Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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I was inspired one day while walking along the coast of Lido Beach in Sarasota, Florida. I found these birds called sandpipers, which are like sea gulls with longer beaks and legs, feeding at the edge of the water. I was fascinated by their movements when they fed at the water and how they always ran away whenever a wave comes their way. The adult sandpipers always made stiff movements as they walked and the baby ones always scurried around them like mice. I also saw one of them float on the water and dip its head in like a duck. I captured these moments on my Samsung video camera and described them with the gestures of this piece. I composed this work very much like a painting. I first wrote in a background, a foundation of the work, containing various timbral sustains with developments in pressure, harmony, and density throughout the trio. These represent the waves of the ocean along the coast. Then, I wrote a foreground as many short, light staccato gestures on top of that background, representing the movements and characters of the sandpipers at Lido Beach.
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