Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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THOMAS ATTWOOD (1765-1838)
We know with some degree of certainty that Thomas Attwood was baptised in London on the 23 Nov. 1765, but no record regarding the date of his birth survives; he died in London on the 24 March 1838. Educated in the Chapel Royal he maintained his English connections at court by being appointed �music instructor� to members of the royal family after his return from his studies in Italy, where the Prince of Wales (later George IV), had sent him. In Naples he studied with Felipe Cinque and Gaetano Latilla, and in 1785 at the age of 20 he travelled to Vienna to study with Mozart who was 29 with just six years of his tragic life before him - he was reputed to have been a favourite pupil of Mozart, and a close friend of Mendelssohn who dedicated his op. 37 preludes and fugues to him.
In 1796 he was appointed organist at St. Paul�s Cathedral and composer to the Chapel Royal. In 1813 he became a founder member of the Philharmonic Society, and in 1823 was appointed as one of the first professors at the newly formed Royal Academy of Music.
Today Attwood is chiefly remembered for his sacred music although he composed over 30 stage works, instrumental music, songs, and glees, but most notable among his output are the exquisite anthems Turn thee again, O lord (1817), Come, Holy Ghost (1831), and Turn thy face from my sins (1835) which reflect his indebtedness to Mozart.
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