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This aria was intended to be performed by 5 bassoons in unison on the solo part accompanying the bass soloist. It comes from the opera "Octavia" by Reinhard Keiser (1674-1739), which was written for the Hamburg Opera in 1705. This opera was much admired by Handel, who was working at Hamburg at the time.
The aria is one of three in this opera utilising the bassoon as a solo instrument. Check my scores for the other two (with 2 and 5 bassoons respectively).
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