Trombone from Belgian National Anthem (La Brabanconne) for Brass Quintet (World National Anthem Series)
The Belgian National Anthem arranged for Brass Quintet.
The Brabançonne is the national anthem of Belgium. In the originally French language, the term normally refers to Brabant, literally Brabantian in English. The untranslated initial name is maintained for the French, Dutch and the German lyrics, that at a later stage ensured reflecting all three official languages of the country.
According to legend, the Belgian national anthem was written in September 1830, during the Belgian Revolution, by a young revolutionary called "Jenneval", who read the lyrics during a meeting at the Aigle d’Or café.
Jenneval, a Frenchman whose real name was Alexandre Dechet (sometimes known as Louis-Alexandre Dechet), did in fact write the Brabançonne. At the time, he was an actor at the theatre where, in August 1830, the revolution started which led to independence from the Netherlands. Jenneval died in the war of independence. François Van Campenhout composed the accompanying score, based on the tune of a French song called "L’Air des lanciers polonais" ("the tune of the Polish Lancers"), written by the French poet Eugène de Pradel, whose tune was itself an adaptation of the tune of a song, "L’Air du magistrat irréprochable", found in a popular collection of drinking songs called "La Clé du caveau" ("The Key to the cellar") and it was first performed in September 1830.
In 1860, Belgium formally adopted the song and music as its national anthem, although the then prime minister, Charles Rogier edited out lyrics attacking the Dutch Prince of Orange.
The ending, pledging loyalty to "Le Roi, la Loi, la Liberté!" ("The King, and Law, and Liberty!") is an obvious parallel to the French "Liberté, Égalité, Fraternité" - with the republican sentiment of the original replaced in the Belgian version by the promotion of constitutional monarchy (the combination of "The King" and "(the) Law" is what produces "Liberty"). Actually, a slogan similar to the Belgian one - "la Nation, la Loi, le Roi" ("The Nation, The Law, The King") - had been used in the early days of the French Revolution, when that revolution was still considered to be aimed toward constitutional monarchy rather than a republic.
The Brabançonne is also a monument (1930) by the sculptor Charles Samuel on the Surlet de Chokier square in Brussels. The monument contains partial lyrics of both the French and Dutch versions of the anthem. Like many elements in Belgian folklore, this is mainly based on the French "La Marseillaise" which is also both an anthem and the name of a monument - the sculptural group Departure of the Volunteers of 1792, commonly called "La Marseillaise", at the base of the Arc de Triomphe in Paris.
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Francois Van Campenhout,(Brussels, 5 February 1779 - Brussels 24 April 1848) was a Belgian opera singer, conductor and composer. He composed the music for the Belgian national anthem, the Brabanconne.
Van Campenhout studied violin. He worked initially as an office clerk, but soon pursued a career as a musician. After he had been a violist at the Theatre de la Monnaie or Muntschouwburg in Brussels for a while, he started a career as a tenor at the Opera in Ghent. This was the beginning of a successful opera career, which brought him to Brussels, Antwerp, Paris, Amsterdam, The Hague, Lyon and Bordeaux. In 1828, he ended his career as a singer and became conductor in Brussels.
Van Campenhout wrote a large number of works: operas such as Grotius ou le Ch�teau de Lovesteyn en Passe-Partout, which were successful, and in addition he also composed ballet music, symphonies and choir music. The music of the Brabanconne he wrote in September 1830 on a text from Lois-Alexandre Dechet (Jenneval).
Van Campenhout was a freemason and a member of the Grand Orient of Belgium.
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