Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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Rienzi, the last of the tribunes (Rienzi, der Letzte der Tribunen) is the title of the third opera by Richard Wagner, composed between 1837 and 1840, inspired by the novel of the same name by Edward Bulwer-Lytton. Brought on stage for the first time in Dresden, October 20, 1842, was a triumph for composer, yet almost unknown at the time, that, thanks to this success, he secured the post of Kapellmeister at the Court Theatre. The enormous popularity of the opera is due to the fact that it is one of Wagner’s early works, still suffer of styles of French Grand Opera and its major representatives, Meyerbeer and Halévy. It was the first, indeed, prayed by Wagner, to recommend the work at German theatres from Paris. Already the next opera, the Flying Dutchman, however, Wagner will deny this style to move her first steps and truly innovative. The plot of the opera is based on the life of Cola di Rienzo, Roman notary of the fourteenth century that over the years of the century attempted to restore in town the Republic on the model of ancient Rome, and was appointed Tribune of the Plebs.
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