a jolt at the beginning of bar 9.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.