Andrea Verrengia

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Country:
Italy

Probably he has began his own music-sound experience still in prenatal condition, as well as who does music sincerely (he thinks so). Nevertheless, a long music "Curriculum Studiorum" (graduate at Conservatoire of Music of Rome "S.Cecilia" in "Experimental School of Composition"- 1989 and graduate in a few other musical disciplines as well as Electronic Music - 1985) and a multi-faces artistic working, which concretely begins, without never stop it, once 1979 and which space out in various music composition fields (contemporary opera; electronic music and instrumental and vocal experimental music; chamber, orchestral and choral music), as well as in the music interpretation and exegesis field (contemporary works performance and "mise en scene" as well as "Kontakte" by Stockhausen), rather a few composers interviews (Grisey, Rihm, Clementi and others) and dedicated writings to contemporary music ( Schoenberg; Venice Biennale Musica and many others), and, finally, a long and intense teaching activity in many Italian Conservatoire of Music, bring him (in 2000 public competed) to be appointed Professor of "Harmony, Counterpoint, Fugue and Composition" by Italian "Educational University and Research Ministry" (http://www.afam.miur.it ). From 1992 to today he has teaching in many Italian Music Conservatoire of Music and, actually, he is Professor of Harmony Counterpoint Fugue and Composition at Conservatoire of Music "S. Pietro a Majella" of Napoli. On the level of the his own expressive evolution, he thinks particularly incisive his music theater (Opera) intense experience, as well as composer and art director of the "Poiein Artistic Research Group" (1979-1990), with a several operas production performed in Italy and abroad, amongst which: Nous (1982/87), Metapherein (1983/86), Endon (1987/88), Prologo a Ljub-Ljub (1988), Pour Poe (1990) and others. For his composition "Dedans" (for Guitar, Vibraphone, Cello and 2 Percussionists), in 2006 he has won the absolute first prize at International Competition of Composition by Percussive Arts Society PAS-Italy and, in 2007, he has been rewarded by SIAE.

www.andreaverrengia.com StudyingSite : Music studies - Educational online

Score catalogue

Composizione Teoria della musica (Educational Music theory)
Intervalli
A. Verrengia, Schisma
A. Verrengia, Comma sintonico o didimico
A. Verrengia, Comma ditonico o pitagorico
A. Verrengia, Diaschisma
A. Verrengia, Tetraintervalli : dimostrazione di tutti gli intervalli, semplici e composti, nell'ambito tetracordale
A. Verrengia, "Intervallo creativo" - Studio sugli intervalli musicali - strumentato per Vibrafono solo
Fraseologia
A. Verrengia, "Fraseologia in campo aperto" (esemplificazione didattica strumentata per Violino)
Ritmica
A. Verrengia, Scansioni irregolari su tempi composti
A. Verrengia, Scansioni irregolari su 1, 2, 4 tempi
A. Verrengia, Scansioni regolari e irregolari
Composizione Armonia (Educational Composition Harmony)
A. Verrengia, Grafico del Tono A - Appendice 1
Fondamenti Armonia Tonale
A. Verrengia, Grafico del Tono A - Appendice 1
A. Verrengia, Armonici e generazione della Scala
Grafico Accordi Tono (Modo Maggiore)
A. Verrengia, Grafico del Tono A - Circolo delle 5e asc. e disc. nel sistema tonale temperato
A. Verrengia, Grafico del Tono A - Appendice 2
A. Verrengia, Grafico del Tono A_bis - Gradi armonici (Triadi e Quadriadi) e Regioni armoniche del Tono DO-la
A. Verrengia, Grafico del Tono A_bis1d : Gradi armonici (Triadi e Quadriadi) e "Regioni" armoniche del Tono FA-re
A. Verrengia, Grafico del Tono A_bis3a : Gradi armonici (Triadi e Quadriadi) e "Regioni" armoniche del Tono LA-fa#
A. Verrengia, Grafico del Tono A_bis3d : Gradi armonici (Triadi e Quadriadi) e "Regioni" armoniche del Tono Mib-do
Grafico Accordi Tono (Modo Minore)
A. Verrengia, Grafico del Tono A_ter : Gradi armonici (Triadi e Quadriadi) e Regioni armoniche del Tono la-DO
A. Verrengia, Grafico del Tono A_ter4d : Gradi armonici (Triadi e Quadriadi) e "Regioni" armoniche del Tono fa-LAb
Grafico Scale Toni
A. Verrengia, Grafico del Tono B1a : interrelazioni tra Scale e Regioni armoniche nel Circolo delle Quinte disc.
A. Verrengia, Grafico del Tono B1b : interrelazioni tra Scale e Regioni armoniche nel Circolo delle Quinte asc.
Collegamenti armonici Triadi
A. Verrengia, Armonia, Dispensa 1: Collegamenti (biunivoci) di Triadi in stato Fondamentale fra loro (*).
A. Verrengia, Grafico A - Collegamenti Armonici Triadi in Stato Fondamentale con Triadi in 1° Rivolto
A. Verrengia, Grafico B - Collegamenti Armonici di Triadi in 1° Rivolto con Triadi in Stato Fondamentale
A. Verrengia, Grafico C - Collegamenti Armonici di Triadi in 1° Rivolto fra loro
Trattamento 2° Rivolto Triade
A. Verrengia, Trattamento del secondo Rivolto della Triade
Collegamenti armonici Quadriadi
A. Verrengia, Quadriadi (Accordi di Settima) - Collegamenti armonici in Stato Fondamentale - Parte prima
A. Verrengia, Quadriadi (accordi di settima) - Collegamenti armonici in Stato Fondamentale
A. Verrengia, Quadriadi (Accordi di Settima) in 1° Rivolto - Parte seconda : Soluzione -
A. Verrengia, Quadriadi (Accordi di Settima) in 1° Rivolto - Parte prima : Test -
A. Verrengia, Quadriadi (Accordi di Settima) - Collegamenti armonici in Stato Fondamentale. Parte seconda
A. Verrengia, Quadriadi (accordi di settima) - Collegamenti armonici in Stato di 1°, 2° e 3° Rivolto
Scala armonizzata
A. Verrengia, Scala Armonizzata : Toni DO-la--DO#la# e Toni DO-la--DOb-lab
A. Verrengia, Scala Armonizzata : Polifonia e Indipendenza delle Voci
Cadenze & Ritardi
A. Verrengia, Cadenze e Ritardi - Riassunto pratico
Basso Continuo
A. Verrengia, Basso Continuo, A.Corelli, prima Sonata op.5 per Violino e B.C. (II mov.) Dispensa-Foglio di lavoro
Armonizzazione del Basso
A. Verrengia, Interpretazione armonica di un basso dato (Esemplificazione-foglio di lavoro)
Basso imitato e fugato
A. Verrengia, Basso Imitato e Fugato : Esemplificazione e Test
A. Verrengia, La nozione di "imbastitura" nel Basso imitato e fugato (Esemplificazione-foglio di lavoro)
Composizione Contrappunto (Educational Composition Counterpoint)
Analisi compositiva contrappuntistica
A. Verrengia, Analisi compositiva contrappuntistica - J.S. Bach, Arte della Fuga, Contrapunctus XIII
A. Verrengia, Musica pretonale - Doppio Coro : Giovanni Pierluigi da Palestrina (1525-1594), Stabat Mater (8 parti) - Riduzione e Analisi
A. Verrengia, Musica pretonale - Doppio Coro : Tomas Luis da Victoria (c. 1549-1611), Ave Maria, gratia plena (8 parti) - Riduzione e Analisi
A. Verrengia, Analisi compositiva contrappuntistica : Orlando di Lasso Sequuntur Cantiones Quatuor Vocum N. 58. (49, I. pars.)
A. Verrengia, Analisi compositiva contrappuntistica - O. di Lasso, Cantiones Duarum Vocum (n. 9)
A. Verrengia, Esemplificazione di parametri analitici nell’analisi armonica (Foglio di lavoro)
A. Verrengia, Analisi Corale-Test (Choral Analysis - Test)
A. Verrengia, Analisi Armonica Fraseologica e Formale - W. A. Mozart, Trio K. V. 548
A. Verrengia, Analisi Armonica Fraseologica e Formale / Riduzione armonica - F. B. Mendelssohn Op.62 n.1
Contrappunto multiplo
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni - N° 1 - Contrappunto doppio all’ 8va o alla 15ma
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni - N° 1 TEST - Contrappunto doppio all’ 8va o alla 15ma
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni - N° 1 TEST - Contrappunto doppio all’ 8va o alla 15ma (SOLUZIONE)
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni N° 1 bis - Contrappunto multiplo a 2 voci (doppio)
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni - N° 1 quater - Contrappunto doppio all’ 8va o alla 15ma - Fuga a 2 voci (Fughetta)
A. Verrengia - Il Contrappunto Multiplo - Introduzioni ed esemplificazioni N.° 2 - Combinazioni in Contrappunto Doppio all’ 8va o alla 15ma e Combinazioni derivate in Contrappunto Triplo e Quadruplo.
A. Verrengia, Il Contrappunto Multiplo - Introduzioni ed esemplificazioni - N° 2 ter - Alcuni Temi dati per esercitazioni pratiche (con accenni Controtemi e armonizzazioni)
A. Verrengia, Esposizione di Fuga a 2 voci - Esercitazioni pratiche
A. Verrengia, Analisi compositiva contrappuntistica - J.S. Bach, Arte della Fuga, Contrapunctus XIII
La Fuga
A. Verrengia, La Fuga - L’esposizione della Fuga : composizione e analisi degli elementi costitutivi della Fuga, con imbastitura dell’Esposizione nella tessitura - (stile strumentale - Soggetto di Mozart).
A. Verrengia, La Fuga : analisi degli elementi costitutivi della Fuga (con trasposizione-traslazione modale del Soggetto alla tonalità relativa)
A. Verrengia, Esposizione di Fuga a 2 voci - Esercitazioni pratiche
A. Verrengia, Morfologia della Fuga (A) - Metodologia costruttiva - A) Fuga scolastica in modo Maggiore
A. Verrengia, Morfologia della Fuga (B) - Metodologia costruttiva - B) Fuga scolastica in modo minore
A. Verrengia, La nozione di "imbastitura" nel Basso imitato e fugato (Esemplificazione-foglio di lavoro)
A. Verrengia, Basso Imitato e Fugato : Esemplificazione e Test
A. Verrengia, "Remake" - Fuga per Trio d’Archi (Soggetto di P. Hindemith)
A. Verrengia, "Specchio" - Fugato cancrizzante per Trio d’Archi
Dodecafonia e Contrappunto
A. Verrengia, Cifratura di una serie dodecafonica
Argomenti correlati
A. Verrengia, Basso Continuo, A.Corelli, prima Sonata op.5 per Violino e B.C. (II mov.) Dispensa-Foglio di lavoro
A. Verrengia, Trattamento del secondo Rivolto della Triade
A. Verrengia, Scala Armonizzata : Polifonia e Indipendenza delle Voci
A. Verrengia, "Intervallo creativo" - Studio sugli intervalli musicali - strumentato per Vibrafono solo
A. Verrengia, Cadenze e Ritardi - Riassunto pratico
A. Verrengia, Tetraintervalli : dimostrazione di tutti gli intervalli, semplici e composti, nell'ambito tetracordale
Composizione Analisi musicale (Educational Composition Analyses)
A. Verrengia, Proiezione grafico-analitica della Forma Variazioni
A. Verrengia, Analisi Corale-Test (Choral Analysis - Test)
A. Verrengia, Analisi Quintetto per Fiati Op. 91 n.1/III - di A. Reicha
A. Verrengia, Analisi Armonica Fraseologica e Formale / Riduzione armonica - F. B. Mendelssohn Op.62 n.1
A. Verrengia, Analisi Armonica Fraseologica e Formale - W. A. Mozart, Trio K. V. 548
A. Verrengia, Musica pretonale - Doppio Coro : Giovanni Pierluigi da Palestrina (1525-1594), Stabat Mater (8 parti) - Riduzione e Analisi
A. Verrengia, Musica pretonale - Doppio Coro : Tomas Luis da Victoria (c. 1549-1611), Ave Maria, gratia plena (8 parti) - Riduzione e Analisi
A. Verrengia, Analisi compositiva contrappuntistica : Orlando di Lasso Sequuntur Cantiones Quatuor Vocum N. 58. (49, I. pars.)
A. Verrengia, Analisi compositiva contrappuntistica - O. di Lasso, Cantiones Duarum Vocum (n. 9)
A. Verrengia, Analisi compositiva contrappuntistica - J.S. Bach, Arte della Fuga, Contrapunctus XIII
A. Verrengia, Il fenomeno degli armonici e la generazione della Scala musicale
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
A. Verrengia, Morfologia della Fuga (A) - Metodologia costruttiva - A) Fuga scolastica in modo Maggiore
A. Verrengia, Morfologia della Fuga (B) - Metodologia costruttiva - B) Fuga scolastica in modo minore
A. Verrengia, Cifratura di una serie dodecafonica
A. Verrengia, Tetraintervalli : dimostrazione di tutti gli intervalli, semplici e composti, nell'ambito tetracordale
A. Verrengia, Esemplificazione di parametri analitici nell’analisi armonica (Foglio di lavoro)
A. Verrengia, Analisi di musica non tonale - Musica Contemporanea per Pf. - B. Canino, "Piccolo labirinto" (1971)
Composizione Strumentazione Orchestrazione (Educational Instrumentation Orchestration)
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
A. Verrengia, Analisi Armonica Fraseologica e Formale - W. A. Mozart, Trio K. V. 548
Composizione Dodecafonia (Educational Twelve-tone music)
A. Verrengia, Cifratura di una serie dodecafonica
Composizione Musica moderna e contemporanea (Educational modern and contemporary music)
A. Verrengia, Studi di Componotazione : Studio I
A. Verrengia, Analisi di musica non tonale - Musica Contemporanea per Pf. - B. Canino, "Piccolo labirinto" (1971)
A. Verrengia, Notazioni musicali convenzionali, in campo aperto, proporzionali, grafiche (Esemplificazioni pratiche)
Canto e Orchestra (Music production : Voice and Orchestra)
A. Verrengia, "Verde" Aria da Concerto per Canto e Orchestra
A. Verrengia, "Credo laico" Aria da concerto per Canto e Orchestra
Orchestra (Music production : Orchestra)
A. Verrengia, "Caccia" (Fighter) per Orchestra
A. Verrengia, "Postmonizioni", per Orchestra
Musica da camera (Music production : Chamber music)
A. Verrengia, "Dedans" - Quintetto strumentale - Partitura
A. Verrengia, "Onirico-Ricorrente-Variato" - Violino e Pianoforte
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - TEMA
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - I Variazione
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - II Variazione
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - V e VI Variazione
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - IV Variazione
A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - III Variazione
A. Verrengia, "Lirico" - per Trio d’ Archi
A. Verrengia, "Doppiobis - excursus psichico di due Pianisti" - per 2 Pf.
A. Verrengia, "Remake" - Fuga per Trio d’Archi (Soggetto di P. Hindemith)
A. Verrengia, "Specchio" - Fugato cancrizzante per Trio d’Archi
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
Pianoforte e Soli strumentali (Music production : Piano and Solo instruments)
A. Verrengia, "Prélude" - per Pianoforte
A. Verrengia, "Adieu" - per Pianoforte
A. Verrengia, "Danse" - per Pianoforte
A. Verrengia, "Ostinato" - per Pianoforte
A. Verrengia, "Fraseologia in campo aperto" (esemplificazione didattica strumentata per Violino)
A. Verrengia, "Intervallo creativo" - Studio sugli intervalli musicali - strumentato per Vibrafono solo
Trascrizioni (Music production :Transcriptions)
J. S. Bach, Quaerendo invenietis - Canone a 2 voci tratto all'Offerta musicale
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
"Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
Uncategorised music
A. Verrengia. China song - opera aperta - Versione con testo, per Canto e Campana tibetana e/o Strumenti
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Composizione Teoria della musica (Educational Music theory)
Intervalli
A. Verrengia, Schisma
A. Verrengia, Comma sintonico o didimico
A. Verrengia, Comma ditonico o pitagorico
A. Verrengia, Diaschisma
A. Verrengia, Tetraintervalli : dimostrazione di tutti gli intervalli, semplici e composti, nell'ambito tetracordale
A. Verrengia, "Intervallo creativo" - Studio sugli intervalli musicali - strumentato per Vibrafono solo
Fraseologia
A. Verrengia, "Fraseologia in campo aperto" (esemplificazione didattica strumentata per Violino)
Ritmica
A. Verrengia, Scansioni irregolari su tempi composti
A. Verrengia, Scansioni irregolari su 1, 2, 4 tempi
A. Verrengia, Scansioni regolari e irregolari
Composizione Armonia (Educational Composition Harmony)
A. Verrengia, Grafico del Tono A - Appendice 1
Fondamenti Armonia Tonale
A. Verrengia, Grafico del vatoire of Music, bring him (in 2000 public competed) to be appointed Professor of "Harmony, Counterpoint, Fugue and Composition" by Italian "Educational University and Research Ministry" (http://www.afam.miur.it ). From 1992 to today he has teaching in many Italian Music Conservatoire of Music and, actually, he is Professor of Harmony Counterpoint Fugue and Composition at Conservatoire of Music "S. Pietro a Majella" of Napoli. On the level of the his own expressive evolution, he thinks particularly incisive his music theater (Opera) intense experience, as well as composer and art director of the "Poiein Artistic Research Group" (1979-1990), with a several operas production performed in Italy and abroad, amongst which: Nous (1982/87), Metapherein (1983/86), Endon (1987/88), Prologo a Ljub-Ljub (1988), Pour Poe (1990) and others. For his composition "Dedans" (for Guitar, Vibraphone, Cello and 2 Percussionists), in 2006 he has won the absolute first prize at International Competition of Composition by Percussive Arts Society PAS-Italy and, in 2007, he has been rewarded by SIAE. [[http://www.andreaverrengia.com|www.andreaverrengia.com]] StudyingSite : Music studies - Educational online9355010011Uncategorised music5326810000000-00-00 00:00:00110[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"}]110.000000-00-00 00:00:000000-00-00 00:00:0000045322017-06-14 19:01:04{"width":300,"position-y-pc":"32","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":80,"width":33,"x":84,"center-y":96.5,"height":33,"center-x":100.5},{"y":79,"width":33,"x":155,"center-y":95.5,"height":33,"center-x":171.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":79,"width":33,"x":84,"center-y":95.5,"height":33,"center-x":100.5},{"y":78,"width":34,"x":154,"center-y":95,"height":34,"center-x":171}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":79,"width":33,"x":85,"center-y":95.5,"height":33,"center-x":101.5},{"y":77,"width":34,"x":155,"center-y":94,"height":34,"center-x":172}]},"height":294,"position-x-combined":"45%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":136.166666666667,"average-center-y":95.3333333333333,"id":"6FE53A60-512B-11E7-A4DB-C79EB129BA8C","position-x-pc":"45"}62019-06-06 16:25:0000000-00-00 00:00:0040010000.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00812018-04-07 21:24:30000001$3FE5E3BE-886F-11E9-BE21-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00kA_def ScoreExchangeUsersUsers LockedDate LockedDate ? O`def ScoreExchangeUsersUsersAllowSmallPaymentAllowSmallPayment ?Yadef ScoreExchangeUsersUsersLastAccountLockReason3LastAccountLockReason3 ? Ibdef ScoreExchangeUsersUsersLastUnlockDateLastUnlockDate ? Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-Ugdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? ijePerformance ?[Xdef ScoreExchangeUsersUsersDefaultLicenseRecordingDefaultLicenseRecording ?UYdef ScoreExchangeUsersUsersDefaultLicenseProfitDefaultLicenseProfit ?5Zdef ScoreExchangeUsersUsersUUIDUUID !lE[def ScoreExchangeUsersUsers AllowReviews AllowReviews ?Q\def ScoreExchangeUsersUsersPhotoFileVaultUUIDPhotoFileVaultUUID !lc]def ScoreExchangeUsersUsersDefaultPlatinumScoreIncludeDefaultPlatinumScoreInclude ? @I^def ScoreExchangeUsers7","404149","404148","403707","403696","404953","113969","406994","404150","404144","420979","406992","406998","406885","474529"]2020-09-18 22:35:2700000-00-00 00:00:00021029701650x919013.002023-05-08 04:18:522023-05-08 04:18:5499632895730000-00-00 00:00:000000-00-00 00:00:00m","50821","16473","8292","48629","199350","494529","41789","67220","115721","365111","47739","504640","2510","144929","89857"]2020-09-18 06:36:1300000-00-00 00:00:00021029701650x919013.002023-05-08 00:01:282023-05-08 00:01:3094503919730000-00-00 00:00:000000-00-00 00:00:00mgeOneAspectLastAttempted ? gidef ScoreExchangeScoresScoresMinimumPurchaseQuantityScoreMinimumPurchaseQuantityScore ? qjdef ScoreExchangeScoresScores!MinimumPurchaseQuantitySetOfParts!MinimumPurchaseQuantitySetOfParts ? k8l22244 Quad Jam I41392312011-11-01 07:49:452017-11-22 17:37:21sib1908000000-00-00 00:00:0019910 Mike Lamagna200301tFun little quad solo sounds much better on the real instrument, the MIDI really takes away from full effect enjoy!1.50100none01.502011-05-07 15:07:0100458591010d{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "11483" } 0.00002011-05-07 15:07:07 Quad Jam I0012013-04-17 06:01:0900Quad Jam I Mike Lamagna none Fun little quad solo sounds much better on the real instrument, the MIDI really takes away from full effect enjoy!00000000-00-00 00:00:000002017-06-09 17:10:170000-00-00 00:00:00565235000.001.500.0000.00["74373","131944","177388","124281","139314","85548","361174","365084","55377","85392","11738","15054","157155","62345","85549","99063","79659","14931","101193"]2020-09-20 06:12:4800000-00-00 00:00:00021029701650x919013.002023-05-08 04:24:332023-05-08 04:24:3449344465050000-00-00 00:00:000000-00-00 00:00:00mft","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"FBC0F790-162A-11E7-BFF1-8CCC2C9169A8","position-x-pc":"0"}0128016922017-06-09 17:10:170000-00-00 00:00:00642725000.006.004.5000.00["52827","106114","103986","43370","411917","68167","144278","207843","411251","201896","8283","152934","126421","199124","90063","175859","128908","184822","149514","175453"]2020-09-23 12:28:0512019-09-25 13:30:2841964712-DF90-11E9-B562-782724400001650x916005.002023-02-15 20:11:152023-02-15 20:11:52279218340983000000-00-00 00:00:000000-00-00 00:00:00m is another name for ‘chansons poétiques’ –art songs, or lieder in German). I offer all my apologies if this may have misled some people. Thank you for your understanding and appreciation. P.S. I have also provided an English translation in the info of the Sib file, and often I was able to create a bilingual singable rendition. P.S. Also I am gathering a kind of compendium of French Art Songs: it gives, for the lovers of French poetry, the possibility of comparing the various settings of a same poem by other composers. P.S. I have realised now, in 2015, that so many people have tried to set to music French poetry, some times more than a hundred for just one single poem! This movement reached a maximum during the period from the end of the 19th century to the First World War. The romantic period gave in France an explosion of poetry which, like a field of poppies, bloomed into songs. So the task of gathering a compendium of French Art Song goes far beyond my ability: I will only transcribe a few more and then stop; in the doing it I have learned a lot about the difference between melodies and their accompaniments in serving the singer and the poem. May you all see the beauty of simplicity and spaciousness in art songs, which I would call heart songs. 00000103118610000000-00-00 00:00:000001146.800000-00-00 00:00:000000-00-00 00:00:0001049572017-06-14 18:53:01{"width":300,"position-y-pc":"57","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":73,"width":190,"x":51,"center-y":168,"height":190,"center-x":146}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":78,"width":181,"x":57,"center-y":168.5,"height":181,"center-x":147.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":81,"width":173,"x":62,"center-y":167.5,"height":173,"center-x":148.5}]},"height":295,"position-x-combined":"49%","position-x":"center","position-y":"center","position-y-combined":"57%","average-center-x":147.333333333333,"average-center-y":168,"id":"500C2074-512A-11E7-A7C4-862C70431739","position-x-pc":"49"}32019-06-06 16:26:3100000-00-00 00:00:0040092200.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00210000-00-00 00:00:00000001$75C51BE4-886F-11E9-A780-F3D41D17C629112024-03-22 13:04:1800000-00-00 00:00:002023-08-20 08:04:0701000000-00-00 00:00:00kmbles. He was awarded Honorable Mention in the 2007 Adagio Contest held by the Fauxharmonic Orchestra in Baltimore, Maryland for his large string orchestra work Dolente and more recently 1st place in the 2015 SHSU-BMF International Composition Competition presented by Sam Houston State University and the Bolivian Music Festival with his composition Concerto Semplice for two violins and orchestra. Performances have been with the Bolivian Music Festival Orchestra in La Paz, Bolivia and the Sam Houston Symphony Orchestra in Huntsville, Texas with featured violin soloists Javier Pinell and Naomi Gjevre. His latest commissioned work was Land of Hope and Beauty for large symphonic band, a work commissioned by Louis Sinoff which celebrates the history of New Mexico. He has been regularly commissioned from music ensembles and individuals in the United States, Italy, Australia and Switzerland to write original works but also jazz, tango, musical and opera arrangements, large orchestral and symphonic band works as well as several small ensemble pieces. He has sold a number of his own compositions throughout Europe, Asia, Africa, UK and Australia as well as Canada and USA. His Symphony No. 15 was recently inducted into the Edna St. Vincent Millay Library in New York. Several of his own original compositions have been used in Doctoral Thesis works, recitals and competitions and have also been compiled into discographies in numerous universities across North America. Teaching and conducting since 1992 through a number of schools (Wolfville and Horton School Strings, Cambridge Elementary School Strings, Landmark East, Kings-Edgehill, Berwick and District) and academies (Annapolis Music Academy, Dorian Hall), he now teaches and conducts at his own studio in the fields of classical, pop and jazz music, violin, fiddle, viola, cello, double bass, guitar, piano, clarinet, saxophone, trombone, theory, harmony, history, counterpoint, analysis, conducting and composition. Many of his students have gone on to continue their studies after high school in musical fields such as composition, performance, media/production and music therapy at Acadia University, Berklee College of Music and University of Toronto to name a few. Several of his students also compose, arrange and publish their own works, play in orchestras and teach in a number of different environments. 185119010011 My Scores2476410000000-00-00 00:00:00110[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"}]1132.110000-00-00 00:00:000000-00-00 00:00:00010002021-03-12 14:10:20{ "faces" : {} } 02021-03-12 14:10:1900000-00-00 00:00:00400156710.002020-07-29 13:09:1010Account0000-00-00 00:00:002024-04-04 08:06:232020-01-31 13:09:102020-01-31 13:02:571002018-09-29 22:05:50110001$AD365C0E-833C-11EB-A50C-788383FEA0E1000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00ks/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":178,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"B49083DA-1626-11E7-AC00-E31CA258A42E","position-x-pc":"0"}03001682019-11-16 04:26:050000-00-00 00:00:00526438138.005.008.005.000010100.00["104260","61056","116017","100738","84521","859#UedCatalo U$U2UCUTU^UhUuUdefScoreExchangeCachedCataloguesCachedCataloguesCatalogueCatalogue!550LONDON0000-00-00 00:00:000000-00-00 00:00:00273290.60 georgestiles1[ { "Desc" : "Keep up to date with what we're writing here", "Url" : "http://www.stilesanddrewe.com/", "Text" : "My website with Anthony Drewe" } ] My assistant has now uploaded requested songs from Soho Cinders and Betty Blue Eyes. Enjoy! Selected songs from Betty Blue Eyes and selected Honk! sheet music can now be found at http://www.fabermusicstore.com Songs from Mary Poppins can be found at http://www.musicnotes.com/ Do also visit our website for more information about our work: http://www.stilesanddrewe.com Best wishes, George & Anthony155376010111George Stiles sheet music1631611George Stiles, along with Anthony Drewe are a dynamic musical theatre songwriting partnership who have written music and lyrics for productions such as: [[http://www.scoreexchange.com/search?sid=117959,122825,117958,118286,118287,122827,117963|//Betty Blue Eyes//]], [[http://www.scoreexchange.com/search?sid=117956,117955,117954,117953,117952,105230,101911,118005,100227,118006,118007,118008|//Soho Cinders//]], [[http://www.scoreexchange.com/search?sid=86704,108110,102518,98670,86729,86728|//Just So//]], [[http://www.scoreexchange.com/search?sid=86724,102303,99741,|//Honk!//]], [[http://ww.scoreexchange.com/search?sid=86719,125636,125634,86727,86723,86721,125633,124153|//The Three Musketeers//]], and [[http://www.scoreexchange.com/search?sid=86699,86702,86701,86700,120629,125631|//Peter Pan//]]. "George Stiles and Anthony Drewe, the brightest hopes for the future of the British musical." The Daily Telegraph200000-00-00 00:00:0011022123.780000-00-00 00:00:000000-00-00 00:00:0000052402017-06-14 19:08:37{"width":300,"position-y-pc":"40","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":73,"width":62,"x":73,"center-y":104,"height":62,"center-x":104},{"y":22,"width":63,"x":174,"center-y":53.5,"height":63,"center-x":205.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":23,"width":62,"x":173,"center-y":54,"height":62,"center-x":204},{"y":73,"width":64,"x":73,"center-y":105,"height":64,"center-x":105}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":73,"width":64,"x":73,"center-y":105,"height":64,"center-x":105},{"y":23,"width":62,"x":174,"center-y":54,"height":62,"center-x":205}]},"height":200,"position-x-combined":"52%","position-x":"center","position-y":"center","position-y-combined":"40%","average-center-x":154.75,"average-center-y":79.25,"id":"7E04A044-512C-11E7-8EEC-FB66D4B6AB39","position-x-pc":"52"}62019-06-06 16:25:3000000-00-00 00:00:004008800.002017-11-30 00:00:0010Account0000-00-00 00:00:002021-04-16 08:02:590000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001$51FCC63A-886F-11E9-9F08-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00840005.002023-04-14 19:17:502023-04-14 19:19:4126240774127313420000-00-00 00:00:000000-00-00 00:00:00"423362","172080","135550","157078","410385","397544","410388","151043","1182","410379","151828","142709","539109","151041","151831","205590"]2020-09-08 02:38:2912019-09-25 13:24:136289A9F6-DF8F-11E9-AFAE-78779200001650x841013.002023-04-15 13:04:432023-04-15 13:05:3424174773105435430000-00-00 00:00:000000-00-00 00:00:00rsion also speaks of being forsaken, of love that "grows old and waxes cold." (American version) The water is wide, I cannot get o’er, Neither have I the wings to fly. Give me a boat that can carry two, And both will row, my love and I. There is a ship, and she sails the sea. She’s loaded deep, as deep can be, but not as deep, as the love I’m in, I know not if I sink or swim. I leaned my back against an oak, Thinking it was a trusty tree, But first it bent, and then it broke, Just as my love proved false to me. O, love is gentle, and love is kind, The sweetest flower, when first it’s new, But love grows old, and waxes cold, And fades away, like the mornin’ dew. 00000000-00-00 00:00:000002017-06-09 17:10:170000-00-00 00:00:007374000.008.956.001100.00["132135","121764","46606","60412","13401","121763","92067","80821","103253","207829","60401","24977","7565","430384","170123","139704","301","135444","64375"]2020-09-10 22:08:1400000-00-00 00:00:00000101650x919013.002023-05-01 09:43:432023-05-01 09:43:485976545733870000-00-00 00:00:000000-00-00 00:00:00"140556","168223","78183","151528","59699","140520","140617","140618","188994","75247","4062","173346","32625","23092","4413","107764","6032","22033","79411"]2020-09-29 05:20:1500000-00-00 00:00:0000001650x919005.002023-04-30 12:36:412023-04-30 12:38:24976026187783220000-00-00 00:00:000000-00-00 00:00:001usg#GU458f878)0@Udef IP2Locationipcountry_liveipcountry_live countrySHORT countrySHORT !"US" @!"Uȇ"U"U"U"U"U  @!"U"U"U"U"U؇"U  @!8"UH"U("U0"U"U"U  @!"U"Up"Ux"U`"UX"U   @!Ȉ"U؈"U"U"U"U"U  !"U "U"U"U"U"U   @!X"Uh"UH"UP"U8"U0"U @!"U"U"U"U"Ux"U @!"U"U؉"U"Uȉ"U"U @!0"U8"U "U("U"U"U @!h"Ux"UX"U`"UH"U@"U @!"U"U"U"U"U"U  !"U"U"U"U؊"UЊ"U !0"U8"U "U("U"U"U !h"Up"UX"U`"UH"U@"U !"U"U"U"U"Ux"U !؋"U"Uȋ"UЋ"U"U"U  @! 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LaCalle Joel Jacklich Jacklich Music Publishing Joseph M. LaCalle (1860 - June 11, 1937) was a clarinetist, composer, conductor and music critic. He is most well known for composing the song "Amapola". LaCalle was born in Cadiz, Spain and emigrated to the United States as a young man. He performed on woodwind instruments with a number of popular bands including the John Phillip Sousa Band, the Gilmore Band, the 7th Regiment Band, the Hoadley Musical Society Amateur Orchestra, and the Columbia Spanish Band. He conducted his own band, the LaCalle Band, and the 23rd Regiment Band. LaCalle participated in early recordings for Columbia and other recording companies. LaCalle composed numerous songs and marches, including "Twenty-third Regiment March" (1902), "Pobrecito Faraon" (1923) "Amapola" (1924), "Aquel Beso" (1927) and "The Light That Never Fails (Luz Eterna)" (1928). "Amapola" was originally composed without lyrics. In the early 1940s "Amapola" was given English lyrics by Albert Gamse. The song was then recorded by a number of artists. (Source: Wikipedia)o!0g#Hg#0^U!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#P(UNUNU((U(UIUIUMUKUMUJU(Ux(UHNUpMU (ULU8)U(U8(ULUNU@MU8LUMUH(UxNUJUJUMUxKUPLU(U(UNUKU(MUh(U(UKULUKUJULU(ULUh(U(U(U@JUMUXMU(U OU(U(U(U(U0(UHKU(UIU(U(UX(ULUNUMU`NUhLUx(UKU LU(UKU(U(U0KUle Sheph!2017-06-09 17:10:17, 15!0000-00-00 00:00:00o th!g#g# [[http!455884g#|www.sib!0g#g#hp?sm=ho!0g#g#stid=75 !0.00g#p://www.!8.95g#beliusmu!6.00g#ome.scor10g#g# ? 0It’s the Christmas holiday season, and ensembles throughout Christendom get ready to serenade congregations in churches, shoppers in malls, and party goers at festive receptions. Here is Volume I, with 22 of the best known carols for the Christmas season. A part for soprano saxophone in Bb is available as a substitute for first alto sax in Eb. Volume I contains the following 22 carols: 1. Angels We Have Heard on High 2. Away in a Manger (German) 3. Away in a Manger (British) 4. Away in a Manger (American) 5. The Boar’s Head carol 6. Bring a Torch, Jeanette, Isabella 7. Carol of the Bells 8. Come, All Ye Shepherds 9. Deck the Hall 10. Echo Carol 11. The First Noel 12. God Rest Ye Merry, Gentlemen 13. Good Christian Men, Rejoice (In Dulci Jubilo) 14. Good King Wenceslas 15. Hark! the Herald Angels Sing 16. Here We Come A-Wassailing 17. Huron Indian Carol: Jesos Ahatonhia 18. I Heard the Bells on Christmas Day 19. I Saw Three Ships 20. In a Manger He Is Lying 21. Infant so Gentle 22. It Came Upon a Midnight Clear Volume II contains the following carols: 23. Jingle Bells 24. Jolly Old Saint Nicholas 25. Joy to the World 26. Lo, How a Rose E’er Blooming 27. Lullay, Thou Little Tiny Child (The Coventry Carol) 28. O Come, All Ye Faithful (Adeste, Fideles) 29. O Come, Little Children 30. O Come, O Come, Emmanuel 31. O, Little Town of Bethlehem (American) 32. O, Little Town of Bethlehem (British) 33. O Sactissima 34. O Tannenbaum 35. Silent Night 36. Up on the House Top 37. A Virgin Unspotted 38. We Three Kings of Orient Are 39. We Wish You a Merry Christmas 40. 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H7UL7UZ7Ua7Uh7Uu7U7U7UdefScoreExchangeScoresScoresLyricistIsMeLyricistIsMe?t(8U7U 7U7U7U8U8U8U8U'8UdefScoreExchangeScoresScoresSubTitleSubTitle! @r8U@8UedScores8U8U8U8U8U8U8U8UdefScoreExchangeScoresScoresCopyrightCopyright! @9Uh9U8UeUsers 9U$9U29U99U@9UK9UV9Uc9UdefScoreExchangeScoresScoresDedicationDedication! @U:U9UdefScor9U9U9U9U9U9U:U:UdefScoreExchangeScoresScoresDefaultPartPriceDefaultPartPrice? :U(:Ua:Uh:Ul:Uz:U:U:U:U:U:UdefScoreExchangeScoresScoresSentForConversionSentForConversion? ;Uh;U:UeUsers;U;U*;U1;U8;UG;UV;Uc;UdefScoreExchangeScoresScoresReExtractPartsReExtractParts?U<U;UdefScor;U;U;U;U;U;U;U <UdefScoreExchangeScoresScoresReExtractInfoReExtractInfo?<U<U(<Ud<Uh<Ul<Uz<U<U<U<U<U<UdefScoreExchangeScoresScoresSM_ScoreIDSM_ScoreID?  @U`=U<U =U=U =U=U!=U(=U:=UL=UY=UdefScoreExchangeScoresScoresPromotionalReviewPromotionalReview!P=U>Ux=U=U=U=U=U=U=U=U=U >UdefScoreExchangeScoresScoresAllowTranspositionAllowTransposition?U>U(>Um>Uh>Ul>Uz>U>U>U>U>U>UdefScoreExchangeScoresScoresAllowSubstitutionAllowSubstitution??Up?U>UeExchang?U?U*?U1?U8?UM?Ub?Uo?UdefScoreExchangeScoresScoresHasBeenConvertedOnceHasBeenConvertedOnce? @ @U?UeExchang?U?U?U?U?U?U@U@UdefScoreExchangeScoresScoresHasCopyrightReportHasCopyrightReport? @chang@U8@UletedDatx@U|@U@U@U@U@U@U@UdefScoreExchangeScoresScoresSM_GroupInfoSM_GroupInfo!g`AU@UtermarkDAUAU*AU1AU8AUCAUNAU[AUdefScoreExchangeScoresScoresPopularityPopularity? @ScorBUxAUUsersPDAUAUAUAUAUAUAUAUdefScoreExchangeScoresScoresScoUpdatedScoUpdated? UBUBUeUsersXBU\BUjBUqBUxBUBUBUBUdefScoreExchangeScoresScoresTitleSortingTitleSorting! @HCUBUeUsersBUBU CUCUCU(CU8CUECUdefScoreExchangeScoresScoresResellerNetworkResellerNetwork?@UCU`CUeUsersCUCUCUCUCUCUCUCUdefScoreExchangeScoresScoresHiddenHidden? @UDUCUdefScor8DUStPatrick's Cathedral Parramatta St Patrick's Cathedral Parramatta Youtube: https://www.youtube.com/channel/UCOUunJd_gFFjT80tY-UcNi U!2021-11-23 08:06:07U!0000-00-00 00:00:00U!50g#g#(!U!0000-00-00 00:00:00U!0g#g#h !U!0g#g#x!U!0g#g#x!U!0g#g#!U!0g#g#!U!g#g#p!U!1g#g#Ȥ!U15A9DB830-886F-11E9-9F08-F3D41D17C629!1g#g#!U!0g#g#!0000-00-00 00:00:00U!0g#g# aBernard Kirkpatrick, has composed and arranged many scores over the years, in response to the needs of liturgical occasions and worship. He has many years experience in the publishing industry, having worked for Boosey & Hawkes Australia. As an organist, Bernard has performed regularly for radio and recitals at the Melbourne International Festival of Organ and Harpsichord, the Sydney Town Hall and the Sydney Opera House, in addition to his regular work in the Churches and Cathedrals of Sydney. 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SCRIPTFORSEORSMDSCORES (1UȮUUȮU$UȮUHdUȮUhUȮU3UȮU(UȮUȋ$UȮU UȮUU UxzU UUȌUxzUȌUgU UHIU8UUȄU8UȮUUȮU(UȮU!%UȮU[#UȮU8U,U l h"U9UHVU UH3kU UUȮUUȮUU4UxzU4U؁UجUx]U UU UXݾU U(ϤU(gUHr2U __UȢ U U^U U`U U(SaU UH(3U(gUU(gU)U6U(gU6U(gUU(gU56U(gU)U(6U(gUh)U __U9U(gUx.5U(gUp)U2U(gUU,U __UU(gUU(gUGU(gUU(gUxzU(gUU(gUHBbU UHd9U`AUh,UUxgUUzU Uq2U __U U U U U{U UH(3UUP7Ux.5UUGUUXeUU2UU?U __UUUUUGUUUUxzUU(ϤU0:U8]2U __UH(3U0:UU0:U@U6U0:U6U0:UU0:U56U0:Uburger-bAThe Big Book of Christmas Carols I for Saxophone Quartet Trad. Jacklich Music Publishing It’s the Christmas holiday season, and ensembles throughout Christendom get ready to serenade congregations in churches, shoppers in malls, and party goers at festive receptions. Here is Volume I, with 22 of the best known carols for the Christmas season. A part for soprano saxophone in Bb is available as a substitute for first alto sax in Eb. Volume I contains the following 22 carols: 1. Angels We Have Heard on High 2. Away in a Manger (German) 3. Away in a Manger (British) 4. Away in a Manger (American) 5. The Boar’s Head carol 6. Bring a Torch, Jeanette, Isabella 7. Carol of the Bells 8. Come, All Ye Shepherds 9. Deck the Hall 10. Echo Carol 11. The First Noel 12. God Rest Ye Merry, Gentlemen 13. Good Christian Men, Rejoice (In Dulci Jubilo) 14. Good King Wenceslas 15. Hark! the Herald Angels Sing 16. Here We Come A-Wassailing 17. Huron Indian Carol: Jesos Ahatonhia 18. I Heard the Bells on Christmas Day 19. I Saw Three Ships 20. In a Manger He Is Lying 21. Infant so Gentle 22. It Came Upon a Midnight Clear Volume II contains the following carols: 23. Jingle Bells 24. Jolly Old Saint Nicholas 25. Joy to the World 26. Lo, How a Rose E’er Blooming 27. Lullay, Thou Little Tiny Child (The Coventry Carol) 28. O Come, All Ye Faithful (Adeste, Fideles) 29. O Come, Little Children 30. O Come, O Come, Emmanuel 31. O, Little Town of Bethlehem (American) 32. O, Little Town of Bethlehem (British) 33. O Sactissima 34. O Tannenbaum 35. 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George's Brooklyn Blues
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by John Maul
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\n\t\t"}8EUؐEU0EUEU؊EUEUEUEUEUEU(EUEU`EU`EUEUEUȎEUcGUEU EUEUEUXEUPEUЏEU0EUEUEUEUEUEUhEUhEUEUEUEU@EUPEUEU؍EU EUEUEUEUЉEUEUPEUEUEUXEUEUpEUEUEUȈEUEUEUEUEU`EUEUEUEU0EU@EUEUEU(EUxEUEU`EUEU8EUEUEUpEUEUHEU~/FU $(,0%( ,0]`$(      eExchangQ8EU1=FU0my571377!2022-02-21 12:02:02UAFour Traditional Songs for Clarinet EnsembleMFU!0g#g#XMFU!0g#g#HNFU!23g#g#LFU!0000-00-00 00:00:00U10g#g#NFU0Four traditional songs arranged for - Four Bb clarinets and Two Bass Clarinets. (six parts) Londonderry Air Bobby Shaftoe O My Love Is Like A Red, Red Rose Early One Morning Four interesting and imaginative arrangements. Not too difficult. U=U!7.50g#>U!0g#g#?U!1g#g#PG?U!0g#g#?U!g#g#06:U!g#g#08@U!0g#g#EU!g#g#XEU!g#g#HBU!g#g#"U!1.50Hg#"U!2022-02-21 11:42:13U!1g#g#"U!1g#g#"U!0g#g# HR]UhBUU]UBUHUBUPEUhUBU.UBUxTUBUgUBUU]UBU8.U(BUCFUȆU@BUFFUUXBU&*UpBUzUBUXY]UBUZ]UBUȵUBU8u6UBUx UBUEVUBUV]U0BUUHBUU`BUUxBUxUBU(UBUqUBUعUBUDFUUBUxUBUCFUU BUkU8BUEFUnUPBUUhBUUBUUBUxUBU>UBUUBUAFUUBUx~UBUhU(BUU@BU(ݻUXBU0BFUx]UpBUUBUUBUUBUeUBUUBUUBUHL]UBUhO]U0BUFFUUHBUBFUlU`BUxoUxBUUBUؕUBUxUBU CFUxFaUBUHaUBUUBUXU BUx%U8BU UPBU UhBUAFUUBUHEFUukUBUEUH3kUBUDFU^UBUBFU^UBUUBUpDFUUBU)U(BU)U@BU)UXBUXGFUhUpBU2!UBU`BFU86(UBUEFUhUBUUBUGFU8UBU(UBUxUBUEFUU0BUHUȯEU<UEU(Up 6UFFUxY'U 6UHVU 6U.UEUhFFUH&UHEUU`EUHFU]U(1@UXCUEUDU0EUDU@1@UPCFUXgUX1@UHUp1@UU1@Uh}TU1@UpJFUط~U1@UDFUGUBUlFUcFUGU BUHKFUU8BUPFUTUBUU)UBU`UBUXQ]UBUHR]UBUU]UBUHUBUxKFUhU0BU.UHBUxTU8\FUgUP\FUU]Uh\FU8.U\FUMFUȆU\FU0QFUU\FU&*U\FUzU\FUXY]U\FUZ]U]FUȵU(]FU8u6U@]FUx UX]FUEVUp]FUV]U]FUU]FUU]FUU]FUxU]FU(U^FUqU^FUعU0^FUNFUUH^FUxU`^FUMFUUx^FUkU^FUPOFUnU^FUU^FUU^FUU^FUxU_FU>U _FUU8_FULFUUP_FUx~Uh_FUhU_FUU_FU(ݻU_FUhLFUx]U_FUU_FUU_FUU`FUeU(`FUU@`FUUX`FUHL]Up`FUhO]U`FUQFUU`FU8LFUlU`FUxoU`FUU`FUؕUaFUxUaFUXMFUxFaU0aFUHaUHaFUU`aFUmeArtis!g#g#CFU!662909g#!0g#g#FFU!0g#g#!0.00g#DFU!8.00g#FFU!3.00g#AFU!0g#g#EFU!g#g#@DFU!0.00g#BFU!g#g#hCFU!0000-00-00 00:00:00U!1g#g#!2022-03-02 09:47:19U1BF9014EC-9A0D-11EC-A90A-696C852D92D4U!720518g# 1Westerly Clarinet and PianoUTFU!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Westerly - Clarinet and Piano Phillip Rawle A Clarinet Solo with Piano accompaniment. Written in a jazz style with modern chords.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#`EFUKFUXJFU8CFUEFUFFU8FFUJFUGFUIFUPFFUEFUEUJFUIFU0EFUHFUdGUBFUHBFUHFU@JFUIFUxHFUIFUXDFUJFUGFU(GFUIFUGFUHFUEFUDFUJFU@GFUhIFUxBFUCFUHFUHHFUGFUFFU8IFUCFUIFUxEFUDFU(DFUFFU(JFUIFUAFUKFUBFUEFUAFUCFU@DFUGFUBFU FFUBFUhEUhCFU IFUJFUPIFUJFUHFUDFUHFU`HFUBFU0HFUCFUCFUpGFUZFU!0g#hg#PZFU!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-02-23 15:32:29!2023-02-23 15:32:56!1447340g#!1999358g#!0000-00-00 00:00:00!0000-00-00 00:00:00pBU\FU1FUDpCU1FUDCU1FUDCU1FUDCU2FUDCU2FUDCU 2FUD0CU02FUDCU@2FUDCUP2FUDCU`2FUD0CUp2FUDPCU2FUD>FU2FUD?FU2FUD?FU2FUD@FU2FUD @FU2FUD@@FU2FUD`@FU2FUD@FU3FUD@FU3FUD@FU 3FUD@FU03FUDAFU@3FUD AFUP3FUD@AFU`3FUD`AFUp3FUDAFU3FUDpCU3FUDCU3FUDCU3FUDCU3FUDCU3FU3FUDCU3FUD=FU4FUD=FUU4FUD>FU 4FUD >FU04FUD@>FU@4FUD`>FUP4FUD>FU`4FUDFUUp4FUDFU4FUDFU4FUD0FU4FUDPFU4FUDpFU4FUDFU4FUDFU4FUDFU4FUDFU5FUDFU5FUDpCU 5FUDCU05FUDpFU@5FUDFUP5FUDFU`5FUDFUp5FUDFU5FU5FUDFU5FUD0FU5FU5FU5FU5FU5FU6FUDPFU6FUDpFU 6FUDFU06FUDFU@6FUDFUP6FUDFU`6FUDFUp6FUD0FU6FUD`FUcFUBU@IUDJUPL]UU0IUDp6JU`IUD6JUpIUD6JUIUD7JUP7U WGU`vCU2dFUpBUAUCUyFUDGUPsFUD0FUdFUrFUDpCUPNUpNUD;NUNUDmNUsFUDCU`sFUDPFU sFUDCU0sFUDCU7U  p2GUJDUDU7FUDEU7FUDEU7FUD0EU7FUDp[GU7FUD[GU7FUD[GU7FUD[GU8FUD[GU8FUD\GU 8FUDОFU08FUD0XGU@8FUDFUP8FUD`XGU`8FUDXGUp8FUDXGU8FUD@FU8FUD`FU8FUDFU8FUDFU8FUDXGU8FUDXGU8FUDpYGU8FUDFU9FUDFU9FUDFU 9FUDFU09FUDFU@9FUD FUP9FUD@FU`9FUD `FUp9FUDFU9FUDpFU9FUDFU9FUDFU9FUDFU9FUDFU9FUDFU9FUD0FU9FUDPFU:FUDFU:FUDFU :FU0:FUDFU@:FUDFUP:FUD FUU`:FUDPFUp:FUDpFU:FUDFU:FUDFU:FUDFU:FUDFUU:FUD0GU:FUDP1GU:FUDp1GU:FUD1GU;FUD1GU;FUD1GU ;FUD1GU0;FUD2GU@;FUD02GUP;FUDP2GU`;FUDFUp;FUD0FUHFUQ`KFU1lFUR570453    fh $(%(  BH "(wx$((0zFU Clarinet practice in all keys. With or without accompaniment. (Good chord pattern for pianists to learn)JU!sib#g#=?U!454#g#x?U!0g#g#x'U1Chord Progression - Clarinet.sib8@U!2020-08-20 08:49:35U!0g#g#EU!652#g#`BU!0g#g#BU!Phillip RawleKGU!g#g# VGU!0g#g# !287#g#ores WHE!0g#g#LUX#!1.50g#0CKU!2021-05-28 13:40:29U!1g#g#BKU!1g#g#pBKU!0g#g#`CKU!g#g#AKU!0g#g#AKU!0g#g#CKU!1g#g# 1}FUh?613863!613700g#*SU!60g#g# !511#(g#0>U!4g#g#U!511#g#?U!3g#g#=?U!1g#g#x?U!2021-03-29 16:32:16U!2021-03-29 16:41:50U!2g#8g#JUqA light, cheerful piece for intermediate players. With piano accompaniment that is not too difficult.!sib#g#KGU!454#g# VGU!0g#g#FU!Belle.sibg#HU!2021-03-29 16:32:16#!0g#g#HU!267#g#xHU!0g#g#,IU!1.50g#hJU!2021-03-29 16:32:17U!1g#g#JU!1g#g#JU!0g#g#JU!g#g#JU!0g#g#@JU10g#g#PJU0!Phillip Rawle"U!g#g#"U!0g#g#"U!0g#g# !1.50g#pJU!2018-09-11 14:51:51U!1g#g#JU!g#Xg#JU!0g#g#JU!0g#g# JU!1g#g#HJU10g#g#XJU0!1g#Hg#ГFU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#pJU!109240g#!0g#g#JU!0g#g#!0.00g#JU!5.50g#0JU!3.00g#HJU!0g#g#(JU!g#g#йJU!0.00g#8JU["56829","134050","62099","474595","204708","361644","191753","8576","36561","29537","169662","60661","361843","57246","26689","169020","191737","361916","43433","516652"]XJU@JU!0.0000JUbFU!2018-09-11 14:54:19U1Super Nova Clarinet solofScoreExchang!0g#g#tingTit!0g#g#XFU!5g#g# FU!0000-00-00 00:00:00U!0g#g#eExchang!0g#g#NetworkSuper Nova - Clarinet solo Phillip Rawle One of four pieces from "Night Lights" with piano accompaniment. 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[Fri Apr 19 00:01:53 2024] -e: SE::ScorePart::makeBitmapFromPdf('SE::Score=HASH(0x55fa14d50b10)', 'pdfFilename', '/data/dynamic/seview/scores/2/0/9/7/117902/v20111103193327/11...', 'bitmapFilename', '/data/dynamic/seview/scores/2/0/9/7/117902/v20111103193327/0/...', 'pageNumber', 1) called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/ScorePart.pm line 1303 [Fri Apr 19 00:01:53 2024] -e: SE::ScorePart::_getBitmapFilenameForPage_jpg_seview_app_server('SE::Score=HASH(0x55fa14d50b10)', 'transpositionId', 0, 'index', 1) called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/ScorePart.pm line 1026 [Fri Apr 19 00:01:53 2024] -e: SE::ScorePart::getBitmapFilenameForPage('SE::Score=HASH(0x55fa14d50b10)', 'transpositionId', 0, 'index', 1, 'noWatermark', 1) called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/Internal/SeViewApp.pm line 1296 [Fri Apr 19 00:01:53 2024] -e: SE::Handlers::Internal::SeViewApp::get_page_as_jpg() called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/Internal/SeViewApp.pm line 46 [Fri Apr 19 00:01:53 2024] -e: SE::Handlers::Internal::SeViewApp::processUrl('') called at /usr/www/resources/ADAP3/ModPerl/GenericHandler.pm line 67 [Fri Apr 19 00:01:53 2024] -e: ADAP3::ModPerl::GenericHandler::handler('SE::Handlers::Internal::SeViewApp', 'Apache2::RequestRec=SCALAR(0x55fa14cf79a8)') called at -e line 0 [Fri Apr 19 00:01:53 2024] -e: eval {...} called at -e line 0 !0g#%U !g#g#!1g#g#K&U!1g#g#P@U!3.40g#185689!g#g# 1g#g#x0!0000-00-00 00:00:00!0g#pGU`8U!0g#g#p8U!0g#g#;U!0g#g# !0>U03.090401!g#)U!630g# !g#%U A/usr/www/resources/ADAP3/GenericObject2.pm00"> @!La Vida Breve A/usr/www/resources/ADAP3/GenericObject2.pm30"> @!0000-00-00 00:00:00Q@[U!8d0Ug#pDUaU `[VU8U!XUUU!1>U92.854123!www.stilesanddrewe.com!GB603493455#ȨBU!0g#g#[U1LONDONg#WU:U0!1 Brewery Square+U!g#g#-BU!g#g#BU1EC1V 4JHg#p\XUg#0!1HU89.1340561hZUPZU8ZU"UhzGU!31#g# 1 JTY#PGU1ITY#c8P8UXZUGU)Up"UҏU"Uc$U0GUPZUZUGUP@ZU ZUU}EUZU (ZUؙZU9UZU9UZUvDUGUZU9UxZU"UpʋU`ZUHZU0ZUZUJUZUZUИZUZUZUZUpZUXZU@ZUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uq $GU)1 p!1.50DEU !g#r5U!1.50g#12016-09-02 01:24:130!HASHg# !HASHU1HASHg#999999)0!1g# U!0g#g# !27g#g#RU!g#g# !HASHg# !g#pBU`/$U!0g#g# $U!0g#g#C*U!0.00g# !Verrengiag# !!FirstName*U !g#Hg#BU!1.50(g#!2019-07-25 08:33:21!0g#g#!0g#g# !BassoongU Q1WU!andreaverrengiastiles!g#p DU !g#g#@10g#g#ID082WU1WU0WU1WU1WU0WU0WU-and-bas!2023-02-16 21:12:58!174255g#DU!161235g#PBU!0000-00-00 00:00:00U!0000-00-00 00:00:00!Irving Berlin1Piano, Vocal & Guitar Chords!PVG#g# 0`GUGUGUGUGUGUGUGUGUGU85No particular unpitched instrument30110050tsIDID? 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0 EAU9@      KP     )0-0a@@UyDUDxUQXLHUSE::User::Image::OBJECT_CACHEP!XUH-HU!ADAP3::SQLg#!v!Ug#stItem"}QSELECT COUNT(*) FROM Scores WHERE UserID=? AND Deleted = 0; CU!DBD::mysql::st !0g#0fU A`9HU@U `AUTUpjU"U@!0.00U26.572765qSchubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). "Schubler" is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece, BWV650, is Cantata No.137, movement 2, "Come thou, Jesu, from heaven to earth".nngDp!0CU22.149464!g#CU!0000-00-00 00:00:00U!g#g#DU!0000-00-00 00:00:0074!0g#g# 11g#g#i0!0000-00-00 00:00:00Six Schubler Chorales No.6 BWV650 "Kommst du nun, Jesu, von Himmel herunter." for String Trio Bach J.S. ACORDO Sheet Music Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). "Schubler" is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece, BWV650, is Cantata No.137, movement 2, "Come thou, Jesu, from heaven to earth".r"!g#g#GU11.50g#GU0!Three Clarinet TriosU!43g#g#<U!511#g#s<U!3g#g#X;U!1g#g#7U!2021-09-15 09:46:22U!2021-09-15 11:10:59U!g#8g#xGU!2021g#GU!0g#g#GU19g#g#0!sib#g#U>U0!2021-06-19 12:33:17U!0g#g#BU!189#g#PeFU!0g#g#VGU!2g#g#FUA modern, gentle piece for beginners on the clarinet. Good for ensemble playing. Written for four clarinets in Bb and a bass clarinet in BbU"U15.00g#"U0qThree interesting pieces for Clarinet Trio. Clarinet in Bb, Clarinet in Bb, and Bass Clarinet in Bb.s!7.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#عUȭHUPhHUUHUxUHUGUUHUkU(HUhHUnU@HUUXHUUpHUUHUxUHU>UHUUЮHUGUUHUx~UHUhUHUU0HU(ݻUHHU`GUx]U`HUUxHUUHUUHUeUHUUدHUUHUHL]UHUhO]U HUjHUU8HU0GUlUPHUxoUhHUUHUؕUHUxUHUPGUxFaUȰHUHaUHUUHUXUHUx%U(HU U@HU UXHUGUUpHUhHUukUHUGUH3kUHUhhHU^UHUGU^UбHUUHU hHUUHU)UHU)U0HU)UHHUkHUhU`HU2!UxHUGU86(UHUXiHUhUHUUHUPkHU8UزHU(UHUxUHUiHUU HUHUUGU<UFU(U`$7UHjHUxY'Ux6UHVUx$7U.UFUjHUH&U8FUUPFUlHU]U5@UXCUxFUDU FUDU05@UGUXgUH5@UHU`5@UUx5@Uh}TU5@U nHUط~U5@UhHUGUHU8HUHUGUHUnHUU(HUtHUTUxHUU)UHU`UHUXQ]UHUHR]UصHUU]UHUHUHU(oHUhU HU.U8HUxTUPHUgUhHUU]UHU8.UHUqHUȆUHUtHUUHU&*UHUzU0HUXY]UHHUZ]U`HUȵUxHU8u6UHUx UHUEVUHUV]UؑHUUHUUHUU HUxU8HU(UPHUqUhHUعUHUrHUUHUxUHUhqHUUȒHUkUHUsHUnUHUUHUU(HUU@HUxUXHU>UpHUUHUoHUUHUx~UHUhUГHUUHU(ݻUHUpHUx]UHUU0HUUHHUU`HUeUxHUUHUUHUHL]UHUhO]UؔHUtHUUHUoHUlUHUxoU HUU8HUؕUPHUxUhHUqHUxFaUHUHaUHUUHUXUȕHUx%UHU UHU UHUoHUU(HU0sHUukU@HUXoHUH3kUXHUrHU^UpHUxpHU^UHUUHUXrHUUHU)UЖHU)UHU)UHU@uHUhUHU2!U0HUHpHU86(UHHUsHUhU`HUUxHUuHU8UHU(UHUxUHUsHUUؗHUHU`FU<U HU(U&UesUpdate!2021-09-15 10:15:20U!0000-00-00 00:00:00!g#g#xjHU!259208g#!0g#g#gHU!0g#g#jHU!0.00g#GU!11.50g#iHU!4.50g#gHU!0g#g#GU!g#g#GU!0.00g#jHU!g#g#!0000-00-00 00:00:00U!1g#g#12021-09-15 10:13:35UiHU0!0g#g#yHU!0.0000g#!2021-09-15 09:48:53!Three Clarinet Trios!0g#g#!0g#g#!26g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Three Clarinet Trios Phillip Rawle Three interesting pieces for Clarinet Trio. Clarinet in Bb, Clarinet in Bb, and Bass Clarinet in Bb.? !0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#iHUnHUnHUhGUhHUiHUiHUmHUkHUxmHUjHUpiHUGU8nHU`mHUhHUlHUdGUGUxGUplHUmHU0mHU(lHUmHUhHUhnHUjHUjHUmHUhkHU@lHU@iHUhHUnHUjHUmHUGUGUkHUkHUkHUxjHUlHU(GUlHU(iHUgHUgHU0jHUmHUHmHUGUnHU GUiHUGU8GUgHU8kHUHGUiHUGUGUGUlHUnHUmHUPnHUXlHU8hHUkHUlHUGUkHUGUGU kHUHU1347593A0-1605-11EC-8497-B153C87B2AFCU!231575g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-02 08:41:05!2023-03-02 08:42:31!5699776g#!8943734g#!0000-00-00 00:00:00!0000-00-00 00:00:00   $("(  op !($(    ScoresHUHU`)GUDdHUp)GUDeHU)GUD eHU)GUDaHU)GUDaHU)GUDbHU)GUD bHU)GUD@eHU)GUD`eHU)GUDfHU*GUD`HU*GUDHUHUDHUHUDHUHUDHUHUDHU HUD HU0HUD @HU@HUD`HUPHUDPHU`HUDpHUpHUDHUHUDHUHUDСHUHUDHUHUDHUHUD0HUЃHUDHUHUDHUHUHUDХHUHUDHU HUDHUU0HUD@HU@HUD`HUPHUDHU`HUDHUpHUDHUHUDHUUHUDHUHUDHUHUDHUHUDHUЄHUD HUHUD@HUHUD`HUHUDHUHUDHU HUDHU0HUDFU@HUDЛFUPHUDHU`HUDHUpHUDHUHUDHUHUDHUHUHUD HUHUD@HUЅHUHUHUHUHU HUD`HU0HUDHU@HUDHUPHUDHU`HUDHUpHUDHUHUD HUHUD@HUHUDpHUHUHUJUDJUPL]UUJUD@OKUJUDOKUJUDOKUJUDOKUFU HUyCU2ИHU`HU DUDpWUHUDCIUPHUD@#IU0HUHUD`"IU4OU4OUDPOU;OUDOUHUD"IU`HUD`#IU HUD"IU0HUD#IU@FU  `HU`IDUDBUHUD@cHUHUDpcHUЇHUDcHUHUDPFUHUDpFUHUDFUHUDFU HUD`FU0HUDFU@HUDFUPHUDFU`HUDFUpHUDFUHUD FUHUD@FUHUDFUHUDFUHUDFUЈHUD0FUHUD0HUHUDPHUHUDHUHUDHU HUDHU0HUD0HU@HUDPHUPHUDpHU`HUDHUpHUDHUHUD HUHUDHUHUD`FUHUDFUHUDFUЉHUDFUHUDFUHUDFUHUD FUHUD@FU HUD HU0HUD@HU@HUPHUD`HU`HUDHUpHUDHUUHUDHUHUDHUHUDHUHUD0HUHUDPHUЊHUDpHUUHUDHUHUD@HUHUD`HUHUDHU HUDHU0HUDHU@HUDHUPHUDHU`HUD HUpHUD@HUHUDbHUHUDcHUHUDHUHUD0HUHUDPHUЋHUDpHUdefQoHU1ZU8HUQXNb559540!1.50g#qHU!2021-06-19 12:33:18U!1g#g#PqHU!1g#g#qHU!0g#g#qHU!g#g#xpHU!0g#g#oHU10g#g#qHU0!1g#g#PHU!0g#g#!0g#g#!g#g#!g#g#?U!0g#g#=?U!g#g#x?U!Copyright ©g#!g#g#ZipConve!g#g#qHU!572805g#!0g#g#tHU!0g#g#!0.00g#qHU!12.50g#tHU!7.50g#oHU!0g#g#sHU!g#g#(rHU!0.00g#pHU!g#g#PqHU!0000-00-00 00:00:00U!1g#g#!2021-06-19 13:14:06U1D7DD5F62-D0F7-11EB-95B9-ACF1D9656A58U!383424g# !1g#g#s!0g#g#etOfPart!0.0000g#!2021-06-19 12:40:511Winter Clarinet Quintet!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00FU GUDVHU GUDVHU0 GUDWHU@ GUP GUD WHU` GUD@WHUp GU GU GU GU GU GUD`WHU GUDWHU GUDWHU GUDWHU!GUDWHU!GUDXHU !GUD XHU0!GUD`_HU@!GUD_HUHUFUKUD@JUPL]UU KUDpFU0 KUDЍFU@ KUDFUP KUDFU`FU paHUlCU2HUhFUdUDeUHUDpHU@HUDHUHUHUDHU KU!KUD@NU@'KUD0OUHUDpHUPHUDHUHUDHU HUDHUFU  |HUIDUD0FUP"GUDRHU`"GUDRHUp"GUDRHU"GUDRHU"GUDSHU"GUD0SHU"GUDPSHU"GUDTHU"GUD THU"GUD@THU"GUD`THU#GUDTHU#GUDTHU #GUDTHU0#GUDTHU@#GUD VHUP#GUDpSHU`#GUDSHUp#GUDSHU#GUDSHU#GUD0fHU#GUDfHU#GUDfHU#GUDfHU#GUDgHU#GUD gHU#GUD@gHU$GUD`gHU$GUDgHU $GUDgHU0$GUD@RHU@$GUD`RHUP$GUDUHU`$GUD0UHUp$GUDPUHU$GUDpUHU$GUDUHU$GUDUHU$GUDUHU$GUDUHU$GUDyHU$GU$GUDyHU%GUDzHU%GUD0zHUU %GUDPzHU0%GUDpzHU@%GUDzHUP%GUDzHU`%GUDzHUp%GUDzHUU%GUD{HU%GUD{HU%GUD{HU%GUD{HU%GUD|HU%GUD0|HU%GUDP|HU%GUDp|HU&GUD|HU&GUD|HU &GUDwHU0&GUDwHU@&GUDxHUP&GUD xHU`&GUD@xHUp&GUD`xHU&GUDxHU&GU&GUDxHU&GUDxHU&GU&GU&GU&GU'GU'GUDxHU 'GUDyHU0'GUD yHU@'GUD@yHUP'GUD`yHU`'GUDyHUp'GUDyHU'GUDHU'GUDHU(HUxHU` KUD0FUPL]UUPJUDPJUJUDJUJUDJUJUDJUFU РHUPjCU2HUHUd"UD@DUHUD@"IUHUDpHUxHUHUDHU0'KUP'KUD0OU4OUDPOUPHUDHUHUDHU`HUDHUpHUD0HUFU  HUIDUDFU(GUDFU(GUD`FU(GUDFU(GUDFU(GUDFU(GUDFU)GUDFU)GUD FU )GUDPbHU0)GUDpbHU@)GUDbHUP)GUDdHU1HUضHUXj569892!599603g#zFU!0000-00-00 00:00:00U1Sarabande Clarinet SoloHU01Sarabande - Clarinet Solo<U N;U!60g#g#X;U!511#g#7U!3g#g#p&;U!1g#g#=U!2023-05-05 16:47:42U!2023-05-05 17:04:16U!Phillip Rawle@HU!g#g#HU!2023g#HU10g#g#0!sib#g#x'U!454#g#!0g#g#!Sarabande - Solo.sib!2023-05-05 16:47:42!0g#g#!122#g#!0g#g#!3g#g#A modern take on a Baroque style mimicking a Sarabande dance. A gentle piece in A minor. Quite easy to play and would be a refreshing compliment to any concert. "U!0g#g#HU!0g#g#Winter - Clarinet Quintet Phillip Rawle A modern, gentle piece for beginners on the clarinet. Good for ensemble playing. Written for four clarinets in Bb and a bass clarinet in Bb !0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#HsHUHUHU qHUrHUsHU tHUHUuHUPHU8tHUsHUpoHUHUwHUsHUvHUdGUpHU0pHUvHUHUhwHU`vHUHU@rHU@HUtHUuHUhHUuHUxvHUxsHUrHUXHU(uHUPwHU`pHUqHUuHU0vHUuHUtHU wHUqHUvHU`sHUqHUrHUhtHUHUwHUoHUHUpHUsHUoHUpHU(rHUpuHUpHUtHUpHU@oHUPqHUwHUpHU8wHU(HUvHUprHUvHUHvHUpHUvHUqHUqHUXuHUoteLastC!0g#g#HU!0g#g#!0g#g#tHUxY'U$7UHVU)U.UHUPtHUH&UHUUȪHUvHU]U5@UXCUHUDUHUDU5@U8qHUXgU5@UHU6@UU 6@Uh}TU86@UHUط~UP6@UrHUGUHUHUxHUGUȘHUHUUHUpHUTU0HUU)UHHU`U`HUXQ]UxHUHR]UHUU]UHUHUHUHUhUؚHU.UHUxTUHUgU HUU]U8HU8.UPHUpHUȆUhHUHUUHU&*UHUzUHUXY]UțHUZ]UHUȵUHU8u6UHUx U(HUEVU@HUV]UXHUUpHUUHUUHUxUHU(UМHUqUHUعUHU`HUUHUxU0HU@HUUHHUkU`HUHUnUxHUUHUUHUUHUxU؝HU>UHUUHUHUU HUx~U8HUhUPHUUhHU(ݻUHUHUx]UHUUHUUȞHUUHUeUHUUHUU(HUHL]U@HUhO]UXHUHUUpHUHUlUHUxoUHUUHUؕUПHUxUHUHUxFaUHUHaUHUU0HUXUHHUx%U`HU UxHU UHU`HUUHUHUukUHU0HUH3kUHUxHU^UHUPHU^UHUU(HU0HUU@HU)UXHU)UpHU)UHUHUhUHU2!UHU HU86(UHUhHUhUHUUHU`HU8UHU(U0HUxUHHUHUU`HUHUةHU<UHU(U*$UXHUxY'U$7UHVU3:U.UHU(HUH&U0HUUHHUHU]Uh6@UXCUpHUDUHUDU6@UHUXgU6@UHU6@UU6@Uh}TU6@U0HUط~U6@UHUGU@HUxFUHUGUPHUHUUhHU IUTUHUU)UHU`UHUXQ]UHUHR]UHUU]U0HUHUHHU8HUhU`HU.UxHUxTUHUgUHUU]UHU8.UHUHUȆUHU IUUHU&*U HUzU8HUXY]UPHUZ]UhHUȵUHU8u6UHUx UHUEVUHUV]UHUUHUUHUU(HUxU@HU(UXHUqUpHUعUHUHUUHUxUHUxHUUHUkUHUHUnUHUUHUU0HUUHHUxU`HU>UxHUUHUHUUHU?!1g#xg#@HU!650x916g#!0g#g#!0g#g#!5.00g#!2023-03-02 23:42:53!2023-03-02 23:43:22!1667177g#!2263231g#!0000-00-00 00:00:00!0000-00-00 00:00:00АHUHUHUDHUHUHUDHUHUDHU HU0HU@HUPHU`HUpHUDHUHUDHUHUD0HUHUDPHUHUDpHUHUDHUЌHUDHUHUDHUHUDHUhHUHUJUDPKUPL]UU`bKUD~KUbKUDKUbKUD0KUbKUDPKU FU IU0qCU2XHUHUZUD@aUVIUDpIUHUDDIUHU HUDCIU:OU;OUDЃOUOUDpOU`HUD0DIUHUDDIUpHUDPDIUHUDpDIUFU  IU IDUDHUHUD`HUHUDHU HUDHU0HUDзHU@HUDHUPHUDHU`HUD0HUpHUDHUHUDHUHUD HUHUD@HUHUD`HUHUDHUЎHUDHUHUDHUHUDPHUHUDpHUHUDHU HUDHU0HUDHU@HUDHUPHUDpIU`HUDIUpHUDIUHUDIUHUDIUHUDIUHUD0IUHUDPIUЏHUD pIUHUDIUHUD`IUHUDIUHUDIU HUDIU0HUDIU@HUDIUPHUD IU`HUD@IUpHUD IUHUD IUHUHUD IU HUDHU0HUD0HUU@HUD IUPHUD@IU`HUD`IUpHUDIUHUDIUHUDIUUHUDIUHUDIUHUDIUHUDIUHUD IUHUD@IUHUD`IUHUDIU HUDIU0HUDIU@HUDIUPHUDIU`HUDIUpHUD IUHUD0 IUHUDP IUHUDp IUHUHUD IUHUD IUHUHUHUHU HU0HUD IU@HUD IUPHUD IU`HUD0 IUpHUDP IUHUDp IUHUD IUHUD!IUHUD "IUHU8HUbKUDpKUPL]UUhKUD KUhKUDKUhKUDKUiKUDKU`FU 4IUPkCU2HUHUCUD`L&U ]IUD IU`WIUDpIU8HUVIUDIUpOUOUDOUOUDNU WIUDIUpWIUDIU0WIUDIU@WIUD0IUFU  ?IUHDUD`HUHUDHUHUDHUHUD HUHUD@HUHUD`HUHUDHU HUDHU0HUDPHU@HUDpHUPHUDHU`HUDHUpHUDHUHUDHUHUD HU QHU1HU5550681HHUi569875!569892g#zFU!2022-02-17 09:30:10U10000-00-00 00:00:00IU01Feeling Good - Clarinet SoloUX;U!60g#g#7U!511#g# ;U!3g#g#=U!1g#g#=U!2022-02-17 09:24:20U!2022-02-17 09:30:10U!Phillip RawleXIU!g#g#IU!2022g#IU10g#g#0!sib#g#@U!454#g#!0g#g#1Feeling Good - Clarinet.sib!2022-02-17 09:24:20!2g#g#!296#g#!1g#g#!2g#xg#qAn uplifting piece in uptempo 3/4 time. The piano part is almost as important as the solo clarinet.!5.00g#!1g#g# !3g#g# HUA cheerful piece to liven up the start of any day. Not too difficult. Clarinet solo with piano accompaniment HU!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#HU!843796g#!0g#g#HU!0g#g#!0.00g#HU!8.00g#HU!3.00g#xHU!0g#g#HU!g#g#HU!0.00g#hHU!g#g#(HU!0000-00-00 00:00:00U!1g#g#!2023-09-15 07:45:26U173C58358-5393-11EE-8154-2A93221BE81EU!258705g# !1g#g#HU!0g#g#!0.0000g#!0000-00-00 00:00:001New Day Clarinet in Bb and PianoHU!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#New Day - Clarinet in Bb and Piano Phillip Rawle A cheerful piece to liven up the start of any day. Not too difficult. Clarinet solo with piano accompaniment xchang!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g# HUHUHUHUHUHUHUHUHUHUHUHUHHUHHUpHUHUHUeGUHUHUHUHU@HU8HUHUHUxHUHUHUHUxHUPHUPHUHUHUHU(HU8HUHUHUHUHUHUHUHUHU8HUHUHU@HUHUXHUxHUHUHUHUHUHUHUHHUHUHUhHUHU(HUHUHUHU`HUhHUHHUHU HUHUHUXHUHU0HUHU!0g#g#`HU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2069403g#!0000-00-00 00:00:00!2023-09-14 16:47:34  $(   ch $(     ZipConveQ HU1@EUxIU8599598!569875g#zFU!2022-02-15 11:23:00U10000-00-00 00:00:000FIU01The Hermit - Clarinet SoloUؾ7U!60g#g#;U!511#g#&;U!3g#g#=U!1g#g#>U!2022-02-15 11:17:05U!2022-02-15 11:23:00U!Phillip RawleFIU!g#g#PGIU!2022g#`FIU10g#g#0!sib#g#H8@U!454#g#!0g#g#1The Hermit -Clarinet.sib!2022-02-15 11:17:05!0g#g#!179#g#!0g#g#!2g#xg#The Hermit - Clarinet Solo with Piano Accompaniment. This piece has a calming effect. Played slowly to take in the warmth of the harmonic changes.U!1.50g#HU!2023-05-05 16:47:51U!1g#g#`HU!1g#g#HU!0g#g#HU!g#g#HU!0g#g#HU10g#g#HU0!5.00g#`IU!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2023-05-05 17:04:16U!0000-00-00 00:00:00!g#g# IU!689948g#!0g#g#HU!0g#g# IU!0.00g#HU!8.00g# IU!3.00g#8HU!0g#g#HU!g#g#`HU!0.00g# IU!g#g#!0000-00-00 00:00:00U!1g#g#12023-05-05 17:01:44U IU0!1g#g# IU!0g#g#!0.0000g#x~UHUhUHUUHU(ݻUHU(HUx]U HUU8HUUPHUUhHUeUHUUHUUHUHL]UHUhO]UHU IUUHUHUlUHUxoU(HUU@HUؕUXHUxUpHUHUxFaUHUHaUHUUHUXUHUx%UHU UHU UHUHUU0HU IUukUHHUhHUH3kU`HUHU^UxHUHU^UHUUHUhHUUHU)UHU)UHU)UHU0 IUhU HU2!U8HUXHU86(UPHU IUhUhHUUHUx IU8UHU(UHUxUHU IUUHUHUXHU<UXHU(U@:Up IUxY'U؜:UHVU 1:U.UHU@ IUH&UHUUHUIU]U7@UXCU(HUDUЙHUDU(7@UHHUXgU@7@UHUX7@UU@EUh}TUXEUHIUط~UpEUHUGUHUbHU*IUGUHU IUUHUIUTU8HUU)UPHU`UhHUXQ]UHUHR]UHUU]UHUHUHUPIUhUHU.UHUxTUHUgU(HUU]U@HU8.UXHUIUȆUpHUIUUHU&*U$IUzU0$IUXY]UH$IUZ]U`$IUȵUx$IU8u6U$IUx U$IUEVU$IUV]U$IUU$IUU%IUU %IUxU8%IU(UP%IUqUh%IUعU%IUIUU%IUxU%IUIUU%IUkU%IU(IUnU%IUU&IUU(&IUU@&IUxUX&IU>Up&IUU&IUIUU&IUx~U&IUhU&IUU&IU(ݻU'IU@IUx]U'IUU0'IUUH'IUU`'IUeUx'IUU'IUU'IUHL]U'IUhO]U'IUIUU'IUIUlU(IUxoU (IUU8(IUؕUP(IUxUh(IU0IUxFaU(IUHaU(IUU(IUXU(IUx%U(IU U(IU U)IUIUU()IUXIUukU@)IUIUH3kUX)IUIU^Up)IUIU^U)IUU)IUIUU)IU)U)IU)U)IU)U*IUhIUhU*IU2!U0*IUpIU86(UH*IUIUhU`*IUUx*IUIU8U*IU(U*IUxU*IUIUU*IUHUHU<UHU(U +UIUxY'UA)UHVU +U.U@HUxIUH&UpHUUHUIU]UEUXCUHUDUXHUDUEU`IUXgUEUHUФEUUEUh}TUخEU IU!0g#g#IU!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Sarabande - Clarinet Solo Phillip Rawle A modern take on a Baroque style mimicking a Sarabande dance. A gentle piece in A minor. Quite easy to play and would be a refreshing compliment to any concert. changeScores!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#8 IUIU0IU0HUHU IU IUIU IUIU( IU IUHU`IUIU(HUIUeGUHU@HUIUIUXIUPIUIUPHUIU IU IUIU IUhIUh IUHUIU IU@IUpHUHU IU IU IU IUIUHUIUP IUHU HUX IUIUpIUHUIUHU IUHUHU8HU` IUHU IUHUPHU`HUIUIU(IUxIUIUHU IU8IUHUIUHUHUH IUZipConve11F265BEE-EB5E-11ED-84A9-8EA1F6CA0AAF!217616g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1517556g#!0000-00-00 00:00:00!0000-00-00 00:00:00HU#IUHUD@HUHUDHUHUDHUHUDHUHUD HUHUD`HUHUDHUHUDHU HUDHU0HUD`9IU@HUD9IUPHUD9IU`HUD9IUpHUD9IUHUD:IUHUD :IUHUD@:IUHUDP8IUHUDp8IUHUD8IUHUD8IUHUD8IUHUD8IUHUD9IU HUD09IU0HUDpIUHUD>IU HUD>IU0HUD>IU@HUD?IUPHUD ?IU`HUD@?IUpHUD`?IUHUD?IUHUDHUHUDHUHUD`:IUHUD:IUHUD:IUHUD:IUHUD:IUHUHUD;IU HUD ;IU0HU@HUPHU`HUpHUHUD@;IUHUD`;IUHUD;IUHUD;IUHUD;IUHUD;IUHUDU!60g#g#=U!511#g#>U!3g#g#?U!1g#g#U0IUU1IUxFIUU 1IUx~U81IUhUP1IUUh1IU(ݻU1IUFIUx]U1IUU1IUU1IUU1IUeU1IUU2IUU(2IUHL]U@2IUhO]UX2IUKIUUp2IUFIUlU2IUxoU2IUU2IUؕU2IUxU2IUGIUxFaU3IUHaU3IUU03IUXUH3IUx%U`3IU Ux3IU U3IUHFIUU3IUIIUukU3IUFIUH3kU3IU`IIU^UhcIU8GIU^UcIUUcIUIIUUcIU)UcIU)UcIU)UcIULIUhUdIU2!U(dIUGIU86(U@dIUPJIUhUXdIUUpdIUHLIU8UdIU(UdIUxUdIUJIUUdIUHUHU<U`HU(UPN,U@KIUxY'UM,UHVU+U.UHUKIUH&UHUUHUMIU]UEUXCU0HUDUHUDU EUGIUXgU8EUHUPEUUhEUh}TUEUOIUط~UEUIIUGU@,IUHHUhoIUGUeIUOIUUeIUPIUTU(gIUU)U@gIU`UXgIUXQ]UpgIUHR]UgIUU]UgIUHUgIU PIUhUgIU.UgIUxTUhIUgUhIUU]U0hIU8.UHhIURIUȆU`hIUIUUxhIU&*UhIUzUhIUXY]UhIUZ]UhIUȵUhIU8u6UiIUx U iIUEVU8iIUV]UPiIUUhiIUUiIUUiIUxUiIU(UiIUqUiIUعUiIUSIUUjIUxU(jIU`RIUU@jIUkUXjIUSIUnUpjIUUjIUUjIUUjIUxUjIU>UjIUUkIUPIUUkIUx~U0kIUhUHkIUU`kIU(ݻUxkIUQIUx]UkIUUkIUUkIUUkIUeUkIUUlIUU lIUHL]U8lIUhO]UPlIUpFormatS $(   $(%(   op  ؉IU$IU@cIUUIUDzIUUIUDzIUUIUVIUVIU VIU0VIU@VIUDzIUPVIUDzIU`VIUD{IUpVIUD0{IUVIUDP{IUVIUDp{IUVIUD{IUVIUD{IUVIUD{IUdIU+IUpKUDKUPL]UU`KUD0LUKUDLUKUDLUKUDLUFU 0IUxCU2eIU-IURXU`IUD@JUIUD`IU(fIU IUDIU`NUNUDPUNUD7PU`IUDIUIUDIUpIUDIUIUD IU@FU  IU`HDUD4IUWIUD4IUWIUD 5IUWIUD@5IUXIUD`5IUXIUD5IU XIUD5IU0XIUD5IU@XIUDp6IUPXIUD6IU`XIUD6IUpXIUD6IUXIUD6IUXIUD7IUXIUD07IUXIUDP7IUXIUD5IUXIUD6IUXIUD 6IUXIUD@6IUYIUDp7IUYIUD7IU YIUD08IU0YIUDIU@YIUDIUPYIUDIU`YIUDIUpYIUDIUYIUD IUYIUD@IUYIUD `IUYIUDIUYIUDpIUYIUDIUYIUDIUYIUDЉIUZIUDIUZIUDIU ZIUD0IU0ZIUDPIU@ZIUDIUPZIUDЍIU`ZIUpZIUDIUZIUDIUZIUD0IUUZIUDPIUZIUDpIUZIUDIUZIUDIUZIUDЎIUZIUDIUU[IUDIU[IUDIU [IUDIU0[IUD4IU@[IUD4IUP[IUD IU`[IUD@IUp[IUD`IU[IUDIU[IUDIU[IUDIU[IUDIU[IUDIU[IUDIU[IUD IU[IUD@IU\IUD`IU\IU \IUDIU0\IUDIU@\IUP\IU`\IUp\IU\IU\IUDIU\IUDIU\IUDIU\IUD IU\IUD@IU\IUD`IU\IUDIU]IUDФIU]IUDIUXoIUeIUKUDLUPL]UUKUD@LU LUD@LU0LUDALU@LUD ALU FU IUiCU2HpIUgIU0gWUD`WUIUD5JUIUD@JUpIUpIUD`JUNUNUD8PUNUDYPUIUDJUIUD`JUIUDJUнIUDJUFU  pIU HDUDE6U ^IUDZGU0^IUDЏ:U@^IUDZGUP^IUDZGU`^IUDFUp^IUDFU^IUDFU^IUDPdHU^IUDpdHU^IUDdHU^IUDFU^IUDFU^IUD0FU^IUDIU_IUDIU_IUDcHUhIUQEIU1sUsIU591626!591629g# !599406g#=U!454#g#ȟIU10g#g#IU01Ragged Waltz - Clarinet SoloU>U!60g#g#?U!511#g#PG?U!3g#g#?U!1g#g#06:U!2023-05-03 11:45:15U!2023-05-03 14:13:46U!Phillip RawleIU!g#g#IU!2023g#ȟIU10g#g#0!sib#g#KGU!Ragged Waltz - Solo.sib!2023-05-03 11:45:16U!0g#g#HU!96g#g#HU!0g#g#HU!2g#g#,IUA jazz piece in modern style. Unusual harmonies and rhythms to keep you on your toes Written for Clarinet in Bb with piano accompaniment. U"U!5.00g#"U!1g#g# !1.50g#HIU!2022-02-15 11:17:07U!1g#g#HIU!1g#g#GIU!0g#g#HIU!g#g#8GIU!0g#g#`FIU10g#g#pHIU0!5.00g#xIU!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#HIU!184835g#!0g#g#pKIU!0g#g#!0.00g#HIU!8.00g#KIU!3.00g#`FIU!0g#g#JIU!g#g#HIU!0.00g#PGIU!g#g#HIU!0000-00-00 00:00:00U!1g#g#!2022-02-15 11:21:13U1623F563A-8E51-11EC-9782-696C852D92D4U!197393g# !1g#g#{IU!0g#g#!0.0000g#!2022-02-15 11:20:171The Hermit Clarinet Solo|IU!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#The Hermit - Clarinet Solo Phillip Rawle The Hermit - Clarinet Solo with Piano Accompaniment. This piece has a calming effect. Played slowly to take in the warmth of the harmonic changes.p~IU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#JIUOIUOIUGIUIIUJIUJIUNIUxLIUpNIUJIUhJIU0FIU0OIUXNIUIIUMIUHeGUGIUFIUhMIUNIU(NIU MIUNIUIIU`OIUKIUKIUNIU`LIU8MIU8JIUxIIUxOIUKIUNIU GIUHIULIULIULIUpKIUMIUHIUMIU JIUHIUHIU(KIUNIU@NIU`FIUOIUGIUJIUFIUGIUHIU0LIUFIUJIUPGIUFIUHIUMIUOIUMIUHOIUPMIU0IIULIUMIUhGIULIU@HIUpHIULIUIU!0g#g#`IU!0g#g#!0g#g#!1g#g#!650x920g#!0g#g#!0g#g#!5.00g#!2023-02-23 17:33:29!2023-02-23 17:33:47!1282009g#!1693149g#!0000-00-00 00:00:00!0000-00-00 00:00:00QPIU!0g#g#ores WHE1Five Unaccompanied Clarinet Solos .sib!2020-05-19 14:34:22#!4g#g#ii!963#g#)!3g#g#!1.50g#yJU!2020-05-19 14:34:23U!1g#g#HyJU!1g#g#yJU!0g#g#yJU!g#g#pxJU!0g#g#wJU10g#g#yJU0!6g#g#Five unaccompanied Clarinet solos for the intermediate player. 1 - Moderato in 4/4 2 - Allegro in 3/4 3 - Quite fast in 5/4 4 - Presto in 3/4 5 - Con moto in 4/4!3.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#1g#g#0!1.50g#RIU!2023-05-05 09:11:58U!1g#g#HRIU!1g#g#RIU!0g#g#RIU!g#g#pQIU!0g#g#PIU10g#g#RIU0!1g#g#pIU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2023-05-05 09:17:30U!0000-00-00 00:00:00!g#g#hIU!282423g#!0g#g#RIU!0g#g#IU!0.00g#PIU!8.00g#TIU!3.00g# SIU!0g#g#QIU!g#g#HRIU!0.00g#IU!g#g#!0000-00-00 00:00:00U!1g#g#12023-05-05 09:15:55UTIU0!1g#g#IU!0g#g#!0.0000g#!0000-00-00 00:00:00!Note Pad Clarinet Solo!0g#g#!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Note Pad - Clarinet Solo Phillip Rawle A new piece for solo Clarinet in Bb with Piano Accompaniment. Plenty of interesting rhythms and harmonies. Not too difficult and a delight to play. chang!0g#g#!1g#g#IUUhlIUPIUlUlIUxoUlIUUlIUؕUlIUxUlIURIUxFaUlIUHaUmIUU(mIUXU@mIUx%UXmIU UpmIU UmIUPIUUmIU(TIUukUmIUPPIUH3kUmIUSIU^UmIUpQIU^UnIUUnIUPSIUU0nIU)UHnIU)U`nIU)UxnIUIUhUnIU2!UnIU@QIU86(UnIUTIUhUnIUUnIU@IU8UoIU(U oIUxU8oIUTIUUPoIUHUHU<UX,IU(Up<U8IUxY'U+UHVUX<U.U,IUHUIUH&U,IUU-IUxIU]UEUXCU(,IUDU,IUDUEU0RIUXgUEUHUEUUBUh}TUBUIUط~UBUSIUGU8fIUxIUIUGU@pIUIUUXpIUIUTUqIUU)UqIU`UqIUXQ]UqIUHR]UrIUU]U rIUHU8rIUIUhUPrIU.UhrIUxTUrIUgUrIUU]UrIU8.UrIUIUȆUrIUКIUUrIU&*UsIUzU(sIUXY]UIUZ]UIUȵU(IU8u6U@IUx UXIUEVUpIUV]UIUUIUUIUUЧIUxUIU(UIUqUIUعU0IUxIUUHIUxU`IUXIUUxIUkUIUIUnUIUUIUUبIUUIUxUIU>U IUU8IUIUUPIUx~UhIUhUIUUIU(ݻUIUIUx]UȩIUUIUUIUUIUeU(IUU@IUUXIUHL]UpIUhO]UIUIUUIUؕIUlUIUxoUЪIUUIUؕUIUxUIUIUxFaU0IUHaUHIUU`IUXUxIUx%UIU UIU UIUxIUUثIU IUukUIUHIUH3kUIUIU^U IUhIU^U8IUUPIUHIUUhIU)UIU)UIU)UIU0IUhUȬIU2!UIU8IU86(UIUIUhUIUU(IUxIU8U@IU(UXIUxUpIUșIUUIUHU,IU<UPfIU(UUpIUxY'U@<UHVU<U.UfIU@IUH&UfIUUfIUIU]U(BUXCU fIUDUfIUDU@BU(IUXgUXBUHUpBUU`BUh}TUxBUHIUط~UBUIUGUpIUY\Uh4IUIUGUxIU IUUIU IUTUIUU)UIU`UIUXQ]U(IUHR]U@IUU]UXIUHUpIUPIUhUIUIU!0000-00-00 00:00:00U!g#g#!0g#g#!794#g#!1123g#@TIUIUIURIUSIUTIUUIUIUpIUhIU0UIUTIUhPIU(IUPIUTIUIU`eGUQIU(QIU`IUIU IUIUIU8SIUXIUIUȐIUIUXIU0IUpTIUSIUpIUIUIUXQIURIUIUIUIUhIUؒIURIUIUXTIURIUSIU IUȓIU8IUPIUIUQIUTIUPIUQIU SIU(IUPIUUIUQIU8PIUHRIUIUIUIU@IUHIUhSIUIUIUQIUБIUxRIURIUIUIU10DA31056-EB1D-11ED-B3D5-8EA1F6CA0AAFres!217008g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2247285g#!0000-00-00 00:00:00!0000-00-00 00:00:00PcIUЦIU _IUDcHU0_IUDdHU@_IUD dHUP_IUD@IU`_IUD`IUp_IUDIU_IUDIU_IUD IU_IUD@IU_IUD`IU_IUDIU_IUDIU_IUDIU_IUD IU`IUDIU`IUD0IU `IUDPIU0`IUDpIU@`IUDIUP`IUDIU``IUDIUp`IUDIU`IUDIU`IUD0IU`IUDPIU`IU`IUDpIU`IUDIU`IUDIUU`IUDIUaIUDIUaIUD IU aIUD@IU0aIUD`IU@aIUDIUUPaIUDIU`aIUDPIUpaIUDpIUaIUDIUaIUDIUaIUDIUaIUDIUaIUDIUaIUD0IUaIUDPIUaIUDpBUbIUDBUbIUDBU bIUD IU0bIUD@IU@bIUD`IUPbIUDIU`bIUpbIUDIUbIUDIUbIUbIUbIUbIUbIUbIUDIUbIUDIUcIUD IUcIUD@IU cIUD`IUжIUDIUIUDIUIUDIUIUDIUIU(pIUPLUD@ALUPL]UU@LUDPRLUpLUDRLULUDRLULUDRLU`FU IU uCU2IUqIU ]WUP JUDWJU@IUD6JUIUIUD5JUNU NUDYPUpPUD0PUIUD6JUPIUD6JUIUD06JU IUDP6JUFU  JUGDUDsIUIUD`tIU IUDtIU0IUDtIU@IUDtIUPIUDtIU`IUDuIUpIUD0uIUIUDuIUIUDtIUIUD0tIUIUDvIUIUD vIUиIUD@vIUIUD`vIUIUDvIUIUDPuIUIUDpuIU IUDuIU0IUDuIU@IUDvIUPIUDvIU`IUD`wIUpIUDwIUIUDIUIUDIUIUDIUIUDIUIUDIUйIUD IUIUD @IUIUD`IUIUDpIUIUDIU IUDIU0IUDIU@IUDIUPIUDIU`IUD0IUpIUDPIUIUDIUIUDIUIUIUDIUIUDIUкIUDIUUIUD@IUIUD`IUIUDIUIUDIU IUDIU0IUDIUU@IUDJUPIUDJU`IUDJUpIUDJUIUD JUIUD@JUIUD`JUIUDJUIUDJUлIUDJUIUDIUIUDIUIUDIUIUDIU IUDIU0IUD IU@IUD@IUPIU`IUD`IUpIUDIU  $(    $('(  BH $(y$(QIU1Flight - Clarinet and PianoD ='591629'160g#g#01IU{ 620267!516270g#>U!2020-05-19 16:10:07U10000-00-00 00:00:00hwJU0AFive Unaccompanied Clarinet Solos - IntermediateG?U!41g#g#?U!511#g#06:U!3g#g#08@U!1g#g#EU!2020-05-19 14:34:22U!2020-05-19 16:10:07U!Phillip Rawle(xJU!g#g#xJU!0g#g#wJU10g#g#0!sib#g#@1454#g#?Utg#0!107#g#IU!0g#g#!1.50g#IU!2023-05-04 12:24:34U!1g#g#@IU!1g#g#IU!0g#g#IU!g#g#hIU!0g#g#IU10g#g#IU0!3g#g#0IUA bold new piece for Clarinet and Piano. A steady pace but a strong rhythmic feel played with a regular swing. EU!5.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!341980g#IU!0g#g#!0g#g#IU!0.00g#!8.00g#IU!3.00g#IU!0g#g#IU!g#g#IU!0.00g#IU!g#g#IU!0000-00-00 00:00:00U!1g#g#IU!2023-05-04 12:27:331A931C986-EA6E-11ED-955E-8EA1F6CA0AAFU!375718g#pIU!0g#g# !1g#g# IU!0g#g#!0.0000g#!0000-00-00 00:00:001Glancing Blow Clarinet SoloPhotoHei!0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Glancing Blow - Clarinet Solo Phil Rawle A bold new piece for Clarinet and Piano. A steady pace but a strong rhythmic feel played with a regular swing. ckedProgramNo!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#8IU؞IU0IUIUؘIUIUIUIUIUIU(IUIU`IU`IUIUIUȜIUxeGUIU IUIUIUXIUPIUНIU0IUIUIUIUIUIUhIUhIUIUIUIU@IUPIUIU؛IU IUIUIUIUЗIUIUPIUIUIUXIUIUpIUIUIUȖIUIUIUIUIU`IUIUIUIU0IU@IUIUIU(IUxIUIU`IUIU8IUIUIUpIUIUHIUScores!0g#g#pIU!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2226647g#!0000-00-00 00:00:00!0000-00-00 00:00:00IUIUIUIUIUIUIUмIUDIUIUDIUIUDIUIUDIUIUD IU IUD@IU0IUD`IU@IUDJUPIUD JUxIU`IULUDSLUPL]UULUDLULUDLULUD0LULUDPLUFU JU tCU2hIUȯIUbDUJUDJU JUDXJUIU` JUDWJUpPUpPUDPPUvPUDPU JUDXJU JUDXJU JUD0XJU JUDPXJUFU  0!JUGDUDIU`IUD0IUpIUD`IUIUDIUIUDIUIUDIUIUDIUIUDIUоIUDIUIUDIUIUDIUIUDIUIUD@IU IUD`IU0IUDIU@IUDIUPIUD IU`IUD@IUpIUD`IUIUDIUIUDIUIUDIUIUDIUIUDIUпIUD IUIUD@IUIUD@JUIUD`JUIUDJU IUDJU0IUD JU@IUDJUPIUD0JU`IUDPJUpIUDpJUIUDJUIUDJUIUDJUIUDJUIUDJUIUDJUIUD0JUIUIUDPJUIUDpJU IUDJUU0IUDJU@IUDJUPIUDJU`IUD JUpIUD@JUIUD`JUUIUDJUIUD JUIUD0 JUIUDP JUIUDp JUIUD JUIUD JUIUD JUIUD JU IUD!JU0IUDJU@IUD JUPIUD@JU`IUD`JUpIUDJUIUDJUIUDJUIUIUDJUIUDJUIUIUIUIUIU IUD JU0IUD@JU@IUD`JUPIUDJU`IUDJUpIUDJUIUDJUIUD@5JUIUDp5JUIUHIULUDpLUPL]UULUDLULUD`LUЉLUDLULUDLUFU PGJUoCU2IUIUHCUU[@U0KUDJU0JUDJUHIUJUDJUvPUwPUD PUPUDPUJUDJU@JUDJUJUD JUJUD@JU@FU  SJU`GDUDJUJUDJUJUD JU JUD@JU0JUD`JU@JUDJUPJUDJU`JUDJUpJUDpJUJUDJUJUDJUJUDJUJUDJUJUDJUJUD0JUJUDPJUJUDJU JUDJU JUD JUZipFormaQ8IU!0g#g#@KKU16g#g#KKU0!541788g#=UQOne of three pieces in the suite for Clarinet Trio - Bb, Bb, Bass.1Allegro for Clarinet Trio - Bb, Bb,Bass!18g#g#=?U!0g#g#x?U!3g#g#x'U!1g#g#@U!2020-10-14 16:23:59U!2020-10-14 16:32:25U!Phillip RawleIU!g#g#PIU!0g#g#`IU10g#g#0!sib#g#8VGU!454#g#8HU!0g#g#дHU1Allegro for Clarinet Trio.sibHU!2020-10-14 16:23:59U!0g#g#hfIU!480#g#qIU!0g#g#PIU!2g#Xg#"U!3.00g#"U!1g#g#"U!0g#g#"U10g#g#"U0.UIUxTUIUgUаIUU]UIU8.UIU IUȆUIUhIUU0IU&*UHIUzU`IUXY]UxIUZ]UIUȵUIU8u6UIUx UرIUEVUIUV]UIUU IUU8IUUPIUxUhIU(UIUqUIUعUIUIUUȲIUxUIUIUUIUkUIUIUnU(IUU@IUUXIUUpIUxUIU>UIUUIUIUUгIUx~UIUhUIUUIU(ݻU0IUIUx]UHIUU`IUUxIUUIUeUIUUIUUشIUHL]UIUhO]UIUPIUU IUpIUlU8IUxoUPIUUhIUؕUIUxUIUIUxFaUIUHaUȵIUUIUXUIUx%UIU U(IU U@IUIUUXIUIUukUpIUIUH3kUIU(IU^UIUIU^UIUU8IUIUUPIU)UhIU)UIU)UIUIUhUIU2!UIUIU86(UIUIUhUIUUIUIU8U(IU(U@IUxUXIU`IUUpIUHUfIU<UpIU(Us<UIUxY'U<UHVUs<U.U0qIUIUH&U`qIUUxqIUHIU]UBUXCUpIUDUHqIUDUBUIUXgUBUHUBUUcFUh}TUcFUIUط~UcFUXIUGUIUx UE6UIUGU`IUIUUxIUXIUTUIUU)UIU`UIUXQ]UIUHR]U(IUU]U@IUHUXIUIUhUpIU.UIUxTUIUgUIUU]UIU8.UIUXIUȆUIUIUUIU&*U0IUzUHIUXY]U`IUZ]UxIUȵUIU8u6UIUx UIUEVUIUV]UIUUIUU IUU8IUxUPIU(UhIUqUIUعUIUHIUUIUxUIU(IUUIUkUIUIUnUIUU(IUU@IUUXIUxUpIU>UIUUIUxIUUIUx~UIUhUIUUIU(ݻUIUIUx]U0IUUHIUU`IUUxIUeUIUUIUUIUHL]UIUhO]UIUIUUIUIUlU IUxoU8IUUPIUؕUhIUxUIUIUxFaUIUHaUIUUIUXUIUx%UIU UIU U(IUmeArtis!1.50g#PIU!2023-05-03 13:47:55U!1g#g#IU!1g#g#IU!0g#g#IU!g#g#IU!0g#g#ȟIU10g#g#8IU0!0g#g#pIU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2023-05-03 14:13:46U!0000-00-00 00:00:00!g#g#8IU!49611g#!0g#g#IU!0g#g#PIU!0.00g#ȟIU!8.00g#HIU!3.00g#IU!0g#g#IU!g#g#IU!0.00g#IU!g#g#!0000-00-00 00:00:00U!1g#g#12023-05-03 14:11:37U`IU0!1g#g#IU!0g#g#!0.0000g#!0000-00-00 00:00:001Ragged Waltz Clarinet SolopIU!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Ragged Waltz - Clarinet Solo Phillip Rawle A jazz piece in modern style. Unusual harmonies and rhythms to keep you on your toes Written for Clarinet in Bb with piano accompaniment. r!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#IUpIUIUIUpIUxIUIUIU@IU8IUIU0IUIUIU IUIU`IUeGUHIUIU0IUIUIUIUhIUIU(IUIUIUPIU(IUIUIU@IU@IUIUIUIUPIUpIUIUXIU8IUIUhIUxIUIUIUIUIUIUIUȟIUIU`IUHIUIUxIUIUIUIUIUIUhIUIUIUXIUIUIUIUIUIUIU0IUIUIU8IUIUeScores106D5F5FA-E9B4-11ED-955E-8EA1F6CA0AAFnis!655491g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1539722g#!0000-00-00 00:00:00!0000-00-00 00:00:00  ( ~  $()0 bh(0 08&( ?QIU1 &UHJUXMK591629!554314g# !597129g#>U!2023-04-10 19:31:44U10000-00-00 00:00:00H)JU01Spring Song - Clarinet and PianoU`9JUUx9JU)JUU9JUx~U9JUhU9JUU9JU(ݻU9JU)JUx]U:JUU :JUU8:JUUP:JUeUh:JUU:JUU:JUHL]U:JUhO]U:JU.JUU:JU)JUlU:JUxoU;JUU(;JUؕU@;JUxUX;JU*JUxFaUp;JUHaU;JUU;JUXU;JUx%U;JU U;JU UJU3JUU>JUXrJUTU @JUU)U8@JU`UP@JUXQ]Uh@JUHR]U@JUU]U@JUHU@JU83JUhU@JU.U@JUxTU@JUgUAJUU]U(AJU8.U@AJUXoJUȆUXAJUrJUUpAJU&*UAJUzUAJUXY]UAJUZ]UAJUȵUAJU8u6UBJU @19A8FFEC8-0E31-11EB-8019-788383FEA0E1U!419935g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-03-06 06:50:35!2023-03-06 06:51:07!1941759g#!2554934g#!0000-00-00 00:00:00!0000-00-00 00:00:00 IU@7JU JUD@JU0 JUDpJU@ JUDJUP JUDLJU` JUDLJUp JUDLJU JUDMJU JUD0MJU JUDPMJU JUDpMJU JUDMJU JUDMJU JUDMJU JUDKJU JUDKJU JUDKJU JUDLJU0 JUD LJU@ JUD@LJUP JUD`LJU` JUDLJUp JUDPJU JUD0PJU JU JUDPPJU JUDpPJU JUDPJUU JUDPJU JUDPJU JUDQJU JUD QJU JUD@QJU JUD`QJUU0 JUDQJU@ JUD`RJUP JUDRJU` JUDRJUp JUDRJU JUDRJU JUDSJU JUD SJU JUD@SJU JUD`SJU JUDJU JUDJU JUDNJU JUD NJU JUD@NJU JUD`NJU0 JUDNJU@ JUP JUDNJU` JUDNJUp JU JU JU JU JU JUDNJU JUDOJU JUD OJU JUD@OJU JUD`OJU JUDOJU JUDOJU0 JUDOJU@ JUDOJU=JUIULUDLUPL]UULUD`LULUDLU LUDLU0LUDLU FU PiJU0mCU2>JU0IU` ZUD`O@UKUDFUKUDJU ?JU@KUDJUPUPUDPUPUD QUKUD JUKUDJUKUD@JUKUD`JUFU  JU GDUDGJUPJUD0HJU`JUDpHJUpJUDHJUJUDHJUJUDHJUJUDHJUJUDIJUJUDIJUJUDIJUJUDJJUJUD JJUJUD@JJUJUD`JJU JUDJJU0JUDJJU@JUD0IJUPJUDPIJU`JUDpIJUpJUDIJUJUDJJUJUDJJUJUDPKJUJUDpKJUJUDGJUJUDHJUJUD~JUJUDJUJUD JUJUD@JU JUD`JU0JUDJU@JUDmJUPJUDmJU`JUDnJUpJUD0nJUJUDPnJUJUDpnJUJUDnJUJUDnJUJUDJUJUDЁJUJUJUDJUJUDJUJUD0JUU JUDpJU0JUDJU@JUDJUPJUDЂJU`JUDJUpJUDJUUJUD0JUJUDJUJUDJUJUD JUJUD@JUJUD`JUJUDJUJUDJUJUDJUJUDJU JUDJU0JUDJU@JUDJUPJUDJU`JUD JUpJUD@JUJUD`JUJUJUDJUJUDJUJUJUQ(JU!0WUrUU !403161g#=U!0g#g#3JU10g#g#3JU0AClarinet Rondo - 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ClarinetU=U!60g#g#>U!511#g# AjJUd540729@!3g#g#=U!1g#g#=U!2020-08-20 08:49:35U!2020-08-20 09:05:25U!0g#(g#U!1g#g#?U!2021-05-28 13:40:27U!2024-03-09 08:25:01!=U =U !sib#xg#!454#g#tAttempt!0g#g#mJU1Jazz Chord Progression.sib!2021-05-28 13:40:27U!0g#g# !551353g#H8@U!2021-03-29 16:41:50U10000-00-00 00:00:00JU0!1.50g#oJU!2019-05-20 19:38:34U!1g#g#oJU!1g#g#5JU!0g#g#oJU!g#g#4JU!0g#g#3JU10g#g#poJU0x UBJUEVU0BJUV]UHBJUU`BJUUxBJUUBJUxUBJU(UBJUqUBJUعUBJUHpJUUCJUxU CJU(oJUU8CJUkUPCJUpJUnUhCJUUCJUUCJUUCJUxUCJU>UCJUUCJU3JUUDJUx~U(DJUhU@DJUUXDJU(ݻUpDJU(4JUx]UDJUUDJUUDJUUDJUeUDJUUEJUUEJUHL]U0EJUhO]UHEJUrJUU`EJU3JUlUxEJUxoUEJUUEJUؕUEJUxUEJU5JUxFaUEJUHaUFJUU FJUXU8FJUx%UPFJU UhFJU UFJU3JUUFJUpJUukUFJUh3JUH3kUFJU`pJU^UFJU4JU^UFJUUGJUpJUU(GJU)UhYJU)UYJU)UYJUsJUhUYJU2!UYJUX4JU86(UYJUPqJUhUYJUUZJUHsJU8U(ZJU(U@ZJUxUXZJUqJUUpZJUHUIU<UpIU(Uؾ7U@rJUxY'U7UHVU7U.UIUrJUH&UIUUIUtJU]UTGUXCU@IUDUIUDUUGUnJUXgUUGUHU0UGUUXFUh}TUpFUvJUط~UFUpJUGU0?JUx(UeJUGU`[JUvJUUx[JU|JUTU\JUU)U\JU`U\JUXQ]U]JUHR]U(]JUU]U@]JUHUX]JU wJUhUp]JU.U]JUxTU]JUgU]JUU]U]JU8.U]JUyJUȆU^JU|JUU^JU&*U0^JUzUH^JUXY]U`^JUZ]Ux^JUȵU^JU8u6U^JUx U^JUEVU^JUV]U^JUU_JUU _JUU8_JUxUP_JU(Uh_JUqU_JUعU_JUzJUU_JUxU_JU`yJUU_JUkU_JUzJUnU`JUU(`JUU@`JUUX`JUxUp`JU>U`JUU`JUwJUU`JUx~U`JUhU`JUUaJU(ݻUaJUxJUx]U0aJUUHaJUU`aJUUxaJUeUaJUUaJUUaJUHL]UaJUhO]UaJU|JUUbJUwJUlU bJUxoU8bJUUPbJUؕUhbJUxUbJUyJUxFaUbJUHaUbJUUbJUXUbJUx%UbJU UcJU U(cJUwJUU@cJU({JUukUXcJUPwJUH3kUpcJUzJU^UcJUpxJU^UcJUUcJUPzJUUcJU)UcJU)UdJU)UdJU8}JUhU0dJU2!UHdJU@xJU86(U`dJUdefScor!g#g#~JU!g#g#!0g#g#!g#g#!g#g#!g#g#!2019-05-20 19:55:53U!0000-00-00 00:00:00!g#g#prJU!121177g#!0g#g#oJU!0g#g#rJU!0.00g#3JU!12.50g#qJU!9.00g#oJU!0g#g#4JU!g#g#oJU!0.00g#rJUQwJU!0g#nU !88277g# !1g#g#JU!0g#g#!0.0000g#!2019-05-20 19:48:40AClarinet Rondo Five part clarinet choirImageSize? !0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Clarinet Rondo - Five part clarinet choir Phillip Rawle A fairly easy five part piece for Bb clarinet choir. The lowest part is doubled for bass clarinet.JU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#qJUvJUvJUnJUpJUqJUqJUuJUxsJUpuJUqJUhqJU3JU0vJUXuJUpJUtJUeGU4JU@4JUhtJUuJU(uJU tJUuJUpJU`vJUrJUrJUuJU`sJU8tJU8qJUxpJUxvJUrJUuJUp4JUoJUsJUsJUsJUprJUtJUoJUtJU qJUoJUoJU(rJUuJU@uJU3JUvJU4JUqJU3JU5JUoJU0sJU4JUqJU4JUP3JUoJUtJUvJUtJUHvJUPtJU0pJUsJUtJU4JUsJU@oJUpoJUsJUBJU["124265","140435","206557","140415","163055","206559","186223","49509","57153","67397","181690","171006","197759","457454","206606","396324","155253","363255","206605"]!2020-09-10 06:56:29!1g#g#!2019-09-25 14:58:091816B49E4-DF9C-11E9-AFAE-78!123737g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-03-12 20:04:50!2023-03-12 20:05:30!2191940g#!3026284g#!0000-00-00 00:00:00!0000-00-00 00:00:00`?'UJU JUJU JU@?KU `KU KUKU KULU  +LUgLULU  LU@LU LUP6MUHMU MUMU pMU MU NUPQNU oNU pNUKU NUOU2OU hOUOU pOU NU PU`9PU0kPU ЃPUPU PU0 QUQU TQUQU QU QU QU"RUCRU lRUЧRU P*SURU@ SU PNSUkSU ySU SUSU SU!TUCTU  |TUЧTUPTU  TUUU PUUmUU UUpUU UU VU3VU iVUVU0VU VU0 WU %WUp[WU 0\GUPwGU`CU` fCU sCU WURCUWU 0WU@ZU [UWUWU` ZU вZU GU 0@UPYU0&U ZU\U%\U \U `\U[U \UM\U _\U 0]U]U  ^U\U N^U^U`^U ^U _U /_UpZ_U|_U p_U _U _U/`U pF`U`U`U ``UaU 0aU SaU`faU 0aUU!60g#g#?U!511#g#PG?U!3g#g#?U!1g#g#06:U!2018-09-11 14:51:49U!2018-09-11 15:12:10U!Phillip RawleطJU!g#g#8JU!0g#g#HJU10g#g#0!sib#g#8VGU!454#g#8HU!0g#g#Hg#1Super Nova - Clarinet.sib!2018-09-11 14:51:49!0g#g#!632#g#!0g#g#!2g#g#One of four pieces from "Night Lights" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.12.50g#"U0!g#g# JU!g#g#yJU!878400g#!0g#g#|JU!0g#g#!0.00g#yJU!3.00g#|JU!0.00g#wJU!0g#g#{JU!g#g# zJU!0.00g#xJU["15054","38801","38800","41575","132857","7816","73028","7373","74373","131944","177388","124281","139314","365084","361174","73213","11738","55377","96239"]xyJU!2020-08-29 14:14:11!1g#g#PJU!0g#g#!0.0000g#!2020-05-19 14:35:10AFive Unaccompanied Clarinet Solos IntermediatehotoFace!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Five Unaccompanied Clarinet Solos - Intermediate Phillip Rawle Five unaccompanied Clarinet solos for the intermediate player. 1 - Moderato in 4/4 2 - Allegro in 3/4 3 - Quite fast in 5/4 4 - Presto in 3/4 5 - Con moto in 4/4defScor!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#@{JU JUxJUyJUzJU{JU|JU0JU}JUJU0|JU{JUhwJUJUЪJU{JUJUeGUxJU(xJU~JU`JUJUX~JUJU8zJUثJU|JU}JUJU}JUp~JUp{JUzJUJU }JUJUXxJUyJU}JU(~JU}JU|JUXJUyJU(JUX{JUyJUzJU`|JUHJUJUwJU8JUxJU{JUwJUxJU 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four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.!2.50g#11g#g#"U0!1.50g#HNU!2021-09-18 09:31:45U!1g#g#ТNU!1g#g#NU!0g#g#xNU!g#g#NU!0g#g# NU10g#g#0NU0!0g#(g#KU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#HNU!127381g#!0g#g#0NU!0g#g#!0.00g#xNU!6.00g#HNU!3.00g# NU!0g#g#@NU!g#g#NU!0.00g#NU!g#g#ТNU!0000-00-00 00:00:00U!1g#g#!2021-09-18 09:38:22U1C8511DC6-185B-11EC-ABFD-B153C87B2AFCU!87442g# !1g#g#KU!0g#g#!0.0000g#!2021-09-18 09:33:20!Analogue Clarinet Solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Analogue - Clarinet Solo Phillip Rawle A concert piece for Clarinet in Bb and Piano. A lively composition with running lines and interesting harmonies.JUPKU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#ȤNUhNUNUNUhNUpNUNUxNU8NU0NUNU(NUNUNUNUNUXNUhGU@NUNU(NUNUNUNU`NUNU NUxNUNUHNU NUNUNU8NU8NUNUШNUNUHNUhNUNUPNU0NUNU`NUpNUNUxNUNUNUNUNU NUNUXNU@NUPNUpNUNUNUNUNUNUNUТNUNUPNUNUNUNUNUNUȧNU(NUNUNU0NUئNUKU!0g#g#@KU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-02 07:44:35!2023-03-02 07:44:57!2261778g#!3534868g#!0000-00-00 00:00:00!0000-00-00 00:00:00  &($(    #("(  rIDPublQȪNU!3g#8g# !1g#g#@!2018-09-04 14:19:5512018-09-04 14:47:04U(NU0JUPJUJUȸJUPJUXJUJU`JU JUJUJUJUJUJUJUJU@JU fGUhJUطJUJUJUJUJUHJUJUJU`JUxJU0JUJUJUJU JU JUJUJUJUpJUPJUJU8JUJUJUJUXJUJUJUJUJUxJUJUHJUhJUJU(JUxJUJUйJUJUJUpJU8JUJUJUpJU8JUJUJUJUJUhJUJUPJUJU(JUXJUJU0KU1/KU vK587853!587504g#06:U!0g#g#KU1794#g#KU01Claret - Clarinet QuartetEUHBU!15g#g#BU!0g#g#PeFU!3g#g#VGU!1g#g#FU!2022-11-04 09:25:03U!2022-11-04 09:32:00U!Phillip RawleXKU!g#g#KU!2022g#KU10g#g#0!sib#g#!454#g#!0g#g#!Claret.sibg#!2022-11-04 09:25:03!0g#g#!120#g#!0g#g#!3g#g#An amusing little piece for Three Clarinets and Bass Clarinet. A good show tune for concert performance.!5.00g#!1g#g# !3.00g#3KU!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!g#g#hJU!331079g#!0g#g#PJU!0g#g#!0.00g#JU!6.00g#hJU!3.00g#@JU!0g#g#`JU!g#g#JU!0.00g#0JU!g#g#JU!0000-00-00 00:00:00U!1g#g#!2021-03-29 16:36:38U18D4EECEC-90A4-11EB-90A8-788383FEA0E1U!220519g# !1g#g# 7KU!0g#g#!0.0000g#!2021-03-29 16:35:57!Belle Clarinet Solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Belle - Clarinet Solo Phillip Rawle A light, cheerful piece for intermediate players. With piano accompaniment that is not too difficult.UdefScor!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#JU@KUp?KUJUJUJUJUJUXJUPJUJUHJUJU?KU8JUJUxJU8fGU`JUJUHJUX?KUJUJUJUJU?KUJUJUhJU@JUJUJUXJU?KUJUJUJUhJUJUJUpJUPJUJUJUJUJUJUJUJU@?KU JU@JU0@KUxJU`JUpJUJUJUJUJUJU0JUJUJUJU@KUJU?KU0JUJUJUJUHJUJU JUPJUJU>KU!0g#g#P>KU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#UJU`JU]UPHUXCUJUDUJUDUhHUJUXgUHUHUHUUHUh}TUHU?KUط~UHUpJUGUJUUhnKUPVKUGU JU`@KUU8JUFKUTUJUU)UJU`UJUXQ]UJUHR]UJUU]UJUHUJU@KUhU0JU.UHJUxTU`JUgUxJUU]UJU8.UJUCKUȆUJUHFKUUJU&*UJUzUJUXY]U JUZ]U8JUȵUPJU8u6UhJUx UJUEVUJUV]U8PKUUPPKUUhPKUUPKUxUPKU(UPKUqUPKUعUPKUCKUUPKUxUQKUBKUU(QKUkU@QKUhDKUnUXQKUUpQKUUQKUUQKUxUQKU>UQKUUQKU AKUURKUx~URKUhU0RKUUHRKU(ݻU`RKUAKUx]UxRKUURKUURKUURKUeURKUURKUUSKUHL]U SKUhO]U8SKU0FKUUPSKUPAKUlUhSKUxoUSKUUSKUؕUSKUxUSKUpBKUxFaUSKUHaUSKUUTKUXU(TKUx%U@TKU UXTKU UpTKU@KUUTKUDKUukUTKU@KUH3kUTKUDKU^UTKUAKU^UTKUUUKUCKUUUKU)U0UKU)UHUKU)U`UKUFKUhUxUKU2!UUKUAKU86(UUKUDKUhUUKUUUKUFKU8UUKU(UVKUxU VKU@EKUU8VKUHUJU<U0JU(U>UEKUxY'U=UHVU>U.UJUEKUH&UJUUJU(HKU]UHUXCUJUDUJUDUHUBKUXgUHUHU HUUHUh}TU(HUIKUط~U@HU8DKUGUJUKUhKUGU(WKUJKUU@WKUKUTUXKUU)UXKU`UXKUXQ]UXKUHR]UXKUU]UYKUHU YKUJKUhU8YKU.UPYKUxTUhYKUgUYKUU]UYKU8.UYKU8MKUȆUYKUKUUYKU&*UYKUzUZKUXY]U(ZKUZ]U@ZKUȵUXZKU8u6UpZKUx UZKUEVUZKUV]UZKUUZKUUZKUU[KUxU[KU(U0[KUqUH[KUعU`[KU(NKUUx[KUxU[KUMKUU[KUkU[KUNKUnU[KUU[KUU\KUU \KUxU8\KU>UP\KUUh\KUXKKUU\KUx~U\KUhU\KUU\KU(ݻU\KUOKU!5.00Xg#0OKU!2023-03-03 21:40:16!2023-03-03 21:41:06!1580552g#!2233275g#!0000-00-00 00:00:00!0000-00-00 00:00:00JUPKUJUDPoKUJUDpoKUJUDoKUJUDoKUJUDoKUJUDoKUJUDpKUJUD0pKUJUDPpKUJUD|FU JUD|FU0JUD}FU@JUD }FUPJUD@}FU`JUD`}FUpJUD}FUJUD}FUJUD}FUJUDvKUJUJUDvKUJUDvKUJUDvKUUJUD wKUJUD@wKUJUD`wKU JUDwKU0JUDwKU@JUDwKUUPJUDwKU`JUDxKUpJUDxKUJUDyKUJUD yKU`KUD@yKU `KUD`yKU0`KUDyKU@`KUDyKUP`KUDyKU``KUDJUp`KUDJU`KUDJU`KUDtKU`KUDtKU`KUDtKU`KUDtKU`KU`KUDuKU`KUD uKUaKUaKU aKU0aKU@aKUPaKUD@uKU`aKUD`uKUpaKUDuKUaKUDuKUaKUDuKUaKUDuKUaKUDvKUaKUD vKUaKUDPvKU@VKUJUMUDMUPL]UUMUD@MUMUDMUMUDMUMUDMUFU KUqCU20WKUpJUUKUDPLU KUDKUWKUKUDKUQUQUD`RU QUDp"RUKUDpKU0KUDKUKUDKUKUDKUFU  KUЧ#UDsIUbKUDIUbKUD@IUcKUDP~FUcKUDp~FU cKUD~FU0cKUD~FU@cKUD~FUPcKUDFU`cKUDFUpcKUDsKUcKUDsKUcKUDsKUcKUDsKUcKUDtKUcKUD tKUcKUD@tKUcKUD`tKUcKUDFUdKUD0FUdKUDPFU dKUD KU0dKUDKU@dKUDKUPdKUDpFU`dKUDKUpdKUDpKUdKUDpKUdKUDpKUdKUDpKUdKUD qKUdKUD qKUdKUD@qKUdKUD`qKUdKUDKUeKUD0KUeKUDPKU eKUDpKU0eKUDKU@eKUDKUPeKUDАKU`eKUDKUpeKUeKUD KUeKUD@KUeKUD`KUUeKUDKUeKUDpIUeKUDIUeKUDKUeKUDШKUfKUDKUUfKUDKU fKUDKU0fKUDKU@fKUDKUPfKUD KU`fKUD@KUpfKUD`KUfKUDKUfKUDKUfKUDKUfKUDKUfKUD0KUfKUDPKUfKUDpKUfKUDKUgKUDKUgKUDЖKU gKU0gKUDKU@gKUDKUPgKU`gKUpgKUgKUgKUgKUD0KU~KU $(  sx  $(    Qx@KU12UhnKU׍|551353An interesting way to practice your improvisation. This exercise romps through all keys following a jazz-themed chord progression. With helpful piano accompaniment.U!3.00g#08@U!1g#g#EU!0g#g#XEU!0g#g#HBU!g#g#BU!g#g#PeFU!0g#g#VGU!g#g#FU!g#g#hHU1g#g#pHUHU0!g#g#0>U!g#g#UHVU=U.UJUpKUH&U@JUUXJUKU]UXHUXCUJUDU(JUDUpHULKUXgUHUHUHUU+IUh}TU +IUxKUط~U8+IUpNKUGUWKUHJUKUGU@KUPKUUXKUKUTUKUU)UKU`U؂KUXQ]UKUHR]UKUU]U KUHU8KUKUhUPKU.UhKUxTUKUgUKUU]UKU8.UȃKUKUȆUKU8KUUKU&*UKUzU(KUXY]U@KUZ]UXKUȵUpKU8u6UKUx UKUEVUKUV]UЄKUUKUUKUUKUxU0KU(UHKUqU`KUعUxKUKUUKUxUKUKUUKUkU؅KUXKUnUKUUKUU KUU8KUxUPKU>UhKUUKUKUUKUx~UKUhUȆKUUKU(ݻUKUpKUx]UKUU(KUU@KUUXKUeUpKUUKUUKUHL]UKUhO]UЇKU KUUKU@KUlUKUxoUKUU0KUؕUHKUxU`KU`KUxFaUxKUHaUKUUKUXUKUx%U؈KU UKU UKUKUU KUKUukU8KUKUH3kUPKUKU^UhKUПKU^UKUUKUKUUKU)UȉKU)UKU)UKUKUhUKU2!U(KUKU86(U@KUKUhUXKUUpKUKU8UKU(UKUxUKU0KUUЊKUHUhJU<UWKU(U>UأKUxY'U(=UHVU>U.UXKUKUH&UHXKUU`XKUKU]UP+IUXCUWKUDU0XKUDUh+IUKUXgU+IUHU+IUUeIUh}TUeIUKUط~U0eIU(KUGUKUsIUKUGUKUize? !0000-00-00 00:00:00U!0g#g#!0g#g#Flight - Clarinet and Piano Phillip Rawle Ready for take-off!. Full of energy with plenty of tricky runs and rhythms to negotiate. Not for the faint-hearted.defScor!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#NKUKU`KULKUNKUKU@KUKUؚKUМKUXKUȘKUKKUKUKUNKUKUhfGU`LKUKKUțKUHKUKUKUKUMKUKUKU0KUKUKUKUOKUXNKU؝KUHKUpKULKUhMKUKUPKUKUЙKU@KUMKUKUOKUMKUMKUKU0KUKU@KKU KUxLKUKUpKKULKUMKUKUKKU(KU0LKUJKULKU(KUKUXKUKUKUNKU KUhKUHLKU8KU MKUPMKUxKUZipConve13DCED64C-932B-11ED-A32C-8EA1F6CA0AAF!154835g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-02-20 16:21:05!2023-02-20 16:21:31!2276755g#!3336820g#!0000-00-00 00:00:00!2023-06-21 12:38:57 $(  qx $(   hp  $(QhKU1`UHKU587504!554488g#?U!2021-06-04 10:35:56U10000-00-00 00:00:00`KU0!Union - Clarinet Trio!18g#g#EU!0g#g#BU!4g#g#8eFU!1g#g#KGU!2021-06-04 10:25:51U!2021-06-04 10:35:56U!Phillip Rawle KU!g#g#KU!2021g#KU10g#g#0!sib#g#fIU!454#g# IU!0g#g# IU1Union - Clarinet Trio.sibJUx?JU!2021-06-04 10:25:51U!0g#g#@JU!222#g#`JU!0g#g#JU!2g#g#KUAn intricate weaving together of three clarinets working in harmony, each part fitting into the overall texture."U!3.00g#"U!1g#g# !1.50g# KU!2023-01-13 09:36:43U!1g#g#KU!1g#g#`KU!0g#g#PKU!g#g#ПKU!0g#g#KU10g#g#KU0!5.00g#0KU!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!g#g# KU!118807g#!0g#g#KU!0g#g#!0.00g#PKU!8.00g# KU!3.00g#KU!0g#g#KU!g#g#KU!0.00g#KU!g#g#KU!0000-00-00 00:00:00U!1g#g#!2023-01-13 09:42:11U18C6A2A5E-9326-11ED-9336-8EA1F6CA0AAFU!171480g# !1g#g#KU!0g#g#!0.0000g#!2023-01-13 09:38:431Edgeways Clarinet and PianopKU!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Edgeways - Clarinet and Piano Phillip Rawle A very edgy piece in 5/4 time. Plenty of unexpected runs and changes of harmony. Lots of accidentals to get your fingers around. KU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#KU@KUKUxKU@KUHKUxKUPKUKUKUKUKUȞKUȧKUKUpKU0KUfGUKUKUKUKUKUKU8KUKUKUPKUhKU KUKUХKUТKUKUKUKUKUKU KU@KUKU(KUKUxKU8KUHKUKUPKUhKUKUhKUئKUKUXKU0KUKU(KUHKUKUȤKUXKU`KUKUKUKU`KU(KUKUKUKUȡKUXKUKUKUpKUؠKUKUKU KU!0g#g#KU!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-02-20 16:21:32!2023-02-20 16:21:54!1710612g#!2448953g#!0000-00-00 00:00:00!0000-00-00 00:00:00KUKUKUD0KU KUDPKU0KUDpKU@KUDKUPKUDKU`KUD KUpKUDKUKUDKUKUD KUKUD@KUKUD`KUKUDKUдKUDKUKUDKUKUDKUKUD KUKUD@KU KU0KUD`KU@KUDKUPKUDKUU`KUDKUpKUDKUKUDKUKUD KUKUD@KUKUD`KUUKUDKUеKUD KUKUD@KUKUD`KUKUDKUKUDKU KUDKU0KUDKU@KUDKUPKUD KU`KUDKUpKUDKUKUDKUKUD0KUKUDPKUKUDpKUKUDKUжKUKUDKUKUDKUKUKU KU0KU@KUPKUDKU`KUDKUpKUD0KUKUDPKUKUDpKUKUDKUKUDKUKUDKUзKUDKUKUKUNUDU0KUUHKUKUU`KUx~UxKUhUKUUKU(ݻUKUKUx]UKUUKUUKUU KUeU8KUUPKUUhKUHL]UKUhO]UKUKUUKUKUlUKUxoUKUUKUؕUKUxU(KUKUxFaU@KUHaUXKUUpKUXUKUx%UKU UKU UKUxKUUKU KUukUKUHKUH3kUKUKU^U0KUhKU^UHKUU`KUHKUUxKU)UKU)UKU)UKU0KUhUKU2!UKU8KU86(UKUKUhU KUU8KUxKU8UPKU(UhKUxUKUKUUKUHUpWKU<UЁKU(U>UpKUxY'U>UHVU>U.U0KU@KUH&U`KUUxKUKU]UHeIUXCUKUDUHKUDU`eIU(KUXgUxeIUHUeIUUoIUh}TUoIUHKUط~UoIUKUGU8KUtU8ULUGUKU KUUKUKUTUKUU)UKU`U KUXQ]U8KUHR]UPKUU]UhKUHUKUPKUhUKU.UKUxTUKUgUKUU]UKU8.UKUKUȆU(KU8+LUU@KU&*UXKUzUpKUXY]UKUZ]UKUȵUKU8u6UKUx UKUEVUKUV]UKUU0KUUHKUU`KUxUxKU(UKUqUKUعUKUKUUKUxUKUKUUKUkU KU(KUnU8KUUPKUUhKUUKUxUKU>UKUUKUKUUKUx~UKUhUKUU(KU(ݻU@KU@KUx]UXKUUpKUUKUUKUeUKUUKUUKUHL]UKUhO]UKU +LUU0KUKUlUHKUxoU`KUUxKULU1`UKU)85889401591128g#CLUspect0!560390g#XEU!0g#g#h:LU1177#g#8:LU0!May Bee - Clarinet Duet!42g#g#8VGU!511#g#8HU!3g#g#дHU!1g#g#HU!2021-09-29 16:26:19U!2021-09-29 16:29:25U!Phillip Rawle:LU!g#g#gLU!2021g#h:LU10g#g#0!sib#g#?JU!454#g#fJU!0g#g#XJU!May Bee.sib#xJU!2021-09-29 16:26:19U!0g#g#KU!2g#g#KUaA light piece for two clarinets in Bb. Not too difficult. With piano accompaniment.U!3.00g#"U!1g#g#"U!0g#g#"U!0g#g# !1.50g#KU!2021-06-04 10:25:53U!1g#g#@KU!1g#g#KU!0g#g#KU!g#g#hKU!0g#g#KU10g#g#KU0!0g#g#KU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#KU!438680g#!0g#g#KU!0g#g#!0.00g#KU!7.50g#KU!4.50g#KU!0g#g#KU!g#g#KU!0.00g#KU!g#g#@KU!0000-00-00 00:00:00U!1g#g#!2021-06-04 10:29:06U14D2210FC-C517-11EB-8169-788383FEA0E1U!118276g# !1g#g#KU!0g#g#!0.0000g#!2021-06-04 10:28:05!Union Clarinet Trio!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Union - Clarinet Trio Phillip Rawle An intricate weaving together of three clarinets working in harmony, each part fitting into the overall texture.!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#8KUKU0KUKUKUKUKUKUKUKU(KUKU`KU`KUKUKUKUfGUKU KUKUKUXKUPKUKU0KUKUKUKUKUKUhKUhKUKUKUKU@KUPKUKUKU KUKUKUKUKUKUPKUKUKUXKUKUpKUKUKUKUKUKUKUKU`KUKUKUKU0KU@KUKUKU(KUxKUKU`KUKU8KUKUKUpKUKUHKULU!0g#g#@LU!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-03 02:24:55!2023-03-03 02:25:21!1951825g#!2596114g#!0000-00-00 00:00:00!0000-00-00 00:00:00KULUнKUD'LUKUD'LUKUD(LUKUD (LUKUDP?LU KUD?LULUpKU`NUDoNUPL]UUtNUDPNUtNUDNUtNUDЭNUtNUDNUFU `ALUwCU2LUKUbDUD@!ULUD LULUDЃLULU LUDLUPRU PRUDpRUpRUDRU`LUDPLULUDLUpLUDpLULUDLUFU  `MLUn"UD@KUpLUD0BLULUD`BLULUDBLULUDBLULUDBLULUDBLULUDCLULUDrKULUD0rKULUDPrKULUDprKU LUDrKU0LUDrKU@LUDrKUPLUDsKU`LUD sKUpLUD@sKULUD`sKULUD CLULUD@CLULUDFLULUDPGLULUDpGLULUDGLULUDGLULUDGLULUDGLU LUDHLU0LUD0HLU@LUDPHLUPLUDpHLU`LUD`CLUpLUDqKULUDqKULUDqKULUDqKULUDELULUDELULUDELULUDELULUDFLULULUD0FLU LUDPFLU0LUDpFLUU@LUDJLUPLUDJLU`LUDJLUpLUDKLULUD KLULUD@KLUULUD`KLULUD@LLULUD`LLULUDLLULUDLLULUDLLULUDLLULUDMLU LUD MLU0LUD@MLU@LUDALUPLUDBLU`LUDHLUpLUDHLULUDHLULUDHLULUDILULULUD0ILULUDPILULULULULU LU0LUDpILU@LUDILUPLUDILU`LUDILUpLUDILULUDJLULUD0JLULUDPJLULUDJLU( LUxLUtNUDNUPL]UUzNUD0KU{NUDKU{NUDKU {NUDKUFU 0cLUhCU2LULU[WUD U`LUD0LULUD LUxLU LUD@LU`RURUDRURUDRU`LUDLULUD@LUpLUDLULUDLU@FU  p~LU&&UD`KULUDKULUDKULUDKULUD0KULUDPKULUDpKU LUDKU0LUD@KU@LUD`KUPLUDKU`LUDKUpLUDKULUDKULUDKULUDKULUDKULUDKULUDKULUDKULUDKULUD KULUDKU LUDKU0LUDKU@LUDKUPLUDxLUZipForma      $(  TX{$( Q8KU1@UX LU`px361693!361723g# !588940g#(EU!2022-11-30 13:26:39U10000-00-00 00:00:00MU01Prime Time - Oboe and Clarinet DuetU!49g#g#8VGU!0g#g#8HU!3g#g#дHU!1g#g#HU!2022-11-30 11:43:45U!2022-11-30 13:26:39U!Phillip RawleMU!g#g#MU!2022g#MU10g#g#0!sib#g#!454#g#!0g#g#1Prime Time - Oboe and Clarinet Duet.sib!2022-11-30 11:43:45!0g#g#!170#g#!0g#g#!2g#Hg#!1.50(g#!2022-11-30 12:50:04!1g#g#!1g#g# !1.50g#KU!2022-11-04 09:25:05U!1g#g#xKU!1g#g#0KU!0g#g# KU!g#g#KU!0g#g#KU10g#g#KU0!0g#g#0%LU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2022-11-04 09:32:00U!0000-00-00 00:00:00!g#g#KU!317489g#!0g#g# KU!0g#g# +LU!0.00g#KU!11.00g#KU!6.00g#PKU!0g#g#KU!g#g#xKU!0.00g#P+LU!g#g#!0000-00-00 00:00:00U!1g#g#12022-11-04 09:30:11UKU0!1g#g#@(LU!0g#g#!0.0000g#!2022-11-04 09:27:431Claret Clarinet QuarteteScores!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Claret - Clarinet Quartet Phillip Rawle An amusing little piece for Three Clarinets and Bass Clarinet. A good show tune for concert performance.cores!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#ؕUKUxUKU0KUxFaUKUHaUKUUKUXUKUx%U KU U8KU UPKUKUUhKUXKUukUKUKUH3kUKUKU^UKUKU^UKUUKUKUUKU)UKU)U(KU)U@KU+LUhUXKU2!UpKUpKU86(UKUKUhU(LUU@LU+LU8UXLU(UpLUxULUKUULUHUKU<UPKU(U?UKUxY'U0>UHVU?U.UKUxKUH&UKUUKU-LU]UoIUXCU KUDUȌKUDUoIU`KUXgUoIUHUpIUUIUh}TUЭIU.LUط~UIUKUGUKU0!UHKU8 LUGULU/LUULU(5LUTULUU)ULU`U(LUXQ]U@LUHR]UXLUU]UpLUHULU/LUhULU.ULUxTULUgULUU]ULU8.ULU(2LUȆU0LUp5LUUHLU&*U`LUzUxLUXY]ULUZ]ULUȵULU8u6ULUx ULUEVULUV]U LUU8LUUPLUUhLUxULU(ULUqULUعULU3LUULUxULU1LUULUkU(LU3LUnU@LUUXLUUpLUULUxULU>ULUULUH0LUULUx~U LUhU LUU0 LU(ݻUH LU0LUx]U` LUUx LUU LUU LUeU LUU LUU LUHL]U LUhO]U LUX5LUU8 LUx0LUlUP LUxoUh LUU LUؕU LUxU LU1LUxFaU LUHaU LUU LUXU LUx%U( LU U@ LU UX LU0LUUp LU3LUukU LU/LUH3kU LU03LU^U LU1LU^U LUU LU2LUU LU)U LU)U0 LU)UH LU5LUhU` LU2!Ux LU0LU86(U LU 4LUhU LUU LU6LU8U LU(U LUxU LUh4LUU LUHUKU<UKU(UUTLUUTLU:LUUTLUx~UTLUhUTLUUTLU(ݻUULU:LUx]U(ULUU@ULUUXULUUpULUeUULUUULUUULUHL]UULUhO]UULUlLUUVLU:LUlUVLUxoU0VLUUHVLUؕU`VLUxUxVLU@hLUxFaUVLUHaUVLUUVLUXUVLUx%UVLU UWLU U WLUP:LUU8WLUhjLUukUPWLU :LUH3kUhWLUiLU^UWLUgLU^UWLUUWLUiLUUWLU)UWLU)UWLU)UXLUxlLUhU(XLU2!U@XLUgLU86(UXXLUjLUhUpXLUUXLUlLU8UXLU(UXLUxUXLUkLUUXLUHUKU<U LU(UPG?UkLUxY'U=?UHVUhG?U.ULUkLUH&ULUULUmLU]UIUXCULUDULUDUIUphLUXgUIUHU0IUU IUh}TU8IUoLUط~UPIUjLUGULUALULUGUYLUhpLUUYLUvLUTU@[LUU)UX[LU`Up[LUXQ]U[LUHR]U[LUU]U[LUHU[LUpLUhU[LU.U\LUxTU\LUgU0\LUU]UH\LU8.U`\LUsLUȆUx\LUPvLUU\LU&*U\LUzU\LUXY]U\LUZ]U\LUȵU]LU8u6U ]LUx U8]LUEVUP]LUV]Uh]LUU]LUU]LUU]LUxU]LU(U]LUqU]LUعU^LUsLUU(^LUxU@^LUrLUUX^LUkUp^LUptLUnU^LUU^LUU^LUU^LUxU^LU>U_LUU_LU(qLUU0_LUx~UH_LUhU`_LUUx_LU(ݻU_LUqLUx]U_LUU_LUU_LUU_LUeU`LUU `LUU8`LUHL]UP`LUhO]Uh`LU8vLUU`LUXqLUlU`LUxoU`LUU`LUؕU`LUxU`LUxrLUxFaUaLUHaU(aLUU@aLUXUXaLUx%UpaLU UaLU UaLUpLUUaLUtLUukUaLUpLUH3kUaLUtLU^UbLUmeArtis!1.50g#iLU!2021-09-29 16:26:20U!1g#g#hLU!1g#g#@hLU!0g#g#0iLU!g#g#gLU!0g#g#h:LU10g#g#hLU0!g#g#xLU!g#g#!0g#g#!g#g#!g#g#!g#g#!2021-09-29 16:29:25U!0000-00-00 00:00:00!g#g#kLU!640634g#!0g#g#0iLU!0g#g#lLU!0.00g#h:LU!7.50g#jLU!4.50g#`iLU!0g#g#gLU!g#g#hLU!0.00g#0lLU!g#g#!0000-00-00 00:00:00U!1g#g#12021-09-29 16:28:04UkLU0!1g#g#P{LU!0g#g#!0.0000g#!2021-09-29 16:27:25!May Bee Clarinet Duet!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#May Bee - Clarinet Duet Phillip Rawle A light piece for two clarinets in Bb. Not too difficult. With piano accompaniment.resPageHeig!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#jLU pLUxoLUXhLU jLU(kLUXkLU0oLUlLUnLUpkLUjLU8:LUoLUnLUPjLUnLUfGUgLU:LUmLU`oLUnLUmLUoLUxiLUoLU0lLUHlLUoLUlLUmLUjLUiLUoLU`lLUnLUgLUiLU mLUhmLUmLUkLUXnLUiLU(nLUjLU0iLUHiLUkLUHoLUnLUh:LU8pLUhLUjLU:LU(hLU`iLUlLU:LU@kLUgLU:LUhLU@nLUpLUpnLUoLUmLUiLU8mLUmLUgLUPmLUhLUhLUlLUonStarte1D6971FD4-2139-11EC-B006-B153C87B2AFCU!119884g#!0g#g#!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-03-02 05:27:41!2023-03-02 05:28:02!1406032g#!1829123g#!0000-00-00 00:00:00!0000-00-00 00:00:00  { $(28 18$(%(  0SLU`LUЈLUDPLULUDpLULUDLULUDLUؒLUYLU!KUDNUPL]UU'KUD 1OU'KUD1OU'KUD1OU'KUD1OU`FU LUjCU2ȓLU([LUZUD YULUDPFMU LUDpMU(LULUDMU SU SUDp'SUSUD0jSULUDMU0LUDMULUDMULUD0MUFU  LUm"UD0KULUDLU LUDLU0LUDLU@LUD0LUPLUDPLU`LUDpLUpLUDLULUD DLULUD@DLULUD`DLULUDDLULUDDLUЊLUDDLULUDDLULUDELULUDLULUDLU LUDLU0LUD ELU@LUD@ELUPLUD LU`LUDLUpLUD LULUD@LULUD`LULUDLULUDLULUDLUЋLUDLULUDLULUD LULUD`ELULUDCLU LUDCLU0LUDCLU@LUDCLUPLUDLU`LUD0LUpLUDPLULUDpLULUDLULULUDLULUDLUЌLUDPLUULUDLULUDLULUDLULUDLU LUDLU0LUD0LUU@LUDPLUPLUDpLU`LUDLUpLUDLULUDLULUDLULUDLULUD0LULUDPLUЍLUDpLULUDLULUD`LULUDLULUD@LU LUD`LU0LUDLU@LUDLUPLU`LUDLUpLUDLULULULULULUЎLUDLULUD LULUD@LULUD`LULUDLU LUDLU0LUDLU@LUDLUPLUDLUXLULU'KUD1OUPL]UU5OUD`QOU05OUDQOU@5OUDQOUP5OUDROUFU LUkCU2HLULUaWUDX8U0JMUDpfMUpLUDPGMULULUDpFMUSUSUDPjSUmSUD0SU0LUDFMULUDpGMU@LUDFMUPLUDGMUFU  MU%UD LU`LUDLUpLUDLULUDLULUDLULUD LULUD@LULUD`LUАLUDLULUD0LULUDPLULUDpLULUDLU LUDLU0LUDХLU@LUDLUPLUDLU`LUDLUpLUDLULUDLULUDLULUDLULUD LULUD@LUБLUD`LULUDLULUD@LULUD`LULUD0LU QpLU1Hermelin - Clarinet QuartetD ='594868'115g#g#LUount0!590473g#BU!g#g#0LU1g#g#LU01Clarinet Bonanza - Clarinet and Piano!60g#g#HU!511#g#(HU!3g#g#p,IU!1g#g#fIU!2022-12-30 12:17:52U!2022-12-30 12:22:43U!Phillip RawleLU!g#g# LU!2022g#0LU10g#g#0!sib#g#`JU!454#g#JU!0g#g#KU!Clarinet Bonanza.sibU!2022-12-30 12:17:52U!0g#g#LU!135#g#ZLU!0g#g#LU!2g#Xg#"U!0g#8g#"U!g#g#"U!g#g#"U1g#g#"U0!1.50g#8sLU!2022-10-14 11:30:10U!1g#g#rLU!1g#g#xrLU!0g#g#hsLU!g#g#qLU!0g#g#qLU10g#g# sLU0!0g#g#LU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#8sLU!133337g#!0g#g# vLU!0g#g#!0.00g#hsLU!10.00g#8vLU!3.00g#qLU!0g#g#0uLU!g#g#sLU!0.00g#rLU!g#g#rLU!0000-00-00 00:00:00U!1g#g#!2022-10-14 11:33:06U196C22CE4-4BAB-11ED-B084-4F25F5556F5DU!156238g# !1g#g#ЪLU!0g#g#!0.0000g#!2022-10-14 11:32:28!Clarinet Suite!0g#g#!0g#g#!12g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Clarinet Suite Phillip Rawle A set of three pieces - Liberty, Equality, Fraternity. A contrast in styles. Written for Clarinet with Piano accompaniment.ogramNoteLastC!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#tLULU`LUrLUXtLU`uLUuLULU(wLUгLUuLUuLUpLULULUtLULUfGU0rLUqLUȲLUHLULULULUsLULUhvLUvLULUwLULUtLU(tLUشLUvLUpLUqLU8sLUXwLUPLU@wLU vLU@LUPsLULUtLUhsLUsLUuLU0LULUqLU LUHrLU0uLU@qLU`rLUsLUvLUpqLUxuLUrLUpLUrLU(LULUXLULULUsLU LUhLUrLU8LUrLU sLUvLUeExchangqLU^UbLUU0bLUsLUUHbLU)U`bLU)UxbLU)UbLUvLUhUbLU2!UbLUqLU86(UbLUuLUhUbLUUcLUvLU8ULU(ULUxULUHuLUUВLUHULU<ULU(Ux?UuLUxY'UG?UHVU?U.ULUuLUH&U0LUUHLULU]UhIUXCUpLUDULUDUIUrLUXgUIUHUIUU=JUh}TU>JUxLUط~U(>JU@tLUGUPZLU(KUhLUGULUPLUUؓLULUTU(LUU)U@LU`UXLUXQ]UpLUHR]ULUU]ULUHULULUhUЕLU.ULUxTULUgULUU]U0LU8.UHLULUȆU`LU8LUUxLU&*ULUzULUXY]ULUZ]UؖLUȵULU8u6ULUx U LUEVU8LUV]UPLUUhLUULUULUxULU(UȗLUqULUعULULUULUxU(LULUU@LUkUXLUXLUnUpLUULUULUULUxUИLU>ULUULULUULUx~U0LUhUHLUU`LU(ݻUxLUpLUx]ULUULUULUUؙLUeULUULUU LUHL]U8LUhO]UPLU LUUhLU@LUlULUxoULUULUؕUȚLUxULU`LUxFaULUHaULUU(LUXU@LUx%UXLU UpLU ULULUULULUukULULUH3kUЛLULU^ULUжLU^ULUULULUU0LU)UHLU)U`LU)UxLULUhULU2!ULULU86(ULULUhU؜LUULULU8ULU(U LUxU8LU0LUUPLUHUXLU<UhZLU(U`)$UغLUxY'U?UHVUx'U.UZLULUH&UZLUU[LULU]U@>JUXCU8ZLUDUZLUDUX>JULUXgUp>JUHU>JUUZJUh}TUZJULUط~UZJU(LUGU8LUX:UcLULUGU@LULUUXLULUTULUU)ULU`U؟LUXQ]ULUHR]ULUU]U LUHU8LULUhUPLU.UhLUxTULUgULUU]ULU8.UȠLULUȆULULUULU&*ULUzU(LUXY]U@LUZ]UXLUȵUpLU8u6ULUx ULUEVULUV]UСLUULUlLU!0g#Xg#LU!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-02-21 15:52:25!2023-02-21 15:53:24!4095479g#!6409790g#!0000-00-00 00:00:00!2023-06-21 12:15:06QhLU1ƑUHLU)590473!0000-00-00 00:00:00U1g#g#ȵLU0AStatus - Three short pieces for Clarinet and PianoU!60g#g#DLU!511#g#`8@U!3g#g#(EU!1g#g#EU!2023-01-09 18:53:28U!2023-01-09 19:00:51U!Phillip RawleKGU!g#g#8VGU!2023g# !2023-02-25 15:11:17!0g#g#@!126#g#`!0g#g#!3g#xg#!1.50Xg#!2023-02-25 15:12:17empt!1g#g# LU!1g#g# 10g#g#uantitySetOfPart01xLUG 595964!0g#(g#KGU!3g#g#FU!1g#g#PHU!2023-02-25 15:11:17!g#g# LU!0g#g#LU!0g#g#LU!1g#g#`LU!0g#g#PLU!0.0000g#жLU!2023-01-09 18:55:45U12023-01-09 19:00:51U0A set of three short, interesting and different pieces for Clarinet solo and Piano. Feisty - Allegro in 4/4 Felicity - Presto in 6/8 Gravity - Adagio in 3/4 The clip is the second piece - Felicity. @LU!7.50g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!287015g# LU!0g#g#!0g#g#LU!0.00g#!10.50g#PLU!3.00g# LU!0g#g#LU!g#g#LU!0.00g#LU!g#g#LU!0000-00-00 00:00:00U!1g#g#PLU!2023-01-09 18:58:411A0E3A9F8-904F-11ED-AD8D-8EA1F6CA0AAFU!235759g#طLU!0g#g# AStatus Three short pieces for Clarinet and PianoScores!0g#g#!0g#g#!15g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!Status - Three short pieces for Clarinet and Piano Phillip Rawle A set of three short, interesting and different pieces for Clarinet solo and Piano. Feisty - Allegro in 4/4 Felicity - Presto in 6/8 Gravity - Adagio in 3/4 The clip is the second piece - Felicity. LU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#LU@LULUxLU@LUHLUxLUPLULULULULUȵLUȾLULUpLU0LUgGULULULULULULU8LULULUPLUhLU LULUмLUйLULULULULULU LU@LULU(LULUxLU8LUHLULUPLUhLULUhLUؽLULUXLU0LULU(LUHLULUȻLUXLU`LULULULU`LU(LULULULUȸLUXLULULUpLUطLULULULU!0g#g#LU!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-02-20 20:24:03!2023-02-20 20:24:54!4403131g#!6835065g#!0000-00-00 00:00:00!2023-06-21 12:35:30 $($(#('(  "($(!(   (pLULU LUDPLU0LUDpLU@LUDLU0LUDpLU@LUDLUPLUDLU`LUDLUpLUDLULUDLULUD0LULUDPLULUD MULUD MULULUD MULUD MULUD0 MUULUD` MU LUD MU0LUD MU@LUD MUPLUD MU`LUDMUUpLUD MULUDMULUDMULUD0MULUDPMULUDpMULUDMULUDMULUDMULUDMULUD MU LUD MU0LUD MU@LUD MUPLUD MU`LUD@ MUpLUD` MULULUD MULUD MULULULULULULUD MULUD MU LUD MU0LUD MU@LUD@ MUPLUD` MU`LUD MUpLUD MULUDPMULU(LU`5OUD ROUPL]UUP;OUDPOU;OUDOU;OUDЄOU;OUDOUFU 0&MUhCU2LULUprdUD@WUPMUD0MUJMUDpgMULU@JMUDfMUmSUnSUDPSU@tSUD0SUJMUDfMUJMUDgMUJMUDgMUJMUD0gMU@FU  @2MU$UD LULUD!LULUD0!LULUDP!LULUDp!LULUD!LULUD!LULUD!LULUD"LULUD"LU LUD"LU0LUD"LU@LUD#LUPLUD0#LU`LUDP#LUpLUDp#LULUD!LULUD"LULUD0"LULUDP"LULUD#LULUD+MULUD ,MULUD@,MULUD`,MULUD,MU LUD,MU0LUD,MU@LUD,MUPLUD-MU`LUD -MUpLUD@-MULUD#LULUD#LULUD#LULUD$LULUD*MULUD*MULUD*MULUD*MULUD+MULUD +MU LU0LUD@+MU@LUD`+MUPLUDp/MUU`LUD/MUpLUD/MULUD/MULUD0MULUD 0MULUD@0MUULUD`0MULUD 1MULUD@1MULUD`1MULUD1MULUD1MU LUD1MU0LUD1MU@LUD2MUPLUD 2MU`LUD LUpLUD LULUD`-MULUD-MULUD-MULUD-MULUD-MULULUD.MULUD .MULULU LU0LU@LUPLUD@.MU`LUD`.MUpLUD.MULUD.MULUD.MULUD.MULUD/MUQLU1PULUk594626!594868g# !586847g#EU!2022-10-21 14:45:51U10000-00-00 00:00:008MU01Pushing The Pads - Clarinet SolosGU!41g#g#FU!511#g#HU!3g#g#HU!1g#g#(HU!2022-10-21 14:39:38U!2022-10-21 14:45:51U!Phillip Rawle9MU!g#g#9MU!2022g#8MU10g#g#0!sib#g#!454#g#!0g#g#1Pushing The Pads - Complete.sib!2022-10-21 14:39:38!0g#g#!161#g#!0g#g#!8g#Xg#!1.508g#!2022-10-21 14:39:39!1g#g#11g#g#"U0!1.50g#LU!2022-12-30 12:17:54U!1g#g#LU!1g#g#LU!0g#g#LU!g#g#LU!0g#g#0LU10g#g#LU0A lively piece for the more experienced player. Modern in style and a showpiece for performance. Written for Clarinet in Bb and Piano.yY? !5.00g#!1g#g#!0g#g#!0g#g#ULUULUxU0LU(UHLUqU8LUعUPLULUUhLUxULULUULUkULU LUnULUULUULUULUxU(LU>U@LUUXLUHLUUpLUx~ULUhULUULU(ݻULULUx]ULUULUULUU0LUeUHLUU`LUUxLUHL]ULUhO]ULULUULUxLUlULUxoULUULUؕU LUxU8LULUxFaUPLUHaUhLUULUXULUx%ULU ULU ULULUULUPLUukULULUH3kU(LULU^U@LULU^UXLUUpLUxLUULU)ULU)ULU)ULU`LUhULU2!ULULU86(ULULUhU0LUUHLULU8U`LU(UxLUxULULUULUHU ZLU<UPLU(U@ULUxY'U06:UHVU@U.ULUpLUH&ULUULULU]UZJUXCU LUDUȔLUDU[JULUXgU[JUHU0[JUU eJUh}TU8eJUxMUط~UPeJULUGULUHLUxMUGULUPMUULUMUTULUU)ULU`U0LUXQ]UHLUHR]U`LUU]UxLUHULUMUhULU.ULUxTULUgULUU]ULU8.U LUMUȆU8LU8MUUPLU&*UhLUzULUXY]ULUZ]ULUȵULU8u6ULUx ULUEVULUV]U(LUU@LUUXLUUpLUxULU(ULUqULUعULUMUULUxULUMUULUkU0LUXMUnUHLUU`LUUxLUULUxULU>ULUULUMUULUx~ULUhU LUU8LU(ݻUPLUpMUx]UhLUULUULUULUeULUULUULUHL]ULUhO]U(LU MUU@LU@MUlUXLUxoUpLUULUؕULUxULU`MUxFaULUHaULUULUXULUx%U0LU UHLU U`LUMUUxLUMUukULUMUH3kULUMU^ULUMU^ULUULUMUULU)U LU)U8LU)UPLUMUhUhLU2!ULUMU86(ULUMUhULUULUMU8ULU(ULU MU!2022-12-30 12:22:43U!0000-00-00 00:00:00!g#g#LU!840317g#!0g#g#LU!0g#g#LU!0.00g#0LU!8.00g#LU!3.00g#HLU!0g#g# LU!g#g#LU!0.00g#LU!g#g#!0000-00-00 00:00:00U!1g#g#12022-12-30 12:20:17ULU0!1g#g# MU!0g#g#!0.0000g#!2022-12-30 12:19:051Clarinet Bonanza Clarinet and PianoU!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Clarinet Bonanza - Clarinet and Piano Phillip Rawle A lively piece for the more experienced player. Modern in style and a showpiece for performance. Written for Clarinet in Bb and Piano.ePlatinum!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#hLUMU`MULULULU@LUMULUMUXLULULUMUMU8LULU(gGUPLULULUHMUMULUMU`LUMULU0LUMULULULULUMUHLUpMULULULUPLULULU@MULUMULULU0LULU0MUMU0LU MUhLULU`LULUHLULULU(LU LUпLULU(MUMUXMUMULULU LUhLU8LU8LULULUxLUionFinis150819AA8-883C-11ED-8AA1-8EA1F6CA0AAF!143772g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-02-21 00:00:32!2023-02-21 00:02:19!1910458g#!2726222g#!0000-00-00 00:00:00!0000-00-00 00:00:00 LU MULUD /MULUDP/MUhMULU;OUDOUPL]UUOUDOUOUDpOUOUDOU OUDOU FU UMUqCU2XMULUaDUD`VXUMUDMUQMUD0MUMUPMUDPMU0tSUPtSUDPSUSUD@TUPMUDMU QMUDPMUPMUDИMUPMUDMUFU  `bMU#UDLULUD0LULUD`LULUDLULUDLU LUDLU0LUDLU@LUDLUPLUDLU`LUDLUpLUDLULUDLULUD@LULUD`LULUDLULUDLULUD LULUD@LULUD`LULUDLULUDLU LUDP[MU0LUD\MU@LUD0\MUPLUDP\MU`LUDp\MUpLUD\MULUD\MULUD\MULUD\MULUD]MULUD0]MULUDLULUDLULUD LULUD@LULUD@ZMU LUD`ZMU0LUDZMU@LUDZMUPLUDZMU`LUDZMUpLULUD[MULUD [MULUD`_MUULUD_MULUD_MULUD_MULUD_MULUD`MUHMUD0`MUUHMUDP`MU HMUD@aMU0HMUD`aMU@HMUDaMUPHMUDaMU`HMUDaMUpHMUDaMUHMUDbMUHMUD bMUHMUD@bMUHMUDLUHMUDLUHMUDP]MUHMUDp]MUHMUD]MUIMUD]MUIMUD]MU IMU0IMUD]MU@IMUD^MUPIMU`IMUpIMUIMUIMUIMUD0^MUIMUDP^MUIMUDp^MUIMUD^MUIMUD^MUIMUD^MUJMUD^MUJMUD_MU JMUD@_MU MU8MU0OUDдOUPL]UU OUD@NUPOUDNU`OUDNUpOUDNU`FU 0xMUpiCU2!MUMUaUDJgU0MUD`MUpMUDMU8"MUMUD0MUSUSUD`TUSUD 2TU0MUDMUMUD0MU@MUDMUPMUDMUFU  ГMU`S7UD&MU0KMUD&MU@KMUD 'MUPKMUD@'MU`KMUD`'MUpKMUD'MUKMUD'MUKMUD'MUKMUDp(MUKMUD(MUKMUD(MUKMUD(MUKMUD(MUKMUD)MULMUD0)MULMUDP)MU LMUD'MU0LMUD(MU@LMUD (MUPLMUD@(MU`LMUD|MUpLMUD|MULMUDp}MULMUD}MULMUD}MULMUD}MULMUD}MULMUD~MULMUD0~MULMUDP~MUMMUDp~MULMUQhMU!586035g#p&MU!1g#g#(CMU10g#g#BMU01Weekdays - Clarinet DuetBU eFU!42g#g#KGU!511#g#8VGU!3g#g#8HU!1g#g#дHU!2022-10-20 14:10:25U!2022-10-20 14:14:36U!Phillip RawleCMU!g#g#DMU!2022g#(CMU10g#g#0!sib#g#x?JU!454#g#8\JU!0g#g#@JU!Weekdays.sibHg#!2022-10-20 14:10:25!0g#g#!138#g#!0g#g#!1.50g#PEMU!2022-10-20 14:10:26U!1g#g#DMU!1g#g#DMU!0g#g#EMU!g#g#DMU!0g#g#(CMU10g#g#8EMU0!0g#g# MU!g#g#MU!0g#g#MU!0g#g#`MU!1g#g#PMU!0g#g#MU!0.0000g#MU12022-11-30 13:03:02U0A lively and inventive piece with plenty of interesting harmonies and interweaving parts. Written for Oboe and Clarinets in Bb.otoDispl!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g# MU!477789g#!0g#g#MU!0g#g#!0.00g#PMU!8.00g# MU!3.00g#MU!0g#g#MU!g#g#MU!0.00g#MU!g#g#MU!0000-00-00 00:00:00U!1g#g#!2022-11-30 13:23:10U122691F48-70B2-11ED-93F4-4F25F5556F5DU!143586g# 1Prime Time Oboe and Clarinet DuetU!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Prime Time - Oboe and Clarinet Duet Phillip Rawle A lively and inventive piece with plenty of interesting harmonies and interweaving parts. Written for Oboe and Clarinets in Bb.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#MU8MUX7MUxMU@MUHMUxMU7MU MU6MUMUMUMU7MU6MUpMU0 MU@gGUMUMU MU@7MU6MU MU6MUMU7MUPMUhMU6MUMU MUMUMU7MUMUh6MUMU MU@ MU MU( MUMUx MU8MUH MUMUPMUhMUMU(7MU6MUMU8MU0MUMU(MUHMUMUMUXMU`MUMUMUMU` MU7MUP6MU7MU MUMUX MU MUMUp MUMUMUMU6MUxUHMU0MUU`MUHULU<UОLU(U08@UMUxY'U@UHVUH8@U.U0LUMUH&U`LUUxLU MU]UheJUXCULUDUHLUDUeJUMUXgUeJUHUeJUUJUh}TUJUp7MUط~UJU(MUGULUKU MUGUPMUH8MUUhMU=MUTUMUU)UMU`UMUXQ]UMUHR]UMUU]U0MUHUHMUx8MUhU`MU.UxMUxTUMUgUMUU]UMU8.UMU:MUȆUMU0>MUUMU&*U MUzU8MUXY]UPMUZ]UhMUȵUMU8u6UMUx UMUEVUMUV]UMUUMUUMUU(MUxU@MU(UXMUqUpMUعUMU;MUUMUxUMU:MUUMUkUMUPUxMUUMU9MUUMUx~UMUhUMUUMU(ݻUMUh9MUx]U MUU8MUUPMUUhMUeUMUUMUUMUHL]UMUhO]UMU>MUUMU89MUlUMUxoU(MUU@MUؕUXMUxUpMUX:MUxFaUMUHaUMUUMUXUMUx%UMU UMU UMU8MUU0MUMUhU MU2!U8 MU9MU86(UP MUMU8U MU(U MUxU MU(=MUU MUHULU<U(LU(UEU=MUxY'U`8@UHVUEU.ULU=MUH&ULUULU@MU]U JUXCULUDULUDU8JU:MUXgUPJUHUhJUUJUh}TUJUAMUط~UJU MU!0g#g#!0.00g#H;MU!10.00g#>MU!0.00g#8MU!0g#g#=MU!g#g#x;MU!0.00g#9MU!g#g#:MU!0000-00-00 00:00:00U!1g#g#!2022-10-21 14:44:11U171D5A12C-5146-11ED-8FAF-4F25F5556F5DU!201160g# 1Pushing The Pads Clarinet SolosefScor!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Pushing The Pads - Clarinet Solos Phillip Rawle Six artistic, unaccompanied solos for the Clarinet. Each piece has its own distinctive character with varying textures, rhythms and keys. Suitable for grades five and above. @aMU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#MU`>MUAMU>MU?MUMU@MU9MU;MU8?MU?MU ?MU>MUp@MU0;MU@@MUMUP9MUX=MU9MU8MU:MUX@MU BMU@MUAMU?MU;MUP?MU?MU9MUh?MU:MU;MU>MUenseScor!0g#g#`fMU!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-02-21 14:43:02!2023-02-21 14:43:14!1311726g#!2037264g#!0000-00-00 00:00:00!2023-06-21 12:27:430MU hMUMMUD~MU MMUDp)MU0MMUD)MU@MMUD)MUPMMUD)MU`MMUD)MUpMMUD*MUMMUD0*MUMMUDP*MUMMUD&MUMMUD&MUMMUMMUDMUMMUDMUMMUDMUUNMUD MUNMUD@MU NMUD`MU0NMUDMU@NMUDMUPNMUDMUU`NMUDMUpNMUDMUNMUDВMUNMUDMUNMUDMUNMUD0MUNMUDPMUNMUDpMUNMUDMUNMUDMUOMUD~MUOMUD~MU OMUD~MU0OMUDMU@OMUD0MUPOMUDPMU`OMUDpMUpOMUOMUDMUOMUDMUOMUOMUOMUOMUOMUOMUDMUPMUDMUPMUDMU PMUD0MU0PMUDPMU@PMUDpMUPPMUDMU`PMUDMUpPMUDMUmMU!MUOUDNUPL]UUNUDpPUNUDPUNUDPUNUDPUFU зMUpjCU2nMU #MUZUD0WUMUD(NUMUD`MUnMU@MUDMUSU SUD@2TU`SUDaTUMUDMUСMUDMUMUDMUMUD MUFU  MU:UDVMUQMUDWMUQMUD0WMUQMUDPWMUQMUDpWMUQMUDWMUQMUDWMUQMUDWMUQMUDXMURMUDXMURMUDXMU RMUDXMU0RMUDYMU@RMUD0YMUPRMUDPYMU`RMUDpYMUpRMUDWMURMUDXMURMUD0XMURMUDPXMURMUDYMURMUD0MURMUDнMURMUDMURMUDMUSMUD0MUSMUDPMU SMUDpMU0SMUDMU@SMUDMUPSMUD оMU`SMUDMUpSMUDYMUSMUDYMUSMUDYMUSMUDZMUSMUD MUSMUD@MUSMUD`MUSMUDMUSMUDMUTMUDMUTMU TMUDMU0TMUDMU@TMUD MUUPTMUDPMU`TMUDpMUpTMUDMUTMUDMUTMUDMUTMUDMUUTMUDMUTMUDMUTMUDMUTMUD MUTMUD@MUUMUD`MUUMUDMU UMUDMU0UMUDMU@UMUDMUPUMUDVMU`UMUDVMUpUMUDMUUMUD0MUUMUDPMUUMUDpMUUMUDMUUMUMUDMUMUDпMUMUMU MU0MU@MUPMUDMU`MUDMUpMUD0MUMUDPMUMUDpMUMUDMUMUDMUMUDMUКMUDMUxMUQBMU1xMU0\b586847!595964g#xMU!2023-03-17 16:05:49U10000-00-00 00:00:00MU01Thursday - Clarinet QuartetUpHU!15g#g#HU!0g#g#HU!3g#g#hfIU!1g#g#qIU!2023-03-17 11:07:51U!2023-03-18 08:29:50U!Phillip RawlehMU!g#g#MU!2023g#MU10g#g#0!sib#g#g#!454#g#!0g#g#!Thursday.sib!2023-03-17 11:07:52!0g#g#!103#g#!0g#g#!1.50g#MU!2023-03-17 13:51:39U!1g#g#MU!1g#g#@MU!0g#g#0MU!g#g#MU!0g#g#MU10g#g#MU0!6g#g#|MUFive short pieces for Clarinet duet. Each piece is named after a day of the week. May be played as a suite or each piece as a stand-alone performance. !10.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!2022-10-20 14:14:36U!0000-00-00 00:00:00!g#g#MU!952837g#!0g#g#EMU!0g#g#ЂMU!0.00g#(CMU!13.00g#ȁMU!3.00g#EMU!0g#g#DMU!g#g#DMU!0.00g#MU!g#g#!0000-00-00 00:00:00U!1g#g#12022-10-20 14:12:32UMU0UhMUxUiMU>U iMUU8iMU@CMUUPiMUx~UhiMUhUiMUUiMU(ݻUiMUCMUx]UiMUUiMUUiMUUjMUeU(jMUU@jMUUXjMUHL]UpjMUhO]UjMUЂMUUjMUpCMUlUjMUxoUjMUUjMUؕUkMUxUkMUDMUxFaU0kMUHaUHkMUU`kMUXUxkMUx%UkMU UkMU UkMUCMUUkMU8MUukUkMUBMUH3kUlMU(FMU^U lMUDMU^U8lMUUPlMUEMUUhlMU)UlMU)UlMU)UlMUHMUhUlMU2!UlMUCMU86(UlMUMUhUmMUU(mMUMU8U@mMU(UXmMUxUpmMUMUUmMUHULU<UMU(U(EUMUxY'UإEUHVU@EU.U@MUXMUH&UpMUUMUȄMU]U(JUXCUMUDUXMUDU@JUDMUXgUXJUHUpJUU`JUh}TUxJU`MUط~UJU؀MUGUH"MU UMUGUxnMU8MUUnMU،MUTUoMUU)UoMU`UpMUXQ]U(pMUHR]U@pMUU]UXpMUHUppMUhMUhUpMU.UpMUxTUpMUgUpMUU]UpMU8.UqMU؉MUȆUqMU MUU0qMU&*UHqMUzU`qMUXY]UxqMUZ]UqMUȵUqMU8u6UqMUx UqMUEVUqMUV]UrMUU rMUU8rMUUPrMUxUhrMU(UrMUqUrMUعUrMUȊMUUrMUxUrMUMUUrMUkUsMU@MUnU(sMUU@sMUUXsMUUpsMUxUsMU>UsMUUsMUMUUsMUx~UsMUhUtMUUtMU(ݻU0tMUXMUx]UHtMUU`tMUUxtMUUtMUeUtMUUtMUUtMUHL]UtMUhO]UuMUMUU uMU(MUlU8uMUxoUPuMUUhuMUؕUuMUxUuMUHMUxFaUuMUHaUuMUUuMUXUuMUx%UvMU U(vMU U@vMUȇMUUXvMUpMUukUpvMUMUH3kUvMUMU^UvMUMU^UvMUUvMUMUUvMU)UwMU)UwMU)U0wMUMUhUHwMU2!U`wMUMU86(UxwMUЋMUhUwMUUwMUȍMU8UwMU(UwMUxUwMUMUUxMUHUMU<U`"MU(UEUMUxY'UXEUHVUEU.U"MUMUH&U"MUU#MUMU]UJUXCU0"MUDU"MU!0.0000g#MU!2022-10-20 14:11:39!Weekdays Clarinet Duet!0g#g#!0g#g#!10g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Weekdays - Clarinet Duet Phillip Rawle Five short pieces for Clarinet duet. Each piece is named after a day of the week. May be played as a suite or each piece as a stand-alone performance. MU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#PMUMUHMUDMUMUMU(MUMUMUMU@MUMUBMUxMUMU MUMUpgGUHDMUCMUMU0MUpMUhMUMUEMUMUMUMUЅMUMUMUMUMUMU0MUXMUCMUPEMUMU8MU؃MUMU(MUhEMUMUhMUEMUEMUpMUMUMU(CMUMU`DMUȁMUXCMUxDMUEMUxMUCMUMUDMUBMUDMUMU؆MU@MUMUMUEMUMUPMU0DMU MUEMU8EMU`MUMU1DB36D510-5078-11ED-8FAF-4F25F5556F5DU!212541g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-02-21 14:51:45!2023-02-21 14:52:27!4277964g#!6857041g#!0000-00-00 00:00:00!2023-06-21 12:23:22 $(   _`  $(     $(`MU0hMUMUاMU`nMU NUD0PUPL]UUNUD8PU@NUD8PUPNUD9PU`NUD 9PUFU MUpsCU2ȨMUoMUCUU>U0NUD@;NUpMUD)NU(MUMUD)NUPSUCTUDaTUITUDTU0MUD`)NUMUD*NU@MUD)NUPMUD)NU@FU  PMU:UDxMUMUD yMUMUDPyMUMUDpyMUMUDyMU MUDyMU0MUDyMU@MUDyMUPMUDzMU`MUDzMUpMUDzMUMUD{MUMUD {MUMUD@{MUMUD`{MUMUD{MUМMUDzMUMUD0zMUMUDPzMUMUDpzMUMUD@MU MUD`MU0MUDMU@MUDMUPMUDMU`MUD0MUpMUDPMUMUDpMUMUDMUMUDMUMUD MUMUDMUНMUD{MUMUD{MUMUD{MUMUD|MUMUD |MU MUD@|MU0MUD`|MU@MUD|MUPMUD MU`MUD@MUpMUMUD`MUMUDMUMUDMUUMUDMUMUDMUОMUDMUMUD0MUMUDPMUMUDpMUUMUDMU MUD0MU0MUDPMU@MUDpMUPMUDMU`MUDMUpMUDMUMUDMUMUDMUMUD0MUMUDxMUMUDxMUПMUDMUMUD0MUMUDPMUMUDpMUMUDMU MU0MUDMU@MUDMUPMU`MUpMUMUMUMUDMUMUDMUMUD0MUРMUDPMUMUDpMUMUDMUMUDMUMUDMU MUDMUXMUMUpNUD@9PUPL]UU`NUDPZPUNUDZPUNUDZPUNUDZPU FU NUwCU2HMUMUjUD0meUNUD`mNUNUD@UMUUMUMUUMUx~U0MUhUHMUU`MU(ݻUxMUPMUx]UMUUMUUMUUخMUeUMUUMUU MUHL]U8MUhO]UPMUMUUhMU MUlUMUxoUMUUMUؕUȯMUxUMU@MUxFaUMUHaUMUU(MUXU@MUx%UXMU UpMU UMUMUUMUhMUukUMUMUH3kUаMUMU^UMUMU^UMUUMUMUU0MU)UHMU)U`MU)UxMUxMUhUMU2!UMUMU86(UMUMUhUرMUUMUMU8UMU(U MUxU8MUMUUPMUHU"MU<UoMU(UHBUMUxY'UEUHVU`BU.UhoMUMUH&UoMUUoMUMU]UVKUXCUnMUDUoMUDUVKUpMUXgUVKUHUVKUUKUh}TUKUMUط~UKUMUGU8MUxLU`MUGU@MUhMUUXMUHNUTUMUU)UMU`UشMUXQ]UMUHR]UMUU]U MUHU8MUMUhUPMU.UhMUxTUMUgUMUU]UMU8.UȵMUMUȆUMUNUUMU&*UMUzU(MUXY]U@MUZ]UXMUȵUpMU8u6UMUx UMUEVUMUV]UжMUUMUUMUUMUxU0MU(UHMUqU`MUعUxMUMUUMUxUMUMUU8MUkUPMUpMUnUhMUUMUUMUUMUxUMU>UMUUMU(MUUMUx~U(MUhU@MUUXMU(ݻUpMUMUx]UMUUMUUMUUMU !1897254Hg#`MU!0000-00-00 00:00:00!0000-00-00 00:00:00QHMU18MUGi25588621hMU>:559635!591631g# KU!2023-01-13 10:33:13U10000-00-00 00:00:00[NU01Radiance - Clarinet and PianoxHU!60g#g#,IU!511#g#fIU!4g#g# IU!1g#g# IU!2023-01-13 10:26:37U!2024-03-10 15:46:58U!Phillip RawleH\NU!g#g#\NU!2023g#[NU10g#g#0!sib#g#KU!454#g#!0g#g#!Radiance.sib!2023-01-13 10:26:37!0g#g#!151#g#!0g#g#!3g#xg#qRadiance has an improvisatory feel to it. A great addition to the Clarinet concert repertoire. !5.00g#!1g#g# !3g#g#0MUqA slow night-time piece with a jazzy element. Written for three clarinets and a bass clarinet. !5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#MU!857484g#!0g#g#MU!0g#g#!0.00g#0MU!11.00g#MU!6.00g#MU!0g#g#MU!g#g#`MU!0.00g#MU!g#g#MU!0000-00-00 00:00:00U!1g#g#!2023-03-17 16:04:11U15A73ADB6-C4DD-11ED-9D1A-8EA1F6CA0AAFU!166377g# !1g#g#MU!0g#g#!0.0000g#!0000-00-00 00:00:001Thursday Clarinet QuartetMU!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Thursday - Clarinet Quartet Phillip Rawle A slow night-time piece with a jazzy element. Written for three clarinets and a bass clarinet. UaMU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#MU MUxMUXMU MU(MUXMU0MUMUMUpMUMUMUMUMUPMUMUgGUMUhMUMU`MUMUMUMUxMUMU0MUHMUMUMUMUMUMUMU`MUMUMUMU MUhMUMUMUXMUMU(MUMU0MUHMUMUHMUMUMU8MUMUMUMU(MU`MUMU8MU@MUMUxMUMU@MUMUpMUMUMUMU8MUMUMUPMUMUMUMU!0g#g#PMU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1828450g#!0000-00-00 00:00:00!0000-00-00 00:00:00ЧMUMU0MUDLU@MUDLUPMUDLU`MUD0LUpMUD NUMUD NUMUD NUMUD@ NUMUD` NUMUФMUD NUMUD NUMUD NUUMUDNUMUD NU MUD@NU0MUD`NU@MUDNUPMUD@VMUU`MUD"NUpMUD#NUMUD#NUMUD#NUMUD#NUMUD$NUMUD0$NUХMUDP$NUMUDp$NUMUD$NUMUD`VMUMUDNU MUDNU0MUD0NU@MUDPNUPMUDpNU`MUDNUpMUMUDNUMUDNUMUMUMUЦMUMUMUDNUMUDNUMUD0NU MUDPNU0MUDpNU@MUDNUPMUDNU`MUDNUpMUD(NUPMU(MUNUD[PUPL]UUpPUDКPU qPUD0PU0qPUDPPU@qPUDpPU`FU *NUPlCU2@MUMUeDUD>UtNUDpNUNUD`nNUMUNUDmNUPTU0PTUDTUPTUDpTUNUDmNU NUDnNUNUDnNUNUD nNUFU  07NU:UDMUMUDMUMUD MUMUD@MUMUD`MU MUDMU0MUDMU@MUDMUPMUDpMU`MUDMUpMUDMUMUDкMUMUDMUMUDMUMUD0MUMUDPMUMUDMUMUDMUMUD MUMUD@MUMUDpMU MUD0NU0MUD0NU@MUD0NUPMUD1NU`MUD01NUpMUDP1NUMUDp1NUMUD1NUMUD1NUMUD 1NUMUD1NUMUDMUMUDMUMUDлMUMUDMUMUD.NU MUD/NU0MUD0/NU@MUDP/NUPMUDp/NU`MUD/NUpMUMUD/NUMUD/NUMUD 4NUUMUDP4NUMUDp4NUMUD4NUMUD4NUMUD4NUMUD4NUUMUD5NU MUD6NU0MUD06NU@MUDP6NUPMUDp6NU`MUD6NUpMUD6NUMUD6NUMUD6NUMUD7NUMUDMUMUDMUMUD2NUMUD02NUMUDP2NUNUDp2NUNUD2NU NU0NUD2NU@NUD2NUPNU`NUpNUNUNUNUD2NUNUD3NUNUD03NUNUDP3NUNUDp3NUNUD3NUNUD3NUNUD3NU NUD4NUMU MUPqPUDPUPMU     $(     $( QMU1h NUC 5948681 NU1593936!2023-02-25 15:18:18U!Phillip RawleMU!g#g#MU!2023g#MU10g#g#0!sib#g#HU!454#g#HU!0g#g#,IU!Hermelin.sib !0g#8g#:PU!2g#g#X;PU!1.50g#h:PU12018-09-04 14:19:560!sib#g# NU!454#g#!0g#g#uantityS!Lines - Clarinet.sib!2018-09-04 14:19:55!1g#g# !361803g# !361816g# !361908g# !564895g# NU1The Fabulous Forties - Clarinet Quintet!g#g#8MU!0g#g#MU!0g#g#MU!1g#g#xMU!0g#g#hMU!0.0000g#MU!0000-00-00 00:00:00U1Hermelin Clarinet Quartet0Hermelin - Clarinet Quartet (Clarinet in Bb 1,2,3 and BassClarinet) A jazz piece with changing moods and interesting harmonies. Quite fast and fairly difficult. Exciting to play. !5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!0000-00-00 00:00:00U!g#g#!503532g#`NU!0g#g#!0g#g#hMU!0.00g#xNU!11.00g#MU!6.00g#0MU!0g#g#MU!g#g#MU!0.00g#MU!g#g#NU!0000-00-00 00:00:00!1g#g#NU!2023-02-25 15:16:351636F8E26-B51F-11ED-B3ED-8EA1F6CA0AAF!0g#g#NU!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#eUMUUMUUMUHL]U0MUhO]UHMUxNUU`MUXMUlUxMUxoUMUUMUؕUMUxUMUxMUxFaUMUHaUMUU MUXU8MUx%UPMU UhMU UMUMUUMUMUukUMUMUH3kUMUMU^UMUMU^UMUUMUMUU(MU)U@MU)UXMU)UpMUNUhUMU2!UMUMU86(UMUMUhUMUUMU8NU8UMU(UMUxU0MUHMUUHMUHUnMU<UPMU(UBU0NUxY'UxBUHVUBU.UMUNUH&UMUUMUpNU]UȀKUXCU MUDUȩMUDUKUMUXgUKUHUKUUKUh}TUKUNUط~U0KU@MUGUMUh NUMUGU8MUNUUPMUNUTUMUU)UMU`UMUXQ]UMUHR]UMUU]UMUHU0MUNUhUHMU.U`MUxTUxMUgUMUU]UMU8.UMUNUȆUMUNUUMU&*UMUzU MUXY]U8MUZ]UPMUȵUhMU8u6UMUx UMUEVUMUV]UMUUMUUMUUMUxU(MU(U@MUqUXMUعUpMUpNUUMUxUMUPNUUMUkUMUNUnUMUUMUUMUU0MUxUHMU>U`MUUxMUNUUMUx~UMUhUMUUMU(ݻUMUNUx]UMUU MUU8MUUPMUeUhMUUMUUMUHL]UMUhO]UMUNUUMUNUlUMUxoUMUU(MUؕU@MUxUXMUNUxFaUpMUHaUMUUMUXUMUx%UMU UMU UMUpNUUMUNUukU0MU@NUH3kUHMUNU^U`MU`NU^UxMUUMU@NUUMU)UMU)UMU)UMU(NUhUMU2!U MU0NU86(U8MUxNUhUPMUUhMUpNU8UMU(UMUxUMUNUUMUHUMU<UгMU(U eFUhNUxY'UBUHVU8eFU.U0MU8NUH&U`MUUxMUNU]UHKUXCUMUDUHMUDU`KU NUXgUxKUHUKUUKUh}TUKU@!NUط~UKUNUGUMULUhGNUGU=NU"NUU=NUxVNUTU(?NUU)U@?NU`UX?NUHermelin - Clarinet Quartet Phillip Rawle Hermelin - Clarinet Quartet (Clarinet in Bb 1,2,3 and BassClarinet) A jazz piece with changing moods and interesting harmonies. Quite fast and fairly difficult. Exciting to play. NU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#MUNUNUMUXMUNUNUNUhNU`NUNUMUMU NUHNUMUNUgGU0MUMUXNUNUNUNUNUMUPNUNUNUxNUPNU(NUMU(MUhNUNUNUMU8MUNUNUNU`NUNUPMUNUMUhMUMUNUNU0NUMUNUHMU0MU@MU`MUMU NUpMUNUMUMUMUNUNUNU8NU@NUMUNUNUMUNUMU MUNUdefScor!212292Xg#(NU!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2668808g#!0000-00-00 00:00:00!0000-00-00 00:00:00QNU1@bU+NUO.,591631!593936g#HU!2023-02-08 09:16:27U10000-00-00 00:00:00PQNU01Scram - Clarinet and PianoUpIU!60g#g#8IU!511#g#8IU!3g#g#`?JU!1g#g# \JU!2023-02-08 09:09:14U!2023-02-08 09:16:27U!Phillip RawleRNU!g#g#pRNU!2023g#QNU10g#g#0!sib#g#PLU!454#g#LU!0g#g#hLU1Scram - Clarinet Solo.sibLU@LU!2023-02-08 09:09:14U!0g#g#"MU!123#g#hMU!0g#g#MU!2g#xg#MU!1.50Xg#"U!2023-02-08 09:09:21U!1g#g#"U!1g#g#"U10g#g#"U0!0g#g#NU!g#g#xNU!0g#g#8NU!0g#g#NU!1g#g#NU!0g#g#`NU!0.0000g#NU10000-00-00 00:00:00U0A charming little piece for Clarinet in Bb and Piano. Just sit back and imagine a cute weasel dancing around the countryside. Plenty of busy rhythms and harmonies to keep it interesting. 0NU!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#NU!102353g#!0g#g#NU!0g#g#!0.00g#NU!8.00g#NU!3.00g#NU!0g#g#NU!g#g#NU!0.00g#xNU!g#g#8NU!0000-00-00 00:00:00U!1g#g#!2023-02-22 09:03:18U1BF1E0910-B28F-11ED-B03E-8EA1F6CA0AAFU!219871g# 1La Belette Clarinet and PianoeScores!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#La Belette - Clarinet and Piano Phillip Rawle A charming little piece for Clarinet in Bb and Piano. Just sit back and imagine a cute weasel dancing around the countryside. Plenty of busy rhythms and harmonies to keep it interesting. UB6NU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#0NU!NU(!NUNUNUNUNU NUNU NU NUNUXNUX!NU NUNUNUgGUNUNUNU!NUP NUHNU NU(NU!NUNUNU NUNU`NU`NUNU!NUNU8 NUHNUNUNUNUNUNU NUNUNUHNUNUNUPNU NUh NUNU!NUNUNUNUNUNUXNUNUNUxNU(NU8NUNU!NU NUp!NUxNUXNUNU0NUNUNUhNUNU@NU@;NU!0g#g#0;NU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1702834g#!0000-00-00 00:00:00!0000-00-00 00:00:00 MUNUtNUDNU@TU`TUDTUTUDPUUPtNUDNUtNUDNU`tNUDNUptNUD0NUFU  PiNU:UD +NU0NUD+NU@NUD+NUPNUD+NU`NUD,NUpNUD ,NUNUD@,NUNUD`,NUNUD-NUNUD0-NUNUDP-NUNUDp-NUNUD-NUNUD-NUNUD-NUNUD.NU NUD,NU0NUD,NU@NUD,NUPNUD,NU`NUD .NUpNUD`bNUNUD0cNUNUDPcNUNUDpcNUNUDcNUNUDcNUNUDcNUNUDcNUNUDdNUNUD 0dNUNUDPdNU NUD@.NU0NUD`.NU@NUD.NUPNUD.NU`NUD.NUpNUDPaNUNUDpaNUNUDaNUNUDaNUNUDaNUNUNUDaNUNUDbNUNUD0bNUUNUDfNUNUDfNU NUDfNU0NUDfNU@NUDgNUPNUD gNUU`NUD@gNUpNUD0hNUNUDPhNUNUDphNUNUDhNUNUDhNUNUDhNUNUDhNUNUDiNUNUD0iNUNUD@+NUNUD`+NU NUDpdNU0NUDdNU@NUDdNUPNUDdNU`NUDdNUpNUNUDeNUNUD0eNUNUNUNUNUNUNUDPeNUNUDpeNUNUDeNU NUDeNU0NUDeNU@NUDeNUPNUDfNU`NUD0fNUpNUD`fNUXGNU=NUwPUD`PUPL]UUPUDPU@PUDPUPPUDPU`PUD0PUFU NUmCU2HHNU?NU0?eUDpdU KUDNUzNUDPKUHNU`zNUDpKUTUTUDpUUp UUD:UUzNUDKUzNUDpKUzNUDKUzNUDKU@FU  `NUP7UDMUNUDMUNUD MUNUD@MUNUD`MUNUDMUNUDMUoNUDMU oNUDpMU0oNUDMU@oNUDMUPoNUDMU`oNUDMUpoNUDMUoNUD0MUoNUDPMUoNUDMUoNUDMUoNUD MUoNUD@MUoNUDpMUoNUDMUpNUDMUpNUD MU pNUD NU0pNUD@NU@pNUD`NUPpNUDNU`pNUDNUppNUDNUpNUD NUpNUDNUpNUDNUpNUD0NUpNUDPNU,MNUQ0"NU1hMNUu^361723!361750g# !361894g#pIU!2018-09-11 08:14:41U10000-00-00 00:00:00NU01Shy Moon - Clarinet solo\JU \JU!60g#g#fJU!511#g#HJU!3g#g#JU!1g#g#XKU!2018-09-10 18:42:25U!2024-03-09 08:12:58U!Phil Rawleg#NU!g#g#NU!0g#g# NU10g#g#0!sib#g#!454#g#!0g#g#!Shy Moon - Clarinet.sib!2018-09-10 18:42:25!0g#g#!506#g#!0g#g#!2g#hg#One of four pieces from “Night Lights” with piano accompaniment which can be played as written or used as a basis for jazz improvisation.XQ]Up?NUHR]U?NUU]U?NUHU?NUH"NUhU?NU.U?NUxTU@NUgU@NUU]U0@NU8.UH@NUxSNUȆU`@NUVNUUx@NU&*U@NUzU@NUXY]U@NUZ]U@NUȵU@NU8u6UANUx U ANUEVU8ANUV]UPANUUhANUUANUUANUxUANU(UANUqUANUعUANUhTNUUBNUxU(BNUHSNUU@BNUkUXBNUTNUnUpBNUUBNUUBNUUBNUxUBNU>UBNUUCNUQNUUCNUx~U0CNUhUHCNUU`CNU(ݻUxCNUQNUx]UCNUUCNUUCNUUCNUeUCNUUDNUU DNUHL]U8DNUhO]UPDNUVNUUhDNUQNUlUDNUxoUDNUUDNUؕUDNUxUDNURNUxFaUDNUHaUENUU(ENUXU@ENUx%UXENU UpENU UENUhQNUUENUUNUukUENUx"NUH3kUENUTNU^UENUXRNU^UFNUUFNU8TNUU0FNU)UHFNU)U`FNU)UxFNU WNUhUFNU2!UFNU(RNU86(UFNUpUNUhUFNUUFNUhWNU8UGNU(U GNUxU8GNUUNUUPGNUHUMU<UMU(UKGU`VNUxY'UPeFUHVUKGU.U(MU0VNUH&UXMUUpMUXNU]UKUXCUMUDU@MUDU(KUSNUXgU@KUHUXKUULUh}TULU8ZNUط~ULUTNUGU8>NU NUNUGU@HNU[NUUXHNU`NUTUINUU)UINU`UINUXQ]UINUHR]UJNUU]U JNUHU8JNU@[NUhUPJNU.UhJNUxTUJNUgUJNUU]UJNU8.UJNU]NUȆUJNU`NUUJNU&*UKNUzU(KNUXY]U@KNUZ]UXKNUȵUpKNU8u6UKNUx UKNUEVUKNUV]UKNUUKNUULNUULNUxU0LNU(UHLNUqU`LNUعUxLNU^NUULNUxULNU]NUULNUkULNU_NUnU}NUU0}NUUH}NUU`}NUxUx}NU>U}NUU}NU[NUU}NUx~U}NUhU}NUU~NU(ݻU ~NU0\NUx]U8~NUUP~NUUh~NUU~NUeU~NUU~NUU~NUHL]U~NUhO]U~NU`NUUNU\NUlU(NUxoU@NUUXNUؕUpNUxUNU ]NUxFaUNUHaUNUmeArtis!g#g#SNU!0g#g#pRNU!0g#g#0SNU!1g#g#RNU!0g#g#SNU!0.0000g#XRNU!0000-00-00 00:00:00U1Scram Clarinet and Piano0A duet for Clarinet and Piano. To be played as fast as possible. Both the Clarinet and the Piano have equally important parts and complement each other. Quite difficult if played at speed.esSimilarS!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#SNU!518765g#!0g#g#VNU!0g#g#!0.00g#SNU!8.00g#VNU!3.00g#QNU!0g#g#UNU!g#g#TNU!0.00g#pRNU!g#g#0SNU!0000-00-00 00:00:00U!1g#g#!2023-02-08 09:14:15U1F5255108-A790-11ED-9058-8EA1F6CA0AAFU!157209g# !0g#g#pfNU!0g#g#!9g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Scram - Clarinet and Piano Phillip Rawle A duet for Clarinet and Piano. To be played as fast as possible. Both the Clarinet and the Piano have equally important parts and complement each other. Quite difficult if played at speed.!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#(UNUZNU ZNUSNUTNUUNUVNUYNUWNUYNUVNUUNUPQNUPZNUxYNUTNUXNUgGURNURNUXNUZNUHYNU@XNUYNU TNUZNUVNUVNUYNUWNUXXNUXUNUTNUZNUWNU0YNU@RNUSNUWNUXNUWNUVNUYNUSNUXNU@UNUSNUSNUHVNUYNU`YNUQNUZNURNUUNUQNURNUTNUPWNUQNUUNUpRNU`"NU0SNUXNUZNUYNUhZNUpXNUPTNUWNU(XNURNUWNU`SNUSNU8WNUmNU!0g#Hg#PmNU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2558139g#!0000-00-00 00:00:00!0000-00-00 00:00:00   _`  $(  qx $('(#("( _`XNU=NU|NUpNUDpNUpNUDNUpNUDNUqNUDБNUqNUDNU qNUD0NU0qNUDPNU@qNUPqNUDpNU`qNUDNUpqNUDNUUqNUDNUqNUDNUqNUD NUqNUD@NUqNUD`NUqNUDNUUqNUDNUqNUD@NUrNUD`NUrNUDNU rNUDNU0rNUDNU@rNUDNUPrNUDNU`rNUD NUprNUD@NUrNUDMUrNUDMUrNUD NUrNUD@NUrNUD`NUrNUDNUrNUDNUrNUsNUDNUsNUDNU sNU0sNU@sNUPsNU`sNUpsNUDNUsNUD NUsNUD@NUsNUD`NUsNUDNUsNUDNUsNUDNUsNUDNUsNUDNUNU(HNUpPUDPPUPL]UU`PUDQUPUD QUPUD@QUPUD`QU FU 0NUsCU2NUINUDU'KUD@0OUP!KUDNUPNU KUDNU UUD;UU UUD:UUUUDlUU!KUD`NU`!KUDNU !KUDNU0!KUDNUFU  @KU`}:UD@NUuNUDNUuNUDNU uNUDNU0uNUD NU@uNUD@NUPuNUD`NU`uNUDNUpuNUD0NUuNUDPNUuNUDpNUuNUDNUuNUDNUuNUDЏNUuNUDNUuNUDNUuNUDNUvNUDNUvNUDNU vNUDNU0vNUD0NU@vNUDPNUPvNUDАNU`vNUDNUpvNUDKUvNUD KUvNUD@KUvNUD`KUvNUDKUvNUDKUvNUD KUvNUDKUvNUDKUwNUDKUwNUD0KU wNUDPKU0wNUDpKU@wNUDKUPwNUDKU`wNUDKUpwNUDKUwNUD0KUwNUwNUDPKUwNUDpKUwNUDKUUwNUDKUwNUDKUwNUDKUxNUDKUxNUD0KU xNUDPKUU0xNUDpKU@xNUD KUPxNUD@KU`xNUD`KUpxNUDKUxNUDKUxNUDKUxNUDKUxNUDKUxNUD KUxNUD`NUxNUDNUxNUDKUyNUD KUyNUD@KU yNUD`KU0yNUDKU@yNUPyNUDKU`yNUDKUpyNUyNUyNUyNUyNUyNUDKUyNUDKUyNUD KUyNUD@KUzNUD`KUzNUDKU zNUDKU0zNUDKU@zNUDKUNUЂNUPUDQUPL]UUNU1(NUp564895!559635g#(HU!2021-09-18 09:39:52U10000-00-00 00:00:00NU01Analogue - Clarinet SoloIUIU!41g#g#IU!511#g#?JU!3g#g#fJU!1g#g#XJU!2021-09-18 09:31:44U!2021-09-18 09:39:52U!Phillip RawleNU!g#g#NU!0g#g# NU10g#g#0!sib#g#ZLU!454#g#LU!0g#g#@LU!Analogue - Clarinet.sib!2021-09-18 09:31:44U!0g#g#hMU!206#g#MU!0g#g#MU!4g#g#HNUA concert piece for Clarinet in Bb and Piano. A lively composition with running lines and interesting harmonies."U!3.00g#"U!1g#g# !1.50g#]NU!2023-01-13 10:26:38U!1g#g#h]NU!1g#g# ]NU!0g#g#^NU!g#g#\NU!0g#g#[NU10g#g#]NU0!0g#g#NU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#]NU!297419g#!0g#g#`NU!0g#g#!0.00g#^NU!8.00g#`NU!3.00g#[NU!0g#g#_NU!g#g#@^NU!0.00g#\NU!g#g#h]NU!0000-00-00 00:00:00U!1g#g#!2023-01-13 10:31:32U1725BB2AC-932D-11ED-9336-8EA1F6CA0AAFU!170683g# !1g#g# NU!0g#g#!0.0000g#!2023-01-13 10:28:361Radiance Clarinet and PianoPhotoHei!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Radiance - Clarinet and Piano Phillip Rawle Radiance has an improvisatory feel to it. A great addition to the Clarinet concert repertoire. amNoteLastC!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#`_NU0NUNU8]NU_NU`NU8`NU@NUNUNUP`NU_NU[NUNUNU0_NU NUhGU\NUH\NUNUpNUNUNU(NUX^NUNUaNU(aNUNUNUNU_NU^NUNUpNUNUx\NU]NU0NUxNUNU`NUhNU]NU8NUx_NU^NU(^NU`NUXNUȞNU[NUHNU\NU_NU[NU]NU@^NUNU\NU `NU\NUX[NUh]NUPNUNUNUПNU؝NU^NUHNUNU\NU`NU]NU]NUNUeExchangUNUXUNUx%UNU UNU U0NU[NUUHNUH_NUukU`NUp[NUH3kUxNU^NU^UNU\NU^UNUUNUp^NUU؀NU)UNU)UNU)U NUNUhU8NU2!UPNU`\NU86(UhNU_NUhUNUUNUМNU8UNU(UȁNUxUNU_NUUNUHUMU<UP>NU(UVGU`NUxY'UKGUHVU VGU.U>NUh`NUH&U>NUU>NUNU]ULUXCU >NUDU>NUDU0LUP]NUXgUHLUHU`LUUP LUh}TUh LUNUط~U LU^NUGUHNU@U+NUNUGUNUxNUUNUNUTUPNUU)UhNU`UNUXQ]UNUHR]UNUU]UȄNUHUNUNUhUNU.UNUxTU(NUgU@NUU]UXNU8.UpNUNUȆUNU`NUUNU&*UNUzUЅNUXY]UNUZ]UNUȵUNU8u6U0NUx UHNUEVU`NUV]UxNUUNUUNUUNUxU؆NU(UNUqUNUعU NUNUU8NUxUPNUNUUhNUkUNUNUnUNUUNUUȇNUUNUxUNU>UNUU(NU8NUU@NUx~UXNUhUpNUUNU(ݻUNUNUx]UNUUЈNUUNUUNUeUNUU0NUUHNUHL]U`NUhO]UxNUHNUUNUhNUlUNUxoUNUU؉NUؕUNUxUNUNUxFaU NUHaU8NUUPNUXUhNUx%UNU UNU UNUNUUȊNUNUukUNUؠNUH3kUNU NU^UNUNU^U(NUU@NUأNUUXNU)UpNU)UNU)UNUNUhUNU2!UЋNUȡNU86(UNUNUhUNUUNUNU8U0NU(UHNUxU`NUXNUUxNUHU>NU<UHNU(UFUNUxY'U8VGUHVUFU.U0INUХNUH&U`INUUxINU@NU]U LUXCUHNUDUHINUDU LUNUXgU LUHU LUUYLUh}TU0YLUةNUط~UHYLUPNUGU`NUvJUhMUNUGUNUNUU(NUNUTUxNUU)UNU`UNUXQ]UNUHR]UذNUU]UNUHUNUNUhU NU.U8NUxTUPNUgUhNUU]UNU8.UNUNUȆUNU(NUUȱNU&*UNUNU!0g#g#`NU!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-02-20 16:11:46!2023-02-20 16:12:07!1781423g#!2568468g#!0000-00-00 00:00:00!2023-06-21 12:38:56QNU}NUpNU#QUDpNQU0#QUDNQU@#QUDNQUP#QUDOQU`FU *KU zCU2NU8NUhWUD7EU4OUDPOU'KUD@1OUxNU 'KUD`0OUUUDlUUUUDplUU@pUUDUU`'KUD0OU'KUD`1OUp'KUD0OU'KUD1OUFU  NU:UD NUP{NUD NU`{NUDNUp{NUDNU{NUDNU{NUDNU{NUD0NU{NUDPNU{NUDNU{NUD NU{NUD@NU{NUD`NU|NUDNU|NUDNU |NUDNU0|NUDNU@|NUDNUP|NUD@NU`|NUD`NUp|NUD`NU|NUDNU|NUDpNU|NUDNU|NUDNU|NUDNU|NUD0NUKUDPNUKUDpNU KUDNU0KUDNU@KUD NUPKUDNU`KUDNUpKUDNUKUD NUKUD@NUKUD`NUKUDNUKUDNUKUDNUKUD NUKUD@NUKUKUD`NU KUDNU0KUDNUU@KUDNUPKUDNU`KUDNUpKUD0NUKUDPNUKUDpNUUKUDNUKUD`NUKUDNUKUDNUKUDNUKUDNUKUDNUKUD NU KUD@NU0KUD`NU@KUDNUPKUD0NU`KUDPNUpKUDpNUKUDNUKUDNUKUDNUKUKUDNUKUDNUKUKU KU KU KU0 KUD0NU@ KUDPNUP KUDpNU` KUDNUp KUDNU KUDNU KUDNU KUDNU KUDNUNUNU`#QUD0OQUPL]UUP)QUDqQU)QUD`qQU)QUDqQU)QUDqQUFU OUPqCU2NU`NUNU:OUDpOU5OUDQOUNU4OUDPOUpUUD UUpUUDUUvUUDUU4OUDQOU 5OUDQOU4OUD QOU4OUD@QOUFU  OU:UDMNU!KUDNNU!KUD@NNU!KUD`NNU!KUDNNU"KUDNNU"KUDNNU "KUDNNU0"KUDONU@"KUDONUP"KUDONU`"KUDONUp"KUDPNU"KUD0PNU"KUDPPNU"KUDpPNU"KUDONU"KUD ONU"KUD@ONU"KUD`ONU"KUDPNU#KUD PNU#KUDOU #KUDOU0#KUD0OU@#KUDPOUP#KUDpOU`#KUDOUp#KUDOU#KUDOU#KUD OU#KUDOU#KUDOU#KUDOU#KUD OU#KUD@OU#KUD`OUdefScor!0.0000g#OU12018-09-06 11:24:21OU0!Horizon - Clarinet solo!60g#g#fJU!511#g#pJU!3g#g#JU!1g#g#WKU!2018-09-06 11:13:51U!2018-09-06 11:39:03U!g#8g#xOU!0g#g#ذOU!0g#g#OU13g#g#0!sib#g#MU!454#g#(MU!0g#g# oMU!Horizon - Clarinet.sib!2018-09-06 11:13:51U!0g#g#h>NU!473#g#INU!0g#g#NU!1.50g#OU!2018-09-06 11:20:13U!1g#g#OU!1g#g#POU!0g#g#@OU!g#g#OU!0g#g#OU10g#g#OU01Phillip Rawle"U0One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.U!2.50g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#اOU!732564g#!0g#g#OU!0g#g#!0.00g#OU!5.50g#تOU!3.00g#OU!0g#g#ЩOU!g#g#8OU!0.00g#OU["56829","134050","62099","204708","474595","361644","8576","169662","36561","191753","29537","60661","361843","57246","361921","361916","516652","26689","523676","169020"]OUOU!1g#g#PNU!0g#g#!0.0000g#!2018-09-06 17:04:20!Meander Clarinet solo!0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Meander - Clarinet solo Phillip Rawle One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.otalSales?!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#XOUOUPOU0OUOUOU0OUOUȫOUOUHOUOUOUOUOU(OUOUhGUЦOU@OUOU8OUxOUpOUOUPOUOUOU OUحOUOUOUOUȨOUȮOU8OU`OUpOUاOUOU@OUOUOU0OUOUOUpOUOU OUxOU OUOUOUOUOUЩOUOUOU8OUOUOUOUOUPOU`OUOUOUHOUOUOUOUOUXOUOU(OUOUOUhOUNU!2020-09-29 02:44:43U!1g#g#!2019-09-25 14:32:211E6E416B0-DF98-11E9-BB11-78NU!267980g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 02:38:50!2023-03-17 02:39:29!3054546g#!4599014g#!0000-00-00 00:00:00!0000-00-00 00:00:00        (eExchang!2018-09-04 14:47:04U!0000-00-00 00:00:00!g#g# !0g#g#XNU11g#g#(NU0!16g#g#hfIU!0g#g#qIU!3g#g#PIU!2g#g#IU!2021-12-10 09:48:08U!2024-03-10 15:52:37UqAn exciting jazz arrangement for clarinet quintet. Four Bb clarinets and a bass clarinet in Bb.pNU!5.00g# !sib#g#0KU!454#g#PLU!0g#g#MinimumP1The Fabulous Forties - Clarinet.sibaseQ!2021-12-10 09:48:08!1g#g#!206#g#!1g#g#1Phil Rawle (after George Shearing)!Phillip Rawle10g#g#0Q([NU!1.50g#NU!2021-12-10 09:48:10U!1g#g#NU!1g#g#PNU!0g#g#@NU!g#g#0NU!0g#g#XNU10g#g#NU0zUNUXY]UNUZ]U(NUȵU@NU8u6UXNUx UpNUEVUNUV]UNUUNUUвNUUNUxUNU(UNUqU0NUعUHNUNUU`NUxUxNUNUUNUkUNUHNUnUNUUسNUUNUUNUxU NU>U8NUUPNUpNUUhNUx~UNUhUNUUNU(ݻUȴNUЫNUx]UNUUNUUNUU(NUeU@NUUXNUUpNUHL]UNUhO]UNUNUUNUNUlUеNUxoUNUUNUؕUNUxU0NUPNUxFaUHNUHaU`NUUxNUXUNUx%UNU UNU UضNU@NUUNUxNUukUNUNUH3kU NUNU^U8NU0NU^UPNUUhNUNUUNU)UNU)UNU)UȷNUNUhUNU2!UNUNU86(UNUNUhU(NUU@NUNU8UXNU(UpNUxUNU NUUNUHUHNU<UxNU(U8HUNUxY'UFUHVUPHU.U؃NUNUH&UNUU NUNU]U`YLUXCUHNUDUNUDUxYLUNUXgUYLUHUYLUULUh}TULUNUط~U0LUNUGUNU(NUOUGUNUxNUUNUNUTUNUU)UNU`U(NUXQ]U@NUHR]UXNUU]UpNUHUNUNUhUNU.UNUxTUлNUgUNUU]UNU8.UNUNUȆU0NU`NUUHNU&*U`NUzUxNUXY]UNUZ]UNUȵUNU8u6UؼNUx UNUEVUNUV]U NUU8NUUPNUUhNUxUNU(UNUqUNUعUȽNUNUUNUxUNUNUUNUkU(NUNUnU@NUUXNUUNUUNUxUNU>UOUUOU8NUU0OUx~UHOUhU`OUUxOU(ݻUOUNUx]UOUUOUUOUUOUeUOUU OUU8OUHL]UPOUhO]UhOUHNUUOUhNUlUOUxoUOUUOUؕUOUxUOUNUxFaUOUHaU(OUU@OUXUXOUx%UpOU UOU UOUNUUOUNUukUOUNUH3kUOU NU^UOUNU^UOUU0OUNUUHOU)U`OU"NU!0g#g#NU!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2024-03-10 15:52:37U!0000-00-00 00:00:00!g#g#NU!477658g#!0g#g#@NU!0g#g#NU!0.00g#XNU!12.50g#NU!7.50g#pNU!0g#g#HNU!g#g#NU!0.00g#@NU!g#g#!0000-00-00 00:00:00U!1g#g#12021-12-10 09:40:48U NU0!1g#g#NU!0g#g#!0.0000g#!2021-12-10 09:55:141The Fabulous Forties Clarinet Quintet!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#The Fabulous Forties - Clarinet Quintet Phil Rawle (after George Shearing) Phillip Rawle An exciting jazz arrangement for clarinet quintet. Four Bb clarinets and a bass clarinet in Bb.xchangeScores!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#NU0NUNUhNU0NU8NUhNU@NUNUNUNUNU(NUNUNU`NU NU0hGUNUNUNUpNUNUNU(NUNUNU@NUXNUNUNUNUNUNUNUpNUNUNUNU0NUxNUNUNUhNU(NU8NUNU@NUXNUNUXNUNUXNUHNU NUNUNU8NUpNUNUNUPNUHNUNUNUPNUNUNUNUNUNUHNUNUNU`NUNUNUNUPartsSam13F7D58A6-599D-11EC-B435-B153C87B2AFCU!497357g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-01 13:50:39!2023-03-01 13:51:05!1333353g#!1608929g#!0000-00-00 00:00:00!0000-00-00 00:00:00NUNU$KUDOU$KUDOU $KUDOU0$KUD@OU@$KUD`OUP$KU`$KUDOUp$KUDOU$KUDOUU$KUDOU$KUDOU$KUD OU$KUD@OU$KUD`OU$KUDOUU$KUD OU%KUD`OU%KUDOU %KUDOU0%KUDOU@%KUDOUP%KUDOU`%KUD OUp%KUD@OU%KUD`OU%KUDMNU%KUDMNU%KUD0OU%KUDPOU%KUDpOU%KUDOU%KUDOU&KU&KUDOU &KUDOU0&KU@&KUP&KU`&KUp&KU&KUDOU&KUD0OU&KUDPOU&KUDpOU&KUD/OU&KUD/OU&KUD/OU&KUD/OU'KUD 0OUpOUxNU)QUDqQUPL]UUQUDPQU@QUDQUPQUDбQU`QUDQUFU ?OU@zCU2`OUNUPiUDeUPOUD0OU`;OUDpOUOU:OUDOUvUUD0UUvUUDUUUUD0UU ;OUDOUp;OUDOU0;OUDOU@;OUD0OU@FU  KOU:UDOU(KUD`OU (KUDOU0(KUDOU@(KUDOUP(KUDOU`(KUDOUp(KUD0OU(KUDOU(KUDOU(KUD OU(KUD@OU(KUDpOU(KUDOU(KUDOU(KUDOU)KUDPOU)KUDpOU )KUDOU0)KUDOU@)KUDOUP)KUD OU`)KUDOUp)KUDOU)KUDpEOU)KUDEOU)KUDEOU)KUDEOU)KUDEOU)KUDFOU)KUD 0FOU)KUDPFOU*KUD`DOU*KUDDOU *KUDDOU0*KUDDOU@*KUDDOUP*KUDEOU`*KUD EOUp*KUD@EOU*KUDHOU*KUDHOU*KU*KUDHOU*KUDHOU1OUDIOUU2OUD0IOU2OUDPIOU 2OUDpIOU02OUDIOU@2OUDIOUP2OUDIOUU`2OUD IOUp2OUDJOU2OUDJOU2OUDKOU2OUD KOU2OUD@KOU2OUD`KOU2OUDKOU2OUDKOU2OUDKOU3OUDOU3OUD0OU 3OUDpFOU03OUDFOU@3OUDFOUP3OUDFOU`3OUDFOUp3OU3OUDGOU3OUD0GOU3OU3OU3OU3OU3OU3OUDPGOU4OUDpGOU4OUDGOU 4OUDGOU04OUD`HOU@4OUDOOUP4OUDPOU`4OUD0POUp4OUD`POUOU@OUpQUDQUPL]UU`QUD@QUQUDQUQNU!361843g#ores WHE!2024-03-09 08:12:35U10000-00-00 00:00:00"OU01We're Getting There - Clarinet soloU!60g#g#qIU!511#g#PIU!3g#g#IU!1g#g#x?JU!2018-09-07 16:35:43U!2024-03-09 08:12:36U!Phillip Rawle#OU!g#g##OU!0g#g##OU10g#g#0!sib#g#PLU!454#g#LU!0g#g#hLU1We re Getting There - Clarinet.sib!2018-09-07 16:35:43!0g#g#!554#g#!0g#g#!3g#g# One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation. !2.50g#!1g#g# !1.50g#HNU!2018-09-10 21:50:03U!1g#g#NU!1g#g#NU!0g#g#xNU!g#g#NU!0g#g# NU10g#g#0NU0!2.50g#OU!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#HNU!452392g#!0g#g#0NU!0g#g#!0.00g#xNU!5.50g#HNU!3.00g# NU!0g#g#@NU!g#g#NU!0.00g#NU["56829","134050","62099","204708","474595","8576","191753","36561","361644","29537","169662","361843","60661","57246","516652","169020","191737","159876","26689","361921"]0NUXNU!1g#g#0OU!0g#g#!0.0000g#!2018-09-10 21:50:56!Shy Moon Clarinet solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Shy Moon - Clarinet solo Phil Rawle One of four pieces from “Night Lights” with piano accompaniment which can be played as written or used as a basis for jazz improvisation.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#NU"OUp!OUNUhNUpNUNU(!OU8NU OUNU(NUNU!OU OUNU OUHhGU@NUNUOUX!OU OUOU!OUNU!OUxNUNU OU NUOUNU8NU!OUNU OUNUHNUhNUNUPNU0NUP OU`NU OUNUxNUNUNU@!OU OU NU0"OUXNU@NUPNUpNUNUNUNUNUNUNUNU8 OU"OUh OU!OUOUNUNUNU(NUNUNU0NUNUU)UxOU)UOUNUhUOU2!UOUNU86(UOUNUhUOUUOUNU8U OU(U8OUxUPOUXNUUhOUHU0NU<UNU(UHUNUxY'UhHUHVUдHU.UNUNUH&U0NUUHNUOU]UHLUXCUpNUDUNUDU`LUNUXgUxLUHULUULUh}TULU!OUط~ULUPNUGUNUH@OUOUGUXOU`"OUUpOU(OUTUOUU)UOU`UOUXQ]UOUHR]U OUU]U8OUHUPOU"OUhUhOU.UOUxTUOUgUOUU]UOU8.UOU%OUȆUOUH(OUUOU&*U(OUzU@OUXY]UXOUZ]UpOUȵUOU8u6UOUx UOUEVUOUV]UOUU OUU OUU0 OUxUH OU(U` OUqUx OUعU OU%OUU OUxU OU$OUU OUkU OUh&OUnU OUU OUU8 OUUP OUxUh OU>U OUU OU #OUU OUx~U OUhU OUU OU(ݻU OU#OUx]U( OUU@ OUUX OUUp OUeU OUU OUU OUHL]U OUhO]U OU0(OUU OUP#OUlU OUxoU0 OUUH OUؕU` OUxUx OUp$OUxFaU OUHaU OUU OUXU OUx%U OU U OU U OU"OUU8 OU&OUukUP OU"OUH3kUh OU&OU^U OU#OU^U OUU OU%OUU OU)U OU)U OU)UOU(OUhU(OU2!U@OU#OU86(UXOU&OUhUpOUUOU(OU8UOU(UOUxUOU@'OUUOUHUXNU<U NU(UpHU'OUxY'UHUHVUHU.UNU'OUH&UNUUȺNU(*OU]UȝLUXCUNUDUNUDULU$OUXgULUHULUULUh}TULU+OUط~ULU8&OUGUOUbOUH\OUGUROU,OUUROUHkOUTUTOUU)U TOU`U8TOUXQ]UPTOUHR]UhTOUU]UTOUHUTOU,OUhUTOU.UTOUxTUTOUgUTOUU]UUOU8.U(UOU8/OUȆU@UOUkOUUXUOU&*UpUOUzUUOUXY]UUOUZ]UUOUȵUUOU8u6UUOUx UVOUEVUVOUV]U0VOUUHVOUU`VOUUxVOUxUVOU(UVOUishedZi!2020-09-13 06:56:40U!1g#g#!2019-09-25 14:32:311ED143894-DF98-11E9-BF25-78V0OU!160806g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 01:12:14!2023-03-17 01:12:37!1746910g#!2499460g#!0000-00-00 00:00:00!0000-00-00 00:00:00 !(           xgOUQx"OU1H@OU361894!2018-09-06 17:24:16U10000-00-00 00:00:00OU0!Meander - Clarinet solo!60g#g# \JU!511#g#fJU!3g#g#HJU!1g#g#JU!2018-09-06 16:59:31U!2018-09-06 17:24:16U!g#8g#@OU!0g#g#OU!0g#g#OU13g#g#0!sib#g#XLU!454#g#pLU!0g#g#x"MU!Meander - Clarinet.sib!2018-09-06 16:59:31U!0g#g#MU!460#g#>NU!0g#g#INU!1.50g#اOU!2018-09-06 16:59:33U!1g#g#`OU!1g#g#OU!0g#g#OU!g#g#OU!0g#g#OU10g#g#OU01Phillip Rawle"U0!1.50g#0%OU!2018-09-07 16:36:29U!1g#g#$OU!1g#g#p$OU!0g#g#`%OU!g#g##OU!0g#g##OU10g#g#%OU0!0g#g#`EOU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#0%OU!338919g#!0g#g#(OU!0g#g#!0.00g#`%OU!5.50g#0(OU!3.00g##OU!0g#g#('OU!g#g#%OU!0.00g##OU["56829","134050","62099","204708","474595","169662","8576","361644","191753","29537","60661","36561","57246","169020","361916","361921","516652","191737","26689"]U!2020-09-04 02:43:35!1g#g#pHOU!0g#g#!0.0000g#!2018-09-07 16:41:331Were Getting There Clarinet solootoHei!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#We're Getting There - Clarinet solo Phillip Rawle One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation. !0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#&OUP,OU+OU$OUP&OUX'OU'OU`+OU )OU+OU'OU'OU"OU+OU+OU&OU@*OU`hGU($OU#OU*OU+OU*OU)OUH+OU%OU,OU`(OUx(OU0+OU)OU)OU&OU &OU ,OU(OU*OU#OU0%OUP)OU)OU8)OU(OU*OUH%OUX*OU&OU`%OUx%OU'OUx+OU*OU#OUh,OU@$OU('OU8#OUX$OU%OU(OUh#OUp'OU#OU"OU$OUp*OU8,OU*OU+OU)OU%OUh)OU)OU$OU)OU$OU%OU(OUParts?!1g#g#OOU!2019-09-25 14:32:241E88EBF60-DF98-11E9-A548-78defScor!277225g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 01:56:26!2023-03-17 01:56:49!2289060g#!3262669g#!0000-00-00 00:00:00!0000-00-00 00:00:00NU0ROUQUDQUQUDQU FU @bOUnCU2ROUOUDUD WUOUD`NUOUD0OUSOU`OUDPOUUUDUUUUDUUUUDP1VUOUDOUOUDPOUOUDгOUOUDOUFU  }OU@:UD KU5OUD` KU5OUD KU5OUD KU5OUD KU5OUD KU5OUD KU5OUD0 KU5OUD KU6OUDKU6OUD KU 6OUD@KU06OUDpKU@6OUDKUP6OUDKU`6OUDKUp6OUDP KU6OUDp KU6OUD KU6OUD KU6OUDKU6OUD KU6OUDKU6OUDKU6OUDgOU7OUDgOU7OUDhOU 7OUD0hOU07OUDPhOU@7OUDphOUP7OUD  KU`7OUD0 KUp7OUDfOU7OUDfOU7OUDgOU7OUD gOU7OUD@gOU7OUD`gOU7OUDgOU7OUDgOU7OUDzOU8OUDzOU8OU 8OUDzOU08OUD{OU@8OUD {OUUP8OUDP{OU`8OUDp{OUp8OUD{OU8OUD{OU8OUD{OU8OUD{OUU8OUD |OU8OUD|OU8OUD|OU8OUD}OU8OUD0}OU9OUDP}OU9OUDp}OU 9OUD}OU09OUD}OU@9OUD}OUP9OUDxOU`9OUDxOUp9OUDxOU9OUDxOU9OUDyOU9OUD0yOU9OUDPyOU9OU9OUDpyOU9OUDyOU9OU:OU:OU :OU0:OU@:OUDyOUP:OUDyOU`:OUDyOUp:OUDOU:OUDOU:OUDOU:OUDOU:OUD OU:OUDPOU8\OUROUQUDQUPL]UU QUDRUPQUD@RU`QUD`RUpQUDRU`FU zOUjCU2(]OUSOUp@U pRXU@NUDPU0OUD`NU]OUOUDNUPUUD1VU@UUD1VU 3VUDQVUOUDNU@OUDNUOUDNUOUD NUFU  pOUP:UDp NU;OUD OU;OUDPOU;OUDpOUOUDOU>OUDOU >OUDOU Q,OU1bOU361843!53046phU !361714g#@JU!2018-09-03 09:55:37U10000-00-00 00:00:00(PU0!Angles - Clarinet solo!60g#g#0KU!511#g#PLU!3g#g#LU!1g#g#hLU!2018-09-03 09:24:11U!2018-09-03 09:55:37U!Phillip RawlePU!g#g#HPU!0g#g#XPU10g#g#0!sib#g#h>NU!454#g#INU!0g#g#NU!Angles - Clarinet.sib!2018-09-03 09:24:11U!0g#g#xSOU!644#g#`OU!0g#g#`OU!3g#g#OUOne of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for improvisation."U!2.50g#"U11g#g#"U0!1.50g#h/OU!2018-09-07 10:21:48U!1g#g#.OU!1g#g#.OU!0g#g#hOU!g#g#.OU!0g#g#@-OU10g#g#P/OU0!0g#g#gOU!0g#g#!g#g#!g#g#!0g#g#!g#g#qUVOUعUVOU8iOUUVOUxUWOU/OUU WOUkU8WOUiOUnUPWOUUhWOUUWOUUWOUxUWOU>UWOUUWOUX-OUUWOUx~UXOUhU(XOUU@XOU(ݻUXXOU-OUx]UpXOUUXOUUXOUUXOUeUXOUUXOUUYOUHL]UYOUhO]U0YOUxkOUUHYOU-OUlU`YOUxoUxYOUUYOUؕUYOUxUYOU.OUxFaUYOUHaUYOUUZOUXU ZOUx%U8ZOU UPZOU UhZOU(-OUUZOUiOUukUZOU,OUH3kUZOUPiOU^UZOU.OU^UZOUUZOUiOUU[OU)U([OU)U@[OU)UX[OUkOUhUp[OU2!U[OU-OU86(U[OU@jOUhU[OUU[OU8lOU8U[OU(U\OUxU\OUjOUU0\OUHUعNU<UOU(UHU0kOUxY'UHUHVUHU.UHOUkOUH&UxOUUOUpmOU]U LUXCUOUDU`OUDU8LU.OUXgUPLUHUhLUUMUh}TUMUoOUط~UMUiOUGUSOUx)UOUGU ]OUoOUU8]OUuOUTU^OUU)U^OU`U^OUXQ]U^OUHR]U^OUU]U_OUHU_OUpOUhU0_OU.UH_OUxTU`_OUgUx_OUU]U_OU8.U_OUrOUȆU_OUuOUU_OU&*U_OUzU`OUXY]U `OUZ]U8`OUȵUP`OU8u6Uh`OUx U`OUEVU`OUV]U`OUU`OUU`OUU`OUxUaOU(U(aOUqU@aOUعUXaOUpsOUUpaOUxUaOUPrOUUaOUkUaOUsOUnUaOUUaOUUbOUUbOUxUHOU>U`OUUxOUpOUUOUx~UOUhUOUU؅OU(ݻUOUqOUx]UOUU OUU8OUUPOUeUhOUUOUUOUHL]UOUhO]UȆOUuOUUOUpOUlUOUxoUOUU(OUؕU@OUxUXOUqOUxFaUpOUHaUOUUOUXUOUx%UЇOU UOU UOUppOUUOUtOUukU0OU@pOUH3kUHOUsOU^U`OU`qOU^UxOUUOU@sOUUOU)UOU)U؈OU)UOU(vOUhUOU2!U OU0qOU86(U8OUxtOUhUPOUUhOUpvOU8UOU(UOUxUOUtOUUȉOUHUOU<U0SOUeScores!2018-09-07 10:36:09U!0000-00-00 00:00:00!g#g#`kOU!857977g#!0g#g#hOU!0g#g#xkOU!0.00g#@-OU!5.50g#pjOU!3.00g#hOU!0g#g#0.OU!g#g#.OU!0.00g#kOUQoOUAxzOU361661@!1g#g#zOU!0g#g#!0.0000g#!2018-09-07 10:25:111Not Too Far Now Clarinet soloImageSiz!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Not Too Far Now - Clarinet solo Phillip Rawle One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#iOUoOUnOU.OUiOUjOUjOUnOUhlOU`nOUjOUXjOU-OU oOUHnOUiOUmOUxhGU`.OU-OUXmOUnOUnOUmOUnOUhOUPoOUkOUkOUxnOUPlOU(mOU(jOUhiOUhoOUkOUnOU.OUh/OUlOUlOUlOU`kOUmOUhOUmOUjOUhOUhOUkOUnOU0nOU@-OUoOUx.OUpjOUp-OU.OUhOU lOU-OUjOU0.OU,OU.OUmOUoOUmOU8oOU@mOU iOUlOUlOUH.OUlOU /OUP/OUlOU2OU["56829","134050","62099","204708","474595","8576","361644","191753","36561","169662","29537","361843","60661","57246","516652","169020","191737","361916","361661","159876"]!2020-09-16 00:44:37!1g#g#!2019-09-25 14:32:231E8226EB4-DF98-11E9-B562-78OU!273385g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 02:01:42!2023-03-17 02:04:23!2280842g#!3458744g#!0000-00-00 00:00:00!0000-00-00 00:00:00@ROU OU0>OUDOU@>OUD0OUP>OUDPOU`>OUp>OUDpOU>OUDOU>OUDOUU>OUDЛOU>OUDOU>OUDOU>OUD0OU>OUDPOU>OUDpOUU?OUDOU?OUDPOU ?OUDpOU0?OUDOU@?OUDOUP?OUDНOU`?OUDOUp?OUDOU?OUD0OU?OUDPOU?OUDOU?OUDOUOUD OUOUD@OUOUD`OU OUDOU0OUDOU@OUPOUDOU`OUDOUpOUOUOUOUOUOUDOUOUD OUOUD@OUOUD`OUOUDOUOUDOU OUDOU0OUDOU@OUDOUЉOU]OUQUDRUPL]UUpQUD3RUQUDp3RUQUD3RUQUD3RUFU OU0jCU2OUp^OUpUDuGUNUD7PUNUDPU OUPNUDPUp3VUDRVU`3VUDQVUp9VUDVUNUDPUNUDPUNUD0PUNUDPPUFU  NUUDP NUPOUD@OU`OUD@OUpOUD@OUOUDAOUOUD0AOUOUDPAOUOUDpAOUOUD BOUOUD@BOUOUD`BOUOUDBOUOUDBOUOUDBOU OUDBOU0OUDCOU@OUD0DOUPOUDAOU`OUDAOUpOUDAOUOUDAOUOUD NUOUDNUOUD0NUOUDPNUOUDpNUOUDNUOUDNUOUDNUOUDNU OUD NU0OUD0NU@OUD COUPOUD@COU`OUD`COUpOUDCOUOUDCOUOUDCOUOUDCOUOUDDOUOUD`NUOUDNUOUOUDNUOUDNUOUDNUU OUDNU0OUD NU@OUD@NUPOUD`NU`OUDNUpOUDNUUOUD NUOUDNUOUDNUOUDNUOUDNUOUDNUOUD NUOUD@NUOUD`NUOUDNU OUD`@OU0OUD@OU@OUDPNUPOUDpNU`OUDNUpOUDNUOUDNUOUOUDNUOUDNUOUOUOUOUOUOUD0NU OUDPNU0OUDpNU@OUDNUPOUDNU`OUDNUpOUDNUOUDNUOUD@NUPOUOUQUD3RUPL]UUQUDbRUCRUDcRUDRUD0cRUDRUDPcRU?!454#g# OU!0g#g#1Sky Blue. - Clarinet.sibeExchang!2018-09-11 12:34:53!0g#g#!510#g#!0g#g#!1.50g#rOU!2018-09-11 12:40:11U!1g#g#8rOU!1g#g#qOU!0g#g#rOU!g#g#`qOU!0g#g#pOU10g#g#rOU0!2g#g# OUOne of four pieces from "Night Lights" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.U!2.50g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#rOU!868679g#!0g#g#uOU!0g#g#!0.00g#rOU!5.50g#uOU!3.00g#pOU!0g#g#tOU!g#g#sOU!0.00g#xqOU["56829","134050","62099","204708","474595","169662","8576","361843","191753","60661","36561","361644","29537","57246","361916","169020","361921","191737","516652","53885"]rOUtOU!1g#g# OU!0g#g#!0.0000g#!2018-09-11 12:42:45!Sky Blue Clarinet solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Sky Blue - Clarinet solo Phillip Rawle One of four pieces from "Night Lights" with piano accompaniment. 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OUXOUOUOUOUOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsMinimumPurchaseQuantityMinimumPurchaseQuantity? OUOUXOU\OUjOUvOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsPricePrice? HOUOU OUOU OUOU"OU+OU4OUAOUdefScoreExchangeSMDProductsSMDProductsCurrencyCurrency! !OU`OUOUOUOUOUOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsReleaseDateReleaseDate? OUOUSMDProduHOULOUZOUfOUrOU~OUOUOUdefScoreExchangeSMDProductsSMDProductsLastUpdatedLastUpdated? u`OUOUctsScorOUOUOUOUOU3OULOUYOUdefScoreExchangeSMDProductsSMDProductsAvailableCountriesLibRefAvailableCountriesLibRef? tshangOUxOUSongTitlOUOUOUOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsDeletedDeleted? @hOUOUArtistNaXOU\OUjOUvOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsPartOfProductIDPartOfProductID?  @l`OUOUSMDProduOU OUOU&OU2OUBOUROU_OUdefScoreExchangeSMDProductsSMDProductsSongTitleManualSongTitleManual!ixOUPreviewIOUOUOUOUOUOUOUOUdefScoreExchangeSMDProductsSMDProductsPreviewImageFailedPreviewImageFailed? oductsUSMDProductsUCoverArtUrlLargeOUCoverArtUrlLargeOUdefUScoreExchangeSMDProductshangSMDProductssPrNumberOfPagesroNumberOfPagesdefScoreExchangeSMDProductsUSMDProductsUMinimumPurchaseQuantityMinimumPurchaseQuantitydefScorScoreExchangesSMDProductsrIDSMDProducts PricePricedefUScoreExchangeSMDProductsUSMDProductsUCurrencyOUCurrencyefScordefhangScoreExchangePrSMDProductsofilSMDProductsReleaseDateUReleaseDateUdefUScoreExchangeSMDProductsUSMDProductsULastUpdatedScorLastUpdatedersdefsPrScoreExchangeupSMDProductsfileSMDProductsdScoAvailableCountriesLibRefOUAvailableCountriesLibRefOUdefUScoreExchangeSMDProductsUSMDProductsScorDeletedDeleteddefsSMScoreExchangessSMDProductsrogrSMDProductsPartOfProductIDPartOfProductIDdefUScoreExchangeSMDProductsUSMDProductsUSongTitleManualSongTitleManualdefsSMScoreExchangeorSMDProductsFromSMDProductsPreviewImageFailedUPreviewImageFailedUOUOUOUOUOUOUdefScoreExchangeUsersUsersSellerSeller?  @OUpOUOUeScoresOUOU"OU(OU.OUFOU^OUkOUdefScoreExchangeUsersUsersShowUncategorisedScoresShowUncategorisedScores?Scor0OUOUScoresOUOUOUOUOUOU"OU/OUdefScoreExchangeUsersUsersUncategorisedScoresFolderNameUncategorisedScoresFolderName!OUHOUExtractIOUOUOUOUOUOUOUOUdefScoreExchangeUsersUsersADAPContactIDADAPContactID? sOUOUIDSM_Sc(OU,OU:OU@OUFOU]OUtOUOUdefScoreExchangeUsersUsersResellerNetworkDefaultResellerNetworkDefault?alRevie OUOUiew!OUOUOUOUOUOUOUOUdefScoreExchangeUsersUsersFeaturedFeatured? @resOU8OUnspositixOU|OUOUOUOUOUOUOUdefScoreExchangeUsersUsersFeaturedInfoFeaturedInfo!corpOUOUScoresOUOU*OU0OU6OUIOU\OUiOUdefScoreExchangeUsersUsersFeaturedNameOptionFeaturedNameOption? efScorOUOUScoresOUOUOUOUOUOUOUOUdefScoreExchangeUsersUsersDeletedDeleted? @UOU OUdefScor`OUdOUrOUxOU~OUOUOUOUdefScoreExchangeUsersUsersDeletedDateDeletedDate? UPOUOUOUOUOUOUOUOU/OU@OUMOUdefScoreExchangeUsersUsersWatermarkDefaultWatermarkDefault?UOUhOUOUOUOUOUOUOUOUOUOUdefScoreExchangeUsersUsersPDFFooterDefaultPDFFooterDefault?UOUOUdefScorPOUTOUbOUhOUnOU{OUOUOUdefScoreExchangeUsersUsersMyScoresWideMyScoresWide?U@OUOUdefScorOUOUOUOUOUOU.OU;OUdefScoreExchangeUsersUsersMyScoresColumnsMyScoresColumns!UOUXOUeExchangOUOUOUOUOUOUOUOUdefScoreExchangeUsersUsersPaymentCurrencyIDPaymentCurrencyID? OUOUeExchang@OUDOUROUXOU^OUqOUOUOUdefScoreExchangeUsersUsersPurchaseCurrencyIDPurchaseCurrencyID? Exchang@OUOUPublisheOUOUOUOUOUOU,OU9OUdefScoreExchangeUsersUsersAccountBalanceAccountBalance? @ScoresXOUD>UEPSCounpOUpE>UOUF>UF>UXUXU!361799g#OU!2018-09-06 11:02:47U10000-00-00 00:00:00p PU0!Points - Clarinet solo!60g#g#xJU!511#g#WKU!3g#g#KU!1g#g#KU!2018-09-06 10:33:22U!2018-09-06 11:02:47U!Phil Rawleg#0 PU!g#g# PU!0g#g# PU10g#g#0!sib#g#"MU!454#g#hMU!0g#g#MU!Points - Clarinet.sib!2018-09-06 10:33:22U!0g#g#NU!436#g#NU!0g#g#OU!1.50g# PU!2018-09-06 10:50:04U!1g#g#P PU!1g#g# PU!0g#g# PU!g#g#x PU!0g#g# PU!0g#g# PU!1g#g# One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.s!2.50g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#OU!828402g#!0g#g#xPU!0g#g#!0.00g#@OU!5.50g#PU!3.00g#OU!0g#g#PU!g#g#pOU!0.00g#ذOU["56829","134050","62099","204708","474595","361644","8576","169662","36561","191753","29537","60661","361843","57246","361921","361916","516652","26689","523676","169020"]OUPU!1g#xg#pOU!0g#g#!Horizon Clarinet solo!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Horizon - Clarinet solo Phillip Rawle One of four pieces from "4 Ballads" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.udePlatinum!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#PU PU PUhOU0OUPUPU PUPUx PUPUpPUOU8 PU` PUPUPUhGUOUxOUpPU PU0 PU(PU PUOUh PUPUPU PUhPU@PU@PUOU PUPU PUOUOUPUPUPUxPUPU(OUPU(PU@OUXOU0PU PUH PUOU PU OUPUOU8OUpOU8PUHOUPUذOUOUOUPU PU PUP PUXPUOUPUPUOUPUȱOUOU PUhange!2018-09-06 11:38:41nDat!0000-00-00 00:00:00!2018-09-11 13:04:56U10000-00-00 00:00:00XpOU01Sky Blue - Clarinet soloIUIU!60g#g#\JU!511#g#fJU!3g#g#pJU!1g#g#JU!2018-09-11 12:34:53U!2018-09-11 14:10:59U!Phillip RawleqOU!g#g#xqOU!0g#g#pOU10g#g#01sib#g#@LUXLU01OU^+361816       OUUOUx~UOUhU(OUU@OU(ݻUXOU`OUx]UpOUUOUUOUUOUeUлOUUOUUOUHL]UOUhO]U0OUPUUHOU0OUlU`OUxoUxOUUOUؕUOUxUOUPOUxFaUؼOUHaUOUUOUXU OUx%U8OU UPOU UhOUЯOUUOUPUukUOUOUH3kUOUOU^UȽOUOU^UOUUOUOUUOU)U(OU)U@OU)UXOUPUhUpOU2!UOUOU86(UOUXPUhUOUUоOUPPU8UOU(UOUxUOUPUU0OUHUh]OU<UHOU(UhfIUHPUxY'U,IUHVUfIU.UOUPUH&U؋OUUOUPU]UnMUXCUOUDUOUDUnMUOUXgU0nMUHUHnMUUMUh}TUMU PUط~U0MUOUGUOUOIU'PUPUGU OU PUU8OUPUTUOUU)UOU`UOUXQ]UOUHR]UOUU]UOUHUOU( PUhU0OU.UHOUxTU`OUgUxOUU]UOU8.UOU PUȆUOUPUUOU&*UOUzUOUXY]U OUZ]U8OUȵUPOU8u6UhOUx UOUEVUOUV]UOUUOUUOUUOUxUOU(U(OUqU@OUعUXOUPUUpOUxUOUh PUUOUkUOUPUnUOUUOUUOUUOUxU0OU>UHOUUhPU PUUPUx~UPUhUPUUPU(ݻUPU PUx]UPUUPUU(PUU@PUeUXPUUpPUUPUHL]UPUhO]UPUPUUPU PUlUPUxoUPUUPUؕU0PUxUHPU PUxFaU`PUHaUxPUUPUXUPUx%UPU UPU UPU PUUPU0PUukU PUX PUH3kU8PUPU^UPPUx PU^UhPUUPUXPUUPU)UPU)UPU)UPU@PUhUPU2!UPUH PU86(U(PUPUhU@PUUXPUPU8UpPU(UPUxUPUPUUPUHUOU<U0OU(UpIUPUxY'UfIUHVUqIU.UOUPPUH&UOUUضOUPU]UHMUXCUOUDUOUDU`MU8 PUXgUxMUHUMUUMUdefScor!2020-09-29 02:43:16U!1g#g#!2019-09-25 14:32:201E685F4F4-DF98-11E9-B6D0-78PU!266439g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 02:47:51!2023-03-17 02:48:25!2207796g#!3131647g#!0000-00-00 00:00:00!0000-00-00 00:00:00pOU@PUNUD/PUNUNUD/PUNUD0PUNUD 0PUUNUD@0PU NUD`0PU0NUD0PU@NUD0PUPNUD0PU`NUD0PUUpNUD1PUNUD1PUNUD1PUNUD2PUNUD 2PUNUD@2PUNUD`2PUNUD2PUNUD2PUNUD2PUNUDOU NUDOU0NUD-PU@NUD-PUPNUD-PU`NUD.PUpNUD0.PUNUNUDP.PUNUDp.PUNUNUNUNUNUNUD.PUNUD.PU NUD.PU0NUD.PU@NUD6PUPNUD7PU`NUD07PUpNUDP7PUNUD7PUPUOUpJRUDpRUPL]UU`PRUDRUPRUDPRUPRUDpRUPRUDRU`FU `IPUwCU2PUpOU@U ')UvPUDPUqPUDPUPUpPUDPUVUDVUVUD`VUVUDpWUpPUDpPUqPUDPUpPUDPUpPUDPUFU  TPU:UDMNUNUD MUNUD@MUNUD`MUNUD@+KUNUD`+KUNUD+KUNUD+KUNUDp NUNUD NU NUD NU0NUD NU@NUD NUPNUD NU`NUD@JPUpNUD`JPUNUDKPUNUDKPUNUDKPUNUD NUNUD NUNUDMPUNUDNPUNUDNPUNUDNPUNUDNPU NUDOPU0NUD OPU@NUD@OPUPNUD`OPU`NUD OPUpNUDOPUNUD NUNUD@ NUNUDJPUNUDJPUNUDJPUNUDJPUNUDKPUNUD KPUNUD@KPUNUD`KPU NU0NUDQPU@NUDQPUPNUDRPUU`NUD0RPUpNUDPRPUNUDpRPUNUDRPUNUDRPUNUDRPUUNUDRPUNUDSPUNUDSPUNUDSPUNUDTPUNUD0TPU NUDPTPU0NUDpTPU@NUDTPUPNUDTPU`NUDNUpNUD NUNUD@NUNUDOPUNUDOPUNUDPPUNUD PPUNUNUD@PPUNUD`PPUNUNU NU0NU@NUPNUDPPU`NUDPPUpNUDPPUNUDPPUNUDQPUNUDXPUNUDYPUNUD YPUNUDPYPU@&PUPUPRUDRUPL]UURUDRURUDRURUDRURUD0RUFU PyPUxCU2spectLasQ PU1'PUIP3618031'PUj614256!613863g# !361650g#HJU!2018-08-31 11:47:06U10000-00-00 00:00:00PQU01Raggy Bag - Clarinet soloKUHKU!60g#g#hLU!511#g#ZLU!3g#g#LU!1g#g#LU!2018-08-31 11:18:16U!2018-08-31 11:57:09U!Phillip RawleQU!g#g#pQU!0g#g#QU10g#g#0!sib#g#!454#g#!0g#g#1Raggy Bag - Clarinet, Piano.sib!2018-08-31 11:18:16!0g#g#!489#g#!0g#g#!1g#Hg#aOne of four Jazz pieces from "Swinging The Lead". With piano accompaniment.!2.50g# !2g#g#+PUOne of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.!2.50g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g# PU!433416g#!0g#g#PU!0g#g#!0.00g# PU!5.50g#PU!3.00g# PU!0g#g#PU!g#g#(PU!0.00g# PU["56829","134050","62099","204708","474595","8576","361644","191753","36561","169662","29537","361843","60661","57246","516652","169020","191737","361916","361661","159876"] PUPU!0g#g#/PU!0.0000g#!2018-09-06 10:55:07!Points Clarinet solo!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Points - Clarinet solo Phil Rawle One of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.1PU1PU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#HPUx9PU@PU PUPUPU PUPUPUPU8PUPUp PUpPUPUPUPUhGU PU0 PUPU(PUhPU`PUPU@PUPUPUPUPUPUxPUxPUPUPU(PUPPU` PU PUPU0PUPUPU PU PUPU`PU PUPUhPUPUPU PU9PU PUPU PU PU(PUpPU PUPU PU@ PUP PUPU`9PU8PUPUPUpPUPUHPU PUPU PU PUXPU7PU!2020-09-16 00:32:15U!1g#g#!2019-09-25 14:32:201E628E0F2-DF98-11E9-BB11-787PU!134124g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 02:49:13!2023-03-17 02:49:35!1537912g#!1999560g#!0000-00-00 00:00:00!0000-00-00 00:00:00h}TUMUXPUط~UMUPUGUOUIPUP&PUGUPU9PUUPU`?PUTUPUU)U(PU`U@PUXQ]UXPUHR]UpPUU]UPUHUPU9PUhUPU.UPUxTUPUgUPUU]UPU8.U0PU`U!PUU!PU:PUU"PUx~U"PUhU0"PUUH"PU(ݻU`"PU:PUx]Ux"PUU"PUU"PUU"PUeU"PUU"PUU#PUHL]U #PUhO]U8#PU?PUUP#PU:PUlUh#PUxoU#PUU#PUؕU#PUxU#PU;PUxFaU#PUHaU#PUU$PUXU($PUx%U@$PU UX$PU Up$PUP:PUU$PU=PUukU$PU :PUH3kU$PUh=PU^U$PU@;PU^U$PUU%PU =PUU%PU)U0%PU)UH%PU)U`%PU@PUhUx%PU2!U%PU;PU86(U%PUX>PUhU%PUU%PUP@PU8U%PU(U&PUxU &PU>PUU8&PUHUOU<UOU(U IUH?PUxY'UqIUHVU8IU.UOU?PUH&U@OUUXOUAPU]UȲMUXCUOUDU(OUDUMUUX`PUUp`PUDPUU`PUx~U`PUhU`PUU`PU(ݻU`PUEPUx]UaPUUaPUU0aPUUHaPUeU`aPUUxaPUUaPUHL]UaPUIPUQ9PU1IPU361799!1g#g#DPU!0g#g#!0g#g# !589#Xg#IU!1g#g#!1g#g#PU!0.00g#PU0!0.0000g#QPU!2018-09-04 14:23:03!Lines Clarinet solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Lines - Clarinet solo Phillip Rawle One of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.USPU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#>PUCPUCPU;PU=PU>PU>PUBPU@PUxBPU?PUp>PU8:PU8CPU`BPU=PUAPUhGU;PU:PUpAPUBPU0BPU(APUBPU=PUhCPU?PU?PUBPUh@PU@APU@>PU=PUCPU?PUBPU(;PUPUPU:PU;PUPUX;PU:PUNU!2023g# One of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.!2.50g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2018-09-03 14:25:08U!0000-00-00 00:00:00!g#g#0PU!496828g#!0g#g#FPU!0g#g#HPU!0.00g#DPU!5.50g#HPU!3.00g#(GPU!0g#g#EPU!g#g#PFPU!0.00g#xPUQȈPU!0g#@U !131631g# !1g#g#PU!0g#g#!0.0000g#!2018-09-03 14:04:19!Curves Clarinet solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Curves - Clarinet solo Phillip Rawle One of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.UPU!0g#g#hO]UaPUHPUUaPUDPUlUaPUxoUbPUU bPUؕU8bPUxUPbPUFPUxFaUhbPUHaUbPUUbPUXUbPUx%UbPU UbPU UbPUDPUUcPU0HPUukU(cPUXDPUH3kU@cPUGPU^UXcPUxEPU^UpcPUUcPUXGPUUcPU)UcPU)UcPU)UcPUPUhUdPU2!UdPUHEPU86(U0dPUHPUhUHdPUU`dPUPU8UxdPU(UdPUxUdPUHPUUdPUHUhOU<U8PU(UIUPUxY'UPIUHVU IU.UPUЃPUH&UPUUPU@PU]UMUXCUPUDUPUDUMU8FPUXgUMUHUMUUMUh}TU=NU؇PUط~U0=NUGPUGU[PUhMNUPUGUePUPUUePUPPUTUgPUU)U0gPU`UHgPUXQ]U`gPUHR]UxgPUU]UgPUHUgPUPUhUgPU.UgPUxTUgPUgUhPUU]U hPU8.U8hPUPPUȆUPhPUPUUhhPU&*UhPUzUhPUXY]UhPUZ]UhPUȵUhPU8u6UhPUx UiPUEVU(iPUV]U@iPUUXiPUUpiPUUiPUxUiPU(UiPUqUiPUعUiPU@PUUjPUxUjPU PUU0jPUkUHjPUPUnU`jPUUxjPUUjPUUjPUxUjPU>UjPUUjPUpPUUkPUx~UțPUhUPUUPU(ݻUPUЉPUx]U(PUU@PUUXPUUpPUeUPUUPUUPUHL]UМPUhO]UPUPUUPUPUlUPUxoU0PUUHPUؕU`PUxUxPUPUxFaUPUHaUPUUPUXU؝PUx%UPU UPU U PU@PUU8PUPUukUPPUPUH3kUhPUXPU^UPU0PU^UPUUPUPUUȞPU)UPU)UPU)UPUPUhU(PU2!U@PUPU86(UXPUHPUhUpPUUPU@PU8UPU(UPUxUПPUPUUPUHUPU<U[PU(UIU8PUxY'U8IUHVUIU.U \PUPUH&UP\PUUh\PUxPU]UH=NUXCU[PUDU8\PUDU`=NUPUXgUx=NUHU=NUUGNUh}TUGNUPUط~UGNUPUGU(fPUh1UyPUPUGUؠPUPUUPUxPUTU@PUU)UXPU`UpPUXQ]UPUHR]UPUU]UPUHUТPUГPU!0000-00-00 00:00:00U!g#g#!0g#g#!793#g#!1122g#HHPUhPUPU FPUGPUHPU IPUxPU8PU0PU8IPUHPUpDPUPUPUHPUXPUiGUEPU0EPU(PUPUPUPU`PU@GPU PUxPUPUHPU PUPUxHPUGPU8PUPUІPU`EPUFPUhPUPUPPU0PUPUFPUpPU`HPUFPUGPUPUPUPUDPUPUEPUHPUDPUEPU(GPUPUEPUIPUEPU@DPUPFPUPUPPUPUPUPUpGPUPUȅPUEPUPUFPUFPU؄PUʘPU["56829","134050","62099","474595","204708","361644","8576","191753","36561","29537","169662","60661","361843","57246","361916","26689","169020","361921","191737","43433"]UdefScor!2020-09-26 21:08:56!1g#g#!2019-09-25 14:32:151E3A8DC6A-DF98-11E9-BF25-78!135105g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 04:45:38!2023-03-17 04:45:57!1666000g#!2402594g#!0000-00-00 00:00:00!0000-00-00 00:00:000[PUPUtPUDPU tPUD0PU0tPUDPPUU@tPUDpPUPtPUDPU`tPUDPUptPUDдPUtPUDPUtPUDPUUtPUD0PUtPUDPUtPUDPUtPUD PUtPUD@PUtPUD`PUuPUDPUuPUDPU uPUDPU0uPUDPU@uPUDcOUPuPUD cOU`uPUDPUpuPUDPUuPUDPUuPUD PUuPUD@PUuPUuPUD`PUuPUDPUuPUuPUvPUvPU vPU0vPUDPU@vPUDPUPvPUDPU`vPUDPUpvPUDPUvPUD0PUvPUDPPUvPUDpPUvPUDPUPUePUpRUD RUPL]UU SUD'SU0 SUDP(SU@ SUDp(SUP SUD(SU FU `PUnCU2PUgPU`WUDmWU"QUDMQUpPUDQU@PUPUDQUWUD0JWUWUDJWUAUD>U0PUD`QUPUDQU@PUDQUPPUDQUFU  PUQ7UDPUwPUDpPUwPUDPUwPUDPUwPUDPUxPUDPUxPUD PU xPUD@PU0xPUDPU@xPUDPUPxPUD0PU`xPUDPPUpxPUDPUxPUDPUxPUDPUxPUDPUxPUD`PUxPUDPUxPUDPUxPUDPUpPUDPUPUD PUPUDPUPUDPUPUDPUPUDPUнPUD PUPUD@PUPUD`PUPUDPUPUD PU PUDPU0PUDPU@PUDPUPPUDPU`PUDPUpPUD0PUPUDPPUPUDpPUPUDPUPUDPUPUDPUоPUPUD0PUPUDPPUPUDpPUUPUDPU PUDPU0PUDPU@PUDPUPPUD PU`PUD@PUUpPUD `PUPUDPUPUDPUPUD0PUPUDPPUPUDpPUпPUDPUPUDPUPUDPUPUDPUPUD PU PUD@PU0PUDPU@PUDPUPPUD PU`PUD@PUpPUD`PUPUPUDPUPUDPUPUPUPUPUPUPUDPUPUDPU PUDPU0PUD PU@PUDPUPPUD PU`PUD@PUpPUD`PUPUDPUpPUPU` SUD(SUPL]UUPSUDjSUSUD0kSUSUDPkSUSUDpkSU`FU pPUjCU2`PU(PUAUD @XU?!2016-09-02 01:24:0712021-03-15 17:42:49emptedg#0!361693g#WKU!2018-09-02 09:12:07U10000-00-00 00:00:00`PU01With The Birds - Clarinet soloLU!60g#g#ZLU!511#g#LU!3g#g#XLU!1g#g#(MU!2018-09-02 08:52:46U!2021-06-19 13:22:56U!Phillip RawlePU!g#g#pPU!0g#g#PU10g#g#0!sib#g#NU!454#g#OU!0g#g#`SOU1With The Birds - Clarinet.sibxOU!2018-09-02 08:52:46U!0g#g#PPU!583#g#[PU!0g#g#fPU!2g#Xg#"UaOne of four pieces from "Swinging the Lead". Jazz solos with piano accompaniment.U12.50g#"U0!1.50g#PU!2018-09-03 09:24:13U!1g#g#PU!1g#g#PU!0g#g#PU!g#g#0PU!0g#g#XPU10g#g#hPU0!0g#g#PU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#PU!813053g#!0g#g#hPU!0g#g#!0.00g#PU!5.50g#PU!3.00g#XPU!0g#g#xPU!g#g#PU!0.00g#HPU["56829","134050","62099","204708","474595","8576","36561","361644","191753","169662","361843","29537","60661","57246","516652","169020","361916","361921","26689","159876"]hPUPU!1g#g#PU!0g#g#!0.0000g#!2018-09-03 09:32:48!Angles Clarinet solo!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Angles - Clarinet solo Phillip Rawle One of four pieces from "Jazz Geometry" with piano accompaniment. Can be played as written or used as a basis for improvisation.!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!793#g#!1122g#PUPUPU؊PUPUPU؍PUPUpPUhPUPU`PU(PU(PUPPUЌPUPU iGUxPUPU`PUPU PUPUPUPUXPUPUȎPUPUXPU0PU0PUpPUpPUPUPUPUPUPUPUPUhPUؐPUPUPUPUPUȋPU PUȑPU8PUXPUPUPUxPUPUPUPU(PUPUPUHPUPUPUPUPUPU@PUHPU(PUPUPU`PUЏPU8PUhPUPUeExchang!2020-09-10 19:39:07U!1g#g#!2019-09-25 14:32:151E34A8D9A-DF98-11E9-AFAE-78ڻPU!135066g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 04:50:05!2023-03-17 04:50:37!1842304g#!2465756g#!0000-00-00 00:00:00!0000-00-00 00:00:00 TX      LP  x    KP ionFinisQPU1PriceScoreAndPartsreAndPartsFC0!0g#P!U !361661g#KU!2018-08-31 19:25:03U10000-00-00 00:00:00PU01Silky Smooth - Clarinet soloUZLU!60g#g#LU!511#g#@LU!3g#g#MU!1g#g#"MU!2018-08-31 19:16:59U!2024-03-09 08:11:29U!Phillip RawleHPU!g#g#PU!0g#g#PU10g#g#0!sib#g#hNU!454#g#HSOU!0g#g#]OU1Silky Smooth - Clarinet.sibU`OU!2018-08-31 19:16:59U!0g#g#[PU!575#g#pfPU!0g#g#PU!2g#Xg#"UaOne of four jazz pieces from "Swinging The Lead". With piano accompaniment.U"U12.50g#"U0PUhUPU.UPUxTUPUgU0PUU]UHPU8.U`PUxPUȆUxPUPUUPU&*UPUzUPUXY]UأPUZ]UPUȵUPU8u6U PUx U8PUEVUPPUV]UhPUUPUUPUUPUxUȤPU(UPUqUPUعUPUhPUU(PUxU@PUHPUUXPUkUpPUPUnUPUUPUUPUUХPUxUPU>UPUUPUPUU0PUx~UHPUhU`PUUxPU(ݻUPUPUx]UPUUPUUئPUUPUeUPUU PUU8PUHL]UPPUhO]UhPUPUUPUPUlUPUxoUPUUȧPUؕUPUxUPUPUxFaUPUHaU(PUU@PUXUXPUx%UpPU UPU UPUxPUUPUPUukUШPUHPUH3kUPUPU^UPUXPU^UPUU0PU8PUUHPU)U`PU)UxPU)UPU PUhUPU2!UPU(PU86(UةPUpPUhUPUUPUhPU8U PU(U8PUxUPPUPUUhPUHUx[PU<U@fPU(U`?JU`PUxY'UIUHVUx?JU.UfPU0PUH&UfPUUfPUPU]UGNUXCUfPUDUfPUDUGNUPUXgUGNUHUHNUU(NUh}TU@NU8PUط~UXNUPUGUPPUX LUPUGUXPUPUUpPUPUTUPUU)UPU`UPUXQ]UPUHR]UPUU]U PUHU8PU@PUhUPPU.UhPUxTUPUgUPUU]UPU8.UPUPUȆUPUPUUPU&*UPUzU(PUXY]U@PUZ]UXPUȵUpPU8u6UPUx UPUEVUPUV]UPUUPUUPUUPUxU0PU(UHPUqU`PUعUxPUPUUPUxUPUPUUPUkUPUPUnUPUUPUU PUU8PUxUPPU>UhPUUPUPUUPUx~UPUhUPUUPU(ݻUPU0PUx]UPUU(PUU@PUUXPUeUpPUUPUUPUHL]UPUhO]UPUPUUPUPUlUPUxoUPUU0PUؕUHPUxU`PU PUxFaUxPUHaUPUUPUXUPUx%UPU UPUmeArtis!1.50g#PU!2018-09-02 08:52:48U!1g#g#0PU!1g#g#PU!0g#g#PU!g#g#XPU!0g#g#PU10g#g#PU0!1g#g#PU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#PU!412702g#!0g#g#PU!0g#g#!0.00g#PU!5.50g#PU!3.00g#PU!0g#g#PU!g#g#PU!0.00g#pPU["145450","170470","103927","169691","77043","61680","169572","169054","8379","58091","29522","55533","169148","56829","361716","62109","134050","361695","62099"]U!2020-09-06 00:46:17!1g#g#PU!0g#g#!0.0000g#!2018-09-02 09:01:111With The Birds Clarinet soloPU!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#With The Birds - Clarinet solo Phillip Rawle One of four pieces from "Swinging the Lead". Jazz solos with piano accompaniment.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#(PUPU PUPUPUPUPUPUPUPUPUPU`PUPPUxPUPUPU8iGUPUPUPUPUHPU@PUPU PUPUPUPUPUPUXPUXPUPUPUPU0PU@PUPUPUPUPUPUPUPUPU@PUPUPUHPUPU`PUPUPUPUPUPUPUPUPPUPUPUpPU0PU0PUPUPUPUhPUpPUPPUPU(PUPUPU`PUPU8PUdefScor!1g#Xg#PU!2019-09-25 14:32:111E11B08F6-DF98-11E9-A548-78!346805g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 05:02:22!2023-03-17 05:02:43!1740231g#!2405648g#!0000-00-00 00:00:00!0000-00-00 00:00:00PU`PU(QUD pQU#QUDNQUPU"QUDMQU`hDUDaUUD@>UpAUDWU"QUDNQU #QUDNQU"QUD0NQU"QUDPNQUFU  QU:UDPUPUDpPUPUDPUPUDPUPUDPUPUDPUPUD PUPUD@PUPUDPUPUDPU PUD0PU0PUDPPU@PUDPUPPUDPU`PUDPUpPUDPUPUD`PUPUDPUPUDPUPUDPUPUDPUPUD PUPUDPUPUDQUPUDQUPUDQU PUD0QU0PUDPQU@PUDpQUPPUDQU`PUD QUpPUDQUPUDQUPUDQUPUDQUPUD QUPUD@QUPUD`QUPUDQUPUDQUPUDQUPUD QU PU0PUD@QU@PUD`QUPPUDQUU`PUDQUpPUDQUPUDQUPUDQUPUD0QUPUDPQUUPUDpQUPUDQUPUD QUPUD@QUPUD`QUPUDQU PUDQU0PUDQU@PUDQUPPUD QU`PUD PUpPUD@PUPUDQUPUDQUPUD0QUPUDPQUPUDpQUPUPUDQUPUDQUPUPU PU0PU@PUPPUDQU`PUDQUpPUDQUPUD0QUPUD0QUPUDPQUPUDpQUPUDQUPUDQUPU@PUSUDkSUPL]UU@nSUDЪSUpnSUD0SUnSUDPSUnSUDpSUFU QU0hCU2PUPUQUDpQU`)QUD qQU(PU(QUD@pQUbDUD@>UBUDWUW7UD CU )QUDpQUp)QUD@qQU0)QUDpQU@)QUDpQUFU  HQUY7UD (PUPUD(PUPUD(PUPUD(PUPUD)PU PUD )PU0PUD@)PU@PUD`)PUPPUD*PU`PUD0*PUpPUDP*PUPUDp*PUPUD*PUPUD*PUPUD*PUPUD+PUPUD)PUPUD)PUPUD)PUPUD)PUPUD +PU PUD@+PU0PUD+PU@PUDBQUPPUDBQU`PUDBQUpPUDBQUPUDCQUPUD0CQUPUDPCQUPUD pCQUPUDCQUPUDAQUPUDAQUPUDAQUPUDAQUPUDBQU PUD BQU0PUD@BQUQUD`BQUQUDEQUQUDEQUQUQUDFQUQUD FQU Q(PU!361644g#PU!0g#g#QU1g#g#QU01A Walk On The Cool Side - Clarinet Solo!60g#g#KU!511#g#`KU!3g#g#LU!1g#g#ZLU!2018-08-31 10:18:34U!2018-08-31 10:29:11U!Phillip RawleHQU!g#g#QU!0g#g#QU10g#g#0!sib#g#>NU!454#g#INU!0g#g#NUAA Walk On The Cool Side -Clarinet,Piano.sib!2018-08-31 10:18:34!0g#g#!808#g#!0g#g#!3g#g#aOne of four Jazz pieces from "Swinging The Lead". With piano accompaniment.!2.50g#!1g#g#10g#g#"U0!1.50g#PU!2018-08-31 19:17:01U!1g#g#hPU!1g#g# PU!0g#g#PU!g#g#PU!0g#g#PU10g#g#PU0!1g#g#QU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#PU!243233g#!0g#g#PU!0g#Xg#!0.00g#PU!5.50g#PU!3.00g#PU!0g#g#PU!g#g#@PU!0.00g#PU["56829","134050","62099","204708","474595","361644","191753","8576","36561","29537","169662","60661","361843","57246","169020","26689","361916","191737","516652","43433"]PUPU!1g#g#QU!0g#g#!0.0000g#!2018-08-31 19:20:181Silky Smooth Clarinet soloU!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Silky Smooth - Clarinet solo Phillip Rawle One of four jazz pieces from "Swinging The Lead". With piano accompaniment.eckedProgramNo!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#`PUQUQU8PUPUPU8PUQU` QUXQUPPUPUPUQU@QU0PUQUPiGUPUHPUPQUQUQUQUQUXPUHQUPU(PUpQUH QU QUPUPU`QU@PUQUxPUPU QU QUx QUPUQUPUQUxPUPU(PUPUQU(QUPUQUPUPUPUPU@PUPUPU PUPUXPUhPUQUxQUQU0QU8QUPU QU QUPU QUPUPUpPUScores UPUPUU PUHPUukU8PUpPUH3kUPPUPU^UhPUPU^UPUUPUpPUUPU)UPU)UPU)UPUXPUhUPU2!U(PU`PU86(U@PUPUhUXPUUpPU0 QU8UPU(UPUxUPUPUUPUHUePU<UhPU(U\JUPUxY'U?JUHVU \JU.UȡPUhPUH&UPUUPUhQU]UpNUXCU8PUDUPUDUNUPPUXgUNUHUNUUNUh}TUNUQUط~U،NUPUGUPUxzOU1QUGUPUQUUPUxQUTU(PUU)U@PU`UXPUXQ]UpPUHR]UPUU]UPUHUPUQUhUPU.UPUxTUPUgUPUU]U0PU8.UHPUxQUȆU`PUQUUxPU&*UPUzUPUXY]UPUZ]UPUȵUPU8u6UPUx U PUEVU8PUV]UPPUUhPUUPUUPUxUPU(UPUqUPUعUPUhQUUPUxU(PUHQUU@PUkUXPUQUnUpPUUPUUPUUPUxUPU>UPUUPUQUUPUx~U0PUhUHPUU-QU(ݻU-QUQUx]U-QUU-QUU-QUU.QUeU(.QUU@.QUUX.QUHL]Up.QUhO]U.QUQUU.QUQUlU.QUxoU.QUU.QUؕU/QUxU/QUQUxFaU0/QUHaUH/QUU`/QUXUx/QUx%U/QU U/QU U/QUhQUU/QUQUukU/QU8QUH3kU0QUQU^U 0QUXQU^U80QUUP0QU8QUUh0QU)U0QU)U0QU)U0QU QUhU0QU2!U0QU(QU86(U0QUpQUhU1QUU(1QUhQU8U@1QU(UX1QUxUp1QUQUU1QUHU PU<UPU(UfJU`QUxY'U8\JUHVUfJU.U0PU0QUH&U`PUUxPUQU]UNUXCUPUDUHPUDUNUQUXgUȮNUHUNUUиNUh}TUNU8QUط~UNUQUGU8PUOQU U7QUU7QUQUU7QUx~U7QUhU8QUU8QU(ݻU08QU0QUx]UH8QUU`8QUUx8QUU8QUeU8QUU8QUU8QUHL]U8QUhO]U9QUXQUU 9QUQUlU89QUxoUP9QUUh9QUؕU9QUxU9QUTQUxFaU9QUHaU9QUU9QUXU9QUx%U:QU U(:QU U@:QUQUUX:QUWQUukUp:QUpQUH3kU:QUxVQU^U:QUQU^U:QUU:QU0VQUU:QU)U;QU)U;QU)U0;QUYQUhUH;QU2!U`;QU`QU86(Ux;QUhWQUhU;QUU;QU`YQU8U;QU(U;QUxU;QUWQUUUvQUUvQU]QUUvQUx~UvQUhUwQUU wQU(ݻU8wQU(^QUx]UPwQUUhwQUUwQUUwQUeUwQUUwQUUwQUHL]UwQUhO]UxQUbQUU(xQU]QUlU@xQUxoUXxQUUpxQUؕUxQUxUxQU_QUxFaUxQUHaUxQUUxQUXUyQUx%UyQU U0yQU UHyQU]QUU`yQU@aQUukUxyQUh]QUH3kUyQU`QU^UyQU^QU^UyQUUyQUh`QUUyQU)UzQU)U zQU)U8zQUPcQUhUPzQU2!UhzQUdefScor!g#g#dQU!0g#g#!g#g#!Copyright ©!g#g#!2018-08-31 10:29:11U!0000-00-00 00:00:00!g#g#XQU!899831g#!0g#g#UQU!0g#g#XQU!0.00g#QU!5.50g#WQU!3.00g#VQU!0g#g#QU!g#g#(UQU!0.00g#XQUQ ]QU!0g#'DUuantityS!Scott Joplin !1g#g#gQU!0g#g#!0.0000g#!2018-08-31 10:21:371A Walk On The Cool Side Clarinet Solor!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#A Walk On The Cool Side - Clarinet Solo Phillip Rawle One of four Jazz pieces from "Swinging The Lead". With piano accompaniment.cores!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g# WQU\QU\QUTQUVQUWQUWQU[QUYQU[QUXQUWQUQUH\QUp[QUVQUZQUiGUQUHQUZQU\QU@[QU8ZQU[QUVQUx\QUXQUXQU[QUxYQUPZQUPWQUVQU\QUYQU([QUxQUUQUYQUZQUYQUXQUZQUUQUZQU8WQUUQUUQU@XQU[QUX[QUQU\QUQUWQUQUQUVQUHYQUQUWQUQUXQU(UQUZQU\QU[QU`\QUhZQUHVQUYQU ZQUQUYQUXUQUUQU0YQUrtedZip["56829","134050","62099","204708","474595","169662","8576","191753","361843","36561","29537","60661","57246","169020","361916","159876","516652","26689","361921"]dZi!2020-09-05 04:43:10!1g#g#!2019-09-25 14:32:021DBD6D8DE-DF98-11E9-B6D0-786pQU!350752g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 05:40:57!2023-03-17 05:41:23!2216774g#!3298775g#!0000-00-00 00:00:00!0000-00-00 00:00:00-QUqQUqQUQUDQUsGUHrQU0QUDQUQUDQU@QUDQUPQUD QUFU  QU kDUDQU)QUD0QU)QUDpQU)QUDQU*QUDQU*QUDАQU *QUDQU0*QUDQU@*QUDQUP*QUDQU`*QUDOQUp*QUDOQU*QUD PQU*QUD@PQU*QUD`PQU*QUDPQU*QUD0QU*QUD`QU*QUDQU*QUDQU+QUDQQU+QUDQU +QUDQQU0+QUDQQU@+QUDRQUP+QUD0RQU`+QUDPRQUp+QUDpRQU+QUDRQU+QUDRQU+QUD RQU+QUDRQU+QUDSQU+QUD0SQU+QUDPSQU+QUDpSQU,QUDSQU,QUDSQU ,QUDPQU0,QUDPQU@,QUDPQUP,QUDQQU`,QUp,QUD QQU,QUD@QQU,QUD`QQUU,QUD`QU,QUDQU,QUDQU,QUDQU,QUDQU,QUDQUU-QUD QU-QUDЙQU -QUDQU0-QUDQU@-QUD0QUP-QUDPQUЁQUDpQUQUDQUQUDQUQUDКQUQUDPQU QUDpQU0QUDQU@QUDQUPQUDЖQU`QUDQUpQUDQUQUQUD0QUQUDPQUQUQUЂQUQUQUQUDpQUQUDQU QUDQU0QUDQU@QUDQUPQUDQU`QUDQUpQUD QUQUDPQU{QUQUQUD@>QUQUD`>QUЄQUD>QUQUD>QUQUD>QUQUDp?QUQUD?QU QUD?QU0QUD?QU@QUD?QUPQUD@QU`QUD0@QUpQUDP@QUQUD>QUQUD?QUQUD ?QUQUD@?QUQUD0QUЅQUDPQUQUDpQUQUDQUQUDQUQUDQU QUDQU0QUDQU@QUD0QUPQUDPQU`QUD pQUpQUDQUQUDp@QUQUD@QUQUD@QUQUD@QUQUD@QUІQUDAQUQUDPAQUQUDQUQUDQUQUDQU QU0QUD QU@QUD@QUPQUD`QUUhange $(   )0 *0   z  ManualVe!540729g#ores WHEQA well-loved piano piece arranged for Clarinet in Bb and Bass ClarinetASolfeggietto - Duet for Clarinet in Bb & Bass ClarinetQ!49g#g#urchaseQ!0g#g#ScoreExc!4g#g#MinimumP!2g#g#s!2020-09-24 12:16:53Part!2020-09-24 12:24:521C P E Bach Arr Phil RawleX^QU!Phillip Rawleh]QU!0g#g#]QU!0g#g# !sib#g#!454#g# QQU!2024-03-10 15:44:24U10000-00-00 00:00:00*SU01Reed Out - Clarinet QuartetULU!15g#g#@LU!0g#g#MU!3g#g#"MU!1g#g#hMU!2023-11-17 08:32:13U!2024-03-10 15:44:24U!0g#8g#+SU!2g#g#+SU!1.50g#*SU12023-11-17 10:19:480!sib#g#]OU!454#g#xOU!0g#g#xOU!Reed Out.sibPPU!2023-11-17 08:32:13#!0g#g#!134#g#!0g#g#!1g#g# -SU!1g#g#+SU!0g#g#,SU!g#g#`,SU!0g#g#P-SU!0g#g#+SU!1g#g#*SU10g#g#-SU0!Phil RawleU !2020-09-24 12:24:52U!0000-00-00 00:00:00!g#g#bQU!914620g#!0g#g#`QU!0g#g#bQU!0.00g#]QU!6.00g#aQU!3.00g#8`QU!0g#g#^QU!g#g#`_QU!0.00g#cQUQQU!Tico-Tico no fubá!41g#g# !0g#g#PQU!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Solfeggietto - Duet for Clarinet in Bb & Bass Clarinet C P E Bach Arr Phil Rawle Phillip Rawle A well-loved piano piece arranged for Clarinet in Bb and Bass Clarinet!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#XaQU(QUQU0_QU`QUbQU0bQU8QUcQUQUHbQUaQU]QUQU؟QU(aQUQUiGU^QU@^QUdQUhQUQUpdQU QUP`QUQUcQU cQUQUcQUdQUaQU`QUQU8cQUQUp^QU_QUcQU@dQUcQUbQU`QU_QU0QUpaQU`QU `QUxbQUPQUQU]QU@QU^QUaQU]QU_QU8`QUcQU^QUbQU^QUP]QU`_QUHQUQUxQUȠQUdQU`QUdQUXdQU^QU(dQU_QU_QUhcQUeScoresX^QU86(UzQUaQUhUzQUUzQUcQU8UzQU(UzQUxUzQUaQUU{QUHUPU<U3QU(UHJUbQUxY'UpJUHVU`JU.Uh3QU`bQUH&U3QUU3QUQU]UOUXCU2QUDU3QUDUOUH_QUXgUOUHU(OUUOUh}TU0OUQUط~UHOU`QUGUqQUjJU QUGU|QUpQUU|QUQUTUh}QUU)U}QU`U}QUXQ]U}QUHR]U}QUU]U}QUHU}QUQUhU~QU.U(~QUxTU@~QUgUX~QUU]Up~QU8.U~QUQUȆU~QUXQUU~QU&*U~QUzU~QUXY]UQUZ]UQUȵU0QU8u6UHQUx U`QUEVUxQUV]UQUUQUUQUUQUxUQU(UQUqU QUعU8QUQUUPQUxUhQUQUUQUkUQUxQUnUQUUȀQUUQUUQUxUQU>U(QUU@QU0QUUXQUx~UpQUhUQUUQU(ݻUQUQUx]UHQUU`QUUxQUUQUeUQUUQUUزQUHL]UQUhO]UQU@QUU QU`QUlU8QUxoUPQUUhQUؕUQUxUQUQUxFaUQUHaUȳQUUQUXUQUx%UQU U(QU U@QUQUUXQUQUukUpQUСQUH3kUQUQU^UQUQU^UQUUдQUФQUUQU)UQU)UQU)U0QUQUhUHQU2!U`QUQU86(UxQUQUhUQUUQUQU8UQU(UصQUxUQUPQUUQUHU2QU<UrQU(UJUQUxY'UxJUHVUJU.UprQUȦQUH&UrQUUrQU8QU]U`OUXCUX=QUDUrQUDUxOUQUXgUXROUHUpROUU`\OUh}TUx\OUЪQUط~U\OUHQUGUx|QUhQUQUGUQUQUUQUQUTU`QUU)UxQU`UQUXQ]UQUHR]UQUU]UظQUHUQUثQUhUQU.U QUxTU8QUgUPQUU]UhQU8.UQUHQUȆUQU@QUUQU&*UȹQUzUQUXY]UQUZ]UQUȵU(QU8u6U@QUx UXQUEVUpQUV]UQUUQUUQUUкQUxUQU(UQUqUQUعU0QUQUUHQUxU`QU2QU["94121","186654","159394","91831","393952","186907","119599","139317","119598","118720","159557","141096","149400","193400","161668","197408","168897","186682","186661","142309"]U!2020-09-24 12:25:04!1g#g#!2020-09-24 12:21:1610F8C504E-FE58-11EA-8D98-788383FEA0E1U!330446g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-17 18:45:56!2023-03-17 18:46:15!1187664g#!1382195g#!0000-00-00 00:00:00!0000-00-00 00:00:00qQU QU`QUDQUpQUDQUQUDQUQUDQUQUDQUQUD0QUUQUDPQUЇQUDQUQUDQUQUDQUQUDQUQUDQU QUD0QU0QUDPQU@QUDpQUPQUDQU`QUD=QUpQUD=QUQUDQUQUDQUQUDQUQUDQUQUD0QUЈQUQUDPQUQUDpQUQUQU QU0QU@QUPQUDQU`QUDQUpQUDQUQUDQUQUDQUQUDQUQUDQUQUD QUЉQUD@QUQU{QUSUD3TUPL]UUCTUD`bTUDTUDbTUDTUDbTU DTUDcTUFU QUvCU2QUP}QUWUU`BU@QUDaRUQUD03RU`QUQUDP"RUZUD`DUPFHUDDU0}dUD]]U@QUD"RUQUDP3RUPQUD"RU`QUD2RUFU  QU@LDUD0QUQUDQUQUDQUQUDQUQUDQU QUD0QU0QUDPQU@QUDpQUPQUD QU`QUD@QUpQUD`QUQUDQUQUDQUQUDQUQUDQUQUDQUЋQUDQUQUDQUQUDQUQUDQUQUD0QU QUDPQU0QUDQU@QUDQUPQUDQU`QUDQUpQUDQUQUDQUQUDQUQUD0QUQUD PQUQUDpQUЌQUDQUQUDQUQUDPQUQUDpQUQUDQU QUDQU0QUDQU@QUD QUPQUD@QU`QUD`QUpQUQUDQUQUDQUQUDQUUQUDQUQUD0QUЍQUDPQUQUDpQUQUDQUQUDQUUQUDQU QUDQU0QUDQU@QUDQUPQUDQU`QUDQUpQUD QUQUD@QUQUD`QUQUDQUQUDQUQUDQUЎQUDQUQUDQUQUDQUQUD0QUQUDPQU QU0QUDpQU@QUDQUPQU`QUpQUQUQUQUDQU QUDQU0QUDQU@QUDQUPQUD0QU`QUDPQUpQUDpQUQUDRUQUDRUQUQU0DTUD cTUPL]UU JTUDTUPJTUDTU`JTUDTUpJTUD0TUFU RUsCU2QUHQUdUDg>UIRUDЃRUQUDbRUQUPQUDaRU !588833g# QU!1g#g#PQU11g#g# QU01Prime Time - Clarinet DuetULU!42g#g#XLU!511#g#(MU!3g#g# oMU!1g#g#MU!2022-11-28 16:46:37U!2022-11-28 16:53:27U!Phillip RawleQU!g#g#@QU!2022g#PQU10g#g#0!sib#g#g#!454#g#]OU!0g#g#HOU1Prime Time - Clarinet Duet.sibPPU!2022-11-28 16:46:37U!0g#g#fPU!111#g#PU!0g#g#PU!2g#g#P3QUA lively and inventive piece with plenty of interesting harmonies and interweaving parts. Written for two Clarinets in Bb.U"U!5.00g#"U11g#g#"U0!15g#g# QU!g#g#!6.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#@QU!227444g#!0g#g#(QU!0g#g#!0.00g#pQU!9.00g#@QU!3.00g#QU!0g#g#8QU!g#g#QU!0.00g#QU["368847","72650","130228","173387","132887","523649","193395","93897","366957","111802","173409","519306","125560","68713","201084","10684","207823","136974","197644","61414"]QUPQU!0g#g#QU!1g#g#!0g#g#!0.0000g#!2017-05-18 10:57:191Clarinet Sonata in D minorQU!0g#g#!0g#g#!30g#g#!0000-00-00 00:00:00!0g#g#!0g#g#AClarinet Sonata in D minor Phillip Rawle changeScores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#QU`QUQUQU`QUhQUQUpQU0QU(QUQU QUQUQUQUQUPQUiGU8QUQU QUQUQUبQUXQUQUQUpQUQU@QUQUQUQU0QU0QUQUȩQUآQU@QU`QUQUHQU(QUQUXQUhQUإQUpQUQUQUQUQUQUxQUPQU8QUHQUhQUQUQUxQUQUQUQUȣQUQUHQUQUQUQUQUxQUQU QUQUQU(QUЧQUQU!2020-08-28 00:03:37U!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-03-25 08:42:52!2023-03-25 08:44:52!11333092g#!18821506g#!0000-00-00 00:00:00!0000-00-00 00:00:00 $(   AH op$(    $(eScoresQQU1hQUȈ194722!591630g#pQUQA moody piece with lots of chromatic passages and dark harmonies.1Plaintive - Clarinet and Piano@LU!60g#g#MU!511#g#"MU!4g#g#hMU!1g#g#MU!2023-01-13 10:18:57U!2023-01-13 10:25:14U!Phillip RawleQU!g#g#(QU!2023g#8QU10g#g#0!sib#g#g#!454#g#OU!0g#g#OU1Plaintive - Clarinet.sibPU[PU!2023-01-13 10:18:57U!0g#g#PU!117#g#hPU!0g#g#83QU!3g#g#XrQU!5.00g#QU!1g#g#"U!0g#g#"U!0g#g#"U!g#g#"U!g#g#"U!0g#g# !1.50g#xQU!2022-11-28 16:46:40U!0g#xg#QU!g#g#QU!0g#g#QU!0g#g#(QU!1g#g#PQU10g#g#`QU0!0g#g#QU!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2022-11-28 16:53:27U!0000-00-00 00:00:00!g#g#QU!831716g#!0g#g#QU!0g#g#(QU!0.00g#PQU!8.00g# QU!3.00g#خQU!0g#g#@QU!g#g#QU!0.00g#XQU!g#g#!0000-00-00 00:00:00U!1g#g#12022-11-28 16:51:57U8QU0QUUxQUkUQU`QUnUQUUQUUػQUUQUxUQU>U QUU8QUhQUUPQUx~UhQUhUQUUQU(ݻUQUȬQUx]UȼQUUQUUQUUQUeU(QUU@QUUXQUHL]UpQUhO]UQU(QUUQUQUlUQUxoUнQUUQUؕUQUxUQUQUxFaU0QUHaUHQUU`QUXUxQUx%UQU UQU UQU8QUUؾQUQUukUQUQUH3kUQUQU^U QU(QU^U8QUUPQUQUUhQU)UQU)UQU)UQUQUhUȿQU2!UQUQU86(UQUQUhUQUU(QUQU8U@QU(UXQUxUpQU8QUUQUHU@=QU<U|QU(UWKUQUxY'UJUHVUWKU.U|QUQUH&U }QUU8}QU QU]U\OUXCU`|QUDU}QUDU\OUQUXgU\OUHU\OUUOUh}TUOUQUط~U(OU0QUGUpQU(RU RUGUxQUQUUQU0QUTURUU)URU`URUXQ]URUHR]URUU]URUHU(RUQUhU@RU.UXRUxTUpRUgURUU]URU8.URU0QUȆURUxQUURU&*URUzURUXY]U0RUZ]UHRUȵU`RU8u6UxRUx URUEVURUV]URUURUURUURUxU RU(U8RUqUPRUعUhRU QUURUxURUQUURUkURUQUnURUURUURUU(RUxU@RU>UXRUUpRUPQUURUx~URUhURUURU(ݻURUQUx]URUURUU0RUUHRUeU`RUUxRUURUHL]URUhO]URU`QUURUQUlURUxoU RUU RUؕU8 RUxUP RUQUxFaUh RUHaU RUU RUXU RUx%U RU U RU U RU QUU RUQUukU( RUQUH3kU@ RU8QU^UX RUQU^Up RUU RUQUU RU)U RU)U RU)U RUQUhU RU2!U RUQU86(U0 RU(QUhUH RUU` RU QU8Ux RU(U RUxU RUpQUU RUHUH|QU<UQU(UKUQUxY'UXKUHVUKU.UQUQU!0.0000g#QU!2022-11-28 16:51:201Prime Time Clarinet DuetImageSiz!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Prime Time - Clarinet Duet Phillip Rawle A lively and inventive piece with plenty of interesting harmonies and interweaving parts. Written for two Clarinets in Bb.U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#QUHQUQUЭQUHQUPQUQUXQUQUQUQUQU QUQUQUxQU8QUiGUpQUQUQUQUQUQU@QUQUQUXQUpQU(QUQUQUQUQUQUQUQUQUxQUHQUQU0QUQUQUQUPQUQUQUQUQUpQUQUPQU`QUQU QUQUQUخQUQUQUhQU@QUQUQUhQU0QUQUQUQUQU`QUQUXQUxQU0QU`QUQURU1F7B7E34A-6F3C-11ED-8EE6-4F25F5556F5DU!133143g#!0g#g#!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!5.00g#!2023-04-06 06:20:20!2023-04-06 06:20:48!1137031g#!1313137g#!0000-00-00 00:00:00!2023-06-21 11:30:380QURURURU BUQUDPbRUCRUDbRUQUDpbRUQUDbRU@FU  RULDUDQUQUDQUQUD QUQUD@QUQUD`QUQUDQUQUDQUQUDQUQUDpQU QUDQU0QUDQU@QUDQUPQUDQU`QUD QUpQUD@QUQUD`QUQUDQUQUDQUQUD QUQUD@QUQUDQUQUDQUQUDQUQUDQUQUDQU QUDQU0QUD QU@QUD@QUPQUD`QU`QUDPRUpQUDpRUQUDRUQUD@RUQUD`RUQUDRUQUDRUQUDRUQUDRUQUDRUQUD RUQUDRU QUDRU0QU@QUDRUPQUD RU`QUD@RUUpQUDpRUQUDRUQUDRUQUDRUQUDRUQUDRUUQUD0RUQUDRUQUDRUQUDRUQUDRU QUD0RU0QUDPRU@QUDpRUPQUDRU`QUDRUpQUDRUQUDRUQUDRUQUDRUQUD0RUQUDPRUQUDpRUQUQUDRUQUDRUQU QU0QU@QUPQU`QUDRUpQUDRUQUDRUQUD0RUQUDPRUQUDpRUQUDRUQUD!RUQUD"RU RU`QUJTUDPTUPL]UUpPTUDpTUPTUDзTUPTUDTUPTUDTU FU QRUiCU2 RURUpBUD`!UORUDRU JRUDЄRU RUIRUDRUaWUDEUg"UDEU0%UD@UIRUDPRU0JRUDRUIRUDpRUJRUDRUFU  ]RUKDUD@RUQUDRUQUDRUQUDRU QUD RU0QUD@RU@QUD`RUPQUDRU`QUD0RUpQUDPRUQUDpRUQUDRUQUDRUQUDRUQUDRUQUDRUQUDRUQUDRUQUDRUQUDRU QUDPVRU0QUD pVRU@QUD WRUPQUD@WRU`QUD`WRUpQUDWRUQUDWRUQUDWRUQUDWRUQUDXRUQUD XRUQUD@XRUQUD0RUQUDPRUQUDpRUQUDRU QUDRU0QUDRU@QUDRUPQUDRU`QUDpZRUpQUDZRUQUQUDZRUQUDZRUQUDZRUUQUD[RUQUD0[RU?RUQQU1(RU0K588833!612836g#0RU!2024-03-10 15:34:15U10000-00-00 00:00:00$RU01Dotty - Clarinet QuartetLUMU!15g#g#"MU!0g#g#PoMU!4g#g#MU!1g#g#MU!2023-11-10 11:59:11U!2024-03-10 15:34:15U!Phillip Rawle`%RU!g#g#%RU!2023g#$RU10g#g#0!sib#g#g#!454#g#xOU!0g#g#PPU!Dotty.sibg#[PU!2023-11-10 11:59:11U!0g#g#PU!88g#g#PU!0g#g#P3QU!1.50g#&RU!2023-11-10 11:59:39U!1g#g#&RU!1g#g#8&RU!0g#g#('RU!g#g#%RU!0g#g#$RU10g#g#&RU0!1.50g#`QU!2023-01-13 10:18:59U!1g#g#QU!1g#g#QU!0g#g#QU!g#g#QU!0g#g#8QU10g#g#HQU0!g#g#@RU!g#g#!g#g#!2023-01-13 10:25:14U!0000-00-00 00:00:00!g#g#HQU!941022g#!0g#g#QU!0g#g#`QU!0.00g#8QU!8.00g#XQU!3.00g#QU!0g#g#(QU!g#g#QU!0.00g#QU!g#g#!0000-00-00 00:00:00U!1g#g#12023-01-13 10:23:36UpQU0!1g#g#RU!0g#g#!0.0000g#!2023-01-13 10:21:081Plaintive Clarinet and PianoPhotoWid!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Plaintive - Clarinet and Piano Phillip Rawle A moody piece with lots of chromatic passages and dark harmonies.ProgramN!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#QU#RU8#RUQUQUQUQU"RUPQUHQUQU@QUQUh#RU0QUQUpQUiGUXQUQU@QU #RUQUQUxQUQU#RUQUQU`QU8QUQUQUPQU#RUQUQUQU`QUQUQUhQUHQUQUxQUQUQUQUQUQU#RUQU8QU#RUpQUXQUhQUQUQUQUQUQU(QUQUQUQU#RUQU#RU(QUQUQUQU@QUQUQUHQUQU-"RU156A74144-932C-11ED-9336-8EA1F6CA0AAFdPa!165571g#!0g#g#!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#QUH&UQUU0QUXQU]U@OUXCUXQUDUQUDUXOUQUXgUpOUHUOUUxOUh}TUOUP#RUط~UOUhQUGUQU8RRU7RUGU RU($RUU RU)RUTURUU)U0RU`UHRUXQ]U`RUHR]UxRUU]URUHURUX$RUhURU.URUxTURUgURUU]U RU8.U8RU&RUȆUPRU*RUUhRU&*URUzURUXY]URUZ]URUȵURU8u6URUx URUEVU(RUV]U@RUUXRUUpRUURUxURU(URUqURUعURU'RUURUxURU&RUU0RUkUHRU0(RUnU`RUUxRUURUURUxURU>URUURU$RUURUx~U RUhU8RUUPRU(ݻUhRUH%RUx]URUURUU4RUU 4RUeU84RUUP4RUUh4RUHL]U4RUhO]U4RU)RUU4RU%RUlU4RUxoU4RUU4RUؕU5RUxU(5RU8&RUxFaU@5RUHaUX5RUUp5RUXU5RUx%U5RU U5RU U5RU$RUU5RU`(RUukU6RU$RUH3kU6RU'RU^U06RU%RU^UH6RUU`6RU'RUUx6RU)U6RU)U6RU)U6RUp*RUhU6RU2!U6RUx%RU86(U7RU(RUhU 7RUU87RU*RU8UP7RU(Uh7RUxU7RU)RUU7RUHU@QU<UQU(UhKU)RUxY'UKUHVUKU.U RU)RUH&UPRUUhRU+RU]UOUXCUQUDU8RUDUؔOUh&RUXgUOUHUOUU`OUh}TUxOU-RUط~UOU(RUGU( RUcRU0BRUGU8RU`.RUU8RUnRUTU9RUU)U:RU`U :RUXQ]U8:RUHR]UP:RUU]Uh:RUHU:RU.RUhU:RU.U:RUxTU:RUgU:RUU]U:RU8.U;RU1RUȆU(;RUHnRUU@;RU&*UX;RUzUp;RUXY]U;RUZ]U;RUȵU;RU8u6U;RUx U;RUEVUU=RUU=RU /RUU=RUx~U=RUhU>RUU(>RUionFinis!0g#Xg#2RU!5.00g#!2023-02-20 16:20:14!2023-02-20 16:21:03!1872160g#!2591415g#!0000-00-00 00:00:00!0000-00-00 00:00:00RU3RUQUDP[RUQUDp[RUQUD[RUQUD[RUU QUD [RU0QUD\RU@QUD\RUPQUD\RU`QUD]RUpQUD ]RUQUD@]RUQUD`]RUQUD]RUQUD]RUQUD`RUQUDRUQUD`XRUQUDXRUQUDXRUQUDXRU QUDXRU0QU@QUDYRUPQUD YRU`QUpQUQUQUQUQUD@YRUQUD`YRUQUDYRUQUDYRUQUDYRUQUDYRUQUDZRU QUD ZRU0QUDPZRU7RU RUPTUD0TUPL]UUTUDTUнTUDpTUTUDTUTUDTU`FU cRUvCU28RURU0MvUD }uU@RUDRUpPRUDRU8RUORUD0RUDUD @UGHUD@UZUDXU0PRUDRUPRUD0RU@PRUDRUPPRUDЦRUFU  pRUKDUDPRRU@DRUDRRUPDRUDRRU`DRUDSRUpDRUD0SRUDRUDPSRUDRUDpSRUDRUDSRUDRUD@TRUDRUD`TRUDRUDTRUDRUDTRUDRUDTRUERUDTRUERUDURU ERUD URU0ERUDSRU@ERUDSRUPERUDSRU`ERUDTRUpERUDhRUERUD0hRUERUDhRUERUDiRUERUD iRUERUD@iRUERUD`iRUERUDiRUERUDiRUFRUDiRUFRUDiRU FRUDjRU0FRUD@URU@FRUD`URUPFRUDURU`FRUDURUpFRUDURUFRUDURUFRUDVRUFRUD VRUFRUD0lRUFRUDPlRUFRUFRUDplRUFRUDlRUGRUDlRUUGRUDpRRU GRUDRRU0GRUD|RU@GRUD}RUPGRUD }RU`GRUD@}RUUpGRUD`}RUGRUDP~RUGRUDp~RUGRUD~RUGRUD~RUGRUD~RUGRUD~RUGRUDRUGRUD0RUHRUDPRUHRUD jRU HRUD@jRU0HRUD`jRU@HRUDjRUPHRUDjRU`HRUDjRUpHRUDjRUHRUHRUDkRUHRUD kRUHRUHRUHRUHRUHRUIRUD@kRUIRUD`kRU IRUDkRU0IRUDkRU@IRUDkRUPIRUDkRU`IRUDlRUpIRUDRUIRUDRU BRUp8RUTUDTUPL]UUTUDUU TUDPUU0TUDpUU@TUDUUFU RU0kCU2CRU9RU`DHUDO@URUDRUЬRUDRUpCRUPRUDRU`ZUDXUPZUDpXUiRU #( "($(     $(  ?Q@$RU10؍U8RRU:M591630!612847g#@RRU!0g#g#/RU10g#g#.RU01Twists and Turns - Clarinet QuartetU!44g#g#8oMU!511#g#MU!3g#g#MU!1g#g#>NU!2023-11-10 19:32:04U!2024-03-10 15:40:36U!Phillip Rawle/RU!g#g#/RU!2023g#/RU10g#g#0!sib#g#g#!454#g#OU!0g#g#[PU!Twists and Turns.sibU!2023-11-10 19:32:04U!0g#g#hPU!114#g#83QU!0g#g#XrQU!1.50g#01RU!2023-11-10 19:32:18U!1g#g#0RU!1g#g#p0RU!0g#g#`1RU!g#g#/RU!0g#g#/RU10g#g#1RU0!2g#g#@VRUAn interesting and spikey piece in a modern jazz style. Written for Clarinet quartet  - 3 Clarinets in Bb and Bass Clarinet. Played with a regular swing. coreExchang!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#&RU!454773g#!0g#g#)RU!0g#g#!0.00g#('RU!11.00g#)RU!6.00g#$RU!0g#g#(RU!g#g#X'RU!0.00g#%RU!g#g#&RU!0000-00-00 00:00:00U!1g#g#!2023-11-10 12:02:26U103971204-7FC1-11EE-B287-B39C539980F0U!397826g# !1g#g#`ZRU!0g#g#!0.0000g#!0000-00-00 00:00:00!Dotty Clarinet Quartet!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Dotty - Clarinet Quartet Phillip Rawle An interesting and spikey piece in a modern jazz style. Written for Clarinet quartet  - 3 Clarinets in Bb and Bass Clarinet. Played with a regular swing. ?!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#x(RU.RUp-RUP&RU(RU )RUP)RU(-RU*RU,RUh)RU(RU$RU-RU,RUH(RU,RUiGU%RU`%RU+RUX-RU,RU+RU-RUp'RU-RU(*RU@*RU,RU*RU+RU(RU'RU-RUX*RU,RU%RU&RU+RU`+RU+RU)RUP,RU'RU ,RU(RU('RU@'RU)RU@-RU,RU$RU0.RU&RU(RU%RU &RUX'RU*RU0%RU8)RU%RUp$RU&RU8,RU.RUh,RU-RU+RU'RU0+RUx+RU%RUH+RU&RU&RU*RUlPartsS!0g#g#aRU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2303053g#!0000-00-00 00:00:00!2023-11-10 12:01:31Qx.RU1cRUfI612836!613231g#dRU!2023-11-16 12:49:49U10000-00-00 00:00:00sRU01Prowess - Clarinet QuartetU oMU!15g#g#MU!0g#g#MU!3g#g#h>NU!1g#g#INU!2023-11-16 12:43:14U!2023-11-16 12:49:49U!Phillip RawlesRU!g#g#0tRU!2023g#@sRU10g#g#0!sib#g#g#!454#g#PU!0g#g#XfPU!Prowess.sib#PU!2023-11-16 12:43:14U!0g#g# 3QU!128#g#@rQU!0g#g#|QU!1.50g#huRU!2023-11-16 12:43:26U!1g#g#tRU!1g#g#tRU!0g#g#uRU!g#g#tRU!0g#g#@sRU10g#g#PuRU0!2g#g#hRUA modern piece for four Bb Clarinets. This is full of tricky harmonies and plenty of syncopation. With four indentical instruments, players can try all of the parts.ng!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!2024-03-10 15:40:24U!0000-00-00 00:00:00!g#g#nRU!531093g#!0g#g#`1RU!0g#g#0nRU!0.00g#/RU!11.00g#(mRU!6.00g#1RU!0g#g#/RU!g#g#0RU!0.00g#`nRU!g#g#!0000-00-00 00:00:00U!1g#g#12023-11-10 19:35:00U@mRU0!1g#g# lRU!0g#g#!0.0000g#!0000-00-00 00:00:001Twists and Turns Clarinet QuartettoHei(ݻU@>RU/RUx]UX>RUUp>RUU>RUU>RUeU>RUU>RUU>RUHL]U?RUhO]U?RU0nRUU0?RUP/RUlUH?RUxoU`?RUUx?RUؕU?RUxU?RUp0RUxFaU?RUHaU?RUU?RUXU@RUx%U @RU U8@RU UP@RU.RUUh@RU2RUukU@RU.RUH3kU@RU2RU^U@RU/RU^U@RUU@RU1RUU@RU)UARU)U(ARU)U@ARUnRUhUXARU2!UpARU/RU86(UARUlRUhUARUUARUnRU8UARU(UARUxUBRU@mRUUBRUHUQU<U@ RU(U0KUmRUxY'UKUHVUHKU.U RUmRUH&U RUU RU(pRU]UOUXCU RUDU RUDUOU0RUXgUؿOUHUOUUPUh}TUPUqRUط~UPU82RUGU9RURUxRUGUCRUrRUU CRU8xRUTU8RUU)UPRU`UhRUXQ]URUHR]URUU]URUHUȆRUrRUhURU.URUxTURUgU(RUU]U@RU8.UXRU8uRUȆUpRUxRUURU&*URUzURUXY]UЇRUZ]URUȵURU8u6URUx U0RUEVUHRUV]U`RUUxRUURUURUxURU(U؈RUqURUعURU(vRUU RUxU8RUuRUUPRUkUhRUvRUnURUURUURUUȉRUxURU>URUURUXsRUU(RUx~U@RUhUXRUUpRU(ݻURUsRUx]URUURUUЊRUURUeURUURUU0RUHL]UHRUhO]U`RUhxRUUxRUsRUlURUxoURUURUؕU؋RUxURUtRUxFaURUHaU RUU8RUXUPRUx%UhRU URU URU(sRUURUvRUukUȌRUrRUH3kURU@vRU^URUtRU^URUU(RUuRUU@RU)UXRU)UpRU)URUxRUhURU2!URUsRU86(UЍRU0wRUhURUURU(yRU8URU(U0RUxUHRUxwRUU`RUHU RU<U9RU(U8LU xRUxY'U`KUHVUPLU.Ux9RUwRUH&U9RUU9RU`zRU]U0PUXCU8RUDU9RUDUHPUtRUXgU`PUHUxPUUh&PUh}TU&PU{RUط~U&PUpvRUGUCRU8*U@RU}RU!5g#g#|RU!0000-00-00 00:00:00!0g#g#!0g#g#Twists and Turns - Clarinet Quartet Phillip Rawle A modern piece for four Bb Clarinets. This is full of tricky harmonies and plenty of syncopation. With four indentical instruments, players can try all of the parts.~RU~RU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#2RUPrRUqRU0RUP2RUXmRUmRU`qRU oRUqRUmRUmRU.RUqRUqRU2RU@pRUjGU(0RU/RUpRUqRUpRUoRUHqRU1RUrRU`nRUxnRU0qRUoRUoRUlRU 2RU rRUnRUpRU/RU01RUPoRUoRU8oRUnRUpRUH1RUXpRU2RU`1RUx1RUmRUxqRUpRU/RUhrRU@0RU(mRU8/RUX0RU1RUnRUh/RUpmRU/RU.RU0RUppRU8rRUpRUqRUoRU1RUhoRUoRU0RUoRU0RU1RUnRUdefScor13D063756-8000-11EE-AEDB-B39C539980F0Zi!142557g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1965289g#!0000-00-00 00:00:00!2023-11-10 19:34:013RURUPZUDYURUD0RURUDRURUDPRURUDpRUFU  RU@KDUDdRUJRUDdRUJRUDdRUJRUDdRUJRUDdRUJRUDeRUJRUD0eRUJRUDPeRUKRUDfRUKRUD fRU KRUD@fRU0KRUD`fRU@KRUDfRUPKRUDfRU`KRUDfRUpKRUDfRUKRUDpeRUKRUDeRUKRUDeRUKRUDeRUKRUDRUKRUD0RUKRUDRUKRUD0RULRUDPRULRUDpRU LRUDRU0LRUDRU@LRUDЛRUPLRUDRU`LRUD RUpLRUD0RULRUDgRULRUD gRULRUD@gRULRUD`gRULRUDgRULRUDgRULRUDgRULRUDgRUMRUD`RUMRUDRU MRU0MRUDRU@MRUDRUPMRUDRUU`MRUDRUpMRUD0RUMRUDPRUMRUDpRUMRUDRUMRUDRUUMRUDПRUMRUDRUMRUDRUMRUD RUNRUD@RUNRUD`RU NRUDRU0NRUDRU@NRUDRUPNRUDRU`NRUD0dRUpNRUDPdRUNRUDPRUNRUDpRUNRUDRUNRUDRUNRUDМRUNRUNRUDRUNRUDRUORUORU ORU0ORU@ORUPORUD0RU`ORUDPRUpORUDpRUORUDRUORUDRUORUDНRUORUDRUORUDRUORUD@RUhRUBRUPTUDUUPL]UU UUDp;UU UUD;UU0 UUD;UU@ UUDNU!58g#g#INU!0g#g#`RU!5g#@TU<UFour easy Clarinet solos - suitable for players who are relatively new to the instrument. The audio clip is No. 3. U!5.00g# RU11g#g#0FUtarted0!2024-03-10 15:24:01U10000-00-00 00:00:00WSU01Pin Money - Clarinet Quartet!0g#g#!4g#g# !3g#g#RUStrength in the form of dissonance. "What level of prowess is meant by the word musicianship?" This clarinet quartet has a reliance on disharmony. Plenty of raw chords and slow enchanting rhythms. Mournful jazz.? !5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#huRU!693464g#!0g#g#PxRU!0g#g#!0.00g#uRU!11.00g#hxRU!6.00g#@sRU!0g#g#`wRU!g#g#uRU!0.00g#0tRU!g#g#tRU!0000-00-00 00:00:00U!1g#g#!2023-11-16 12:48:15U168A7B4D4-847E-11EE-851F-B39C539980F0U!223987g# !1g#g#PRU!0g#g#!0.0000g#!0000-00-00 00:00:001Prowess Clarinet QuartetRU!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Prowess - Clarinet Quartet Phillip Rawle Strength in the form of dissonance. "What level of prowess is meant by the word musicianship?" This clarinet quartet has a reliance on disharmony. Plenty of raw chords and slow enchanting rhythms. Mournful jazz.ngeScores!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#vRU|RU{RUtRUvRUwRUwRU{RUXyRUP{RUwRUHwRUsRU|RU8{RUvRUxzRU(jGU`tRUsRUHzRU{RU{RUzRU{RUuRU@|RUxRUxRUh{RU@yRUzRUwRUXvRUX|RUxRUzRUtRUhuRUyRUyRUpyRUPxRUzRUuRUzRUwRUuRUuRUxRU{RU {RU@sRU|RUxtRU`wRUpsRUtRUuRUyRUsRUwRU0tRUrRUtRUzRUp|RUzRU(|RU0zRUvRUyRUyRUHtRUyRU uRUPuRUxRUdefScor!0g#g#RU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1977106g#!0000-00-00 00:00:00!2023-11-16 12:45:29  ]`  $(     $(.0   } ishedZiRURURUDRURUDRUU RUDRU0RUDRU@RUDRUPRUDRU`RUDRUpRUDRURUD RURUD@RURUD`RURUDRURUDPQUЪRUDpQURUDRURUDRURUDRURUDRU RUD0RU0RU@RUDPRUPRUDpRU`RUpRURURURURUDRURUDRUЫRUDRURUDRURUDRURUD0RURUDPRU RUDpRU0RUDRU0RU8RUP UUD0UmSUDSU`SUDjSURUSUDjSU&UD&U&UD&U&UD&U SUDpjSU Qh*SUqA modern piece in a jazz swing style. Not too difficult. For 3 Bb Clarinets and Bass ClarinetoreExchang!5.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g# -SU!741614g#!0g#g#0SU!0g#g#!0.00g#P-SU!11.00g# 0SU!6.00g#*SU!0g#g#/SU!g#g#-SU!0.00g#+SU!g#g#,SU!0000-00-00 00:00:00U!1g#g#!2023-11-17 11:52:01U1B82C2D34-853F-11EE-A084-B39C539980F0U!139596g# !0.0000g#RU!0000-00-00 00:00:001Reed Out Clarinet QuarteteScores!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Reed Out - Clarinet Quartet Phil Rawle A modern piece in a jazz swing style. Not too difficult. For 3 Bb Clarinets and Bass Clarinetes!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#.SU@4SU3SUx,SU@.SUH/SUx/SUP3SU1SU3SU/SU/SU*SU3SU2SUp.SU02SU@jGU,SU+SU2SU3SU2SU1SU83SU-SU3SUP0SUh0SU 3SU0SU1SU.SU.SU4SU0SU2SU+SU -SU@1SU1SU(1SU0SUx2SU8-SUH2SU.SUP-SUh-SU/SUh3SU2SU*SUX4SU0,SU/SU(+SUH,SU-SU0SUX+SU`/SU+SU*SU,SU`2SU(4SU2SU3SU1SU-SUX1SU1SU,SUp1SU,SU-SU0SURU!0g#g#RU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1691012g#!0000-00-00 00:00:00!2023-11-17 10:21:44Q4SU1RUw-613311!g#g#05SU10g#g#5SU01Eclipse - Clarinet and PianoUPoMU!511#g#MU!3g#g#MU!1g#g#>NU!2023-11-26 10:45:321RU9 617033!615401g#)SU!20g#g# !0g#g#pLU!75g#g#x"MU!0g#g#8oMU!1.50g#0RU!2023-11-30 11:05:34U!1g#g#RU!1g#g#pRU!0g#g#`RU!g#g#RU!0g#g#RU10g#g#RU0!2023-11-26 10:45:33U!0g#g#MU!108#g#"MU!0g#g#PoMU!1g#g#X7SU!1g#g# 6SU!0g#g#6SU!g#g#6SU!0g#g#7SU!0g#g#6SU!1g#g#05SU10g#g#@7SU0!Phillip Rawle`OU!g#g#OU12023g#[PU[PU01Ringside - Clarinet QuartetUMU!0g#g#"MU!3g#g#hMU!1g#g#MU!2023-11-30 11:05:07U!2024-03-10 15:32:22U1Ringside.sibUNUNU01RU?o615401!614256g#PoMU!2023-12-08 08:57:45U10g#g#RU01i Clarinet - Clarinet QuartetNU115g#g#ЯNUNU0!Phillip RawleXSU!g#g#XSU!2024g#WSU10g#g#0!sib#g#RU1454#g#0FUplayY0!Phillip RawleRU!g#g#RU!2023g#RU10g#g#0!sib#g#"U!454#g#"U!0g#g#"U12023-11-30 11:05:07U0A gentle workout for Clarinet solo with Piano accompaniment. The two parts work together and one instrument should never eclipse the other. Although there are many running passages, they should not be too hurried.?!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2023-11-26 10:51:36U!0000-00-00 00:00:00!g#g#RU!434808g#!0g#g#7SU!0g#g#RU!0.00g#05SU!8.00g#P9SU!3.00g#7SU!0g#g# 6SU!g#g#6SU!0.00g#(RU!g#g#!0000-00-00 00:00:00U!1g#g#12023-11-26 10:49:41Uh9SU0!0.0000g#RU!0000-00-00 00:00:001Eclipse Clarinet and PianotsPrice!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Eclipse - Clarinet and Piano Phillip Rawle A gentle workout for Clarinet solo with Piano accompaniment. The two parts work together and one instrument should never eclipse the other. Although there are many running passages, they should not be too hurried.RU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00URUؕU RUxU8RU6SUxFaUPRUHaUhRUURUXURUx%URU URU URU5SUURU8SUukURU4SUH3kU(RU08SU^U@RU6SU^UXRUUpRU7SUURU)URU)URU)URUpRUhURU2!URU5SU86(URU 9SUhU0RUUHRURU8U`RU(UxRUxURUh9SUURUHUPCRU<URU(UZLU:SUxY'ULUHVUZLU.U@RU9SUH&UpRUURURU]U8ePUXCURUDUXRUDUPePU6SUXgUhePUHUePUUPUh}TU0PURUط~UHPU`8SUGURUSUSUGURU`RUURURUTURUU)URU`URUXQ]URUHR]URUU]U0RUHUHRURUhU`RU.UxRUxTURUgURUU]URU8.URURUȆURUHRUURU&*U RUzU8RUXY]UPRUZ]UhRUȵURU8u6URUx URUEVURUV]URUURUURUU(RUxU@RU(UXRUqUpRUعURURUURUxURURUURUkURUhRUnURUURUU0RUUHRUxU`RU>UxRUURU RUURUx~URUhURUURU(ݻURURUx]U RUU8RUUPRUUhRUeURUURUURUHL]URUhO]URU0RUURUPRUlURUxoU(RUU@RUؕUXRUxUpRUpRUxFaURUHaURUURUXURUx%URU USU USURUU0SURUukUHSURUH3kU`SURU^UxSURU^USUUSURUUSU)USU)USU)USURUhU SU2!U8SURU86(UPSURUhUhSUUSURU8USU(USUxUSU@RUUSUHURU<URU(UhLURUxY'UZLUHVULU.URURUH&U8RUUPRU(RU]U`PUXCUxRUDU RUDUxPURUXgUPUHUPUUPUh}TUPURUط~UȪPU8RUGURUH[U}FU=SUGUSURUUSURSUTU8SUU)UPSU`UhSUXQ]USUHR]USUU]USUHUSURUhUSU.USUxTUSUgU(SU!794#g#RU!1123g#8SURUpRU6SUx8SU9SU9SU(RURURU9SU89SU5SURURU8SURUXjGUP6SU5SURUXRURURURU7SURU(RU@RURURURU9SUH8SURUXRURU5SUX7SURU`RURURUPRUp7SU RU8SU7SU7SU9SU@RURU05SU0RUh6SUP9SU`5SU6SU7SURU5SU9SU 6SU4SU6SU8RURUhRURURU8SU0RUxRU86SUHRU7SU@7SURU1808B30C6-8C49-11EE-8691-B39C539980F0!358364g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1577689g#!0000-00-00 00:00:00!2023-11-26 10:48:18RU0RUpSUDkSU0SUDjSU@SUDjSUFU  #SUJDUD(PURUDRURUD|PURUDRURUD RUгRUD@RURUD`RURUDRURUD@RURUD`RU RUDRU0RUDRU@RUDRUPRUD`RU`RUDRUpRUDRURUDRURUDRURUDRURUDRURUDSUдRUDSURUDPSURUDpSURUDSURUDSU RUDSU0RUDSU@RUDSUPRUD0SU`RUD PSUpRUDpSURUDRU0 SUDRU@ SUDRUP SUD RU` SUD@RUp SUD`RU SUDRU SUDRU SUDSU SUDSU SU SUDSU SUD SU SUD0 SUU SUD` SU SUD SU SUD SU0 SUD SU@ SUD SUP SUD!SUU` SUD !SUp SUD!SU SUD"SU SUD "SU SUD@"SU SUD`"SU SUD"SU SUD"SU SUD"SU SUD"SU SUD{PU SUD{PU SUDSU0 SUDSU@ SUDSUP SUDSU` SUD SUp SU SUD@SU SUD`SU SU SU SU SU SU SUDSU SUDSU SUDSU SUDSU0 SUDSU@ SUD SUP SUD@SU` SUD`SUp SUDSUSURU qUUD@UUPL]UUwUUDUU@wUUDUUPwUUDUU`wUUD0UUFU (SUtCU2SURU@DUD L&UtSUDSUPnSUDSU8SUmSUDSU &UD &U&UD&U*\UD\UnSUDpSU`nSUDSU nSUDSU0nSUDSUFU  eSU@JDUDRU SUDpRU SUDRU SUDSU SUDSU SUDSU SUDSU SUD SU SUDSUSUDSUSUDSU SUD0SU0SUD RU@SUD@RUPSUDPSU`SUDpSUpSUD@SUSUD`SUSUDSUSUDSUSUDSUSUDP^SUSUD`_SUSUD_SUSUD_SUSUD_SUSUD_SU SUD`SU0SUD `SU@SUD@`SUPSUD ``SU`SUD`SUpSUDSUSUDSUSUDSUSUD SUSUD@SUSUD`SUSUDSUSUDSUSUDSUSUDSUSU SUDSU0SUDSU@SUD0SUUPSUD`SU`SUDSUpSUDbSUSUDbSUSUDbSUSUDcSUOrigUplo  $(    18$(     PhotoFacQxRU1SU,S613700!2g#g#pLUA modern quartet with interesting rhythms and harmony. Not too difficult. Written for three Bb Clarinets and a Bass Clarinet.MU!5.00g#HNU!1g#g#NU!0g#g#NU!0g#g#OU!g#g#`SOU!g#g#]OU!0g#g#HOU!g#g#OU!Copyright ©PU1g#g#XfPUpfPU0!0g#g#SU!4g#g# oMU!1g#g#MU!2023-12-08 08:57:44U!2024-03-10 15:34:32U!Phillip RawlePNSU!g#g#NSU!2023g#@RU10g#g#0!sib#g#]OU!454#g#OU!0g#g#OU!i Clarinet.sibhPU!81g#g#\PU!0g#g#PU!0g#g#OSU!1g#g#NSU!0g#g#pOSU!0.0000g#(OSU!0000-00-00 00:00:00U1i Clarinet Clarinet QuartetUNSU!0g#g#OSU!0g#g# !2g#g#(RU!1.50g#@RU!2023-12-08 08:58:33U!1g#g#"U!1g#g#"U!0g#g#"U!g#g#"U!0g#g# !g#g#0RU!883774g#!0g#g#RU!0g#g#!0.00g#`RU!11.00g#0RU!6.00g#RU!0g#g#(RU!g#g#RU!0.00g#RU!g#g#RU!0000-00-00 00:00:00U!1g#g#!2023-11-30 11:11:08U1294C8FA0-8F71-11EE-99DF-B39C539980F0U!481246g# !1g#Hg#SU!0g#g#!0.0000g#!0000-00-00 00:00:001Ringside Clarinet QuartetScores!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Ringside - Clarinet Quartet Phillip Rawle A modern quartet with interesting rhythms and harmony. Not too difficult. Written for three Bb Clarinets and a Bass Clarinet.oredef!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#RUPRURURUPRUXRURU`RU RURURURURURURURU@RUpjGU(RURURURURURUHRURURU`RUxRU0RURURURU RU RURURURU0RUPRURU8RURURUHRUXRURU`RUxRURUxRURURUhRU@RU(RU8RUXRURURUhRUpRURURURUpRU8RURURURURUhRURURURURURURU0OU!0g#g#]OU!0g#g#xOU!0g#g#xOU!1g#g#PPU!650x919g#[PU!0g#g#fPU!0g#g#PU!5.00g#PU!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0g#g#QU!2103973g#RU!0000-00-00 00:00:00U!2023-11-30 11:07:11UQRU!2024-01-20 13:46:54U10000-00-00 00:00:000SU0!41g#g# !1g#hg#"MU!2024-01-04 13:31:34U!2024-03-10 15:24:01U!0g#g#!Pin Money.sib !2024-01-04 13:31:34GUPRUP*SUUhRU/SUTURUU)UАRU`URUXQ]URUHR]URUU]U0RUHUHRU*SUhU`RU.UxRUxTURUgURUU]URU8.UؑRU,SUȆURU80SUURU&*U RUzU8RUXY]UPRUZ]UhRUȵURU8u6URUx URUEVUȒRUV]URUURUURUU(RUxU@RU(UXRUqUpRUعURU-SUURUxURU,SUUГRUkURUX.SUnURUURUU0RUUHRUxU`RU>UxRUURU+SUURUx~URUhUؔRUURU(ݻURUp+SUx]U RUU8RUUPRUUhRUeUȵRUURUURUHL]URUhO]U(RU 0SUU@RU@+SUlUXRUxoUpRUURUؕURUxURU`,SUxFaUжRUHaURUURUXURUx%U0RU UHRU U`RU*SUUxRU.SUukURU*SUH3kURU-SU^URU+SU^UطRUURU-SUURU)U RU)U8RU)UPRU0SUhUhRU2!URU+SU86(URU.SUhURUUȸRU0SU8URU(URUxURU0/SUU(RUHU8RU<UCRU(ULU/SUxY'UhLUHVULU.URU/SUH&URUURU2SU]U&PUXCUhCRUDU؅RUDU&PU,SUXgU&PUHU&PUUdPUh}TUePU3SUط~U ePU(.SUGUȏRURURUGURU4SUU0RU(:SUTURUU)URU`URUXQ]UȻRUHR]URUU]URUHURU4SUhU(RU.U@RUxTUXRUgUpRUU]URU8.URU(7SUȆURURUUмRU&*URUzURUXY]URUZ]U0RUȵUHRU8u6U`RUx UxRUEVURUV]URUURUUؽRUURUxURU(U RUqU8RUعUPRU8SUUhRUxURU6SUURUkURU8SUnUȾRUURUURUURUxU(RU>U@RUUXRUH5SUUpRUx~URUhURUURU(ݻUпRU5SUx]URUURUURUU0RUeUHRUU`RUUxRUHL]URUhO]URURUURUx5SUlURUxoURU@RU@:SUUSUD0cSUSUDpdSUSUDdSUSUDdSUSUDdSUSUDdSUSUDeSU SUD0eSU0SUDPeSU@SUDpeSUPSUD`SU`SUD`SUpSUD`SUSUDaSUSUD aSUSUD@aSUSUD`aSUSUSUDaSUSUDaSUSUSUSU SU0SU@SUDaSUPSUDaSU`SUDbSUpSUD bSUSUD@bSUSUD`bSUSUDbSUSUDiSUSUDiSU=SUSUpwUUDPUUPL]UU0UUDVU`UUDpVUpUUDVUUUDVUFU ySUvCU2>SU SUaUD@$USUDTUtSUDSU>SU tSUDSUP*\UD`\U@*\UD@\UP0\UD[U`tSUDpSUtSUDSUptSUDSUtSUDSUzSU  SUJDUD RUSUDRUSUD@RUSUDЙRUSUDRUSUD)SU SUD)SU0SUD)SU@SUD`RUPSUDRU`SUD)SUpSUD*SUSUD0*SUSUDRUSUD0RUSUDPRUSUDRUSUDRUSUDRUSUD0RUSUDSUSUDpRU SUDPRU0SUDSU@SUD SUPSUD@SU`SUD`SUpSUDSUSUDSUSUDЏSUSUD SUSUDSUSUDЉSUSUDSUSUDSUSUD0SUSUDPSUSUDpSU SUDSU0SUDSU@SUD@SUPSUD`SU`SUpSUDSUSUDSUSUDSUUSUDSUSUDSUSUD0SUSUDPSUSUDpSUSUDSUUkSUDSUkSUDSUkSUDSUkSUDSUkSUD SUkSUD@SUlSUD`SUlSUDSU lSUDSU0lSUDSU@lSUDPRUPlSUDpRU`lSUD0SUplSUDPSUlSUDpSUlSUDSUlSUDSUlSUlSUDАSUlSUDSUlSUlSUmSUmSU mSU0mSUDSU@mSUD0SUPmSUDPSU`mSUDpSUpmSUDSUmSUDSUmSUDБSUmSUDSUmSUD SU HSUp>SUUUDVUPL]UUUUD02VUUUD2VUUUD2VUUUD2VUySU @*GUmCU2ISU?SUPfpU2SUD1TU SUDTUpISUSUD TU0\UD[U0\UDp[U[UD \USUDTU0SUD TUSUDTUdefScor1hJSU|_g617088!617083g# !617043g#hMU!0g#g#SU1g#g#SU0AFive Modern Unaccompanied Clarinet Solos - Set IIU!41g#g#PNU!511#g#0OU!3g#g#]OU!1g#g#xOU!2024-01-19 19:23:36U!2024-01-19 19:32:29U!Phillip RawleSU!g#g#SU!2024g#SU10g#g#0!sib#g#Hg#!454#g#!0g#g#!Set II - Complete.sib!2024-01-19 19:23:36!0g#g#!55g#g#!0g#g#!10g#Xg#!g#8g#!0g#g#!g#g#1Copyright ©"U0U]U@SU8.UXSUOSUȆUpSUSSUUSU&*USUzUSUXY]USUZ]USUȵUSU8u6USUx U0SUEVUHSUV]U`SUUxSUUSUUSUxUSU(USUqUSUعUSUPSUU SUxU8SUOSUUPSUkUhSU QSUnUSUUSUUSUUSUxUSU>USUUSUXRUU(SUx~U@SUhUXSUUpSU(ݻUSURUx]USUUSUUSUUSUeU SUU SUUh:SUHL]U:SUhO]U:SURSUU:SURUlU:SUxoU:SUU:SUؕU;SUxU(;SU(OSUxFaU@;SUHaUX;SUUp;SUXU;SUx%U;SU U;SU U;SU(RUU;SUPQSUukUSUPWSUU>SU\SUTU?SUU)U@SU`U @SUXQ]U8@SUHR]UP@SUU]Uh@SUHU@SUWSUhU@SU.U@SUxTU@SUgU@SUU]U@SU8.UASUYSUȆU(ASU8]SUU@ASU&*UXASUzUpASUXY]UASUZ]UASUȵUASU8u6UASUx UASUEVUBSUV]UBSUU0BSUUHBSUU`BSUxUxBSU(UBSUqUBSUعUBSUZSUUBSUxUBSUYSUUCSUkU CSUX[SUnU8CSUUPCSUUhCSUUCSUxUCSU>UCSUUCSUXSUUCSUx~UCSUhUDSUU(DSU(ݻU@DSUpXSUx]UXDSUUpDSUUDSUUDSUeUDSUUDSUUDSUHL]UESUhO]UESU ]SUU0ESU@XSUlUHESUxoU`ESUUxESUؕUESUxUESU`YSUxFaUESUHaUESUUESUXUFSUx%U FSU U8FSU UPFSUWSUUhFSU[SUukUFSUWSUH3kUFSUmeArtisAn up-tempo number played with a swing. The instruments complement each other playing in thirds and fourths and at times in contrary motion. This piece may be quite challenging for less experienced players. Arranged for three Clarinets in Bb and Bass Clarinet.cor!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2024-01-25 16:17:30U!0000-00-00 00:00:00!g#g#RSU!249493g#!0g#g#PSU!0g#g#RSU!0.00g#@RU!11.00g#QSU!6.00g#HPSU!0g#g#NSU!g#g#pOSU!0.00g#SSU!g#g#!0000-00-00 00:00:00U!1g#g#12023-12-08 09:04:55UQSU0!7g#g#bSU!0000-00-00 00:00:00!0g#g#!0g#g#Ai Clarinet - Clarinet Quartet Phillip Rawle An up-tempo number played with a swing. The instruments complement each other playing in thirds and fourths and at times in contrary motion. This piece may be quite challenging for less experienced players. Arranged for three Clarinets in Bb and Bass Clarinet.SU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#hQSUWSU`VSU@OSUQSURSU@RSUVSUSSUUSUXRSUQSURUVSUUSU8QSUTSUjGUNSUPNSUTSUHVSUUSUTSUVSU`PSUVSUSSU0SSUUSUSSUTSUQSUPSUVSUHSSUpUSUNSUOSUTSUPTSUSSURSU@USUPSUUSUQSUPSU0PSURSU0VSUUSU@RU WSUNSUQSUpRUOSUHPSUSSURU(RSUNSURUpOSU(USUVSUXUSUVSUTSUPSU TSUhTSUNSU8TSUOSUOSUxSSUiSU1DACCBCF4-95A8-11EE-A0EA-B39C539980F0res!237565g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2654284g#!0000-00-00 00:00:00!2023-12-08 09:00:12 $(18  08$(28  18PromotioQhWSU Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk Uk UkUX"U Uk Uk{kUU UjȄU{kU(U Uji{kU@DU Uji Uj Ul UkU Ui{kU0:U U UȄUUiUqWUU,U U{kU GU{kU ÖU{kU @U UHU Uk{kUАWU UUX"U0:U {kUZU UjX"U Uk Uj Uk Uk Uk Uk Uk UkPSU!1.50g# ZSU!2024-01-04 13:33:38U!1g#g#YSU!1g#g#`YSU!0g#g#PZSU!g#g#XSU!0g#g#WSU10g#g#ZSU0!2g#g#]OU!1g#xg#xOU!0g#g#xOU!0g#g#PPU!g#g#[PU!g#g#fPU10g#g#PUPU0!0g#g#xTU!0.0000g#@TU!0000-00-00 00:00:00U1Shadow Song Clarinet Solo!0g#g#TU!0g#g#XTU!6g#g#0TU!0000-00-00 00:00:00A lyrical piece in a minor key. It carries dark moods and interesting interweaving harmonies. The Piano part is as important as the Clarinet Solo. The slow pace of the piece makes it not too difficult. This piece needs to be played with feeling.!5.00g#зQU!1g#g#X RU!0g#g#Hg#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!0g#Xg#!g#g#!0g#g#!0g#g#11g#g#"U0!g#g#SU!Copyright ©!g#g#!g#g# ZSU!500509g#!0g#g#]SU!0g#g#!0.00g#PZSU!11.00g# ]SU!6.00g#WSU!0g#g#\SU!g#g#ZSU!0.00g#XSU!g#g#YSU!0000-00-00 00:00:00U!1g#g#!2024-01-04 13:39:33U1B1B7BDAA-AB06-11EE-883D-B39C539980F0U!438656g# !1g#g#0SU!0g#g#!0.0000g#!0000-00-00 00:00:001Pin Money Clarinet Quartet"SU!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Pin Money - Clarinet Quartet Phillip Rawle A modern piece in straight jazz style. Plenty of key changes and accidentals to get your fingers around. Arranged for Clarinet Quartet - Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2 and Bass Clarinet. @U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#[SUSUHSUxYSU@[SUH\SUx\SUSU^SUSU\SU\SUWSUxSUSUp[SUSUjGUYSUXSUSU0SUpSUhSUSUZSUSUP]SUh]SUЛSU]SUSU[SU[SUSU]SUXSUXSU ZSUSU8SU(^SU]SU(SU8ZSUSU[SUPZSUhZSU\SUSUSUWSUSU0YSU\SU(XSUHYSUZSU]SUXXSU`\SUXSUWSUYSUSU؜SU@SUSUSUZSUSUPSUYSU SUYSUZSU]SULicenseSZSU^UFSUXSU^UFSUUFSUZSUUFSU)UGSU)U(GSU)U@GSU]SUhUXGSU2!UpGSUXSU86(UGSU[SUhUGSUUGSU]SU8UGSU(UGSUxUHSU0\SUUHSUHURU<U`SU(U@LU\SUxY'ULUHVUXLU.USU\SUH&USUUSUȚSU]UHPUXCU0SUDUSUDU`PUYSUXgUxPUHUPUU1QUh}TU1QU`SUط~U1QU([SUGU?SUURU8SUGUISU8SUU ISUآSUTUSUU)USU`U(SUXQ]U@SUHR]UXSUU]UpSUHUSUhSUhUSU.USUxTUЬSUgUSUU]USU8.USU؟SUȆU0SU SUUHSU&*U`SUzUxSUXY]USUZ]USUȵUSU8u6UحSUx USUEVUSUV]U SUU8SUUPSUUhSUxUSU(USUqUSUعUȮSUȠSUUSUxUSUSUUSUkU(SU@SUnU@SUUXSUUpSUUSUxUSU>USUUЯSUSUUSUx~USUhUSUU0SU(ݻUHSUXSUx]U`SUUxSUUSUUSUeUSUUذSUUSUHL]USUhO]U SUSUU8SU(SUlUPSUxoUhSUUSUؕUSUxUSUHSUxFaUȱSUHaUSUUSUXUSUx%U(SU U@SU UXSUȝSUUpSUpSUukUSUSUH3kUSUSU^USUSU^UвSUUSUSUUSU)USU)U0SU)UHSUSUhU`SU2!UxSUSU86(USUСSUhUSUUSUȣSU8UسSU(USUxUSUSUU SUHUSU<U?SU(UMUSUxY'UpLUHVUMU.Ux?SUSUH&U?SUU?SUSU]U2QUXCU>SUDU?SUDU2QUxSUXgU02QUHUH2QUU8U!2021-01-27 22:19:33U!2024-01-25 16:09:23U!Keith Terrett4U!0g#g#4U!0g#g#4U12g#g#0!sib#g#aU!250#g# rU!0g#g#PyUAO Mio Babbino Caro for Violin & Piano (ed 2014).sibU!2021-01-27 22:19:33U!15g#g#:{U!7531g#xzU!12g#g#{U!1.99g#(6U!2021-01-27 22:19:34U!1g#g#5U!0g#g#h5U!168650g#X6U!1g#g#4U!0g#g#4U1O Mio Babbino Caro for Violin Piano1G.Puccinig#"U0!1.20g#+U!2020-02-17 15:40:12U!1g#g#U!0g#g#PU!171202g# ,Uq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } M’Appari Tutt’ Amor arranged for Viola & Piano. Martha, oder Der Markt zu Richmond (Martha, or The Market at Richmond) is a ’romantic comic’ opera in four acts by Friedrich von Flotow, set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, Harriette, ou la servante de Greenwiche, derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed at the Grand Opéra in Paris on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and Edouard Deldevez. The opera Martha was an adaptation of this ballet. !2.50g# !0g#g#SU!g#g#ОSU!0g#g#SU!0g#g#HSU!1g#g#8SU!0g#g#SU!0.0000g#SU10000-00-00 00:00:00U0A set of five new pieces for solo clarinet. These are for unaccompanied clarinet and are suitable for practice or performance. The audio clip is No.1s!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#SU!825015g#!0g#g#SU!0g#g#!0.00g#8SU!5.00g#SU!0.00g#SU!0g#g#SU!g#g#hSU!0.00g#ОSU!g#g#SU!0000-00-00 00:00:00U!1g#g#!2024-01-19 16:52:25U11F7EEE72-B6EB-11EE-8494-B39C539980F0U!152149g# AFive Modern Unaccompanied Clarinet Solos Set ISU!0g#g#!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Five Modern Unaccompanied Clarinet Solos - Set I Phillip Rawle A set of five new pieces for solo clarinet. These are for unaccompanied clarinet and are suitable for practice or performance. The audio clip is No.1c!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#SU(SUSU`SU(SU0SU`SU8SUSUSUxSUSUSUSUإSUXSUSUjGUSUpSUSUhSUSUSU SUSUSU8SUPSUSUSUSUSUSUSUhSUSUSUSU(SUpSUSUSU`SU SU0SUSU8SUPSUSUPSUSUSU@SUSUSUSU0SUhSUSU@SUHSUОSUSUSUHSUSUxSUȦSUФSUSU@SUSUSUXSUSUSUSUSellingS!0g#g#SU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1662186g#!0000-00-00 00:00:00!2024-01-19 16:48:38SUSUPxSUD TU`xSUD TUpxSUD TUxSUD TUxSUD TUxSUD TUxSUD@ TUxSUD` TUxSUD TUxSUDTUxSUD0TUySUDPTUySUDpTU ySUDTU0ySUDTU@ySUDTUPySU`ySUDTUSUDTUSUSUSUSUSUSUD0TUSUDPTU SUDpTU0SUDTU@SUDTUPSUDTU`SUDTUpSUDTUSUDTUSUSU4VUD0SVUPL]UU9VUDVU :VUD@VU0:VUD`VU@:VUDVU`zSU TUtCU2SU`SUnqUDnUITUDTUCTUDbTU SU@SUDaTU`[UD]\UP[UD]\U`\UD]UCTUDbTUCTUDbTUCTUD bTUCTUD@bTUzSU  TU@IDUDJSUSUDSUSUDp)SUSUD SUSUD@SUSUD`SUSUDSUSUDSUSUDSUSUDPSU SUDpSU0SUDSU@SUDRUPSUDRU`SUD RUpSUD@RUSUDSUSUDSUSUDSUSUD SUSUD`RUSUDRUSUDRUSUD RUSUDPTUSUDpTU SUDTU0SUDTU@SUDTUPSUDTU`SUD TUpSUD@TUSUD@TUSUD`TUSUDTUSUDTUSUDTUSUDTUSUDTUSUD TUSUDpTUSUDTU SU0SUDTU@SUDTUPSUDTUU`SUD0TUpSUDPTUSUDpTUSUDTUSUDTUSUDTUUSUDTUSUDTUSUDTUSUDTUSUDTUSUD0TU SUDPTU0SUDpTU@SUDTUPSUDTU`SUD )SUpSUD@)SUSUD`TUSUDTUSUDTUSUDTUSUDTUSUSUDTUSUD TUSUSU SU0SU@SUPSUD@TU`SUD`TUpSUDTUSUDTUSUDTUSUDTUSUDTUSUD TUSUDPTUPSUSUP:VUDVUPL]UU@@VUDPVUp@VUDVU@VUDеVU@VUDVUzSU QTU xCU2@SUSU@kDUD `9UOTUDTU0JTUDTUSUITUDГTU0a\UD]U a\UD`]U0g\UD]UITUD0TU@JTUDДTUJTUDPTUJTUDpTU{SU  p]TUSU $((0*0 tx (0$("( $( QSUAFour Easy Unaccompanied Clarinet SolosMUh>NU!511#g#INU!2g#g#NU!1g#g#8NU!2024-01-20 09:37:17U!2024-01-20 13:46:54U!sib#g# 1SU Z618383!617308g#!Four Clarinet Fantasies!39g#g#MU!0g#g#HNU!1.50g#&TU!2024-01-20 14:33:09U!1g#g#H&TU!1g#g#&TU!0g#g#&TU!g#g#p%TU!0g#g#$TU10g#g#&TU0!Phillip Rawle !Phillip RawleSU!g#g#PSU!2024g#`SU10g#g#0!454#g#"U!0g#g#"UQFour Easy Unaccompanied Clarinet Solos.sibU"UP!1.50g#PSU!2024-01-19 19:24:49U!1g#g#ȩSU!1g#g#SU!0g#g#SU!g#g#SU!0g#g#SU10g#g#8SU0A set of five new pieces for solo Clarinet. These are for unaccompanied Clarinet, and are suitable for practice or performance. The clip is No.5 !5.00g#!1g#g#!0g#g#USUUиSUUSUxUSU(USUqU0SUعUHSUSUU`SUxUxSUSUUSUkUSUSUnUSUUعSUUSUUSUxU SU>U8SUUPSU0SUUhSUx~USUhUSUUSU(ݻUȺSUSUx]USUUSUUSUU(SUeU@SUUXSUUpSUHL]USUhO]USUPSUUSU`SUlUSUxoUSUU(SUؕU@SUxUXSUSUxFaUpSUHaUSUUSUXUSUx%USU USU USUSUUSUSUukU0SUЧSUH3kUHSU(SU^U`SUSU^UxSUUSUSUUSU)USU)USU)USUSUhUSU2!U SUSU86(U8SUSUhUPSUUhSUSU8USU(USUxUSU`SUUSUHU>SU<UISU(Ux"MUSUxY'U(MUHVU"MU.UISUSUH&U(JSUUȫSUHSU]UUSUUSUxSUUSUx~U(SUhU@SUUXSU(ݻUpSUSUx]USUUSUUSUUSUeUSUUSUUSUHL]U0SUhO]UHSUTUU`SUSUlUxSUxoUSUUSUؕUSUxUSUSUxFaUSUHaUSUU SUXU8SUx%UPSU UhSU USUHSUUSUTUukUSUSUH3kUSU`TU^USU8SU^USUUSUTUU(SU)U@SU)UXSU)UpSUTUhUSU2!USUSU86(USUPTUhUSUUSUHTU8USU @!g#g#TU!2024-01-19 19:32:29U!0000-00-00 00:00:00!g#g#8SU!737753g#!0g#g#SU!0g#g#PSU!0.00g#SU!5.00g#HSU!0.00g#SU!0g#g#SU!g#g#ȩSU!0.00g#SU!g#g#!0000-00-00 00:00:00U!1g#g#12024-01-19 19:30:25U`SU0!1g#g#TU!0g#g#!0.0000g#!0000-00-00 00:00:00AFive Modern Unaccompanied Clarinet Solos Set IITU!0g#g#!0g#g#!10g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Five Modern Unaccompanied Clarinet Solos - Set II Phillip Rawle A set of five new pieces for solo Clarinet. These are for unaccompanied Clarinet, and are suitable for practice or performance. The clip is No.5 U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#SUpSUSUSUpSUxSUSUSU@SU8SUSU0SUSUSU SUSU`SUjGU8SUSU0SUSUSUSUhSUSU(SUSUSUPSU(SUSUSU@SU@SUSUSUبSUPSUpSUSUXSU8SUSUhSUxSUSUSUSUSUSUSUSUSUPSUHSUHSUhSUSUSUxSUSUSUSUȩSUSUXSUSUSUSUSUSUSU SUSUSU8SUSUhTU131E6DDAC-B701-11EE-B51B-B39C539980F0!155136g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1569942g#!0000-00-00 00:00:00!2024-01-19 19:25:54QSU1(TUn617043!1.50g#TU!2024-01-20 09:39:18U!1g#g#TU!1g#g#SU!0g#g#TU!g#g#8SU!0g#g#`SU10g#g#pTU0!0g#g#OU!0g#g#hPU!g#g#\PU!g#g#PU!0g#g#PU!g#g#PU1Copyright ©(rQU@rQU0!42g#g#MU!511#g#HNU!3g#g#NU!1g#g#NU!2024-01-20 14:31:57U!2024-03-09 08:29:46U!2024-01-20 14:31:57U!0g#g# 1XTUG\619651!618383g#!41g#g# 1Four Clarinet Fantasies.sibUINU!2024-01-25 08:38:18U!0g#g#8NU!32g#g#g#!0g#g# !6g#hg#@!1g#Hg#`!0g#g#!0g#g#!g#g#!g#g# !g#8g#(%TU!2024g#%TU!0g#g#$TU17g#g#0!sib#g#"U!454#g#"U!0g#g#"U1Four Clarinet Duets - All Four.sib!g#g#0TU!g#g#TU!125190g#!0g#g#pTU!0g#g#!0.00g#TU!5.00g#TU!0.00g#`SU!0g#g#TU!g#g#TU!0.00g#PSU!g#g#TU!0000-00-00 00:00:00U!1g#g#!2024-01-20 13:45:07U11F8BD4FC-B79A-11EE-B51B-B39C539980F0U!135918g# !1g#g#`TU!0g#g#!0.0000g#!0000-00-00 00:00:00AFour Easy Unaccompanied Clarinet Solos !0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Four Easy Unaccompanied Clarinet Solos Phillip Rawle Four easy Clarinet solos - suitable for players who are relatively new to the instrument. The audio clip is No. 3. 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Four contrasting pieces with distinctive, modern styles. To be performed as a set or as individual solos. The audio clip is No.1. 17.50g#QUQU0!2024-02-10 09:18:15U10000-00-00 00:00:00(TU0QThree Modern, Unaccompanied, Intermediate Clarinet SolosSOU]OU!511#g#xOU!3g#g#xOU!1g#g# 1vTUɧi621140!621074g#!20g#g# !sib#g#NU!454#g#OU!0g#g#`SOU!Wistful Thinking.sibU!2024-03-14 19:08:25U!0g#g#wTU!18g#g#P!0g#g#uantityS!Phillip Rawle?U!g#g#@xTU12024g#0FUkg#0!2024-02-10 09:09:53U!2024-02-10 09:18:15U!5g#8g#TU!6.00g#HTU!1g#g#XTU10g#g#0!sib#g#"U1454#g#"U0!0g#g#yTU!g#g#!Copyright ©!g#g#!2024-01-25 08:45:29U!0000-00-00 00:00:00!g#g#0~TU!126421g#!0g#g#(1TU!0g#g#H~TU!0.00g#.TU!7.50g#@}TU!0.00g#X1TU!0g#g#/TU!g#g#0TU!0.00g#x~TU!g#g#!0000-00-00 00:00:00U!1g#g#12024-01-25 08:43:51UX}TU0UATUUATUxUATU>UATUUBTU.TUU(BTUx~U@BTUhUXBTUUpBTU(ݻUBTUH/TUx]UBTUUBTUUBTUUBTUeUCTUUCTUU0CTUHL]UHCTUhO]U`CTUH~TUUxCTU/TUlUXcTUxoUpcTUUcTUؕUcTUxUcTU80TUxFaUcTUHaUcTUUdTUXUdTUx%U0dTU UHdTU U`dTU.TUUxdTU|TUukUdTU.TUH3kUdTU |TU^UdTU/TU^UdTUUdTU1TUUeTU)U eTU)U8eTU)UPeTU~TUhUheTU2!UeTUx/TU86(UeTU}TUhUeTUUeTUTU8UeTU(UeTUxUfTUX}TUU(fTUHUSU<USU(UMU~TUxY'UMUHVUMU.U(SU}TUH&UXSUUpSU@TU]UQUXCUSUDU@SUDUQUh0TUXgU0QUHUHQUU RUh}TU RU؁TUط~U RUP|TUGUH=TU*GUpTUGUgTUTUU0gTUPTUTUhTUU)UhTU`UhTUXQ]UhTUHR]UhTUU]UhTUHUiTUTUhU(iTU.U@iTUxTUXiTUgUpiTUU]UiTU8.UiTUPTUȆUiTUTUUiTU&*UiTUzUjTUXY]UjTUZ]U0jTUȵUHjTU8u6U`jTUx UxjTUEVUjTUV]UjTUUjTUUjTUUjTUxUkTU(U kTUqU8kTUعUPkTU@TUUhkTUxUkTU TUUkTUkUkTUTUnUkTUUkTUUkTUUlTUxU(lTU>U@lTUUXlTUpTUUplTUx~UlTUhUlTUUlTU(ݻUlTUЃTUx]UlTUUmTUUmTUU0mTUeUHmTUU`mTUUxmTUHL]UmTUhO]UmTUTUUmTUTUlUmTUxoUmTUUnTUؕU nTUxU8nTUTUxFaUPnTUHaUhnTUUnTUXUnTUx%UnTU UnTU UnTU@TUUnTUTUukUoTUTUH3kU(oTUXTU^U@oTU0TU^UXoTUUpoTUTUUoTU)UoTU)UoTU)UoTUTUhUoTU2!UpTUTU86(UpTUHTUhU0pTUUHpTU@TU8U`pTU(UxpTUxUpTUTUUpTUHUSU<U`=TU(UMU8TUxY'UMUHVUMU.U=TUTUH&U=TUU>TUxTU]U8 RUXCU0=TUImageSiz!0.0000g#TU!0000-00-00 00:00:00!Four Clarinet Fantasies!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Four Clarinet Fantasies Phillip Rawle A set of four solos for unaccompanied clarinet. Four contrasting pieces with distinctive, modern styles. To be performed as a set or as individual solos. The audio clip is No.1. TU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#|TUhTUTUP0TUh|TUp}TU}TUxTU8TU0TU}TU(}TU.TUTUTU|TUXTUkGU/TU`/TU(TUTUTUTU`TUp1TU TUx~TU~TUHTU TUTU|TU8|TU8TU~TUЀTU/TU0TUhTUTUPTU0~TUTU1TUpTU|TU(1TU@1TU}TUTUTU.TUTU0TU@}TU/TU 0TUX1TU~TU0/TU}TU/TUp.TU0TUTUPTUTUTUTU1TUTUTU/TUTU0TU0TU~TUTU1DD05681A-BB5D-11EE-B80A-B39C539980F0!583882g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1095121g#!0000-00-00 00:00:00!2024-01-25 08:40:14QȂTU!1.50g#TU!2024-02-10 09:10:43U!1g#g#TU!1g#g#TU!0g#g#TU!g#g#0TU!0g#g#XTU10g#g#hTU0Three very different unaccompanied pieces - Moderato, Allegretto and Allegro. Each piece has a different time signature and passes through many keys. Not too difficult. Written mainly in the Chalumeau and Clarion range.!0g#/U !620888g#]OU!0000-00-00 00:00:00U10000-00-00 00:00:00PUU01All Keys - Clarinet QuartetU[PU!20g#g#fPU!0g#g#PU!4g#g#PU!1g#g#P3QU!2024-03-20 13:57:29U!2024-03-20 16:02:52U!Phillip RawleQUU!g#g#QUU!2024g#QUU10g#g#0!sib#g#!454#g#!0g#g#!All Keys.sib!2024-03-20 13:57:29!0g#g#!22g#g#!0g#g#!3g#g#!g#g#!5.00g#!1g#g#!0g#g#!0g#g#1g#g#"U0!0g#g#TU!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#TU!706275g#!0g#g#hTU!0g#g#!0.00g#TU!6.00g#TU!0.00g#XTU!0g#g#xTU!g#g#TU!0.00g#HTU!g#g#TU!0000-00-00 00:00:00U!1g#g#!2024-02-10 09:14:06U1BDC51BD2-C7F4-11EE-BB18-B39C539980F0U!192170g# !1g#g#TU!0g#g#!0.0000g#!0000-00-00 00:00:00AThree Modern Unaccompanied Intermediate Clarinet Solos!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#1Three Modern, Unaccompanied, Intermediate Clarinet Solos Phillip Rawle Three very different unaccompanied pieces - Moderato, Allegretto and Allegro. Each piece has a different time signature and passes through many keys. Not too difficult. Written mainly in the Chalumeau and Clarion range.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#TU`TUTU؄TUTUTU؇TUTUpTUhTUTU`TU(TUTUPTUІTUTU0kGUxTUTU`TUTU TUTUTUTUTUTUȈTUTUXTU0TU0TUpTU0TUTUTUTUTUTUTUTUhTU؊TUTUTUTUTUȅTU TUȋTU8TUXTUxTUTUxTUTUTUTU(TUTUTUHTUTUTUTUHTUTUTUHTU(TUTUTU`TUЉTU8TUhTUTUensePart!0g#g#TU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00DU=TUDUP RUTUXgUh RUHU RUU7RUh}TU7RUЧTUط~U7RUTUGUgTUSU(2UUGUqTUTUUqTUHTUTUsTUU)UsTU`U*UUXQ]U0*UUHR]UH*UUU]U`*UUHUx*UUبTUhU*UU.U*UUxTU*UUgU*UUU]U*UU8.U+UUHTUȆU +UUTUU8+UU&*UP+UUzUh+UUXY]U+UUZ]U+UUȵU+UU8u6U+UUx U+UUEVU+UUV]U,UUU(,UUU@,UUUX,UUxUp,UU(U,UUqU,UUعU,UU8TUU,UUxU,UUTUU-UUkU-UUTUnU0-UUUH-UUU`-UUUx-UUxU-UU>U-UUU-UUhTUU-UUx~U-UUhU.UUU .UU(ݻU8.UUȩTUx]UP.UUUh.UUU.UUU.UUeU.UUU.UUU.UUHL]U.UUhO]U/UUxTUU(/UUTUlU@/UUxoUX/UUUp/UUؕU/UUxU/UUTUxFaU/UUHaU/UUU/UUXU0UUx%U0UU U00UU UH0UU8TUU`0UUTUukUx0UUTUH3kU0UUPTU^U0UU(TU^U0UUU0UUTUU0UU)U1UU)U 1UU)U81UUTUhUP1UU2!Uh1UUTU86(U1UU@TUhU1UUU1UU8TU8U1UU(U1UUxU1UUTUU2UUHU=TU<UgTU(Uh>NU0TUxY'UMUHVU>NU.UhTUTUH&U8hTUUPhTUpTU]U8RUXCUxgTUDU hTUDU(8RUTUXgU@8RUHUX8RUUHBRUh}TU`BRUTUط~UxBRUTUGUrTU nUXTUTUGU3UUTUU3UUTUTUh4UUU)U4UU`U4UUXQ]U4UUHR]U4UUU]U4UUHU4UUTUhU5UU.U(5UUxTU@5UUgUX5UUU]Up5UU8.U5UUTUȆU5UU(TUU5UU&*U5UUzU5UUXY]U6UUZ]U6UUȵU06UU8u6UH6UUx U`6UUEVUx6UUV]U6UUU6UUU6UUU6UUxU6UU(U7UUqU 7UUعU87UUpTUUP7UUxUh7UUPTUU7UUkU7UUTUnU7UUU7UUU7UUU7UUxU8UU>U(8UUU@8UUTUUX8UUx~Up8UUhU8UUU8UU(ݻU8UUTUx]U8UUU8UUU9UUTU!0g#8g#TU!963682g#!0000-00-00 00:00:00!2024-02-10 09:11:58     ($( #(  "($(*0 QTU!278239meU !620267g#OU!0g#g#TU10g#g#XTU01Wistful Thinking - Clarinet QuartetU!20g#g#PU!0g#g# !2024-03-21 08:25:41U!Phillip Rawle8UU!g#g#UU!2024g#UU10g#g#0!sib#g#`TU!454#g#!0g#g#uantityS!Default.sib#!2024-03-21 08:12:2210@(UTUl~B620889!2024-03-21 14:38:07U!0000-00-00 00:00:00!g#g# !3g#g#SU!1g#g#=TU!2024-03-14 19:08:24U!2024-03-15 07:40:49U!0g#Hg#TU!3g#g#xTU!0g#g#TU!0g#g#!g#g# !g#g#xTU!856439g#!0g#g#`TU!0g#g#!0.00g#TU!8.00g#xTU!3.00g#PTU!0g#g#pTU!g#g#ثTU!0.00g#@TU!g#g#TU!0000-00-00 00:00:00U!1g#g#!2024-03-05 14:46:07U1196D014E-DAFF-11EE-A12B-B39C539980F0U!153223g# !0g#g#TU!0g#g#1Shadow Song - Clarinet Solo Phillip Rawle A lyrical piece in a minor key. It carries dark moods and interesting interweaving harmonies. The Piano part is as important as the Clarinet Solo. The slow pace of the piece makes it not too difficult. This piece needs to be played with feeling.Scores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#TUTUTUЪTUTUTUЭTUTUhTU`TUTUXTU TU TUHTUȬTUTUHkGUpTUTUXTUرTUTUTUTUTUPTUTUTUxTUPTU(TU(TUhTUhTUخTUTUTUxTUTUTUTU`TUаTUTUTUTUTUTUTUTU0TUPTUTUTUpTUTUTUثTU TUTUTU@TUTUTUTUTUTU8TU@TU TUTUTUXTUȯTU0TU`TUTUeScores!0g#g# TU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1709156g#!0000-00-00 00:00:00!2024-03-05 14:43:42*UUTUTUDpUUTUDUUTUDUUTUDUUTUDUUTUDTUTUDTUTUD TU TUD@TU0TUD`TU@TUDTUPTUDTU`TUpTUDTUTUDTUTUDTUTUD TUTUD@TUTUD`TUTUDTUTUDTUTUDTUTUD UUTUD@UU TUD`UU0TUDUU@TUDUUPTUDUU`TUDUUTU2UU`WUDPKWUPL]UUpXU'U@TUZUD`#U{SU UUPpCU2TUP4UUjUDPjUppUUDUUPUUDmUUTUUU\UDP^U\UD0^U\UD^UUUD0lUU`UUD0mUU UUDlUU0UUDlUU@|SU  @"UUGDUDTUpTUDTUTUD@TUTUD`TUTUDTUTUDTUTUDTUTUDTUTUDTUTUDTUTUDTUTUDTU TUDTU0TUD0TU@TUDPTUPTUDpTU`TUDTUpTUD TUTUD@TUTUD`TUTUDTUTUDUUTUDUUTUDUUTUD UUTUD@UUTUD`UUUUDUUUUDUUUUDUUUUDUUUUDUUUUDTU UUDTU0UUDTU@UUDTUPUUDUU`UUD UUpUUD@UUUUD`UUUUDUUUUDUUUUUUDUUUUDUUUUD0UUUUUD`UU UUDUU UUDUU UUDUU0 UUDUU@ UUD UUUP UUD UU` UUD !UUp UUD@!UU UUD`!UU UUD!UU UUD!UU UUD!UU UUD!UU UUD"UU UUD "UU UUDP&UU UUDTU UUDTU UUD UU0 UUD@UU@ UUD`UUP UUDUU` UUp UUDUU UUDUU UUDUU UUDUU UUD UU UUD@UU UUD`UU UUDUU UUDUU UUDUU UUDUU UUDUU0 UUD:UU@ UUD :UUP UUD@:UU` UUDp:UU0TUTUHTUDUD5UxTUG9UDWUTUhz(UTU |SU PLUU vCU2 TUTU8TUvUUDUUpUUDUUTU`pUU\UD ^U\UD^U^UD@^UPpUUDUUpUUDUUpUUD@UUpUUD`UU|SU  PgUUGDUDTUp UUDPTU UUDTU UUDTUTUQTU!1.50g#TU!2024-03-15 00:01:55U!1g#g#8TU!1g#g#TU!0g#g#TU!g#g#`TU!0g#g#TU10g#g#TU0A slow and thought-provoking piece. Plenty of interweaving, running passages. Not difficult. Should be suitable for grades 5 and above. UQU!5.00g#RU11g#g#09RUH9RU010KUXTU621046!620963g# !620642g#`OU!0000-00-00 00:00:00U1g#g#TU0ATwo for One - Clarinet Duet (or two solos)UPU!42g#g#PU!511#g#PU!3g#g#(rQU!1g#g#|QU!2024-03-18 11:23:01U!2024-03-20 16:03:48U!Phillip RawleTU!g#g#TU!2024g# TU10g#g#0!sib#g#SU!454#g#`?SU!0g#g#SU!Two for One.sibxSU!2024-03-18 11:23:01U!0g#g#gTU!16g#g#XrTU!0g#g#3UU!2g#Xg#"U!1.508g#"U!2024-03-18 11:23:10U!1g#g#"U11g#g#"U0!g#g#0TU!0g#g#!g#g#!Copyright ©!g#g#!2024-03-15 07:40:36U!0000-00-00 00:00:00!g#g#TU!367617g#!0g#g#TU!0g#g#TU!0.00g#TU!11.00g#TU!6.00g#TU!1g#g#xTU!1g#g#8TU!1g#g#@TU!1g#g#!1g#g#(TU!0g#g#1g#g#TU TU0!1g#g#TU!0g#g#!0.0000g#!0000-00-00 00:00:001Wistful Thinking Clarinet Quartetcores!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00U9UUeU09UUUH9UUU`9UUHL]Ux9UUhO]U9UUTUU9UUгTUlU9UUxoU9UUUTUؕU TUxU8TUTUxFaUPTUHaUhTUUTUXUTUx%UTU UTU UTUpTUUTUTUukUTU@TUH3kU(TUTU^U@TU`TU^UXTUUpTU@TUUTU)UTU)UTU)UTUTUhUTU2!UTU0TU86(UTUxTUhU0TUUHTUTU8U`TU(UxTUxUTU TUUTUHU`gTU<U(rTU(UHNUTUxY'U>NUHVUINU.UrTUTUH&UrTUUrTUTU]UBRUXCUqTUDUrTUDUBRU TUXgUBRUHUBRUURUh}TURUTUط~URU`TUUTUGUTUU)UTUTUGUx3UUTUTUTUH"OUIU@TU`U0TUXQ]UHTUHR]U`TUU]UxTUHUTUTUhUTU.UTUxTUTUgUTUU]UTU8.U TUTUȆU8TU`TUUPTU&*UhTUzUTUXY]UTUZ]UTUȵUTU8u6UTUx UTUEVUTUV]U(TUU@TUUXTUUpTUxUTU(UTUqUTUعUTUTUUTUxUTUTUUTUkU0TUTUnUHTUU`TUUxTUUTUxUTU>UTUUTU8TUUTUx~UTUhU TUU8TU(ݻUPTUTUx]UhTUUTUUTUUTUeUTUUTUUTUHL]UTUhO]U(TUHTUU@TUhTUlUXTUxoUpTUUTUؕUTUxUTUTUxFaUTUHaUTUUTUXUTUx%U0TU UHTU U`TUTUUxTUTUukUTUTUH3kUTU TU^UTUTU^UTUUTUTUUTU)U TU)U8TU)UPTUTUhUhTU2!UTUTU86(UTUTUhUTUUTUTU8UTU(UTUxUTUXTUU(TUHUINU<U3UU(U3UUTUxY'UqTUHVUNU.UNUTUH&U 4UUU84UU@TU]U؎RUXCU`3UUDU4UUDURUTUXgURUHU RUUXRUh}TUpRUTUط~URUTUU0TUGUTUU)UTUPTUGUTUVUUTUTULUUHDUUeHeightmWistful Thinking - Clarinet Quartet Phillip Rawle A slow and thought-provoking piece. Plenty of interweaving, running passages. Not difficult. Should be suitable for grades 5 and above. !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#0TU0TUTUTUжTU8TUhTU@TUTUTUTUTUXTUTUTUTU TU`kGUTUTUTUpTUTUTU(TU(TUTU@TUXTUTUTUTU`TUTUTUpTUTUHTUTU0TUxTUTUTUhTUȵTU8TUHTUTUTUTUXTUTUTUTUTUTUTUشTUTUTUTUPTUxTU(TU8TUPTUTUTUTUTUXTUHTUTUTU`TUhTUTUTU!0.00Xg#UU!g#g#!0000-00-00 00:00:00!1g#g#!2024-03-15 07:38:23100C47490-E29F-11EE-8CC2-B39C539980F0U!508309g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1798253g#!0000-00-00 00:00:00!2024-03-15 00:03:25 '($(     +0$(     ScoreExcQHTU!0g#g#ores WHE!18g#g#LUX#!0g#g#!0g#g#]OU!0g#g#HOU!g#g#OU!g#g#PU!0g#g#XfPU!g#g#PU!Copyright ©PU!g#g# 1Languid - Clarinet QuartetUU!20g#g#UU!0g#g#UU!3g#g#UU!1g#g# UU!2024-03-21 14:30:34U!2024-03-21 14:38:07!g#g#uantityS!2024g#!0g#g# 1UUl620962!2023-02-21 18:45:09!2024-03-21 08:25:41U10000-00-00 00:00:00xUU0!20g#g#!0g#g#!3g#g#!1g#g#12024-03-21 08:12:21U0!0g#g#HTU!g#g#TU!0g#g#TU!0g#g#TU!1g#g#xTU!0g#g#TU!0.0000g# TU10000-00-00 00:00:00U0A combination of two stand-alone solos or a jolly duet. This work is not too difficult and should suit players of grade 5 and above. Play each piece separately and then put them together. LicenseS!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!575623g#HTU!0g#g#!0g#g#0TU!0.00g#!8.00g#xTU!3.00g#HTU!1g#g# TU!1g#g#@TU!1g#g#TU!1g#g#TU!1g#g#TU!0g#g#xTU!g#g#!0.00g#`TU!g#g#10000-00-00 00:00:00UXTU01Two for One Clarinet Duet or two solos!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Two for One - Clarinet Duet (or two solos) Phillip Rawle A combination of two stand-alone solos or a jolly duet. This work is not too difficult and should suit players of grade 5 and above. Play each piece separately and then put them together. m!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#TUhTUTUTUhTUpTUTUxTU8TU0TUTU(TUTUTUTUTUXTUxkGU@TUTU(TUTUTUTU`TUTU TUxTUTUHTU TUTUTU8TU8TUTUTUTUHTUhTUTUPTU0TUTU`TUpTUTUxTUTUTUTUTU TUTUXTU@TUPTUpTUTUTUTUTUTUxTUTUTUPTUTUTUTUTUTUTU(TUTUTU0TUTUsnge!2024-03-18 11:30:11!619651g#rted!2024-03-05 14:48:25U10000-00-00 00:00:00 TU01Shadow Song - Clarinet SoloesScores!41g#g#tSize!511#g#Scores!3g#g#ZipForma!1g#g#hange!2024-03-05 14:41:12nDat!2024-03-05 14:48:25!Phillip RawleTU!g#g#@TU!2024g#PTU10g#g#0!sib#g#core!454#g#core!0g#g#Scores!Shadow Song.sibuantityS!2024-03-05 14:41:12aseQ!0g#g#!28g#g#!0g#g#!3g#Hg#!1.50(g#!2024-03-05 14:42:33!1g#g#!1g#g# @cTUQTUD'UUQTUD0'UU QTUDP'UU0QTUDp'UU@QTUD'UUPQTUD'UU@TUD`(UUPTUD(UU`TUD(UUpTUD(UUTUD(UUTUD)UUTUD )UUTUD@)UUTUD'UUиTUD'UUTUD(UUTUD0(UUTUD`)UUTUDSU TUDSU0TUDSU@TUD SUPTUD@SU`TUD`SUpTUDSUTUDSUTUDSUTUD SUTUDSUTUD)UUйTUD)UUTUD)UUTUD)UUTUD SUTUD@SU TUD`SU0TUDSU@TUDSUPTUDЋSU`TUpTUDSUTUDSUTUD0SUUTUD`SUTUDSUTUDSUкTUDSUTUDTUTUDTUUTUDTUTUDTU TUD TU0TUD@TU@TUD`TUPTUDTU`TUDTUpTUDTUTUDTUTUDTUTUD&UUTUD&UUTUDTUлTUDTUTUDTUTUDTUTUDTUTU TUD TU0TUD@TU@TUPTU`TUpTUTUTUD`TUTUDTUTUDTUTUDTUмTUDTUTUDTUTUD TUTUD@TUTUDpTU2UUqTUWUD$WUPL]UUWUDJWU0WUDJWU@WUDKWUPWUD0KWU{SU TUjCU23UUrTU@U @P DUUUDPlUU UUD;UUh3UU UU0]UDe^U ]UDe^U@\UDІ^U UUD:UU UUD;UU UUD0;UU UUDP;UU|SU  UUHDUDTU TUDTU0TUD@TU@TUD`TUPTUD`TU`TUDTUpTUDTUTUDTUTUDwTUTUD wTUTUD@wTUTUD`wTUоTUDwTUTUDwTUTUDwTUTUDwTUTUDxTU TUD xTU0TUD@xTU@TUDTUPTUDTU`TUDPTUpTUDTUTUDTUTUD TUTUD@TUTUD`TUTUD@TUпTUD`TUTUDTUTUD TUTUDTUTUD@TU TUD`TU0TUDTU@TUDTUPTUDTU`TUDTUpTUDTUTUD TUTUDTUTUDTUTUTUD0TUTUDPTUTUDpTUUTUDTUTUDTUTUDTU TUDTU0TUDTU@TUDTUUPTUD TU`TUDTUpTUDUUTUD0UUTUDPUU!1g#g#9UU!2024-03-18 11:27:361856444DC-E51A-11EE-8393-B39C539980F0ang!174762g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1184554g#!0000-00-00 00:00:00!2024-03-18 11:24:20TU@UUEVU>UUV]U0>UUUH>UUU`>UUUx>UUxU>UU(U>UUqU>UUعU>UUSUUU>UUxU?UURUUU ?UUkU8?UUhTUUnUP?UUUh?UUU?UUU?UUxU?UU>U?UUU?UU QUUU?UUx~U@UUhU(@UUU@@UU(ݻUX@UUQUUx]Up@UUU@UUU@UUU@UUeU@UUU@UUUAUUHL]UAUUhO]U0AUU0VUUUHAUUPQUUlU`AUUxoUxAUUUAUUؕUAUUxUAUUpRUUxFaUAUUHaUAUUUBUUXU BUUx%U8BUU UPBUU UhBUUPUUUBUUTUUukUBUUPUUH3kUBUUTUU^UBUUQUU^UBUUUBUUSUUUCUU)U(CUU)U@CUU)UXCUUVUUhUpCUU2!UCUUQUU86(UCUUTUUhUCUUUCUUVUU8UCUU(UDUUxUDUU@UUUU0DUUHUNU<UTU(U(TUUUUxY'UH3UUHVUЯNU.UNUUUUH&UTUUTU(XUU]URUXCUTUDUTUDURURUUXgUйRUHURUURUh}TURUYUUط~URUZUUU8EUUGU EUUU)UFUU8TUUGUTU8`UUTUFUUh kUUUP~UU`UFUUXQ]UFUUHR]UFUUU]UGUUHUGUUZUUhU0GUU.UHGUUxTU`GUUgUxGUUU]UGUU8.UGUU8]UUȆUGUU`UUUGUU&*UGUUzUHUUXY]U HUUZ]U8HUUȵUPHUU8u6UhHUUx UHUUEVUHUUV]UHUUUHUUUHUUUHUUxUIUU(U(IUUqU@IUUعUXIUU(^UUUpIUUxUIUU]UUUIUUkUIUU^UUnUIUUUIUUUJUUUJUUxU0JUU>UHJUUU`JUUX[UUUxJUUx~UJUUhUJUUUJUU(ݻUJUU[UUx]UJUUUKUUU KUUU8KUUeUPKUUUhKUUUKUUHL]UKUUhO]UKUUh`UUUKUU[UUlUKUUxoUKUUULUUؕU(LUUxU{UU\UUxFaU{UUScores!1.50g#0SUU!2024-03-20 13:57:45U!1g#g#RUU!1g#g#pRUU!0g#g#`SUU!g#g#QUU!0g#g#QUU10g#g#SUU0!g#g#aUU!0g#g#!g#g#!Copyright ©!g#g#!g#g#0SUU!886633g#!0g#g#VUU!0g#g#!0.00g#`SUU!11.00g#0VUU!6.00g#QUU!1g#g#(UUU!1g#g#SUU!1g#g#QUU!1g#g#RUU!1g#g#`VUU!0g#g#!g#g#HVUU!0.00g#1g#g#SUU@UUU0!1g#g#pdUU!0g#g#!0.0000g#!0000-00-00 00:00:001All Keys Clarinet QuartetdeUU!0g#g#!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#!0g#g#AAll Keys - Clarinet Quartet Phillip Rawle U0fUU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#TUUPZUUYUURUUPTUUXUUUUUU`YUU WUUYUUUUUUUUPUUYUUYUUTUU@XUUkGU(RUUQUUXUUYUUXUUWUUHYUUSUUZUU`VUUxVUU0YUUWUUWUUTUU TUU ZUUVUUXUUQUU0SUUPWUUWUU8WUUVUUXUUHSUUXXUUTUU`SUUxSUUUUUxYUUXUUQUUZUU@RUU(UUU8QUUXRUUSUUVUUhQUUpUUUQUUTURUUpXUU8ZUUXUUYUUWUUSUUhWUUWUURUUWUURUUSUUVUUkUU!0000-00-00 00:00:00U!1g#g#!2024-03-20 14:06:4911864615A-E6C3-11EE-AE40-B39C539980F0U!147786g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1899378g#!0000-00-00 00:00:00!2024-03-20 13:59:21 $(   jp  $("(  !(PU~UUAUDH"U~UU|SU `UUpkCU20UUpFUUaUDeU0UUD1VU@UUD0VUUUUU^UD _Up^UD` _U_UD`I_UUUDPUUPUUDPVUUUDUU UUDUU}SU  UUGDUD UTU@qUUD@UTUPqUUDPUU`qUUDpUUpqUUDUUqUUDUUqUUDUUqUUDTUqUUD0TUqUUDPTUqUUDpTUqUUDTUqUUDTUrUUDUUrUUD UU rUUD@UU0rUUDTU@rUUDTUPrUUDTU`rUUDTUprUUDUUrUUDUUrUUD`UUrUUDUUrUUD`UUrUUDUUrUUDUUrUUDUUrUUDUUsUUDUUsUUD UU sUUD@UU0sUUDUU@sUUDЮUUPsUUDUU`sUUDUUpsUUD0UUsUUDPUUsUUDpUUsUUDUUsUUDUUsUUDUUsUUsUUDUUsUUD UUtUUD@UUUtUUDpUU tUUDUU0tUUDUU@tUUDзUUPtUUDUU`tUUDUUUptUUD0UUtUUDиUUtUUDUUtUUDUUtUUD0UUtUUDPUUtUUDpUUtUUDUUtUUDUUuUUDйUUuUUDUU uUUD UU0uUUDUU@uUUDдUUPuUUDUU`uUUDUUpuUUD0UUuUUuUUDPUUuUUDpUUuUUDUUuUUDUUuUUDеUUuUUDUUuUUDUUvUUD0UUvUUDPUU vUUDpUU0vUUDUU@vUUDUUPvUUD UU`vUUD@UUpvUUD`UUvUUDUUUUUUhWUU AUUUZUDCU UU`_ UD)HUPUU@U @@U|SU PUUpnCU2UUxUUSU " UP3VUDQVUUUDP2VUUU UU`_UDI_UP_UDI_U`_UDj_UUUDp1VUUUDp2VU`UUD1VUpUUD2VU@}SU  0UUFDUDPUUwUUDUUwUUDUUwUUDUUwUUD0UUwUUDPUU QhZUU1РFUUU+620888!176527g# !620940g#LUX#!Phillip RawleUU1g#g#UU01Evergreen Shade - Clarinet QuartetU!20g#g#\PU!0g#g#PU!3g#g#PU!1g#g#PU!2024-03-21 09:12:36U!2024-03-21 09:20:52U!20248g#pUU!0g#g#UU!2g#g#UU11g#UU0!sib#g#RU!454#g#xSU!0g#g#Hg#!Evergreen Shade.sib!2024-03-21 09:12:36!0g#g#!14g#g#!0g#g#A new piece for Clarinet Quartet (three clarinets in Bb and a bass clarinet). A short, fast work with jazz overtones and modern harmonies. !5.00g#10g#g#"U0!1.50g#h]UU!2024-03-20 15:55:23U!1g#g#\UU!1g#g#\UU!0g#g#]UU!g#g#\UU!0g#g#@[UU10g#g#P]UU0!1g#g#0UU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#h]UU!226445g#!0g#g#P`UU!0g#g#!0.00g#]UU!11.00g#h`UU!6.00g#@[UU!1g#g#`_UU!1g#g#]UU!1g#g#0\UU!1g#g#\UU!1g#g#`UU!0g#g#!g#g#`UU!0.00g#1g#g#P]UUx_UU0!1g#g#`UU!0g#g#!0.0000g#!0000-00-00 00:00:001Ataraxis Clarinet Quartet!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Ataraxis - Clarinet Quartet Phillip Rawle A reflective piece for Clarinet Quartet - Three Clarinets in Bb and a Bass Clarinet. Rich harmonies and a deep texture to bring out the feeling of serenity. UUUU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#HaU{UUU|UUXU(|UUx%U@|UU UX|UU Up|UU([UUU|UU^UUukU|UUZUUH3kU|UU@^UU^U|UU\UU^U|UUU}UU]UUU}UU)U0}UU)UH}UU)U`}UUUUhUx}UU2!U}UU[UU86(U}UU0_UUhU}UUU}UUXUU8U}UU(U~UUxU ~UUx_UUU8~UUHUNU<UTU(UTU `UUxY'UTUHVUPNU.U8NU_UUH&U8TUUPTUUU]U RUXCUxTUDU TUDU8RU\UUXgUPRUHUhRUUSUh}TU(SU(UUط~U@SUUUU@UUGU(UUU)UUUp^UUGUEUUUUTUUUTUЈUU`UUUXQ]U؀UUHR]UUUU]UUUHU UU0UUhU8UU.UPUUxTUhUUgUUUU]UUU8.UUUUUȆUȁUUUUUUU&*UUUzUUUXY]U(UUZ]U@UUȵUXUU8u6UpUUx UUUEVUUUV]UUUUЂUUUUUUUUxUUU(U0UUqUHUUعU`UUUUUxUUxUUUpUUUUUkUUUUUnU؃UUUUUUUUU UUxU8UU>UPUUUhUUUUUUUx~UUUhUUUUȄUU(ݻUUU UUx]UUUUUUU(UUU@UUeUXUUUpUUUUUHL]UUUhO]UUUСUUUЅUUUUlUUUxoUUUUUUؕU0UUxUHUUUUxFaU`UUHaUxUUUUUXUUUx%UUU U؆UU UUUUUUUU8UUukU UU`UUH3kU8UUUU^UPUUUU^UhUUUUU`UUUUU)UUU)UȇUU)UUUHUUhUUU2!UUUPUU86(U(UUUUhU@UUUXUUUU8UpUU(UUUxUUUUUUUUHUhNU<UFUU(UEUUUUxY'U`TUHVUOU.UOUXUUH&U@FUUUXFUUȣUU]UXSUXCUEUUDU(FUUDUpSU@UUXgUSUHUSUU=SUh}TU=SU`UUط~U=SU UUUUUGUUUU)U(UU؟UUGUUUUUTUUUUU8UU`U@UUXQ]UXUUHR]UpUUU]UUUHUUUhUUhUUU.UUUxTUUUgUUUU]UUU8.UUUUUȆU0UU UUUHUUPartsSam^UUUUUU\UU^UU_UU_UUȚUUUUUU_UUH_UU[UU@UUhUU^UUUUkGU`\UU[UUxUUUU8UU0UUUU]UUpUU`UUUUUUpUUHUU_UUX^UUUUUU UU\UUh]UUUUUUUUP`UUUU]UUUU_UU]UU]UU`UUUUPUU@[UUUUx\UU`_UUp[UU\UU]UU@UU[UU_UU0\UUZUU\UUؙUUUUUUXUU`UU^UUИUUUUH\UUUU ]UUP]UU(UU !0000-00-00 00:00:00U!1g#g#!2024-03-20 16:00:241F61A53CE-E6D2-11EE-A6B9-B39C539980F0ang!398933g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1507464g#!0000-00-00 00:00:00!2024-03-20 15:57:22QЛUU!1.50g#ОUU!2024-03-21 08:12:23U!1g#g#XUU!1g#g#UU!0g#g#UU!g#g#UU!0g#g#UU10g#g#UU0!3g#g#|QUA good solid ensemble piece and not too difficult. Arranged for three Clarinets in Bb and a Bass Clarinet.UCRU!5.00g#(RU11g#g#@RUXRU0!620962g#UU!2024-03-21 13:48:34U10000-00-00 00:00:00UU01Generation - Clarinet QuartetPU!20g#g#PU!0g#g#P3QU!3g#g#|QU!1g#g#QU!2024-03-21 13:40:28U!2024-03-21 13:48:34U!Phillip RawleUU!g#g#UU!2024g#UU10g#g#0!sib#g#g#!454#g#!0g#g#!Generation.sib!2024-03-21 13:40:28!0g#g#!20g#g#!0g#g#!1.50g#@UU!2024-03-21 13:40:57U!1g#g#UU!1g#g#UU!0g#g#pUU!g#g#UU!0g#g#UU10g#g#(UU0!g#g#ОUU!554977g#!0g#g#UU!0g#g#!0.00g#UU!11.00g#СUU!6.00g#UU!1g#g#ȠUU!1g#g#0UU!1g#g#UU!1g#g#XUU!1g#g#UU!0g#g#!g#g#UU!0.00g#1g#g#UUUU0!1g#g#UU!0g#g#!0.0000g#!0000-00-00 00:00:001Default Clarinet QuarteteScores!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Default - Clarinet Quartet Phillip Rawle A good solid ensemble piece and not too difficult. Arranged for three Clarinets in Bb and a Bass Clarinet.es!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#PUUUUHUU(UUUUUU(UUUUUUUU@UUUUxUUxUUUU UUUUkGUȝUU8UUUU0UUpUUhUUUUHUUUUUUUUФUUUUUUUUUUUU0UUXUUhUUОUUUU8UUآUUUU(UUUUUUhUUUUUUpUUUUUUUUPUUUUȠUU؜UUUU0UUxUUUUUUUUUUXUUUUإUU@UUUUUUxUUUUPUUUU UUUUUU`UUCUU!0000-00-00 00:00:00U!1g#g#!2024-03-21 08:21:4510E606BEC-E75C-11EE-A6B9-B39C539980F0U!230731g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1363333g#!0000-00-00 00:00:00!2024-03-21 08:13:59{UU`UUwUUDpUUwUUDUUxUUD@UUxUUD`UU xUUDUU0xUUDUU@xUUDUUPxUUDUU`xUUDUUpxUUD UUxUUDpUUxUUDUUxUUDUUxUUDЍUUxUUDUUxUUD@UUxUUDUUxUUDUUyUUDUUyUUDUU yUUDUU0yUUD UU@yUUD@UUPyUUD`UU`yUUD UUpyUUDUUyUUDUUyUUDUUyUUDUUyUUD0UUyUUDPUUyUUDpUUyUUDUUyUUDUUzUUDUUzUUDUU zUU0zUUDUU@zUUD0UUPzUUDPUUU`zUUDUUpzUUDUUzUUDUUzUUDUUzUUDUUzUUD UUUzUUD@UUzUUDUUzUUD0UUzUUDPUU{UUDpUU{UUDUU {UUDUU0{UUDUU@{UUDUUP{UUDUU`{UUDUUp{UUDUU{UUDUU`UUD UUpUUD@UUUUD`UUUUDUUUUUUDUUUUDUUUUDUUUUDUUUUD UUUUD@UUUUD`UU UUDUU0UUDUU@UUD@UUPUUD`UU`UUDUUpUUDUUUUDUUUUDUUUUDUU(UUUU@UUWUD%UpUU]WUD&EUUUP_WUD0CUUU }SU VUuCU2UUUUxCUUGU9VUD@VU3VUDRVUxUU@3VU_UDpk_U_UDPk_U~_UDК_U03VUDQVU3VUDRVU3VUD0RVU3VUDPRVU}SU  VUFDUDUUUUD UUUUDPUUUUDpUUUUDUUUUDUUUUDбUUUUDUU UUDUU0UUDUU@UUDUUPUUDUU`UUD UUpUUD@UUUUD`UUUUDUUUUDUUUUD0UUUUDPUUUUDpUUUUD`VUUUDVUUUDVUUUD VU UUD@VU0UUD`VU@UUDVUPUUDVU`UUDVUpUUDVUUUD VUUUD VUUUDUUUUDUUUUDUUUUDUUUUD UUUUD@UUUUD`UUUUDUU UUDPVU0UUDpVU@UUPUUDVU`UUDVUpUUDVUUUUDVUUUD VUUUD@VUUUD`VUUUDVUUUDVUUUUDVUUUDpVUUUDVUUUDVU UUDVU0UUDVU@UUDVUPUUD0VU`UUDPVUrsionDat $(  wx  $(      QUU1]UUU620929!1g#g#\PU!2024-03-22 17:04:48U!2024-03-22 17:11:40U!Phillip RawleqVU!g#g#rVU!2024g#qVU!0g#g#!2g#g# 1HASHDU999999)0!621140g#!20g#g# !2024-03-22 19:46:49U10000-00-00 00:00:00ئVU01Pasadena - Clarinet QuartetUUU!0g#g#UU14g#g#7Utg#0!sib#hg#gTU!454#g#3UU!0g#g#XTU!Notable.sib#TU!2024-03-22 17:04:48U!0g#g#hUU!19g#g#UU!0g#g#`VU!g#hg#"U!5.00g#"U!1g#g#"U!0g#g#"U!0g#g#"U!g#g# &*U`UUzUxUUXY]UUUZ]UUUȵUUU8u6UUUx UUUEVUUUV]U UUU8UUUPUUUhUUxUUU(UUUqUUUعUUUUUUUUxUUUUUUUUkU(UU@UUnU@UUUXUUUpUUUUUxUUU>UUUUUUUUUUUx~UUUhUUUU0UU(ݻUHUUXUUx]U`UUUxUUUUUUUUeUUUUUUUUUHL]UUUhO]U UUUUU8UU(UUlUPUUxoUhUUUUUؕUUUxUUUHUUxFaUUUHaUUUUUUXUUUx%U(UU U@UU UXUUȦUUUpUUpUUukUUUUUH3kUUUUU^UUUUU^UUUUUUUUUUU)UUU)U0UU)UHUUUUhU`UU2!UxUUUU86(UUUUUhUUUUUUUU8UUU(UUUxUUUUUU UUHU0OU<UUU(UUUUUxY'UhEUUHVU`SOU.UHSOUUUH&UHUUU`UUUU]U>SUXCUUUDU0UUDU(>SUxUUXgU@>SUHUX>SUUHHSUh}TU`HSUUUط~UxHSUXUUU(UUGUUUU)UUUUUGU UUUUTUxUUXVU`VU`UUUXQ]UUUHR]UUUU]UUUHUUUUUhU UU.U8UUxTUPUUgUhUUU]UUU8.UUUUUȆUUUXUUUUU&*UUUzUUUXY]UUUZ]U(UUȵU@UU8u6UXUUx UpUUEVUUUV]UUUUUUUUUUUUxUUU(UUUqU0UUعUHUUUUU`UUxUxUUUUUUUkUUUxUUnUUUUUUUUUUUUxU UU>U8UUUPUU0UUUhUUx~UUUhUUUUUU(ݻUUUUUx]UUUUUUUUUU(UUeU@UUUXUUUpUUHL]UUUhO]UUU@UUUUU`UUlUUUxoUUUUUUؕUUUxU0UUUUxFaUHUUHaUVUU VUXU8VUx%UPVU UhVU UVUUUUVUUUukUVUUUH3kUVUUU^UVUUU^UVUUVUUUU(VUmeArtis!1.50g#UU!2024-03-21 09:13:37U!1g#g#UU!1g#g#HUU!0g#g#8UU!g#g#UU!0g#g#UU10g#g#UU0!0g#g#UU!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!2024-03-21 09:20:52U!0000-00-00 00:00:00!g#g#UU!533153g#!0g#g#8UU!0g#g#UU!0.00g#UU!11.00g#UU!6.00g#hUU!1g#g#UU!1g#g#UU!1g#g#8UU!1g#g#!1g#g# UU!0g#g#1g#g#UUUU0!1g#g#UU!0g#g#!0.0000g#!0000-00-00 00:00:001Evergreen Shade Clarinet Quartet!!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Evergreen Shade - Clarinet Quartet Phillip Rawle A new piece for Clarinet Quartet (three clarinets in Bb and a bass clarinet). A short, fast work with jazz overtones and modern harmonies. 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Three Bb Clarinets and a Bass Clarinet.U!5.00g# 1"UkUjU"U"U!622654g#XrQU!0000-00-00 00:00:00U1g#g#%WU01Rustic Fanfare - Clarinet TrioVU!43g#g#VU!511#g#VU13g#g#p>Utg#0!1g#g#!2024-04-10 19:46:05!2024-04-10 19:53:53!Phillip RawleVU!g#g#hVU!2024g#xVU10g#g#0!sib#g#!454#g#!0g#g# !2g#g#PVUA lively piece with interweaving parts and interesting harmonies. Written for three clarinets in Bb and Bass Clarinet. !5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!g#g#@UU!585848g#!0g#g#(UU!0g#g#!0.00g#pUU!11.00g#@UU!6.00g#UU!1g#g#8UU!1g#g#UU!1g#g#UU!1g#xg#UU!1g#g#pUU!0g#g#!g#g#XUU!0.00g#1g#g#(UUPUU0!1g#g#@VU!0g#g#!0.0000g#!0000-00-00 00:00:001Generation Clarinet Quartet0VU!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Generation - Clarinet Quartet Phillip Rawle A lively piece with interweaving parts and interesting harmonies. Written for three clarinets in Bb and Bass Clarinet. 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Nice and steady with a throwback to the Baroque era. Interweaving parts and interesting harmonies.  Written for Clarinet Quartet - three Bb clarinets and a bass clarinet.!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!874100g#X&VU!0g#g#!0g#g#@)VU!0.00g#!11.00g#&VU!6.00g#X)VU!1g#g#0$VU!1g#g#P(VU!1g#g#&VU!1g#g# %VU!1g#g#%VU!0g#g#)VU!g#g#!0.00g#p)VU!g#g#10000-00-00 00:00:00Uh(VU0!0000-00-00 00:00:00U1Languid Clarinet QuartetPhotoHei!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Languid - Clarinet Quartet Phillip Rawle No need to rush this one! Nice and steady with a throwback to the Baroque era. Interweaving parts and interesting harmonies.  Written for Clarinet Quartet - three Bb clarinets and a bass clarinet.LVU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#'VUx-VU,VU%VUx'VU(VU(VU,VUH*VU@,VU(VU8(VU$VU-VU(,VU'VUh+VUlGUP%VU$VU8+VU,VU+VU*VUp,VU&VU0-VU)VU)VUX,VU0*VU+VU(VUH'VUH-VU)VU+VU$VUX&VUx*VU*VU`*VU@)VU+VUp&VU+VU'VU&VU&VU(VU,VU,VU0$VU-VUh%VUP(VU`$VU%VU&VU*VU$VU(VU %VU#VU%VU+VU`-VU+VU-VU +VU'VU*VU*VU8%VU*VU&VU@&VU)VU0QVU!1g#g#PVU!2024-03-21 14:36:06159F3FE14-E790-11EE-8393-B39C539980F0cor!293770g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1723071g#!0000-00-00 00:00:00!2024-03-21 14:32:48VU@SVU4VUDdVU4VUDdVU4VUDdVU4VUDdVU4VUDeVU4VUD0eVU4VUDPeVU5VUDpeVU5VUDeVU 5VUDdVU05VUD dVU@5VUD@dVUP5VUD`dVU`5VUDhVUp5VUD hVU5VUD@hVU5VUD`hVU5VUDhVU5VUDhVU5VUDhVU5VUDhVU5VUDPCVU5VUD pCVU6VUDyVU6VUDfVU 6VUDgVU06VUD0gVU@6VUDPgVUP6VUDpgVU`6VUDgVUp6VUDgVU6VUDgVU6VUD0{VU6VUDP{VU6VU6VUDp{VU6VUD{VU6VUD{VUU6VUD{VU7VUD|VU7VUD |VU 7VUD@|VU07VUD`|VU@7VUD|VUUP7VUD|VU`7VUD|VUp7VUD}VU7VUD }VU7VUD@}VU7VUD`}VU7VUD}VU7VUD}VU7VUD}VU7VUD}VU7VUD yVU8VUD@yVU8VUD`yVU 8VUDyVU08VUDyVU@8VUDyVUP8VUDyVU`8VUp8VUDzVU8VUD zVU8VUD@zVU8VUD`zVU8VUDzVU8VUDzVU8VUDzVU8VUDzVU8VUD{VU9VUDVU9VUD0VU 9VUDPVU09VUDpVU@9VUDVUP9VUDVU`9VUDVUZVUVU@aUDeaU[VUfWUDWU8[VU@U 0GUh[VUWUD&U}SU VUwCU2[VUVU8UD5UVUDWUVUDVU(\VUVU`_UD_UP_UD_U`_UD`UpVUD VUVUD VUVUDVUлVUDVU@~SU  VU'UDvTUp:VUDpfVU:VUDvTU:VUDfVU:VUDfVU:VUDUU:VUDUU:VUDUU:VUDUU:VUD0UU;VUDPUU;VUDpUU ;VUDUU0;VUDUU@;VUDUUP;VUDUU`;VUD0UUp;VUDPUU;VUDpUU;VUDUU;VUDUU;VUDUU;VUD0UU;VUDPUU;VUDpUU;VUDUUVUD0VU>VUDPVU >VUDpVU0>VUDVU@>VUD fVU|cVUQ-VU10UcVUdX6209631cVU풖621074!g#8g#.VU!2024g#X/VU!0g#g#h.VU13g#g#0!sib#g#dVU!454#g#PU!0g#g#XfPU!Melancholy.sibPU!2024-03-22 08:46:36U!0g#g# 3QU!22g#g#@rQU!0g#g#|QU!Phillip Rawle 1UeVU'622579!621082g#!20g#g# !0000-00-00 00:00:00U10000-00-00 00:00:00pVU01Notable - 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Clarinet QuartetUVU!0g#g# VU13g#g#06Utg#0!sib#hg#prTU!454#g#@TU!0g#g#TU!Pasadena.sibEUU!2024-03-22 19:39:26U!0g#g#UU!19g#g#VU!0g#g#h\VUA modern and sophisticated piece reflecting life in a vibrant city. Clarinet Quartet - three Bb clarinets and a bass clarinet Lively but not too difficult. "U!g#g#8sVU!104035g#!0g#g# vVU!0g#g#!0.00g#hsVU!11.00g#8vVU!6.00g#qVU!1g#g#0uVU!1g#g#sVU!1g#g#rVU!1g#g#rVU!1g#g#hvVU!0g#g#!g#g#PvVU!0.00g#1g#g# sVUHuVU0!0.0000g#VU!0000-00-00 00:00:001Notable Clarinet QuartetVU!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#ANotable - Clarinet Quartet Phillip Rawle LastUpdatedP!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#tVUVUpVUrVUXtVU`uVUuVU(VU(wVUVUuVUuVUpVUVUȤVUtVUHxVUhwGU0rVUqVUxVUXVUxVUwVUVUsVUХVUhvVUvVUVUwVUwVUtVU(tVUVUvVUxVUqVU8sVUXwVUwVU@wVU vVUxVUPsVU`xVUtVUhsVUsVUuVU@VUVUqVUxVUHrVU0uVU@qVU`rVUsVUvVUpqVUxuVUrVUhpVUrVUxxVUVUxVUVUxVUsVUpwVUwVUrVUwVUrVU sVUvVUeExchang!0000-00-00 00:00:00U!1g#g#!2024-03-22 17:09:55100F469C2-E86F-11EE-90BE-B39C539980F0U!211335g#!0g#g#!0g#g#<UVU(UHVUuVUxY'UVUHVUOU.UOUuVUH&UVUUVU0xVU]USUXCUVUDUVUDUSUrVUXgUSUHUSUUUVUUVU VUU0VUx~UHVUhU`VUUxVU(ݻUVUVUx]UVUUVUU؍VUUVUeUVUU VUU8VUHL]UPVUhO]UhVU0VUUVUPVUlUVUxoUVUUȎVUؕUVUxUVUpVUxFaUVUHaU(VUU@VUXUXVUx%UpVU UVU UVUVUUVUVUukUЏVUVUH3kUVUVU^UVUVU^UVUU0VUVUUHVU)U`VU)UxVU)UVUVUhUVU2!UVUVU86(UؐVUVUhUVUUVUVU8U VU(U8VUxUPVU@VUUhVUHUOU<U\VU(UP\VUVUxY'UVUHVUhPU.UPPUVUH&U\VUU\VU(VU]UXUVUishedZi!0g#Xg#VU!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1920351g#!0000-00-00 00:00:00!2024-03-22 17:06:33     $(    $(   Q0VU!1.50g#0VU!2024-03-22 19:39:49U!1g#g#VU!1g#g#pVU!0g#g#`VU!g#g#VU!0g#g#VU10g#g#VU0!5.00g#RU!1g#g#غRU!0g#g#pRU!0g#g#0?SU!g#g#ISU!g#g#SU10g#g#SUSU0!1g#g#PU!2024-03-23 08:29:50U!2024-03-23 08:36:27U!Phillip RawleбVU!g#g#0VU!2024g#@VU!0g#g#!3g#g# 1xVU622654!622579g#P3QU!2024-04-10 19:53:52U10000-00-00 00:00:00HVU01Four Moments - Clarinet Quartet0VU!15g#g#PVU!0g#g#pVU13g#g#@PUtg#0!sib#hg#3UU!454#g#TU!0g#g#EUU!Sarabande - Quartet.sib!2024-03-23 08:29:50U!0g#g#VU!16g#g#VU!0g#g#VUA modern take on a Baroque style mimicking a Sarabande dance. Quite easy to play and would be a refreshing compliment to any concert. 15.00g#"U0!g#g#PVU!Copyright ©!g#g#!g#g#0VU!581938g#!0g#g#VU!0g#g#!0.00g#`VU!11.00g#0VU!6.00g#VU!1g#g#(VU!1g#g#VU!1g#g#VU!1g#g#VU!1g#g#`VU!0g#g#!g#g#HVU!0.00g#1g#g#VU@VU0!1g#g#VU!0g#g#!0.0000g#!0000-00-00 00:00:001Pasadena Clarinet QuartetVU!0g#g#!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Pasadena - Clarinet Quartet Phillip Rawle A modern and sophisticated piece reflecting life in a vibrant city. Clarinet Quartet - three Bb clarinets and a bass clarinet Lively but not too difficult. VUdefScor!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#VUPVUVUVUPVUXVUVU`VU VUVUVUVUئVUدVUVUVU@VUwGU(VUVUVUVUЮVUȭVUHVUVUVU`VUxVU0VUVUVUVU VU VUVUVUȧVU0VUPVUVU8VUVUVUHVUXVUȪVU`VUxVUЫVUxVUVUVUVU@VU(VU8VUXVUVUجVUhVUpVUVU`VUVUpVU8VUVUVUVUةVUhVUVUVUVUVUVUVUVU!0000-00-00 00:00:00U!1g#g#!2024-03-22 19:44:501A57FB09A-E884-11EE-9704-B39C539980F0U!338364g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2363512g#!0000-00-00 00:00:00!2024-03-22 19:41:31VUVUVUDVUVUDVUVUD VU VUD@VU0VUD`VU@VUDVUPVUDVU`VUDVUpVUDVUVUD VUVUD@VUVUD VUVUD0VUVUD VUнVUD@VUVUD`VUVUDVUVUDVUVUDVU VUDVU0VUD VU@VUD0VUPVUDVU`VUD0VUpVUDPVUVUDpVUVUDVUVUDVUVUDVUVUDVUоVUD`VUVUDVUVUVUDVUVUDVU VUDVUU0VUDVU@VUDVUPVUDWU`VUD0WUpVUDPWUVUDpWUUVUD WUVUDPWUVUDpWUVUDWUпVUDWUVUDWUVUDWUVUDWUVUD0WU VUDPWU0VUDPVU@VUDpVUPVUDVU`VUDVUpVUDVUVUDVUVUDVUVUVUD0VUVUDPVUVUDpVUVUDVUVUDVUVUDVUVUDVU VUDVU0VUD0VU@VUDWUPVUDWU`VUDWUpVUDWUVUDWUVUD WUVUDPWUVU@VU0VUU`VU0aUDIgUVUVUVU~SU WU`xCU2VUVUU@U @ rGUWUDJWUhVUWU 6`UDo`U6`UD`o`U <`UD@`UWUDIWU WUDJWUWUDPJWUWUDpJWUSU  WU 5UDVUVUDVUVUD0VUVUDPVUVUDpVUVUDVUVUD0VUVUDPVU VUDVU0VUD VU@VUD@VUPVUDpVU`VUDVUpVUDVUVUDVUVUDVUVUDpVUVUDVUVUDVUVUDVUVUDVU WUD0VU0 WUDVU@ WUDxWUP WUD0xWU` WUDPxWUp WUDpxWU WUDxWU WUDxWU WUDxWU WUD xWU WUDyWU WUDwWU WUD wWU WUD@wWU WUD`wWU WUDwWU WUDwWU0 WUDwWU@ WUDwWUP WUD`WU` WUDWUp WU WUDWU WUDWU WUDWUU WUDWU WUD0WU WUDPWU WUDpWU WUDWU WUDWUU WUDWU WUDWU0 WUDWU@ WUDWUP WUDWU` WUDWUp WUD WU WUD@WU WUD`WU WUDWU WUDVU WUDVU WUD0yWUScoresQhVU!1.50g#hVU!2024-03-23 08:30:50U!1g#g#VU!1g#g#VU!0g#g#VU!g#g#VU!0g#g#@VU10g#g#PVU0!1g#g#RU!0g#g#XRU!0g#g#SU!g#g#ISU!g#g#еSU!0g#g#SU1g#g#x=TU=TU0!Rustic Fanfare.sibs WHE!2024-04-11 09:06:06#!0g#g#!13g#g#PU!0g#g#(rQU!4g#hg#|QU!1.50Hg#зQU!2024-04-11 09:06:25U!1g#g#H9RU!1g#g#RU!0g#g# !0g#(g#XrQU!1g#g#QU!0g#g#RU!g#g# !РU!2022-07-27 16:08:26!2023-01-30 16:49:24a DU(1U!1g#VU!2024-04-11 09:06:06!2024-04-11 09:14:15!Phillip Rawle&WU!g#g#'WU!2024g# &WU10g#g#0!sib#g#!454#g#10g#g#"U0!Copyright ©VU!g#g#!2024-03-23 08:36:27U!0000-00-00 00:00:00!g#g#PVU!921295g#!0g#g#VU!0g#g#hVU!0.00g#@VU!11.00g#`VU!6.00g#ȳVU!1g#g#0VU!1g#g#VU!1g#g#VU!1g#g#!1g#g#VU!0g#g#1g#g#PVUxVU0!1g#g#PVU!0g#g#UVUXVUUVUx~UVUhUVUU VU(ݻU8VUVUx]UPVUUhVUUVUUVUeUVUUVUUVUHL]UVUhO]UVUhVUU(VUVUlU@VUxoUXVUUpVUؕUVUxUVUVUxFaUVUHaUVUUVUXUVUx%UVU U0VU UHVU(VUU`VUVUukUxVUVUH3kUVU@VU^UVUVU^UVUUVUVUUVU)UVU)U VU)U8VUVUhUPVU2!UhVUVU86(UVU0VUhUVUUVU(VU8UVU(UVUxUVUxVUUVUHUPU<UȈVU(UhVU VUxY'U\VUHVU[PU.U[PUVUH&UVUUVU`VU]UfTUXCU8VUDUVUDUfTUزVUXgUfTUHUfTUUpTUh}TUpTUVUط~UqTUVUUVUGUVUU)UVUpVUGUВVUpVUTUhVUvTU`}WU`UVUXQ]UVUHR]UVUU]UVUHUVUVUhUVU.U(VUxTU@VUgUXVUU]UpVU8.UVUpVUȆUVUVUUVU&*UVUzUVUXY]UVUZ]UVUȵU0VU8u6UHVUx U`VUEVUxVUV]UVUUVUUVUUVUxUVU(UVUqU VUعU8VU`VUUPVUxUhVU@VUUVUkUVUVUnUVUUVUUVUUVUxUVU>U(VUU@VUVUUXVUx~UpVUhUVUUVU(ݻUVUVUx]UVUUVUUVUUVUeU0VUUHVUU`VUHL]UxVUhO]UVUVUUVUVUlUVUxoUVUUVUؕUVUxU VUVUxFaU8VUHaUPVUUhVUXUVUx%UVU Uh{WU U{WU`VUU{WUVUukU{WU0VUH3kU{WUxVU^U{WUPVU^U{WUU|WU0VUU(|WU)U@|WU)UX|WU)Up|WUVUhU|WU2!U|WU VU86(U|WUhVUhU|WUU|WU`VU8U}WU(U}WUxU0}WUVUUH}WUHU\PU<UHVU(UVUXVUxY'U VUHVUpfPU.UXfPU(VUH&UxVUUVUVU]U qTUXCUVUDU`VUDU8qTUVUXgUPqTUHUhqTUImageSiz1Sarabande Clarinet QuartetUVU!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Sarabande - Clarinet Quartet Phillip Rawle A modern take on a Baroque style mimicking a Sarabande dance. Quite easy to play and would be a refreshing compliment to any concert. U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#VUVUVUVUVUVUVUVUXVUPVUVUHVUVUVU8VUVUxVUwGU`VUбVUHVUVUVUVUVUVU@VUVUVUhVU@VUVUVUXVUXVUVUVUVUhVUVUVUpVUPVUVUVUVUVUVUVUVUVU VU@VUVUxVU`VUpVUVUȳVUVUVUVU0VUVUVUVUpVUVU(VU0VUVUVUVUHVUVU VUPVUVUdefScor!0.00Xg#pWU!g#g#!0000-00-00 00:00:00!1g#g#!2024-03-23 08:34:161227FF30A-E8F0-11EE-A6B9-B39C539980F0U!232692g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1732936g#!0000-00-00 00:00:00!2024-03-23 08:32:28 rx  $(  z  $(Y`*0bhQVU!0g#g#PWU!0g#g#RU!g#g#غRU!2005-03-24 00:00:00U!0g#g#0?SU!1g#g#ISU!0g#g#SU!g#g#WU!0g#g#[U!0g#g#8[U!0g#g# [U!0g#g#5DU!0.0000g#`[U!0000-00-00 00:00:00U1Fig Leaf Rag[U0!g#g#SU!8.44g#gTU!0g#g#XrTU!0g#g#3UU!0g#g#TU!g#g#EUU!g#g#UU!0g#g#UU!Piano Solog#g#!g#g#DU!g#g#NU!1.50Xg#"U!0000-00-00 00:00:00U!0g#g#"U!0g#g#"U10g#g#"U0!1g#g#PWU!0g#g#!0.0000g#!0000-00-00 00:00:001Four Moments Clarinet QuartetFWU!0g#g#!0g#g#!8g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Four Moments - Clarinet Quartet Phillip Rawle Four short, joined moments make up this modern piece for Clarinet quartet. Three Bb Clarinets and a Bass Clarinet.xchang!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g# VU0%WUVUVUVUVUVUVUVUVUVUVUHVUHVUpVUVUVUwGUVUVUVUVU@VU8VUVUVUxVUVUVUVUxVUPVUPVUVU%WUVU(VU8VUVUVUVUVUVUVUVUVU8VUVUVU@VUVUXVUxVU%WUVUVUVUVUVUHVUVUVUhVUVU(VUVU%WUVU`VUhVUHVUVU VUVUVUXVUVU0VUdefScor!1g#g#"WU!2024-04-10 19:51:2215318064A-F76B-11EE-A10F-B39C539980F0U!311081g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2700009g#!0000-00-00 00:00:00!2024-04-10 19:49:55U@2UUh}TUX2UU0VUط~Up2UU`%WUUP~WUGU8~WUU)UWUVUGUxVU+WUTUWUpVUeVUWU`UWUXQ]UWUHR]UWUU]UWUHU0WU%WUhUHWU.U`WUxTUxWUgUWUU]UWU8.UWU(WUȆU؀WU`+WUUWU&*UWUzU WUXY]U8WUZ]UPWUȵUhWU8u6UWUx UWUEVUWUV]UȁWUUWUUWUUWUxU(WU(U@WUqUXWUعUpWU)WUUWUxUWU'WUUWUkUЂWU)WUnUWUUWUUWUU0WUxUHWU>U`WUUxWU8&WUUWUx~UWUhUWUU؃WU(ݻUWU&WUx]UWUU WUU8WUUPWUeUhWUUWUUWUHL]UWUhO]UȄWUH+WUUWUh&WUlUWUxoUWUU(WUؕU@WUxUXWU'WUxFaUpWUHaUWUUWUXUWUx%UЅWU UWU UWU&WUUWU)WUukU0WU%WUH3kUHWU )WU^U`WU&WU^UxWUUWU(WUUWU)UWU)U؆WU)UWU+WUhUWU2!U WU&WU86(U8WU*WUhUPWUUhWU,WU8UWU(UWUxUWUX*WUUȇWUHUfPU<UVU(UVU+WUxY'UVUHVUPU.UPU*WUH&U VUU8VU@-WU]U2UUXCU`VUDUVUDU2UU'WUXgU2UUHU2UUUTUh}TUTU.WUط~UTU/WUUЈWUGUWU%FUCUP)WUGU~WU@U5UxVURWUHU 1HUߓUUPGUX;U0 BU(^GUBUH BUU(#U WU8U+U3WUhUxLWU)U=TU(MUzDUU`xDUSCUhU8HUUDUhIUDUwEU,UxUo@UGUDU`UxWUx1WUUWUx~U0n@UU81HUGU0WUxoUo@UHR]UdUTU.HUeU7HUHUMEUsUHDUXUX$UXϤUZU8UGU(ϤUHGUXϤUGUUaUUm@U(U@AUU@XU0DUCU@UXCUM&UXU8cGU(}UPWUHU0DUTUQWUU(QWU3WUx*U@QWUhUXQWU8UpQWUGU PWUUQWUGUPWUx4WUUPWUlUQWU8U00HUtUBUWarningCQH%WU!g#g#H(WU!0g#g#'WU!0g#g#'WU!1g#g#'WU!0g#g#x(WU!0.0000g#&WU!0000-00-00 00:00:00U1Rustic Fanfare Clarinet TrioRU!0g#g#xSU!0g#g#H?SU!6g#g#ISU!0000-00-00 00:00:00U!0g#g#SU!0g#g#=TU12024-04-11 09:14:14UXrTU0!2011-06-10 23:25:39!0g#GU1g#g#0aaUaUGU!1g#g# ]U You are purchasing a this music. Be sure to purchase the number of copies that you require, as the number of prints allowed is restricted. This score preview only shows the first page. There are 2 pages available to print when you buy this score. ]U!0g#PhU!2021g#12g#g#01:WU3X16245!g#pAUers WHER17.98g#0!0000-00-00UinEditab!g#g# Rustic Fanfare - Clarinet Trio. The first section is an opening flourish or fanfare in choppy eight-bar phrases with no instrument being more prominent than the others. There follows a slower, more thoughtful passage with the instruments moving together in the main, before returning to the original tempo. The third part is much spikier and altogether more chaotic within a staccato, canon figure being conspicuous before calming down into a lyrical, descending passage exploring some harmonic modulations. It ends with a reprise of the third theme before coming to a loud climax. The piece lasts for about three and a half minutes.U>WU!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!Copyright ©!g#g#!185580g#H(WU!0g#g#!0g#g#0+WU!0.00g#!9.50g#x(WU!4.50g#H+WU!1g#g# &WU!1g#g#@*WU!1g#g#(WU!1g#g#'WU!1g#g#'WU!0g#g#x+WU!g#g#!0.00g#`+WU!g#g#10000-00-00 00:00:00UX*WU0Rustic Fanfare - Clarinet Trio Phillip Rawle Rustic Fanfare - Clarinet Trio. The first section is an opening flourish or fanfare in choppy eight-bar phrases with no instrument being more prominent than the others. There follows a slower, more thoughtful passage with the instruments moving together in the main, before returning to the original tempo. The third part is much spikier and altogether more chaotic within a staccato, canon figure being conspicuous before calming down into a lyrical, descending passage exploring some harmonic modulations. It ends with a reprise of the third theme before coming to a loud climax. The piece lasts for about three and a half minutes.DWU=DWU!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#)WUh/WU.WU'WUh)WUp*WU*WUx.WU8,WU0.WU*WU(*WU%WU.WU.WU)WUX-WUwGU@'WU&WU(-WU.WU-WU,WU`.WU(WU /WUx+WU+WUH.WU ,WU,WU)WU8)WU8/WU+WU-WU&WUH(WUh,WU,WUP,WU0+WU-WU`(WUp-WU)WUx(WU(WU*WU.WU.WU &WU/WUX'WU@*WUP&WUp'WU(WU+WU&WU*WU'WUx%WU'WU-WUP/WU-WU/WU-WU(WU,WU,WU('WU,WU(WU0(WU+WU[IWU!1g#g#IWU!2024-04-11 09:11:421217EA362-F7DB-11EE-A78F-B39C539980F0U!182672g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!2390583g#!0000-00-00 00:00:00!2024-04-11 09:08:27P{WU`KWUBHUDв*U@U pWUpaUD0kU`:UD DUZUDZUCUDS@U NUD'DU8LWUeUphDUD`CU@HUD0%U`ZUDeU:UDpWUBHUDCUWUU gUWUU@9EUZUDAU@U @ U(MWUcACUD+!U?UDUhUWU`cWUDP7UUWUDUD@CUUWUdUD`@UUWUCHUD0*DU(VWUp}dUD #UXVWUBUVWU0iaUDaUVWUVWUVWU@UD fCUWWUKUD@6%UHWWUGUxWWUpnqUDpinUWWU@HHUDCUWWUCUD$UXWU:UD DU8XWU>UDWUhXWUxdUD]]UXWUCUDp)HUXWUu,U D`>UXWU(YWU`@HUD UXYWUsdUDZfUYWUGUYWUZUDDUYWUZWUSU  bCUHZWU[WUD*DUxZWUdUDpdUZWUw"UvCUZWU @U p>U[WU&mU8[WUScores   0 HP6H/P28KP(  "(  8ghtisheQ/WU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Urofit!0000-00-00 00:00:00WHER!9423g#!0.00g#`!g#g#;U!2g#g#8U![] #g#:U!0g#g# !0g# BU!0g#g#12017-06-09 17:10:170!HASHP!U !0g#g#!4g#g#13.30g#0!HASHg#X_:UQFUFUDU1pWU\]178618!Easy (Grades 1-3)!HASHЎ*Uscores/61HASHg#x650.png 650w01Indian Summer(Solo Guitar).sibitemCond12016-09-02 01:24:07U00 00:000aP2UhKWU|(1U!g#8g#!1g#g#DU!Guerneville#DU10000-00-00 00:00:00UȮBU01g#g#in-bb-duet-612530Le Coucou - Clarinet in Bb and Bass Clarinet in Bb duet Louis-Claude Daquin Arr. 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Andrea Verrengia

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Probably he has began his own music-sound experience still in prenatal condition, as well as who does music sincerely (he thinks so). Nevertheless, a long music "Curriculum Studiorum" (graduate at Conservatoire of Music of Rome "S.Cecilia" in "Experimental School of Composition"- 1989 and graduate in a few other musical disciplines a:U2U:U2U multi-faces artistic working, which concretely begins, without never stop it, once 1979 and which space out in various music composition fields (contemporary opera; electronic music and instrumental and vocal experimental music; chamber, orchestral and choral music), as well as in the music interpretation and exegesis field (contemporary works performance and "mise en scene" as well as "Kontakte" by Stockhausen), rather a few composers interviews (Grisey, Rihm, Clementi and others) and dedicated writings to contemporary music ( Schoenberg; Venice Biennale Musica and many others), and, finally, a long and intense teaching activity in many Italian Conservatoire of Music, bring him (in 2000 public competed) to be appointed Professor of "Harmony, Counterpoint, Fugue and Composition" by Italian "Educational University and Research Ministry" (http://www.afam.miur.it ). From 1992 to today he has teaching in many Italian Music Conservatoire of Music and, actually, he is Professor of Harmony Counterpoint Fugue and Composition at Conservatoire of Music "S. Pietro a Majella" of Napoli. On the level of the his own expressive evolution, he thinks particularly incisive his music theater (Opera) intense experience, as well as composer and art director of the "Poiein Artistic Research Group" (1979-1990), with a several operas production performed in Italy and abroad, amongst which: Nous (1982/87), Metapherein (1983/86), Endon (1987/88), Prologo a Ljub-Ljub (1988), Pour Poe (1990) and others. For his composition "Dedans" (for Guitar, Vibraphone, Cello and 2 Percussionists), in 2006 he has won the absolute first prize at International Competition of Composition by Percussive Arts Society PAS-Italy and, in 2007, he has been rewarded by SIAE.

www.andreaverrengia.com StudyingSite : Music studies - Educational online

UXUXXU`XUHXU@XU ?XUHYUXUXUXUXU ? 3EmailConfirmRequ g#g#PYUPYUref="/instrumentations/string-orchestra.html">String orchestra
  • Orchestra + choir
  • Orchestra + solo
  • Percussion
  • Piano / Keyboards
  • Rock and Pop
  • Strings
  • Voice / Choral
    • abello" "Jeffery Lamar Williams" "Kaan Gunesberk" "Louis Bell" "Pharrell Williams"" class="form-control">
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Nevertheless, a long music "Curriculum Studiorum" (graduate at Conservatoire of Music of Rome "S.Cecilia" in "Experimental School of Composition"- 1989 and graduate in a few other musical disciplines as well as Electronic Music - 1985) and a multi-faces artistic working, which concretely begins, without never stop it, once 1979 and which space out in various music composition fields (contemporary opera; electronic music and instrumental and vocal experimental music; chamber, orchestral and choral music), as well as in the music interpretation and exegesis field (contemporary works performance and "mise en scene" as well as "Kontakte" by Stockhausen), rather a few composers interviews (Grisey, Rihm, Clementi and others) and dedicated writings to contemporary music ( Schoenberg; Venice Biennale Musica and many others), and, finally, a long and intense teaching activity in many Italian Conservatoire of Music, bring him (in 2000 public competed) to be appointed Professor of "Harmony, Counterpoint, Fugue and Composition" by Italian "Educational University and Research Ministry" ("C3Ug#dule' src="/js/000000000999999999/app/se/utils/social_buttons.js"> ?AU0f]UEditable --> UA@;AUf]Ubanner' class='hidden'> GIU >Uxe]UqPg]U!ListItemq>U>Up /profilesq1HASHg#margin-top-sm'> 0!Profilesg]Ug#{UPuUPuUy" data-cookie-prefs-allow-all="true">AcceptRejectMore options... g#!e]Uh]UP@f]Uoperty="og:image" content="USEROGIMAGEURL" /> @@3Ug# @h]Uoperty="og:url" content="FULLPROFILEURL" /> 9!@@3Ug#ibraryItem --> 00pi]UlveArgs = resolveArgs; p5U`f>Usheet" type="text/css" href="https://fonts.googleapis.com/css?family=Fira+Sans+Condensed:400"> 622737!h]U@@3U`@i]Uoperty="og:type" content="website" /> Up:U0J3UbraryItem "/Library/GoogleTagManagerConfig.lbi" --> U1` K3UK3UU]U8N]UHUPN]UA]UhUhN]U.UN]UxTUN]UgUN]UU]UN]U8.UN]Uhm]UȆUN]Up]UUO]U&*U(O]UzU@O]UXY]UXO]UZ]UpO]UȵUO]U8u6UO]Ux UO]UEVUO]UV]UO]UUP]UUP]UU0P]UxUHP]U(U`P]UqUxP]UعUP]UXn]UUP]UxUP]U8m]UUP]UkUP]Un]UnUQ]UU Q]UU8Q]UUPQ]UxUhQ]U>UQ]UUQ]Uk]UUQ]Ux~UQ]UhUQ]UUQ]U(ݻUR]Uk]Ux]U(R]UU@R]UUXR]UUh(UeU(UU(UU(UHL]UȚ(UhO]U(Up]UU(Uk]UlU(UxoU((UU@(UؕUX(UxUp(Ul]UxFaU(UHaU(UU(UXUЛ(Ux%U(U U(U U(UXB]UU0(Uo]UukUH(U(B]UH3kU`(Upn]U^Ux(UHl]U^U(UU(U(n]UU(U)U؜(U)U(U)U(Uq]UhU (U2!U8(Ul]U86(UP(U`o]UhUh(UU(UXq]U8U(U(U(UxUȝ(Uo]UU(UHU '_U<UB]U(U(2]UPp]UxY'UZUHVU|@U.U|@U p]UH&UB]UUB]Ur]U]UaUXCU1]UDUB]UDUX)]Um]UXgUp)]UHU)]UU)]Uh}TU)]U(t]Uط~U)]Un]UGUL]UGUО(UU)UP(Ut]UU(Uz]UTU8(UEUx(U`Uh(UXQ]U(UHR]U(UU]U(UHUȠ(U0u]UhU(U.U(UxTU(UgU((UU]U@(U8.UX(Uw]UȆUp(Uz]UU(U&*U(UzU(UXY]UС(UZ]U(UȵU(U8u6U(Ux U0(UEVUH(UV]U`(UUx(UU(UU(UxU(U(Uآ(UqU(UعU(Ux]UU (UxU8(Upw]UUP(UkUh(Uy]UnU(UU(UU(UUȣ(UxU(U>U(UU(Uu]UU((Ux~U@(UhUX(UUp(U(ݻU(U v]Ux]U(UU(UUФ(UU(UeU(UU(UU0(UHL]UH(UhO]U`(Uz]UUx(Uu]UlU(UxoU(UU(UؕUإ(UxU(Uw]UxFaU(UHaU (UU8(UXUP(U{]U!15.00g#m]U!30.00g#!15.00g#p]U!0g#g#!g#g#m]U!0.00g#p]U["35540","158169","150141","29207","32948","140284","68377","93339","70027","12629","109224","142505","195563","46534","97403","198143","126250","126310","97453","206810"]p]U!2020-09-06 21:34:12!0g#g#p]U!0000-00-00 00:00:001g#g#m]Uo]U0aVIEUXTEMPS STARR Fantaisie sur Le Rossignol de Alexandre Alabieff for violin and piano!0g#g#!0g#g#!21g#g#!2013-04-10 00:06:22!0g#g#!0g#g#VIEUXTEMPS - STARR: Fantaisie sur Le Rossignol de Alexandre Alabieff, for violin and piano A concert reduction for violin and piano, of Mark Starr's orchestration of Henri Vieuxtemps' Fantaisie sur Le Rossignol d'Alabaieff. Suitable for violin/piano recitals. this concert reduction agrees with Mark Starr's orchestration. Henri Vieuxtemps Mark Starr Noteworthy Musical Editions This is a reduction for violin and piano of my orchestrated version of the piece, for violin solo and string orchestra. Thus, this version for violin and piano is not quite the same as Vieuxtemps’ original composition, for violin and piano. For one thing, the piano accompaniment is considerably fuller, harmonically, and the notation reflects the orchestral version. For another, the violin part is consistent with the orchestral version; it has rehearsal letters; and it was edited by me with some ’improvements’ in notation. The violin part also contains additional fingerings by Sarasate (who was the teacher of my wife’s grandmother, and marked her copy of the original violin part--which we still have.) While my reduction of my orchestraled version is suitable for performances with piano in recitals, its primary purpose is to serve as an aid for violinists to prepare performances of the orchestral version. The orchestral version is available from Noteworthy Music (noteworthy@zasu.us) on a rental basis for specific performances or recordings by orchestras. You can hear the orchestral version now in a computer-generated performance using sampled instruments at the Noteworthy Music website, at the following link: http://noteworthymusic.zasu.us/mp3/rossignol.htmg!0g#(g# ]U!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#o]Ut]Ut]Ul]Un]Uo]Uo]Us]Uq]Us]Up]Uxo]U@B]U@t]Uhs]Un]Ur]UgUl]Ul]Uxr]Us]U8s]U0r]Us]Un]Upt]Up]Up]Us]Upq]UHr]UHo]Un]Ut]Up]U s]U0l]Um]Uq]Ur]Uq]Up]Ur]Um]Ur]U0o]Um]Um]U8p]Us]UPs]Upk]Ut]Ul]Uo]Uk]Ul]Um]U@q]Uk]Uo]U`l]UA]U m]Ur]Ut]Us]UXt]U`r]U@n]Uq]Ur]Uxl]Uq]UPm]Um]U(q]UScores!2017-06-09 17:10:17!2017-06-12 19:42:45U!g#g#]U!578535g#]U!0g#g#Scores!0g#g#s10.00g#`(Uظ(U0!0g#g#@]U!0g#g#!0g#g#5]UA]U@]U7]U5]U4]U4]U@]UP>]UH@]U4]U 5]UX9]UA]U0@]U5]Up?]U.gU8]U8]U@?]U@]U@]U>]Ux@]U6]U8A]U=]U4]U`@]U8>]U?]UP5]U6]UPA]U=]U?]Uh8]U6]U>]U>]Uh>]UH4]U?]U7]U?]Uh5]U6]U6]U`4]U@]U@]U(9]UA]U7]U5]U8]U7]U6]U>]U8]U4]U88]U9]Ux7]U?]UhA]U?]U A]U(?]UX6]U>]U>]U 8]U>]UH7]U7]U=]UbU["126419","180601","73045","166107","58292","180672","42035","85353","163865","129192","158843","72915","66031","69264","161193","69382","183218","31044","116750"]!2020-09-18 23:10:17!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!1g#g#!0g#g#!1g#g#!650x993g#!0g#g#!0g#g#!5.00g#!2023-02-14 19:02:44!2023-02-14 19:03:21!2857899g#!4645866g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#meU !163322g#1Ralph Vaughan Williams0!2017-06-09 17:10:17U10000-00-00 00:00:00(U0AMorlacchi The Swiss Shepherd for flute & pianog#!60g#g#&U!527#g#H \U!3g#g# ]U!1g#g#`>\U!2014-12-24 12:12:16U!2018-05-04 14:05:39U1Pietro Morlacchi 1828-1868x(U!g#g#(U!0g#g#(U!0g#g# !sib#g#0 ]U!247#g#q\U!0g#g#H|\U!2014-12-24 12:12:16U!22g#g# #^U!7377g#p^U!20g#g#^U!4g#xg#x^U!g#g#_U!3.99g#p(_U!0g#g#_U!0g#g#_U10g#g#"U0!0g#g#m]U!1g#g#`l]U!0g#g# m]Uq{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "25170" } U!0.0000g#Pm]U!2011-05-08 02:26:40!7g#g#]U!This is a reduction for violin and piano of my orchestrated version of the piece, for violin solo and string orchestra. Thus, this version for violin and piano is not quite the same as Vieuxtemps’ original composition, for violin and piano. For one thing, the piano accompaniment is considerably fuller, harmonically, and the notation reflects the orchestral version. For another, the violin part is consistent with the orchestral version; it has rehearsal letters; and it was edited by me with some ’improvements’ in notation. The violin part also contains additional fingerings by Sarasate (who was the teacher of my wife’s grandmother, and marked her copy of the original violin part--which we still have.) While my reduction of my orchestraled version is suitable for performances with piano in recitals, its primary purpose is to serve as an aid for violinists to prepare performances of the orchestral version. The orchestral version is available from Noteworthy Music (noteworthy@zasu.us) on a rental basis for specific performances or recordings by orchestras. You can hear the orchestral version now in a computer-generated performance using sampled instruments at the Noteworthy Music website, at the following link: http://noteworthymusic.zasu.us/mp3/rossignol.htmbUbU!1g#xg# !0g#g#?!g#g#PbU!g#g#bU!0g#g# A concert reduction for violin and piano, of Mark Starr's orchestration of Henri Vieuxtemps' Fantaisie sur Le Rossignol d'Alabaieff. Suitable for violin/piano recitals. this concert reduction agrees with Mark Starr's orchestration.!g#g#?!g#g#hbU!3.00g# bU!0000-00-00 00:00:00!0g#g#?!0g#g#bU!103514g#bU!g#g#!!10g#g#?0!0g#g#]U!0g#g#!0g#g#!0g#g#!1276x1650g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00QaU1Alexander's Ragtime Band]U293970'!275#g#!3g#g#!2g#g#.`U!2011-10-13 00:00:00U!2022-03-10 00:00:00U!g#8g#0kU!g#g#kU!0g#g#kU10g#g#0!g#g#8aU!0g#g# EU!0g#g#aU!g#g#!2011-10-13 00:00:00U!0g#g#y`U!1g#g#`U!0g#g# `U!1.50g#kU!0000-00-00 00:00:00U!0g#g#PkU!0g#g#kU!0g#g#kU!g#g#xkU!0g#g#kU10g#g#kU0!0g#hg#HbU!g#g#bU!8.44g#$cU!0g#g#g#!0g#g#tAttempt!0g#g# !251921g# QBlue Skies Piano Solo Irving Berlin, Irving Berlin Al Lerner !Blue Skiesg#!41g#g#dU!275#g#p AU!3g#g#179129!2g#g#p!2010-07-30 00:00:00!2023-06-14 00:00:00U!g#g#`dU!Al Lernerg#95719!0g#g# HaUhaU9U`aU9U0aUh@Uh@U@aU9UaU"UpʋUaUaUPaUh|@UJUaUaUaU`aUaU8aUaUxaUaUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!HASHtmlg QH]U]U]U5tUQ]U!3g#@XU@>U!1g#g#LUX#!2011-06-10 11:21:42!2020-03-04 16:23:37!0g#g#!g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00qhttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_0000000000472398.png#p!28.00U!25.00g#!28.00g# S\U0Y\UX\UhQ\U0S\U8T\UhT\U@X\UV\UW\UT\US\UO\UX\UW\U`S\U W\U("]UQ\UxP\UV\UpX\UW\UV\U(X\UR\UX\U@U\UXU\UX\UU\UV\US\US\UY\UpU\UW\UP\UR\U0V\UxV\UV\UT\UhW\U(R\U8W\US\U@R\UXR\UT\UXX\UW\UO\UY\U Q\UT\UP\U8Q\UpR\UU\UHP\UPT\UP\U@O\UQ\UPW\UY\UW\UX\UV\UR\UHV\UV\UP\U`V\UQ\UQ\UU\Uް]U!2022-11-30 18:59:09U!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!5g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00QHY\U!380113g#ores WHE!0g#g#H^U10g#g#^U0QThe Entertainer Lead Sheet / Fake Book Billy Joel, Billy Joel !The EntertainerPUU!58g#g#g#!0g#g#TU!3g#g#EUU!2g#g#PUU!2017-09-23 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]U]U]U]U8]U]UY\Up]U]U]\Uؾ]U!]U@[\UZ\U]U(]Uh]U`]U]U\\U]U]U]Uȿ]U]Ux]Ux]U8]\U]U(]UP]UZ\UH\\U]U0]Uн]U]U ]U`\\U]U`]Ux\\U\\Uh]U]U]U Z\UH]UX[\U]UPZ\Up[\U\\Up]UZ\U]U[\UxY\U[\U]U]U8]U]U]U\\U]UH]U([\U]U\\U0\\UX]U!3.49Xg#`]U["286626","286632","302757","223545","208669","214230","214541","214552","223331","223502","223505","223508","223510","223512","223535","223536","223537","223538","223542","223549"]!2020-08-18 16:46:50!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1276x1650g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00m\U]UpZUD ]U0h\UD ]U@h\UD ]UPh\UD ]U`h\UD ]Uph\UD ]Uh\UD ]Uh\UD@ ]Uh\UD ]Uh\UD ]Uh\UD0 ]Uh\UDP ]Uh\UDp ]Uh\UD ]Ui\UD ]Ui\UD ]U i\UD` ]U0i\UD ]U@i\UD ]UPi\UD ]U`i\UD ]Upi\UD ]Ui\UD0 ]Ui\UDP ]Ui\UDp ]Ui\UD ]Ui\UD ]Ui\UD]Ui\UD]Ui\UD]Uj\UD]Uj\UD ]U j\UD]U0j\UD]U@j\UD]UPj\UD]U`j\UD]Upj\UD0]Uj\UDP]Uj\UDp]Uj\UDP]Uj\UDp]Uj\Uj\UD]Uj\UD]Uj\UD]UUk\UD]Uk\UD]U k\UD0]U0k\UDP]U@k\UDp]UPk\UD]UU`k\UD0 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00:00:00U!0g#g#U^U!0g#g#U^U!0g#g#V^U!g#g#U^U!0g#g#@T^U!0g#g#PV^U!0g#g# !1.50g#]U!0000-00-00 00:00:00U!0g#g#]U!0g#g#@]U!0g#g#0]U!g#g#]U!0g#g#]U10g#g#]U0!g#g#]U!0g#g#!Lead Sheet / Fake Book!g#g#!g#g#!0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g#]U!358672g#!0g#g#0]U!0g#g#]U!0.00g#]U!0.00g#]U!0.00g#`]U!1g#g#]U!1g#g#]U!0g#g#0]U!0g#g#!1g#g#]U!130214g#1Billy Joel, Billy Joel]U0!0g#g#@]U!0g#g#!0.0000g#!0000-00-00 00:00:00!The Entertainer!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!500#g#!494#g#]U ^Ux]UX]U ]U(]UX]U0]U]U]Up]U]U]U]U]UP]U]U!]U]Uh]U]U`]U]U]U]Ux]U]U0]UH]U]U]U]U]U]U]U`]U]U]U]U ]Uh]U]U]UX]U]U(]U]U0]UH]U]UH]U]U]U^U]U]U]U(]U`]U]U8]U@]U]U0]U]U@]U]Up]U]U]U]U8]U]U]UP]U]U]U]U^U!3.49g#^U["211608","457125","430989","430987","333976","369598","376953","432318","403110","211540","211630","211651","214714","215466","216136","216278","218248","219051","220684","222392"]!2020-09-18 01:18:57!0g#g#!2022-11-30 18:22:45!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1276x1650g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00]Uط~U ZUP^UU]UGU]UU)U`]U]UGU|\U ^UTUH]UX U ^U`Ux]UXQ]U]UHR]U]UU]U]UHU]U^UhU]U.U]UxTU ]UgU8]UU]UP]U8.Uh]U^UȆU]UP ^UU]U&*U]UzU]UXY]U]UZ]U]UȵU]U8u6U(]Ux U@]UEVUX]UV]Up]UU]UU]UU]UxU]U(U]UqU]UعU]U^UU0]UxUH]U^UU`]UkUx]Up^UnU]UU]UU]UU]UxU]U>U]UU ]U(^UU8]Ux~UP]UhUh]UU]U(ݻU]U^Ux]U]UU]UU]UU]UeU]UU(]UU@]UHL]UX]UhO]Up]U8 ^UU]UX^UlU8^UxoUP^UUh^UؕU^UxU^Ux^UxFaU^UHaU^UU^UXU^Ux%U^U U(^U U@^U^UUX^U^UukUp^U^UH3kU^U^U^U^U^U^U^UU^U^UU^U)U^U)U^U)U0^U ^UhUH^U2!U`^U^U86(Ux^U ^UhU^UU^U ^U8U^U(U^UxU^UH ^UU^UHUgTU<Ux|\U(U|\U ^UxY'Uhq\UHVUXrTU.U@rTU ^UH&U|\UU|\U0 ^U]U8ZUXCU{\UDU|\UDUPZU^UXgUhZUHUZUU`{@Uh}TUx{@U ^Uط~U{@U^UU^UGU^UU)Ux^U@^UGUX]UO^UTU`^U8U!^U`U^UXQ]U^UHR]U^UU]U^UHU^U^UhU^U.U ^UxTU8^UgUP^UU]Uh^U8.U^U@^UȆU^UHO^UU^U&*U^UzU^UXY]U^UZ]U^UȵU(^U8u6U@^Ux UX^UEVUp^UV]U^UU^UU^UU^UxU^U(U^UqU^UعU0^U0^UUH^UxU`^U^UUx^UkU^U^UnU^UU^UU^UU^UxU^U>U 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Elgarg#bU!Klas Krantz#bU!1899g#bU12014g#0!pdf#g#^U!576#g#p^U!0g#g#^UAElgar - Chanson de matin (cl in Bb+pno_score+part).pdf!2023-02-11 00:41:55U!24g#g#0|\U!2679g#]U!10g#g#^U!g#g#0bU!899459g#bU!1g#g#bU!2g#g#pbU!4.95g#`bU!2.00g#bU!6.95g#bU10.00g#bU0!3g#g#.`U!1.50hg#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g# !3.99g#(U!2014-12-24 12:12:20U!0g#g#(U!0g#g#8(U!0g#g#((U!g#g#(U!0g#g#(U10g#g#(U0!g#g#8bU!g#g#!0g#g#!g#g#1Editions Glenn Michael, Caracas 2014U!g#g#!g#g#(U!188492g#!0g#g#(U!0g#g#!0.00g#((U!11.97g#(U!7.98g#(U!0g#g#(U!g#g#X(U!0.00g#(U["126419","180601","361508","73045","180672","166107","58292","42035","163865","85353","158843","129192","72915","161193","66031","69264","69382","183218","153307","31044"](U(U!1g#g#;bU!0g#g#!g#g#!0.0000g#!2014-12-24 12:13:11AMorlacchi The Swiss Shepherd for flute pianosPhotoHei!0g#g#!0g#g#!11g#g#!0000-00-00 00:00:00!0g#g#!0g#g#aMorlacchi The Swiss Shepherd for flute & piano Pietro Morlacchi 1828-1868 =bU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 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Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. !6.95g#!0g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!Op. 15, No. 2,a© Copyright 2014 by Klas Krantz, Sweden AMADEUS MUSIC / klaskrantz@hotmail.comNbU!g#g#!0g#g#0bU!g#g#!0.00g#bU["68720","153173","63078","198365","82024","13112","152856","198149","184368","18039","121215","68405","159487","207778","158114","82348","97013","79390","196530","71580"]UbU!2020-09-18 11:50:15U!0g#g#bU!2021-05-06 04:24:28U1909A3FDA-AE1A-11EB-BA9D-788383FEA0E1U!214796g#bU!0g#g#bU!0g#g# QSir Edward Elgar (1857 – 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. C!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2021-05-06 04:26:001Chanson de Matin for clarinet and piano!0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Chanson de Matin for clarinet and piano Op. 15, No. 2, E. Elgar Klas Krantz Amadeus Music Sir Edward Elgar (1857 – 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. rts?!0g#g#!0g#g#!0g#g#!0g#g#!2017-03-31 16:22:18A{"width":290,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"DA368F9A-1625-11E7-9B0B-AD61DCCAE4E3","position-x-pc":"0"}UbU!0g#g#!500#g#!500#g#bUPbUbUbUPbUXbUbU`bU bUbUbUbU؋bUؔbUbUbU@bUiU(bUbUbUbUГbUȒbUHbUbUbU`bUxbU0bUbUbUbU bU bUbUbUȌbU0bUPbUbU8bUbUbUHbUXbUȏbU`bUxbUАbUxbUbUbUhbU@bU(bU8bUXbUbUؑbUhbUpbUbUHbUbUpbU8bUbUbUbU؎bUhbUbUbUbUbUbUbUrbU!0g#g#0bU!1g#g#!650x840g#!0g#g#!0g#g#!5.00g#!2023-02-11 00:41:21!2023-02-11 00:41:55!4775156g#!5310887g#!0000-00-00 00:00:00!0000-00-00 00:00:00bUbUcUD bUcUD bUcUD@bUcUD`bUcUDbUcUDbUcUDbU cUDbU0cUD bU@cUD@bUPcUD bU`cUD@ bUpcUD` bUcUD bUcUD bUcUD bUcUD bUcUcUD bUcUD bUcUcUcU cU0cU@cUD@ bUPcUD` bU`cUD bUpcUD`bUcUDbUcUD0bUcUDPbUcUDpbUcUDbUbUpbU0fUDfU@fUDfUPfUD0fUZUDPfUп^UDpfUZUDP4gUaUDp4gU\U bU`pU2bUإbU`RcUD0HcU`ZUD`fU@bUDcUHbUbUD`cU){U){UDPzUzUDP{UbUPbUDcUbUDcU bUDcU@SU  bU`,^UDPcUcUDcUcUDcUcUD cUcUD@cUcUD`cU cUDcU0cUDcU@cUDPcUPcUDpcU`cUDcUpcUDcUcUDcUcUDcUcUDcUcUD0cUcUDcUcUDcUcUDcUcUD cUcUDPcUcUDpcU cUDpcU0cUDcU@cUDcUPcUDcU`cUDcUpcUDpbUcUDbUcUDbUcUDЬbUcUDbUcUD bUcUD@bUcUD`bU0bUDbU@bUDbUPbUDbU`bUDbUpbUDbUbUD bUbUD@bUbUDpbUbUDbUbUDbUbUD bUUbUDPbUbUDpbUbUDbUbUDbU bUDbU0bUDbUU@bUDbUPbUDbU`bUDbUpbUDbUbUDbUbUD0bUbUDPbUbUDpbUbUDbUbUDbUbUDbUbUD0bUbUDPbUbUDpbU bUDbU0bUDbU@bUDЭbUPbU`bUDbUpbUDbUbUbUbUbUbUbUD0bUbUDPbUbUDpbUbUDbUbUDbU bUDbU0bUDbU@bUDbUPbUDbUxbUbUPZUD4gU\UD4gU@ZUD4gU aUD4gUZUD5gU0\UD@5gUZUD`5gU SU pcUdpU2hbU0bUcUDeUUD0.UpLcUDcUbULcU0zUD{U zUD{U0zUD\{UKcUDЂcULcUDЃcU@LcUDPcUPLcUDpcU?QbUXaUbUPbUbUaUaU0aUbUaUaUHaUaUbUbUaU(aUaU_hU`bUЖbUaU8bUxaUpaUaUPaUbUaU aUaUaUaUaUaUbU8aU`aUbUhbUaU@aUaUaU0aUbUaUpaUbU aUxaU bUaU@bUXbUxbUaUpbUbU8aUaUbUaU0bUbUbUaUbUHaUbUaUaUaUXaUHbU(aU bUPbUhaU^bU!0000-00-00 00:00:00U ch'(  ("(#( ?@  chrofitLiQbU!137075g#ores WHEQBadinerie- Suite No 2 in Bm- BWV 1067 for C Low Brass.sibcU!0g#g# cU!172626g#bU!g#g#bU!0g#g#`bU!0g#g#PcU!1g#g#bU!0g#g#bU1Myfanwyg#cU0I came upon this song whilst listening to a local male voice choir, which I thought would be a great solo for myself to play. It resulted in me arranging this beautiful traditional welsh melody for the perfectly suited Baritone.U!4.99g#`^U!0g#g#^U!1g#g#_U!0g#g#u_U!g#g#_U!g#g#0_U!0g#g##`U!g#g#.`U!g#g#y`U!g#g#`U!2011-06-10 17:23:43U10g#g#"U0q{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "2969" } U!0.0000g#!2011-05-06 23:24:351Jesu Joy of Mans Desiring Violin Piano!0g#g#!0g#g#!4g#g#!2013-03-15 23:06:12!0g#g#!0g#g#Jesu, Joy of Man's Desiring (Violin & Piano) J. S. Bach none Tony Kitchen One of Bach's most famous pieces, arranged for violin and piano. @? !0g#g#!0g#g#!0g#g#!0g#g#!2023-09-16 08:55:19!g#g#!0g#g#!0g#g#!0g#g#bUbU(bUhbU0bU8bUhbUbUbU bUbUbUbUXbU bU`bU bUbUxbUbUbU bUbUbUbUbU@bUXbUbUbUbUbUbUbUpbU bUbUbU0bUxbUbUbUh bU(bU8 bUbU@bUXbUbUbU bUbU0bU bUbUbU8bUpbUbUHbUPbUbU(bUbUP bUbU bUpbUbUbUHbUbUbU`bUbUbUbUbU["93339","150141","158169","32948","29207","140284","35540","68377","195563","109224","70027","198143","142505","126310","46534","121749","97403","126250","206810"]U!2020-09-27 01:19:01!0g#g#!2023-09-16 08:55:19!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#HVU\U.UbUbUH&UbUUbU bU]U-]UXCUbUDUbUDU-]UbUXgU.]UHU .]UU8.]Uh}TUP.]U@bUط~Uh.]U`bUUxbUU)UXcU'U"cUbUGUXbUbUTU@cUGU`bU`UpcUXQ]UcUHR]UcUU]UcUHUcUHbUhUcU.UcUxTUcUgU0cUU]UHcU8.U`cUbUȆUxcUbUUcU&*UcUzUcUXY]UcUZ]UcUȵUcU8u6U cUx U8cUEVUPcUV]UhcUUcUUcUUcUxUcU(UcUqUcUعUcUbUU(cUxU@cUbUUXcUkUpcU bUnUcUUcUUcUUcUxUcU>UcUUcUbUU0cUx~UHcUhU`cUUxcU(ݻUcU8bUx]UcUUcUUcUUcUeUcUU cUU8cUHL]UPcUhO]UhcUbUUcUbUlUcUxoUcUUcUؕUcUxUcU(bUxFaU cUHaU( cUU@ cUXUX cUx%Up cU U cU U cUbUU cUPbUukU cUxbUH3kU cUbU^U!cUbU^U!cUU0!cUxbUUH!cU)U`!cU)Ux!cU)U!cU`bUhU!cU2!U!cUhbU86(U!cUbUhU!cUU"cUbU8U "cU(U8"cUxUP"cUbUUh"cUHU\U<U ]U(UbUbUxY'U@TbUHVU ]U.UpbUpbUH&UbUUbUbU]U.]UXCU@bUDUbUDU.]UXbUXgU.]UHU.]UU.]Uh}TU.]UxbUط~U/]UbUGUbUGUX#cUU)U$cU8bUUp#cUkcUTU$cUx%HUZcU`U$cUXQ]U%cUHR]U %cUU]U8%cUHUP%cUbUhUh%cU.U%cUxTU%cUgU%cUU]U%cU8.U%cUbUȆU%cU(lcUU&cU&*U(&cUzU@&cUXY]UX&cUZ]Up&cUȵU&cU8u6U&cUx U&cUEVU&cUV]U&cUU'cUU'cUU0'cUxUH'cU(U`'cUqUx'cUعU'cUcUU'cUxU'cUbUU'cUkU'cUXcUnU(cUU (cUU8(cUUP(cUxUh(cU>U(cUU(cUbUU(cUx~U(cUHcU!2023-05-09 02:24:51U!2023-05-09 02:24:54!408469g#!384356g#!0000-00-00 00:00:00!0000-00-00 00:00:00QbU!0g#BU !142982g#1Mollenhauer The Infant Paganini.sib!372#8g#^U!3g#g#p^U!2g#g#^U!2011-06-10 12:12:44!2017-12-12 13:59:47U!0g#8g#cU!0g#g#hcU!2g#g#xcU11.50g#0!sib#g#u_U!265#g#_U!0g#g#^U!g#g#8#^U!0000-00-00 00:00:00U!209#g#`^U!11212g#^U!130#g#_U!2011-05-07 19:02:07U!0g#g#hcU!0g#g#(cU!63473g#cUqOne of a number of arrangements for violin and piano suitable for GCSE or festival performance.XcU!1g#g# !G.F. Handel# EU1Peter Martin"U0!0g#g#bU!g#g#bU!0g#g#pbU!0g#g#(bU!1g#g#bU!0g#g#bU!g#g#bU14.6080g#bU0!g#g#defe02!0g#g#Scores1!g#g#tSizexc1Editons Glenn Michael, Caracas 2014orma!g#g#defe-0!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#bU!100008g#!0g#g#bU!0g#g#bU!6.00g#bU!5.00g#bU!6.00g#HbU!5.00g#bU!0g#g#pbU!g#g#bU!0.00g#QhbU!!3.508g#core17!2014-10-02 14:44:08U!1g#g#Scores11g#g#\Ug#0!154190g#H>\U!2017-06-09 17:10:17U10000-00-00 00:00:00؋bU01Chanson de Matin for clarinet and piano!60g#g#4-04-19 !511#g#7134807913g#g# cUsses my 0  FHOPFH'(*0$(=@58  ;@tx*0 ,0  @H4-18 23:bUcUSU  cU ,^UD0aU`bUDaUpbUDaUbUDaUbUDaUbUD0aUbUDPaUbUDpaUbUD aUbUD@aUbUD`aUbUDaUbUDaU bUDaU0bUDaU@bUDaUPbUDaU`bUDaUpbUDaUbUDaUbUD0aUbUDPaUbUDpaUbUDaUbUDaUbUDaUbUDaUbUDcUbUDcU bUDcU0bUD0cU@bUD`cUPbUD cU`bUD cUpbUD cUbUD cUbUDcUbUDcUbUDcUbUD cUbUD@cUbUD`cUbUDcUbUDcUbUDPcU bUDpcUU0bUDcU@bUDcUPbUDcU`bUDcUpbUD cUbUD@cUUbUDPaUbUD`cUbUDcUbUDcUbUDcUbUDcUbUDcUbUD cUbUD@cU bUD`cU0bUDcU@bUDcUPbUDcU`bUDcUpbUD cUbUD cUbUD@ cUbUD` cUbUD cUbUD cUbUbUbUbUbU bUD cU0bUD cU@bUD cUPbUDcU`bUD@cUpbUD`cUbUDcUbUDcUbUDcUp"cUHbU@eUD5gUЌZUD5gU\UD5gUZUD5gUaUD6gUZUD 6gU]UD@6gU SU cUapU2`#cU(cUcUD eU0UD URcUDHcU#cURcUDpHcUPzUpzUD]{Up_{UD{UPRcURcUDIcURcUDHcURcUDHcU\U  P}cU+^UDlbUbUDcUbUDcUbUDcUbUDcUbUD cUbUD@cUbUD`cU bUDcU0bUD0cU@bUDPcUPbUDpcU`bUDcUpbUDcUbUDcUbUDcUbUDcUbUD0cUbUDcUbUDcUbUDcUbUDbUbUDbUbUDbU bUD bU0bUD@bU@bUD`bUPbUDbU`bUDbUpbUDbUbUDbUbUDbUbUDcUbUD bUbUD@bUbUDbUbUDbUbUD bUbUD@bUbUD`bU bUDbU0bUDbU@bUDicUPbUDPjcU`bUDpjcUpbUDbUUbUDmbUbUD0mbUbUDzcUbUDzcUbUDzcUbUDzcUUbUD{cUbUD0|cUdefScor!2017-06-09 17:10:17U10000-00-00 00:00:00eU0!60g#g# !0g#g#cU12017-03-31 15:50:04cU0AMollenhauer "The Infant Paganini" for Violin and Piano!60g#g#p^U!372#g#^U!3g#g#x^U!1g#g#_U!2013-10-16 11:45:39U!2020-04-29 16:21:47U!E. Mollenhauer@cU!g#g#cU!0g#g#cU10g#g#0!sib#g#^U!60g#g#@(_U!0g#g#v_U!2013-10-16 11:45:39U!76g#g#`U!6261g##`U!56g#g#0.`U!5g#xg#p`U!g#g#`U!4.99g#`U!0g#g#BaU!0g#g#~WU10g#g#"U0A transcription in a lower tessitura for C low brass & Piano of J. S. Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.1!3.99g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#aCopyright 2013 MFAO (keithterrett@gmail.com) www.musicforalloccasions.org.ukU03cU!g#g#!2021-01-25 20:55:12U!0000-00-00 00:00:00!g#g#0vcU!136183g#!0g#g#xscU!0g#g#HvcU!0.00g# qcU!7.99g#@ucU!4.00g#scU!0g#g#rcU!g#g#rcU!0.00g#xvcUQcU!32948g#^U!60g#g# A transcription in a lower tessitura for C Trombone & Piano of J.S.Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.U8cU!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2021-01-25 20:57:55aBadinerie from Suite No 2 for C Trombone Euphonium Baritone Piano lower version:cU!0g#g#!0g#g#!4g#g#!2013-04-13 06:46:08!0g#g#!0g#g#1Badinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version)) J. S. Bach (1685-1750) arranged by Keith Terrett Music for all Occasions A transcription in a lower tessitura for C low brass & Piano of J. S. Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.U!2017-03-31 15:34:25U{"width":243,"position-y-pc":"23","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":35,"width":67,"x":92,"center-y":68.5,"height":67,"center-x":125.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":36,"width":68,"x":91,"center-y":70,"height":68,"center-x":125}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":35,"width":70,"x":91,"center-y":70,"height":70,"center-x":126}]},"height":300,"position-x-combined":"52%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":125.5,"average-center-y":69.5,"id":"29A835A8-161F-11E7-B51D-9A717A12773A","position-x-pc":"52"}cU!3g#g#!250#g#!308#g#tcUhzcUycUrcUhtcUpucUucUxycU8wcU0ycUucU(ucUpcUycUycUtcUXxcU8iU@rcUqcU(xcUycUxcUwcU`ycUscU zcUxvcUvcUHycU wcUwcUtcU8tcU8zcUvcUxcUqcUHscUhwcUwcUPwcU0vcUxcU`scUpxcUtcUxscUscUucUycUycU qcUcUXrcU@ucUPqcUprcUscUvcUqcUucUrcU`pcUrcUxcUPzcUxcUzcUxcUscUwcUwcU(rcUwcUscU0scUvcUedScoUp["198144","198360","74414","74644","77384","16650","58043","98441","129193","62212","74645","207446","34894","158136","74416","143813","49365","87992","74423"]g!!2020-09-15 05:19:39!1g#g#GcU!2019-09-25 13:17:37U1767CC200-DF8E-11E9-B6D0-78ellerNetwork!13753g#@!0g#g#@HcU!0g#g#`HcU!0g#g#defScor!1g#g#HiddenH!650x839g# IcU!0g#g#HcU!0g#g#IcU!5.00g#eExchang!2023-04-20 19:02:32Publ!2023-04-20 19:03:03U!2119833g#|IcU!2970855g#IcU!0000-00-00 00:00:00hang!0000-00-00 00:00:00Coun!0g# A<U !0g#g# WX9@28LP|PX$( .0  _`_`ip,0 XcUcUWcUIcUDP|cUIcUDp|cUJcUD|cUJcUD|cU JcUD|cU0JcUD|cU@JcUD}cUPJcUD0}cU`JcUDgcUpJcUDgcUJcUDhcUJcUD0hcUJcUDPhcUJcUDphcUJcUDhcUJcUJcUDhcUJcUDhcUKcUKcU KcU0KcU@KcUPKcUDhcU`KcUDicUpKcUD0icUKcUD`cUKcUDcUKcUD0cUKcUDPcUKcUDpcUKcUDcUZcU@#cUZUD`6gUaUD6gUPZUD6gUDUDgUUD0EUh[cUUD>USU pcUepU2[cU$cUPcUDPfUUD0^UcUD`eU(\cUЕcUDeU_{UD{U_{UD {Ue{UDpyUcU cUDeUcUDeUcUD eUp\U  BcU`aUDpbULcUDcULcUDcUMcUD cUMcUD@cU McUD`cU0McUDcU@McUDcUPMcUDPcU`McUDpcUpMcUDcUMcUDbUMcUDcUMcUDcUMcUDcUMcUDcUMcUD@cUMcUDcUMcUDcUNcUDcUNcUDcU NcUD .cU0NcUD1cU@NcUD1cUPNcUD1cU`NcUD2cUpNcUD 2cUNcUD@2cUNcUD`2cUNcUD2cUNcUD2cUNcUD3cUNcUD cUNcUD0cUNcUDPcUOcUDpcUOcUDcU OcUD 05cU0OcUD8cU@OcUD8cUPOcUD9cU`OcUD 9cUpOcUD@9cUOcUD`9cUOcUD9cUOcUD9cUUOcUD:cUOcUD :cUOcUD@:cUOcUD`:cUOcUD:cUPcUD:cUUPcUD :cU PcUDcU0PcUDcU@PcUDcUPPcUDcU`PcUD>cUpPcUD?cUPcUD BcUPcUD@BcUPcUD`BcUPcUD 3cUPcUD@3cUPcUD`3cUPcUD3cUPcUD3cUQcUD3cUQcUD3cU QcU0QcUD4cU@QcUD 4cUPQcU`QcUpQcUQcUQcUQcUD@4cUQcUD`4cUQcUD4cUQcUDFcUQcUD@GcUQcUD`GcURcUDGcURcUDGcU RcUDGcUXecU[cUUD<UPL]U0AU UU0UՙU0\U 4cUbpU2HfcU]cUeUDDfUT9UD@U`cUDeUfcU cUD`eUe{Uf{UDyUЩ{UD`Z~UcUpcUDeU0cUDeU@cUDeU\U  eU aUD4cUhcU!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#kcU!716960g#!0g#g#PcU!0g#g#lcU!0.00g#bU!6.49g#kcU!1.50g#cU!0g#g#bU!g#g#bU!0.00g#@lcU!2017-06-09 17:10:17U10000-00-00 00:00:00HcU0AArrival of the Queen of Sheba - Violin & Piano@q{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "31458" } U!2.8672g#!2011-06-10 17:23:47hU(cUU(cU(ݻU)cUpbUx]U()cUU@)cUUX)cUUp)cUeU)cUU)cUU)cUHL]U)cUhO]U)cUlcUUWcU@bUlUXcUxoUXcUU0XcUؕUHXcUxU`XcU`bUxFaUxXcUHaUXcUUXcUXUXcUx%UXcU UXcU UYcUbUU YcUcUukU8YcUbUH3kUPYcUcU^UhYcUbU^UYcUUYcUcUUYcU)UYcU)UYcU)UYcUlcUhUZcU2!U(ZcUbU86(U@ZcUjcUhUXZcUUpZcUlcU8UZcU(UZcUxUZcU kcUUZcUHUbU<UPbU(UbUkcUxY'U0 ]UHVU`>\U.UH>\UkcUH&UbUUbUncU]U(/]UXCUbUDUhbUDU@/]UbUXgUX/]UHUp/]UU/]Uh}TU/]UocUط~U/]UpcUU[cUU)U@]cU"DUhecU(cUGU#cUvcUTU(]cUGU[cU`UX]cUXQ]Up]cUHR]U]cUU]U]cUHU]cUpcUhU]cU.U]cUxTU^cUgU^cUU]U0^cU8.UH^cUscUȆU`^cU`vcUUx^cU&*U^cUzU^cUXY]U^cUZ]U^cUȵU^cU8u6U_cUx U _cUEVU8_cUV]UP_cUUh_cUU_cUU_cUxU_cU(U_cUqU_cUعU_cUtcUU`cUxU(`cUrcUU@`cUkUX`cUtcUnUp`cUU`cUU`cUU`cUxU`cU>U`cUUacU8qcUUacUx~U0acUhUHacUU`acU(ݻUxacUqcUx]UacUUacUUacUUacUeUacUUbcUU bcUHL]U8bcUhO]UPbcUHvcUUhbcUhqcUlUbcUxoUbcUUbcUؕUbcUxUbcUrcUxFaUbcUHaUccUU(ccUXU@ccUx%UXccU UpccU UccUqcUUccUtcUukUccUpcUH3kUccU tcU^UccUqcU^UdcUUdcUscUU0dcU)UHdcU)U`dcU)UxdcUvcUhUdcU2!UdcUqcU86(UdcUucUhUdcUUdcUwcU8UecU(U ecUxU8ecUXucUUPecUHUx>\U<Uq\U(UH$cUvcUxY'UbUHVUq\U.U#cUucUH&Ux$cUU$cU@xcU]U/]UXCU#cUDU`$cUDU/]UrcUXgU0]UHU0]UU00]Uh}TUH0]UycUط~U`0]UceLicen!5g#g#zcU!2013-04-17 16:21:37!0g#g#!0g#g#!Myfanwy Joseph Parry Ben Stratford I came upon this song whilst listening to a local male voice choir, which I thought would be a great solo for myself to play. It resulted in me arranging this beautiful traditional welsh melody for the perfectly suited Baritone.|cUa|cU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#jcU0pcUocUxbU@cU8kcUhkcU@ocUmcUncUkcUjcUbUocUncUpcU ncU8hhUbUbUmcUpocUncUmcU(ocUcUocU@lcUXlcUocUlcUmcUjcUcUpcUplcUncUbU cU0mcUxmcUmcUkcUhncU8cU8ncUjcUPcUhcUkcUXocUncUbUpcU0bUkcU(bUHbUcUlcUXbUPkcUbUPbUbUPncUpcUncUocUmcUcUHmcUmcUbU`mcUbUcUlcUcU["87983","126419","198362","198146","198144","68720","180601","56618","198360","69304","77380","153173","198141","116955","93339","361508","69270","83967","73045"]U!2020-09-28 03:05:23!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-02-14 02:03:59!2023-02-14 02:04:04!411531g#!385972g#!0000-00-00 00:00:00!0000-00-00 00:00:00QHpcUWcUcU0ScUDicU@ScUD5cUPScUD0cU`ScUDPcUpScUDpcUScUDcUScUDcUScUD`cUScUDcUScUDcUScUDcUScUDcUScUDcUTcUD cUTcUD@cU TcUDpcU0TcUDcU@TcUDcUPTcUDcU`TcUDcUpTcUDcUTcUDcUTcUD0cUTcUDPcUTcUDpcUTcUDcUTcUDcUTcUDзcUTcUDcUUcUDcUUcUD0cU UcUD0cU0UcUD`cU@UcUDcUPUcUDcU`UcUDcUpUcUDcUUcUDPcUUcUD`cUUcUDcUUcUDcUUcUDcUUcUD@cUUcUD`cUUcUDcUUVcUDcUVcUDcU VcUDcU0VcUD cU@VcUD@cUPVcUD`cUU`VcUDcUpVcUD@cUVcUD`cUVcUDcUVcUDcUVcUDcUVcUDeUVcUDeUVcUDeUVcUDeUWcUDPicUWcUDpicU WcUDcU0WcUDcU@WcUD cUPWcUDPcU`WcUDpcUpWcUWcUDcUWcUDcUWcUcUcUДcUcUcUDиcUcUDcUcUDcU cUD0cU0cUDcU@cUDcUPcUD cU`cUD0eUpcUD@cUcU(fcU UDDU5UDCU@UDfU fUDhUUD;U`UDU@UDEU0\U eUgpU2cUgcUeUD@xfUUD<UeUDfU@cUpcUDfU{UDZ~U{UDZ~U{UD}U@cUeUD0fUeUDfUeUDfUР\U  `eUaUDcUcUD*cUcUD+cUcUD0+cUcUDP+cUcUDp+cUЖcUD+cUcUD+cUcUD`,cUcUD,cUcUD,cU cUDcU0cUD,cU@cUD,cUPcUD-cU`cUD -cUpcUD+cUcUD+cUcUD,cUcUD0,cUcUD@-cUcUD`-cUЗcUD-cUcUD-cUcUD-cUcUD-cUcUDeU cUDeU0cUDeU@cUDeUPcUDeU`cUD eUpcUDpeUcUDeUcUDeUcUDeUcUDeUcUDeUИcUD0eUcUDPeUcUDPeUcUDpeUcUDeU cUDeU0cUDeU@cUDeUUPcUD0eU`cUDPeUpcUDpeUcUDeUcUDeUcUDeUUcUDeUcUD`eUЙcUDeUcUDeUdefScor  68#(48Y`*0 18/008  ,0npТcUcUUXfcUU)U؄cU(!UcUPtcUGU8\cUpcUTUgcUGU@fcU`UcUXQ]UcUHR]U cUU]U8cUHUPcUcUhUhcU.UcUxTUcUgUcUU]UȅcU8.UcUpcUȆUcUcUUcU&*U(cUzU@cUXY]UXcUZ]UpcUȵUcU8u6UcUx UcUEVUІcUV]UcUUcUUcUU0cUxUHcU(U`cUqUxcUعUcU`cUUcUxUcU@cUU؇cUkUcUئcUnUcUU cUU8cUUPcUxUhcU>UcUUcUcUUcUx~UȈcUhUcUUcU(ݻUcUcUx]U(cUU@cUUXcUUpcUeUcUUcUUcUHL]UЉcUhO]UcUcUUcUcUlUcUxoU0cUUHcUؕU`cUxUxcUcUxFaUcUHaUcUUcUXU؊cUx%UcU UcU U cU`cUU8cUcUukUPcU0cUH3kUhcUxcU^UcUPcU^UcUUcU0cUUȋcU)UcU)UcU)UcUcUhU(cU2!U@cU cU86(UXcUhcUhUpcUUcU`cU8UcU(UcUxUЌcUcUUcUHUq\U<U0|\U(U\cUXcUxY'UbUHVUH|\U.UP\cU(cUH&U\cUU\cUcU]Ux0]UXCU \cUDU\cUDU0]UcUXgU0]UHU0]UU0]Uh}TU0]U0cUط~U1]UPcUUcUU)UXcUȭ#UeUcUGUfcUeUTU@cUGU؍cU`UpcUXQ]UcUHR]UcUU]UcUHUЏcU8cUhUcU.UcUxTUcUgU0cUU]UHcU8.U`cUcUȆUxcU eUUcU&*UcUzUcUXY]UؐcUZ]UcUȵUcU8u6U cUx U8cUEVUPcUV]UhcUUcUUcUUcUxUȑcU(UcUqUcUعUcUcUU(cUxU@cUxcUUXcUkUpcUcUnUcUUcUUcUUВcUxUcU>UcUUcUȭcUU0cUx~UHcUhU`cUUxcU(ݻUcU(cUx]UcUUcUUؓcUUcUeUcUU cUU8cUHL]UPcUhO]UhcUeUUcU!0g#U !70027g#10g#g#i0AWaltz from "Snow Storm" Sviridov (violin & piano)^U!372#g#^U!3g#g#!2g#g#p^U!2012-05-17 17:27:41U!2017-11-22 16:42:36UAGyorgy Sviridov adapted and arr. by John J. KulaeU!John Kulag#eU10g#g#0!sib#g#p^U!46g#g#^U!0g#g#^UAWaltz from Snow StormPIANO-VIOLIN-DUETMay17.sibX(_U!2012-05-17 17:27:41U!46g#g#_U!8966g#`U!39g#g##`U!0g#g#y`U!7g#g#`U!g#g# `U!2.00g#8aU!0g#g# EU!0g#g#aU!0g#g#@2]U!g#g# qOne of a number of arrangements for violin and piano suitable for GCSE or festival performance.!3.95g#!0g#g#!1g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!0g#g#cU!0.00g#!5.45g#cU!1.50g#!0g#g#ХcU!g#g#cU!0.00g#xcU["93339","150141","158169","29207","35540","140284","68377","195563","109224","12629","198143","126310","70027","142505","46534","121749","97403","206810","126250"]!2020-09-24 19:29:09U!0g#g#cU!2019-09-25 12:39:37U!215702g# !0g#g#eU!1g#g#!0g#g#?{ "GroupOrd" : "230", "StoreGroupOrd" : "210", "StoreGroupID" : "2809", "GroupID" : "6486" } ?!20.1600g#eU!2011-05-07 19:02:14UAArrival of the Queen of Sheba Violin Piano?!0g#g#eU!0g#g#eU!5g#g# !2013-03-15 17:48:50?!0g#g#@eU!0g#g#eUArrival of the Queen of Sheba - Violin & Piano G.F. Handel none Peter Martin One of a number of arrangements for violin and piano suitable for GCSE or festival performance.?!0g#g#eU!0g#g#eU!52g#g#!27g#g#?!2017-03-31 11:07:59U!g#g#(eU!128924g#!!10g#g#?0!2014-10-02 15:41:13U1Telemann Sonata in F minor4-04-18 !0g#g#!0g#g#!14g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#hbUbU`bU@bUbUbU@bUbUbUbUXbUbUbUbUbU8bUbUdhUbUPbUbUHbUbUbUbU`bUbUbU0bUbUbUbUbUbUbUHbUpbUbUbUbUPbUbUbU@bUbUbUbUbU0bUbU0bUbUbU bUbUbUbUbUHbUbU bU(bUbUbUpbU(bUbUXbUbUbUbU bUhbUbU8bUbUbUxbU13480527["180601","126419","361508","73045","58292","166107","42035","180672","85353","163865","66031","158843","129192","72915","69264","164407","31044","161845","183218"]dy"!2020-09-02 22:42:29!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x1069g#!0g#g#!0g#g#!5.00g#!2023-02-16 05:01:24!2023-02-16 05:02:28!5967783g#!9764471g#!0000-00-00 00:00:00!0000-00-00 00:00:00aBadinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version))!60g#g#p^U!624#g#]U!3g#g# #^U!3g#g#p^U!2021-01-25 20:56:48U!2021-01-25 20:55:12U!0g#8g#qcU!0g#g#rcU!1g#g# qcU12.00g#0!sib#g#P#^U!250#g#^U!0g#g#x^U!2021-01-25 20:56:48U!8g#g#@(_U!2915g#v_U!5g#g#_U!2021-01-25 20:56:49U!1g#g#rcU!0g#g#rcU!0g#g#rcU!0g#8g#xscU!0g#g#qcU!52g#g# qcU123g#g#0scU0AJ. S. Bach (1685-1750) arranged by Keith TerrettU!g#g# !MyfanwyXg#his mus!60g#g#mber of !590#g#">
    : The E!3g#g# full se!2g#g#ass="sma!2011-07-12 07:43:53ta-s!2023-09-16 08:55:19-1" !J. S. Bachg#xbU!Tony KitchenbU!2000g#bU10g#g#0!sib#g#1 licens!1954g#" class=!0g#g#o-icon" !g#g#e="touch!0000-00-00 00:00:00 thi!156#g#um numbe!14620g#hased"> !2.95g#uote id=!0g#g#rgin-top!1g#g#ockquote!1g#g#-sm-2 pr1g#g#ass="priceInCurr0UcU UDpUUDAU uUDP[*UUD@GUUDAU fiUDBUPUDPUUDUUDAUUIUDP]UpUD@9UUUDU0 UDUUDPUUD0UUDU`UDUPUDPAUpUDUUDP%UpUDAUUDU(yU @UUDGUUD UUDUUDUUDGUUDBUpUD>U0UDFUUD0FUUD HUPUDUUDEUU`UDGUUDBU@UD0AU UDFUUD`FUUD@U`޼UDUUUD UUDU`UDpAUp UDUcUU0UDPUUDCUUDHUDUDUUDGUUDUUDU UDCU` UDUUD`CUUDEUUDCUlgUD0UU0aUD_UUD%UUUcUUDU/UD EU`#UAUPU UDCUUUD UUDDU`UD@DUUD CU/UD`EUPUD DUU/U/U cU>U6UDPZU0UDPLU/UDDUpUD`DU0UDAUUDDUUDU 0UDLUcUUD@U(cUpRUUDBUUpUD BU;UDhUU0UDCU/UDDUU2UDPfU =UDU0cUUD0SU@UDpUo3UD UcU0=UDU@=UDUaU  UUDiU01UDfU@1UDfUP1UDgU`1UD0gUp1UDPgU1UDpgU1UDgU1UD@hU1UD`hU1UDhU1UDhU1UDhU1UDhU2UDiU2UD0iU 2UDgU02UDgU@2UDgUP2UDhU`2UDPiUp2UD SU2UDWU2UDWU2UDWU2UDWU2UDXU2UD XU2UD@XU2UD`XU3UDXU3UDXU 3UDpiU03UDiU@3UDiUP3UDiU`3UDpfUp3UDfU3UDiU3UDjU3UD0jU3UDRU3U3UDSU3UD SU3UD@SUU4UDpSU4UDSU 4UDSU04UDSU@4UDZUP4UDZUUgcUATaylor Swift, Aaron Dessner, Taylor Swift!2.99g#GU!g#g#!0000-00-00 00:00:00U!0g#g#3U!0000-00-00 00:00:00U!g#g#uU!0g#g#qU!0g#g#HU!0g#g#U!0g#g#2U!1g#g#!1276x1650g#U!4g#g#10.00g#U}U0!0g#g#173884!0g#g# !0.0000g#!0000-00-00 00:00:00U!willowg#`U!0g#g#561523!0g#g# !0g#g#!0000-00-00 00:00:00U!0g#g#VU!0g#g#177066!0g#g#!0g#g#!0g#g#P&U!0g#g#QU!0000-00-00 00:00:0039!g#g#0!0g#g#!0g#g#pU!0g#g#U!0000-00-00 00:00:0024!0000-00-00 00:00:00!g#g#!746240g#cU!0g#g#U10g#g#6111910!64589g#pcU!2017-06-09 17:10:17U10000-00-00 00:00:00$U0ABattle of Jericho, The (Clarinet Quartet)UU!44g#g#U!511#g#PcU!4g#g#pU!1g#g#U!2011-06-22 08:24:43U!2017-11-22 17:11:24U!Jan Smithg# U!g#g#VU!0g#g#U10g#g#0!sib#g#`U!1215g#U!0g#g#жU!g#g#U!0000-00-00 00:00:00U!10g#g#U!2709g#U!5g#g#HU!3g#g#UAEver popular traditional tune in swing style.U!5.00g#U!1g#g#U!0g#g#U!0g#g#!g#g# ["67527","25866","3083","93640","64589","90252","169482","121010","143397","160331","85020","122712","106195","366461","143414","95081","30610","108589","143382"]U!2020-09-14 10:33:42!0g#g#U!0000-00-00 00:00:00U!g#g#U!0g#g#0U!0g#g#!0g#g#!0g#g#0U!1g#g#U!650x919g#:U!0g#g# !Bossa Bones#cU!0g#g#!0g#g#!8g#g#!2013-04-18 13:13:59 PDF!0g#g#rty="og:!0g#g#e ExchanBossa Bones Kevin Riley A light Bossa Nova for trombone quartet and small rhytmn section. 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U8:dU9dU9dU9dU9dU:dU :dU:dU:dU*:dU7:dUdefScoreExchangeScoresScoresWarningCountWarningCount? :dUP:dU:dU:dU:dU:dU:dU:dU:dU:dU:dUdefScoreExchangeScoresScoresQualityScoreQualityScore? ;dU:dU1;dU0;dU4;dUB;dUI;dUP;dUe;dUz;dU;dUdefScoreExchangeScoresScoresZipConversionStartedZipConversionStarted? @@gUh}TU(dU2eUukUpjUaU^UHaUaUhUdUUdUعUaUXY]ULeU(URUUjU.UdUHVUЏaU<UaU(U0jU2eUxUpU`UyUȵUdUDUdUUxjU>UpUzUdUGU0rUU]U(aUkU8GUXUdUx]UjUHaUaU(UMeUU U)UJeUgU yUDdUukU hUaUxY'U(WUHUdU)U dUUGU)UeUx~U,`U(UhHEUdUGUXUaUx]UPCUTULmUx~U`6HUUȒmUU]U0&rUGUQmU((eUhU,`UaU^UdUUL UU)UhaUGUPmUxUhU6UkUEVU@UUdUCdUUaUzU jUEVU` hUؕUaUx:U8mU[UU`U8u6UKEUGUaU'eUU@aUUhjUdUUdU+eUU`dUx%UhUUjUxUMeUU=#U aUhU(OkUx~UdUx%UdU)UdU)UdU<U7aU UdUxTU`LeU-eU^UP!hUUaUUjUUIeU(UdUHUdUUdUzUaUgU@2HUUxdUȵUaUx UaU|eUGU8aU*DU]UZU؟aUTUdUHR]U0XUUdUH2eUU`aUdUUȎaU2!U/HUGUysUHUp(_U 'eU86(UhjUU:UxU@ kU=dUUxdU.U8dUHL]U(ވU)UjUxUpUWUط~UaUaaUȆUHAaUHaU0gUUhdU[UnUMnUHUGUU$UU(7aUU(_U2eUxY'UaUUXKeUU]U` jUx UdUHU0aUgUȆdUȬaUUأgUؕU!hU(UIeUXY]Ut_UzUdUaUU jUUXdUHR]U`MkUعUdU(UdUHU@dUHaUjUxUjUdU86(UdUhO]U0dUpUUP}UUHdUIdUUdUxUpUxUdU.UaU8.U3rUXQ]UXUUX kU(eUH&UMeUeUx]UVU<U8dUaUUpdUUGU<UdUUjUqUZU)eUUFeUUxOeU!g#g#LdU!g#g#!0g#g#!Piano Solog#!g#g#!g#g#!0g#g#kU!0g#g#!0.00g#kU!0.00g#!0.00g#kU!1g#g#kU!1g#g#kU!0g#g#kU!0g#g#(kU!1g#g#kU!85380g#PkU1Irving Berlin, Irving Berlin!4.75g#kU!0g#@UtAttempt!0g#g#fU!1g#g# !0g#hg#OdU!0g#g#!0.0000g#!0000-00-00 00:00:00!Alexanders Ragtime Band!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#HkU(]eU\eU kUkUkU kU8\eUkU[eU8kUkUpkU\eU[eUkU[eUkU0kUZeUh\eU[eUZeU \eU@kU\eUkUkU\eUkUZeUxkUkU\eU(kU[eU`kUkUkUpZeUkUkU`[eUkU0[eU`kUkUkUhkUP\eU[eUkU]eUkUkUkUkU(kUpkUkUkUkU kUPkUH[eU]eUx[eU\eUZeUpkUkUZeUkUkUkUkUXkU!0000-00-00 00:00:00U!0000-00-00 00:00:00U!g#g#413647!949178g# 13g# h>UN~0!3g#g#VdU!2g#g#LUX#!2017-03-31 00:00:00!2024-04-09 00:00:00U!g#8g#dU!g#g#xdU!0g#g#dU10g#g#0!g#g#`U!0g#g#BaU!0g#g#~WU!g#g#dU!2017-03-31 00:00:00U!0g#g#(U!0g#g#p`U!0g#g#`U!1.50g#dU!0000-00-00 00:00:00U!0g#g#8dU!0g#g#dU!0g#g#dU!g#g#`dU!0g#g#dU10g#g#dU0!0g#g#0bU!g#g#bU!6.20g#8bU!0g#g#h\cU!0g#g#gcU!0g#g#!g#g# !0g#g#ZdU!0g#g#!0.0000g#!0000-00-00 00:00:00AThe Song Is Ended But The Melody Lingers OnPdU!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#The Song Is Ended (But The Melody Lingers On) Piano, Vocal & Guitar Chords Irving Berlin, Irving Berlin dU!0g#g#`#U!0g#g#185336!0g#g#p!0g#g#!0000-00-00 00:00:00U!g#g#`WdU!0g#g#198389!0g#g#!0g#g#["269892","246521","210116","210237","213907","519698","214151","214417","214429","215420","518859","222518","226539","227048","229640","229939","229971","230558","230579","230752"]!0g#g#pdU!0000-00-00 00:00:0098!g#g# !0g#g#!0g#g#PdU!0g#g#dU!0g#g#36372!0g#g# !522x696g#!5g#g#]U!1g#g#TdU!0.00g#175636!0000-00-00 00:00:00!0000-00-00 00:00:00!126250g#1ROMANCE (Sviridov) (violin & piano)iolin Solods/LyricsChords (Right-Hand Melody)t in B op. 18 before going on shore)bling CA)22 4231 SD,BD,Tri, Cym, Tam Tam, Celeste, Timpani Harp and Strings als. this concert reduction agrees with Mark Starr's orchestration. \UH \U!53940g# ]U!15.00g#pk]U10g#g#@B]U0!60g#g# XU!372#g#0YU!3g#g#P&U!2g#g# \U!Henri Vieuxtempsl]U!Mark Starrg#`l]U!0g#g#pk]U10g#g#0!pdf#g#^U!839#g#P#^U!0g#g#^U1rossignol-VIOLIN&PIANO - Full Score.pdf!2023-01-28 22:10:32U!4g#g#p(_U!2332g#_U!3g#g# !0g#g#dU!1132g# bdU!0g#g#75509!163094g# ]U!g#g#]U!1g#g#]U!0g#g#h]U!1g#g#8]U!0g#g#]U!2017-06-09 17:10:17U10000-00-00 00:00:00U0!3g#(g#A short lullaby for Voice, solo violin and piano. Of course you can use any combination other than that one as you feel.dU!3.00g#396109!1g#g# !0g#g#!0g#g#keU!g#g#`dU!g#g#161837!0g#g#!g#g#!g#g#qdU!g#g#[eU!1.508g#44882!2011-06-10 15:11:37!0g#g#10g#g#dU feU01hdUh54763aUHaUdUحdUXaUpdUPLdUKdU@dUdUdUHaUdUppeUآaUdU@dUIdU8@dUqeU*eUpGdUdU dU@DdUdUpeUxHdUdUdUxaU8aUdU(1eUHdUIdUaU0eUaUaUpeUaUbaU1eUaU aUdU@dUHKdUaaU LdUaUXdU3eULdU>dU$eUdU(dU0dU=dUضdU3eU8aUaU,eUoeUX4eU.eUdUxEdU+eUJdUdU@(eUȩaUXDdUP!0000-00-00 00:00:00U!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qp.eU1'UmdUI338295!292885g#!0000-00-00 00:00:00U10000-00-00 00:00:00PdU0AThe Song Is Ended (But The Melody Lingers On)cU!26g#g#(`U!0g#g#.`U!3g#g#y`U!2g#g#`U!2011-08-19 00:00:00U!2022-09-07 00:00:00U!0g#8g#PIdU!g#g#aU!8.44g#P=dU10g#g#0!g#g#@U!0g#g#?eU!0g#g#66323!g#g# !2011-08-19 00:00:00!0g#g#`$eU!1g#g#pDeU!0g#g#68377!g#PodUp!g#g#!0g#g#PaU10g#g#dUceU0 08E@U]`KP>@  ODH (np)0 ,U@aUaUDPcUdUD aU dUD`AUxdUDYUjaUDcUhqUDpHpU0LDUD"fU dUD^]UudUDpcUPraUDAU0dUDPhU`ydUD@jUp\U 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dUxoUH dUU` dUؕUx dUxU dUdUxFaU dUHaU dUU dUXU dUx%U dU U dU U8 dUpdUUP dUdUukUh dU@dUH3kU dUdU^U dU`dU^U dUU dU@dUU dU)U dU)UdU)U(dU(dUhU@dU2!UXdU0dU86(UpdUxdUhUdUUdUpdU8UdU(UdUxUdUdUUdU161532!g#g#PdU!g#g#!0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g#`dU!73825g#!0g#g#dU!0g#g#xdU!0.00g#PheU!0.00g#pdU!0.00g#؏dU!1g#g#@ieU!1g#g#jeU!0g#g#dU!0g#g#!1g#g#dU!121332g#1Irving Berlin, Irving BerlinU0!0g#g#!0g#g#PdU!0.0000g#hdU!0000-00-00 00:00:0078!White Christmas !0g#g#!0g#g#kEU!0g#g#cU!0000-00-00 00:00:0017!0g#g# !0g#g#QWhite Christmas Piano Solo Irving Berlin, Irving Berlin dU!0g#g#5eU!0g#g#dU!0g#g#621053!0g#g# 1UdU2&ۚ144096!g#g#]U!321940g#!0g#g#ПDU!0g#g#!0.00g#[U!0.00g#P:U!0.00g#CU!1g#g#(DU!1g#g#WU!0g#g#yBU!0g#g#ثaU!1g#g#]U!31577g#1Irving Berlin, Irving BerlinUdU!4.75g#P'eU!2020-09-19 00:06:17!1.50g#p!0000-00-00 00:00:0010g#g#PdU@dU01%UU"U"U0!g#@U !\U0WU^U!Irving Berlin !Irving Berlin ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_0000000000138939.png`!2018-08-12 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Kula John Kula fU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#eU`eUeUeU`eUheUeUpeU0eU(eUeU eUeUeUeUeUPeU0NjU8eUeU eUeUeUeUXeUeUeUpeUeU@eUeUeUeU0eU0eUeUeUeU@eU`eUeUHeU(eUeUXeUheUeUpeUeUeUeUeUeUeUPeU8eUHeUheUeUeUxeUeUeUXeUeUeUHeUeUeUeUeUxeUeU eUeUeU(eUeU !0g#g#fU!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-02-17 03:34:46!2023-02-17 03:35:00!954276g#!814642g#!0000-00-00 00:00:00!0000-00-00 00:00:00 eUfUPeUDeU`eUDeUpeUDeUeUDeUeUDeUeUDeUeUDeUeUDcUeUDeUeUDeUeUDeUeUD eUeUD@eU eUD 0eU0eUDPeU@eUDpeUPeUDeU`eUD 5fUpeUD @5fUeUD5fUeUD5fUeUD6fUeUD06fUeUDP6fUeUDp6fUeUD6fUeUD6fUeUD6fUeUD6fU eUD`eU0eUDeU@eUDeUPeUDeU`eUDeUpeUD 9fUeUD9fUeUD9fUeUD9fUeUD:fUeUD0:fUeUD:fUeUD:fUeUD:fUUeUD0;fUeUDP;fU eUDp;fU0eUD;fU@eUD;fUPeUD;fUU`eUD ;fUpeUDU`fUUxfUheUUfUx~UfUhUfUUfU(ݻUfU8%fUx]UfUU fUU8fUUPfUeUhfUUfUUfUHL]UfUhO]UfU)fUUfUeUlUfUxoUfUU(fUؕU@fUxUXfU(&fUxFaUpfUHaUfUUfUXUfUx%UfU UfU UfU8eUUfUP(fUukU0fUeUH3kUHfU'fU^U`fU%fU^UxfUUfUx'fUUfU)UfU)UfU)UfU`*fUhUfU2!U fUh%fU86(U8fU(fUhUPfUUhfU*fU8UfU(UfUxUfU(fUUfUHU^U<U #^U(UeU)fUxY'UpfcUHVU8#^U.UpeUp)fUH&UeUUeU+fU]UX(UXCU@eUDUeUDUp(UX&fUXgU(UHU(UU(Uh}TU(Ux-fUط~U(U.fUUfUU)U8fU(GUIfU'fUGUeU3fUTU fUGUfU`UPfUXQ]UhfUHR]UfUU]UfUHUfU.fUhUfU.UfUxTUfUgUfUU]U(fU8.U@fU0fUȆUXfU84fUUpfU&*UfUzUfUXY]UfUZ]UfUȵUfU8u6UfUx UfUEVU0fUV]UHfUU`fUUxfUUfUxUfU(UfUqUfUعUfU1fUUfUxU fU0fUU8fUkUPfUX2fUnUhfUUfUUfUUfUxUfU>UfUUfU/fUUfUx~U(fUhU@fUUXfU(ݻUpfUp/fUx]UfUUfUUfUUfUeUfUU fUU fUHL]U0 fUhO]UH fU 4fUU` fU@/fUlUx fUxoU fUU fUؕUhFfUxUFfU`0fUxFaUFfUHaUFfUUFfUXUFfUx%UFfU UGfU U(GfU.fUU@GfUmeArtis!2g#g#5fUFauré’s ever-popular, enchanting yet melancholic song presented here in an arrangement for violin with piano accompaniment. !4.95g#!0g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!783076g#&fU!0g#g#!0g#g#)fU!0.00g#!7.20g#'fU!2.25g#)fU!0g#g#PeU!g#g#(fU!0.00g#H'fU["93339","150141","158169","32948","29207","35540","140284","68377","195563","109224","12629","142505","126310","198143","46534","97403","121749","126250","206810"]U!2020-09-21 23:35:18U!0g#g# Fauré’s ever-popular, enchanting yet melancholic song presented here in an arrangement for violin with piano accompaniment. geSiz!1g#g#!0g#g#!1g#g#!0g#g#{ "GroupOrd" : "10", "StoreGroupOrd" : "40", "StoreGroupID" : "2031", "GroupID" : "25488" } :fU:fU!1.6896g#!2011-05-08 08:19:20AApres un reve arranged for violin Piano`;fU!0g#g#!0g#g#!3g#g#!2013-04-09 19:37:01!0g#g#!0g#g#’Apres un reve’ arranged for violin & Piano Gabriel Fauré Andrew Moore Fauré’s ever-popular, enchanting yet melancholic song presented here in an arrangement for violin with piano accompaniment. 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Search their catalogue for more of my music.", "Url" : "reynard.dpwww.co.uk", "Text" : "" } ] ":"http://reynard.dpwww.co.uk","Text":"Reynard Publishers from the UK"},{"Desc":"U.K. Publisher of Fanfare & Soliloquy for Soprillo Saxophone","Url":"http://www.saxtetpublications.com/catalogue/viewrecording.php?id=295","Text":""},{"Desc":"Publishes my arrangements for Brass & Wind Quintets","Url":"https://www.cimarronmusic.com/catalogsearch/result/?q=keith+terrett","Text":"Cimarron Music Press"},{"Desc":"Publishes my arrangements for Flexible Band","Url":"http://phoenix-music-samples.co.uk/samples/9516/index.html","Text":"Phoenix Music, Welsh Music Publisher based near Denbigh, North Wales."},{"Desc":"You will find my arrangement of Total Eclipse of the Heart.","Url":"http://www.bernaertsmusic.com/en_GB/sheets?title=Total Eclipse of the Heart","Text":"Belgiun Publisher of Pop Concert Band Music"},{"Desc":"Fanfare & Soliloquoy for Bass Clarinet & 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","Url":"https://www.scoreexchange.com/scores/152831.html","Text":""},{"Desc":"Latin American & Caribbean National Anthems","Url":"https://www.scoreexchange.com/scores/151551.html","Text":""},{"Desc":"African National Anthems","Url":"https://www.scoreexchange.com/scores/174334.html","Text":""},{"Desc":"Middle Eastern National Anthems","Url":"https://www.scoreexchange.com/scores/88360.html","Text":""},{"Desc":"Oceania National Anthems","Url":"https://www.scoreexchange.com/scores/152046.html","Text":""},{"Desc":"Asian National Anthems","Url":"https://www.scoreexchange.com/scores/195478.html","Text":""},{"Desc":"North American National Anthems","Url":"https://www.scoreexchange.com/scores/79408.html","Text":""},{"Desc":"Obsolete National Anthems","Url":"https://www.scoreexchange.com/scores/173924.html","Text":""},{"Desc":"My music with SMP 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Solog#!g#g#!g#g#!g#g#0eU!371048g#!0g#g#aU!0g#g#!0.00g#dU!0.00g#IdU!0.00g#aU!1g#g#LdU!1g#g#dU!0g#g#ضdU!0g#g#8aU!1g#g#peU!71430g#1Irving Berlin, Irving BerlinUJdU!4.75g#@(eU!2020-09-04 09:40:53!0g#g#@gU!0.0000g#!0000-00-00 00:00:00ABlue Skies Jazz version arr Brent Edstromm/channel/UCqV!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#thy provqBlue Skies [Jazz version] (arr. Brent Edstrom) Piano Solo Irving Berlin, Irving Berlin works that are!0g#g# All of!0g#g#ght and !0g#g#Notewort!0g#g#rs an or!0000-00-00 00:00:00y. !g#g#cores an!0g#g#symphony!0g#g#orchestr!0g#g#or recor["269892","246521","210116","210237","213907","519698","214151","214417","214429","215420","518859","222518","226539","227048","229640","229939","229971","230558","230579","230752"]le!0g#g#tral par!0000-00-00 00:00:00d th!g#g#lready n!0g#g#angers: !0g#g#es to no!0g#g#afe Musi!0g#g#d Music !0g#g#as gone !522x696g#. USA, M!5g#g#hina hav!1g#g#and vari!0.00g# I began my musical life as most musicians do by playing the recorder. This led onto the trumpet and then the trombone .At the age of 15 I joined the Army as a trombone player quickly rising through the playing ranks of the Junior Army Service and then onto Kneller Hall in London. Here I studied trombone under Mr William Teskey(Principal trombone Covent Garden) and Mr Dennis Bayton(Taverners Big Band). I also studied theory and composition under Mr. R.G Swift. It was here that I acquired a thirst for the knowledge of other wind and brass instruments and was frequently seen mixing with all sorts of musicians both in and out of bars! In 1973 I joined The Queens Royal Irish Hussars band and was their Solo Trombone player for nine years. It was here that I started to arrange and compose. Whilst in the band I had my first piece played on the national German Radio, it was an arrangement of the Theme from The Godfather. At this time I was also lucky enough to further my trombone skills, through lessons from the Principal of the BSO, Mr. Dennis Wise. I left the Army in 1981 and could frequently be found depp-ing in various theatre pits throughout the south coast. The list of ensemble membership runs between big bands, jazz bands, brass ensembles, orchestras, German bands and recorder consorts! At the present time I am teaching at [[http://www.thorngroveschool.co.uk/|Thorngrove School]] . I am also the musical director of The Allegro Wind Band and [[http://www.andoverlightorchestra.co.uk/|Andover Light Orchestra]] . I regularly write and arrange for all these ensembles. With the birth of the Internet, I regularly talk to musicians from around the world and was honoured to have a piece I'd written performed by The Octava Chamber Orchestra in Seattle on November 2nd 2008. I have also had a Rondo for Strings and a Partita for Solo Violin performed by the same ensemble. I have also been a featured composer at the Hastings International Composers Festival for two years. My publishers include Safe Music, Kistner and Siegel and Music for Brass. My music has gone worldwide from this site. USA, Mexico, Canada and even China have been some of the many and varied destinations. sfU%gUh'gU'gUqfU&gUptfUufUpqfUvfU vfUvfUrfU8sfUrfUUh$gU$gUhvfUqfU8'gU sfU8vfUP'gUH&gUrfUrfU%gU&gUHrfU 'gU@%gU(qfUsfUxufU$gU`ufU(%gUpfUtfU&gUsfU&gU%gU@qfUvfUvfUrfU'gU$gUqfU%gUqfU(tfUtfU%gU&gU%gU&gUX%gU$gUXwfU&gUufU@tfUhsfU`rfU'gU`&gUtfUwfUXqfU?(ΨUSbUҨUSbUwUSbUhUSbUrfUhDFUȣbUhUbUqfUxUbUH1UbUX#U(bUvfU3U@bU0ufU5UXbU8U bUufU(U8bUAUPbUufU\UhbUUbU@wfUUbUԙUbU0rfUՙUbUsfUHUbUUbU0&gU[UbUȊUbUp%gUUbU(wfUU0bUx&gU8<U"cUrfU+U"cUȳU"cU8U"cU.kU"cUP$gU'U#cU$gUxuU(#cU$gUȮU[cUxm^U[cU U0[cUGUQfUtU0BgUGU8gU'gUU8gU?dUlU(NeUTUU@(UiU^U0 ;UUUԙU0UU@U8u6UX#U2!UUȋUUUUhU8<U7U[UU\xUUxUgUUxTUhUUGU8UUUPtU)UUUU\UPUXUU7UIUDUQUhzpU(kUط~UGUǿUxFaUǛUЁ;U( AU0@UoAUTUS<UHU"UF;UIUP_yUhHUUHU8U(UCUBUUHUJfUDU@#UEVUxUx~UU.UUXQ]U2U85UX%UUUUU&*U{UXQ]UPUfUBgU:UX@AU0/UUxY'Ut4U( UH&UVUUط~UhHUX1UUUhUعU}gU)UUU8>UUUU/?Ui>UY?UUUUGUUUXuUgU`U؛U8U8U>UPδUؕUIeUULeUxUdUpUUU U)UUs4UU8d&UUHUhUX@UhU>U4U8U UUhUUU]UU0?UX6UhBUUUUHL]UUx5U(aU8P3UȫUx]U6Ux%UpUHL]UKfU3UՙUhU`UUh4U8U(~2U(ݻUHyU^U[UU`:UUF0UO@U2U`AU8u6UUUiU8UUHU!1g#g#@4gU!0g#g#!0g#g#!0g#g#!g#g#!1g#g#12509F79C-886F-11E9-9F08-F3D41D17C629!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!2023-12-16 08:05:23!2024-01-15 08:27:05!0g#g#!1g#g#!0g#g#!g#g#!0g#g#!0000-00-00 00:00:00PFfU6gU AHUDgUfUDgUfUDgU bWUDhUPUDU6UD`=UUD U`{fUDgUZUD`gUpfUD`hUP-^UDhUPfUD@IgU fUDgUUDpfU0fUDgU-^UDgUfUDJgUUDUUDUP\U FgUphpU28gU@PfUUDUUDUpUD@=UUDUU{UD@UUDU8UDUUDU!UDRUPL]UUPuUDU~UDgUUDU~UD hUUDUUDUPݼUDEU`kUPAU+UD0AU@ZUD`UPL]UUDp9U ` UD^]U`sdUD@AUH;gU;gUUDbUU2gU =hU;gUPL]U\U  pGgU0fUDgU@fUDGgUPfUDGgU`fUD BUpfUDHgUhgUpdUD`AUkUDCU`UD U0UDU`UDuUUD0bUPL]UЍUDRU UDWUPL]U@UDRU@UD0RU5UDUUD>U?gUUDp<UPxdUDAUsUDPEUPUD0<U UD`fUUUD`uUU UD<U UDBUUD DUUDBUZUD<U0UDBU4UDEUUD DUxAgUUUD!DUU UDКU'UDXUAgUOEU BgU8gU UD =UUDgU`fUD`IgUBgU&UD@gUZUD gU@fUD IgUPZUDhU@ZUDhUp&UD0hU-^UDPhUZUDphU &UDhUZUD gU-^UDgU@ZUD gUZUD@gUЏZUD`gU.^UDgUZUDgU ZUDgU ZUDgUP.^UDgU ZUDgUDUD0gU ZUDPgUtaUDpgUPeUDgU`eUDgUpeUDgUeUDgUeUDgUeUD0gUeUDPgUeUDpgUЉeUDgUeUD gUeUD gUeUD gUeUD gU eUD@ gU0eUD` gU@eUD gUPeUD gU`eUD gUpeUD gUeUD gUQ'gU!0g#BU!0g#g#!0g#g# Q(gUX(gU)gUp(gU@(gU!Sopranog#!0g#g#!58g#g#Q(gU!0000-00-00 00:00:00!0000-00-00 00:00:001403#g#0A yUHgU׵550733@!20.00gU!starrg#12g#g#0!g#U !174295`)U 1A Pretty Girl Is Like A Melody!0g#g# !39122PU !HASH@ύU!HASHg# Mark Starr is Editorial Director of Noteworthy Musical Editions & Orchestral Music Rental Library. Noteworthy publishes unusual works of distinction by major composers - particularly by composers from the 19th and early-20th Centuries. It's specialty is new orchestrations of works now in the public domain in the EU, the US, Canada and Asia. You can visit the website of Noteworthy Musical Editions at http://zasu.us/noteworthymusic Mark Starr has orchestrated significant works by such composers as Mozart, Beethoven, Schubert, Scriabin, Faure, Ravel, Dukas, Borodin, Sousa, Vieuxtemps, Alkan, Albeniz, and many others. For some of these works, the original orchestrations may have been lost over time. In several cases, the composers' orchestrations were never published. And for some works that were never orchestrated by their composers, Mark Starr has created new orchestrations in the style of the period and the country in which the composer wrote them. Noteworthy's catalog includes numerous orchestrations of concerted works. These works were originally composed for a solo instrument or voice with piano accompaniment. Now, they are arranged for the same solo instrument but with orchestral accompaniment. Moreover, Noteworthy provides reduced orchestrations: for chamber orchestra or string orchestra. Thus, Noteworthy offers works that are available nowhere else. All of its editions are copyright and registered with ASCAP. Noteworthy Musical Editions offers an orchestral music rental library. It makes available its scores and instrumental parts to symphony orchestras and chamber orchestras for performances and/or recordings in the U. S., U. K., Europe, Asia and Canada. Noteworthy Musical Editions will evaluate submissions by other arrangers of new orchestrations of works in the public domain for possible inclusion in its orchestral parts rental library -- provided those orchestrations are already notated in Sibelius. Arrangers: please send your inquiries to noteworthymusic@zasu.us. 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There are three variations and an extended finale. In this version of the score, it is basically a full Symphony Orchestra with added extra instruments for Concert band...It should work with either combination or you can mix and match! The MP3 was recorded with NotePerformer. 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Alexan1http://zasu.us/noteworthymusic0!2022-07-21 23:49:28[ { "Desc" : "", "Url" : "http://zasu.us/noteworthymusic", "Text" : "Noteworthy Musical Editions " } ] 1g#g#0ahUUUA/usr/www/resources/ADAP3/GenericObject2.pmU!0g#g#U!0g#g#0U!0g#g#yU!g#g#xXU!0g#g#U!0g#g#pDU!0g#g#U10g#g#xpU0  Z`q x pKAU 0pU3UR>UKPU8U :U$(U ( y#U ,0  Y`#(0UU!(?U-0 }?U =CUPžU@jU4U BUEAU@F@U1U@U  U BU@=CU {#UUBHiUhU%UDЀ0U 8UD U@7UDUUDUPUD0U0hUHhUUD@]9U@rU U`!U2P2UDe UU hUD@UppUDpUUDUkUD@UUUDPXU hUD`bjUpxUD UhBU`:AU`UD@U0dU `mU`UDUU@J9UDvU UDUhUUD 2U0UDpGUU DpUU  @U@U[AU0UD U?U06UpUDUpUDp#rUU @ UdUDAU0hUUUD04UUDUPUDcUUrU 0UBUD0U@UhUhUUDUU@BUDU UDmUhhUhU rU  0UP;UD yUz8UD vUU2UDUUAU@U`UDUИpUD0>U@uUD9U UDUhUUhUUU U2rU 3U hUDUrU  #U0hU@UDPUpjUD0jUU  0hUTUDUp>;UD`UhUhUU`UDUUD@8U;UD.UTU  U=UDUJ9UDpmUhUxUhU@iUjUDodUdDUD0U`CUDeUPiUDP[U6;UD"UUDU@hUkUqUDhUqaUD@gUhUqUD(U$UD`(UIUD\UzjUD@gUhU@W<UP5UQUD6Uj3UD`UgUDPUxhUIUD0Uв?UC5UAUrUUD UhU`@U \jUpU0pUD0UPhUUDUeUDP8kUdUDgU<UtUJ<UAU*UDUdU mUUD$U`tU  WUkUDkU@UPU0UDU CU 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This lead sheet has melody, chords and lyrics. Form your own group. You can select your own key for each part. 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[Jazz version]g#!41g#g#iU!275#g#iU!3g#g#eScores!2g#g#ishedZi!2017-09-01 00:00:00!2022-11-18 00:00:00 jU@iU0jUDjU@jUD0jUPjUDPjU`jUDpjUpjUDjUjUDjUjUDjUjUDjUjUDjUjUD@jUjUD`jUjUDjUjUDjUjUDjUjUDjU jUDkU0jU@jUD kUPjUD@kU`jUDjUpjUDjUjUDjUjUDjUjUD jUjUD@jUjUD`jUjUDjUjUDjUjUDpjUjUDjUjUDjU jUDjU0jUDЯjUpiUHjU0qrUDmU 5mUDlUraUDAU|dUDAU@kUD0@UPdU  pAUiU eUgU BeUapU2`iUjUiUDeUiU?eUD0dUiU>eU%UDU$UD଀UUD=U>eUDPdU ?eUDPdU>eUDdU>eUDdUgU  jU@{dUDCeU@jUDpjUPjUDjU`jUDjUpjUDjUjUDjUjUDjUjUD0jUjUDjUjUDjUjUD jUjUD@jUjUD`jUjUDjUjUDjU jUDjU0jUDjU@jUD0CeUPjUDPCeU`jUDPjUpjUDpjUjUDjUjUDjUjUDjUjUDеjUjUDjUjUDjUjUD0jUjUD jUjUD@jUjUD`dU jUDdU4eUDjU4eUDjU4eUD jU5eUD@jU5eUD`jU 5eUDjU05eUDjU@5eUDjUP5eUDdU`5eUDСdUp5eU5eUDdU5eUDdU5eUD0dUU5eUDPdU5eUDpdU5eUDdU5eUDdU5eUDТdU6eUDdUU6eUDdU 6eUD`dU06eUDdU@6eUDdUP6eUDdU`6eUDPjUp6eUDpjU6eUDjU6eUDjU6eUDжjU6eUDdU6eUDdU6eUDdU6eUDdU6eUD dU7eUD@dU7eUD`dU 7eU07eUDdU@7eUDdUP7eUDdU`7eUDdUp7eUDdU7eUD dU7eUD@dU7eUD`dU7eUDdU7eUDdU7eUDdU7eUDdU7eUDdU8eUDdU8eUD0dU 8eUDPdUiU@iUpkUD0kUdU  Т[UlUDPlUPkUDlUsaUD7UdU AUkUDnAUgU dUgpU2iUiUiUD"eUdU kU iUDpeU@iUiUUD=UUD>UUD@UiUDeU0iUDeUiUDeUiUD0eUdU  dUQWhite Christmas Easy Guitar Tab Irving Berlin, Irving Berlin !White Christmas`U!41g#g#iU!125#g#y`U!2g#g#`U!2g#g#`U!2016-03-23 00:00:00U!2024-04-02 00:00:00U!0g#8g#^eU!0g#g#_eU!0g#g#^eU1g#g#0!g#g#`U!0g#g#`U!0g#g#BaU!g#g#~WU!2016-03-23 00:00:00U!0g#g#M]U!7g#g#(U!2g#g#((U!6.20g#8JbU!0g#g#TbU!0g#g#`bU!0g#g#bU!g#g#$cU!g#g#!0g#g# !Easy Guitar Tab !50Ud#U1~HvsU 0qU!Wind quintetU!0g#g#(rU!0g#g# U!0g#g#pU!50g#g#@(rUQ}eU!49UiU1 JTY#PpIqU!0g#g#g#!0g#g#!0g#g##U!50g#g##UQإaU!18g#(g#!52U`pUanel pan13g#pUrefineCheckBoxes0!Woodwind trio!0g#g#`mU!0g#g#0!0g#g#efine-op!50g#g# pUQmU!46U!0g#hU Peter Martin was born in West Yorkshire. He studied both violin and viola with Suzanne Rozsa and Nannie Jamieson at the Guildhall School of Music and Drama, from which he graduated in 1978. In 1986 he was appointed Head of Strings for a LEA music service in Greater Manchester. In addition to his duties as a teacher, Peter has performed regularly throughout the north of England as a free-lance violinist/violist. He has also written and arranged a great deal of educational string music, much of which has been published. His pieces regularly appear on the A.B.R.S.M. string examinations syllabus. In August 2011 he retired from teaching in order to devote more time to writing and arranging and launched www.mainly4strings.co.uk. Backing tracks for many of the scores available here and a host of other scores can be found on the publisher's own website http://www.mainly4strings.co.uk An increasing number of scores available on Score Exchange can also be viewed and listened to on the publisher's You Tube channel https://www.youtube.com/channel/UCqV3ON4VRYPR2LVt8Bx6b0g Copyrighted arrangements by the publisher are available @ http://www.sheetmusicplus.com/publishers/mainstream-music/6964 .!0000-00-00 00:00:00U!0000-00-00 00:00:00U!27g#g#0iU!0000-00-00 00:00:00U!0g#g#jU!0g#g#HiU!0g#g#jU!0g#g#jU!0g#g#pjU!g#g#jU!1g#g#hjU127DCC526-886F-11E9-A780-F3D41D17C629!0g#g#HjU!0g#g#!0000-00-00 00:00:00U!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1g#g#!0g#g#!g#g#!0g#g#!0000-00-00 00:00:00QaU1468#g#4fe78d0)U0!126758g# RjU10g#g#SjU0!g#g#!0000-00-00 00:00:00!FanfareiUcoreIncl!8g#g# !0.00`xU 19C17F034-7248-11ED-A4D4-4F25F5556F5D!2022-11-30 19:12:23U!g#g#@U!0g#g#)U!0g#g# !El viento en la isla!0g#ЍU 1hiUM70487!0g#`U !0g#PjUmodal-di!0g#g# !0000-00-00 00:00:00!265#g#163.20g#0!0g#`U!5.00g#@U!2023-04-25 06:51:5297!2023-04-25 06:52:19!2262252g#!3569797g#U!0000-00-00 00:00:00U10000-00-00 00:00:0039U0!g#Xg#!g#g#!g#g#!0000-00-00 00:00:00U1g#g#iU0!166047A U !g#нiU!g#g#1www.mainly4strings.co.uk0!1g#4U !165359@kU !1g#кiU!Holmfirthg#10000-00-00 00:00:000!57g#g# !cjg#g# 1mainly4strings@gmail.com!g#g#!15 Acorn Drive !Forest Durland !2017-06-14 18:52:52U!2019-06-06 16:24:20U!0g#g#~UU!0000-00-00 00:00:00U!0g#g#~UU!0g#g#~WU!0g#g#XU!627#g# 1g#UtpU01instrument.brass.trombone for C Trombon!23g#g# Piano (!none0YU 1mainly4strings@gmail.com!pedromarg#!g#g# !0g#.U!0000-00-00 00:00:00U!0000-00-00 00:00:0075!0g#g#!1g#g#0U!0g#g#`U!g#g#589962!0g#g#0U!0000-00-00 00:00:00!Peterg#um-barit!Marting# !g#Uend of s!2013-01-10 00:00:001pUiU3 qQ jUjUjUjUjU09U!Tromboneg# !14326(g#AU!1g#g#DU!1g#g#~UU!2g#g# !3313 Alderwood Ave!g#g# !0g#0pU13g#g#0!Meltham@iU!g#g#1g#g#0!sib#a9U !g#\ U !63771У7U !HD9 5 AHiU!gbg#g#101484 859126010g#UredDate0!HASHU U:53.0000!HASHUg# !0g#g#!0.00g#jU!2017-11-30 00:00:00U!1g#g#jU!0g#g#8jU!g#g#jU!0000-00-00 00:00:00U10000-00-00 00:00:00UpjU0!g#iU !0.00pq$U !218699g# !0g#Hg#!g#g#jU!2g#g#jU!1g#g#jU!89.90g# !784285kU !1997g#!4g#g#1G. F. Handel0!SimilarScoresIDsJSON!Updatedg# qPeter Martin was born in West Yorkshire. He studied both violin and viola at the Guildhall School of Music and Drama, from which he graduated in 1978. In 1986 he was appointed Head of Strings for a LEA music service in Greater Manchester. He has written and arranged a great deal of [[http://www.scoreexchange.com/search?instrumentationid%5B%5D=12&instrumentationid%5B%5D=13&instrumentationid%5B%5D=14&instrumentationid%5B%5D=35&instrumentationid%5B%5D=37&uid=265 | educational string music]], much of which has been published. His pieces regularly appear on the A.B.R.S.M. string examinations syllabus.entVerif!0g#g#!0000-00-00 00:00:00!1g#g#!1g#g# gUiUgUDiUgUDiU gUDiU0gUDiU@gUD iUPgUD`iU`gUDiUpgUDiUgUDiUgUDiUgUDUiUgUDUiUgUDViUДgUD ViUgUD@ViUgUD`ViUgUD iUgUDiU gUD@iU0gUD@iU@gUD`iUPgUDiU`gUDiUpgUDiUgUDiUgUDiUgUD0iUgUDPiUgUDpiUЕgUDiUgUDiUgUDiUgUDiUgUDiU gUDiU0gUDiU@gUD iUPgUD@iU`gUD`iUpgUDiUgUDiUgUDiUgUDiUgUDiUgUD iUЖgUD@iUgUDpiUgUDiUgUDiUgUDжiU gUDiU0gUDiU@gUD0iUPgUDPiU`gUDpiUpgUDiUgUDiUgUDзiU$UDPUiUgU`U206UD@OUp3UD`UUDUiU0T9UD1U8iU(hUPUp @UUDU@%UDCUUDy,UUD@U#U4U#U @!UpU` UD-UPS9UD UU`)UD@rUpUD UgU  kUpUUp;UDYUiUiUj>3UD%U0iUhGUXt@UpNIU@sU PUxiU0>Ud;UiUpiUPUDU`=UD`.U UDUiUPngUD`UUD`UPiU"vUS9UDUiUp=UDIUUDU`fUD@U tdUDgU UDcUrCUUS9UD.U0naUDgU =UDUjUD`odU SUDU5UP:UiUPUDUQUDUxdUDp8kUiUU@?|UD]|U hUD0ijUU`:UxiUpBUDPUBUD0UUDUUDUL9UDp U0UD5U UDU3UDUhUD0gUp3UDUp=UU@J1UD M8U83U3UdUDgU gU "cjU<UUD a;UU`W U@Q6UD1UɾUDpU`UD UPeUDU`SU pmdU~UDUZU(UDUapU2`gU p?U`gU piUpipU2`iUgUo3UDRlU<UDU8UЩBU =UD@yEUCU2U6UDpUUD`(CUUD@UPŐUD0UJUDUUDPU3UD0UpUD4UUD`;UpUeExchanglUhiUxoUiUUiUؕUiUxUiU8^UiUnUiUHUiUPjUU(iU(ΨU@iUҨUXiUwUpiUhUiU jUhDFUiUhUiUjUxUiUH1UiUX#UiU0iU3UiUxjU5U0iU8UHiU jU(U`iUAUxiU8jU\UiUUiUiUUiUԙUiUxjUՙUiUjUHUiUU iUiU[U8iUȊUPiUiUUhiUiUUiUiU8<UiUHjU+UiUȳUiU8UiU.kUiUiU'UiUiUxuU(iU iUȮU@iUxm^UXiU UpiUGUHhUH8;UttUhUGUXiUPiUUpiUHU,U/U8miUUUU2U0UgU(*2UUU3UiUUU8u6U;UUط~UC0U3UGUUؒ?UJ5Ux`0UUU9U86(U/U(7BUU04U`lU@UJ<UU0UGU8UGUpTU2!U[gU(}UhyUJU6UxUU]UطrUxUU<U U`UUpUU@Uv@U Uh UiU5U0UTUUiU'UhU)U iUiUUHUiU[UU(iUUUAU~UiU(UUȳU UUTUiUHUUIjU+U UiUxuU UԙU!U8UUiU8<U U iU3UriUH1UUiUU8 UX#UQU.kUP UUUȊUU8IjUՙUFU8U8SUiUȮUpUiUxU0RUiU8[U SUhiU\URUwUniUxm^UxUsU(TUURU8^UXU8{UXUzU UiUUU@iU(}U@TUlUHRUHUUhU~U8UQU(ΨUPSUnUGUiUgUUUheUGUxU@!Uu>UVUҨUUxoUpUؕURUtUxRUZUUUiUhDFUQUdUUXU@UHUVUXaU VUhU`RUxDUHUHyUUUH]U0yU iUXa8UUBUUpiU^UhSUiU<U@U(UPUȋUUUHbUTUXg8UKeU_URU\UVUxfUTUhIjUBUU{UTUUUUU UIUUUhiUzUPVUXd8UUHBU`UUiUXUpHUHUUعU UU`UkU`4UU8VU23U<Uؚ3UU$UHU
    !2020-08-20 00:04:03
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00:00:00!0g#g#!1g#g#!0g#g#UjU!g#g#!0g#g#UjU!0000-00-00 00:00:00!0g#g#!g#g#!2g#g#!2g#g#!76.89g#!g#g#!g#g#1g#g#0 !'''#g#{jU!`g#g#!``g#g#!```#g#!^g#g#!<g#g#!>g#g#!*g#g#!!!g#g#!!?g#g#!-g#g#!_g#g#!-g#g#!^g#g#!***#g#!--g#g#!/g#g#!-[g#g#!]-g#g#![?]#g#!?!g#g#!!?g#g#!7g#g#!PPg#g#!(]g#g#![)g#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#![?]#g#!g#g#!g#g#!g#g#!g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!4g#g#!5g#g#!6g#g#!7g#g#!8g#g#!9g#g#!+g#g#!-g#g#jU!=g#g#jU!(g#g#jU!)g#g#XjU!ng#g#jU!0g#g#jU!1g#g#xjU!2g#g#ؿjU!3g#g#8jU!4g#g#jU!5g#g#jU!6g#g#XjU!7g#g#jU!8g#g#jU!9g#g#xjU!+g#g#jU!-g#g#8jU!=g#g#jU!(g#g#jU!)g#g#@jU![?]#g#jU![?]#g#jU![?]#g#xjU![?]#g#jU![?]#g#8jU![?]#g#jU![?]#g#jU![?]#g#XjU![?]#g#jU![?]#g#jU![?]#g#xjU1[?]#g#jUjU0a Andrew Moore is a composer, conductor, arranger and music editor, and also a catholic priest. He was born in Hayes, Greater London in 1954. After schooling at St Benedict’s, Ealing he went to the Royal Academy of Music in London where he graduated in advanced orchestral conducting, studying also the violin and the organ. In 1982 he was ordained a priest as a member of the Benedictine community at Downside Abbey, having obtained a degree in theology at Cambridge University (Christ’s College). At Downside he taught music and religious studies and was a Housemaster and Bursar. As monastic choirmaster for some fifteen years he led the daily singing of Gregorian Plainsong and helped to maintain and foster a high standard of liturgical music with appearances in several radio and television broadcasts. He has sung in Rome as cantor at papal masses. As school choirmaster he directed the Schola which participated in European festivals and tours. From 1993-95 he was parish priest at the Downside Parish of Little Malvern, the church where Elgar lies buried. In 1996 he stepped aside from monastic life for a more active ministry in the Diocese of Portsmouth and has served in the parishes of Winchester, Lambourn and Hungerford, Ascot and Westbourne. From 2007 - 2019 he was also part-time Priest-in-Residence at St Mary’s School, Shaftesbury where he was musically much-involved. In 2021 he retired from active ministry and now lives in Hampshire. As a composer, Andrew Moore is perhaps best known for his liturgical and organ music, having written several widely-used mass settings, many responsorial psalms, motets, anthems and carols, and a varied selection of works for organ. However, his works range well beyond church music. He has written much instrumental music, a song cycle and many other songs, as well as chamber and orchestral music. Larger scale works include a cantata for tenor, chorus and orchestra and a Requiem for chorus and orchestra. There are many influences at work in his tuneful and accessible compositions. ‘English Pastoral’ may be applied to many pieces and he makes much use of modal music (the plainsong influence) but there are also elements of jazz harmonies (his father was a very accomplished jazz pianist). His extensive and intimate knowledge of the broadest range of classical music from Byrd to Bernstein, from Schutz to Shostakovitch also tells. As an editor and arranger, Andrew Moore has been heavily involved in the compilation of several major hymn books in wide circulation and other liturgical collections. He has also made many and various arrangements of classical pieces and compiled, arranged and edited collections of much instrumental music ranging from Bach to Joplin, Janacek to Schubert . Since 2011 he has been conductor of the Winchester Camerata which has explored and performed much of the extensive repertoire for string orchestra. The Camerata has performed a number of well-known works by composers such as Butterworth, Prokofiev, Ravel, Schubert and Strauss, that Andrew Moore has arranged for string orchestra. Thank you for your visit. 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F. Handel Barbara Holm Holm Legacy Publishing This arrangement of the Overture to the popular "Water Music" by G. F. Handel, is specifically for flute, violin, and cello. 39461!0g#g# !0000-00-00 00:00:001g#g#}U0!0g#PU !0000-00-00 00:00:001ءjUC+6009921271367g#g#U0!HASHg#!HASHg#nU15.00(!Ustrumentation01ITY#cjU1instrument.strings.viola.soloPiano - Do!73g#g# !g#p_9U 1HjU4776!nnerrd1g#Uonn3sALTTEXT0["33261","33258","64697","115848","103990","33260","18258","94073","31058","53675","18095","74182","33665","21382","2173","78917","144391","126693","94885"]UU!2020-09-01 04:14:38U10000-00-00 00:00:00UU0!96177l::st !0g#<U10000-00-00 00:00:000!g# !g#g# !g#,9U="modal-!0g#g# !0.000Urrencies!2018-11-09 21:15:54!1g#g# {"width":300,"position-y-pc":"87","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":114,"width":31,"x":4,"center-y":132.5,"height":37,"center-x":19.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":152,"position-x-combined":"left","position-x":"left","position-y":"bottom","position-y-combined":"bottom","average-center-x":19.5,"average-center-y":132.5,"id":"D33F5BB0-512E-11E7-A422-C898CDA59B20","position-x-pc":"7"}U;U!0000-00-00Uhange - !g#g# qhttps://img.sheetmusic.direct/catalogue/album/ce32acef-2617-4f69-94d3-454ad096b229/medium.jpg!0g#@U 11g#UB0!HASHg# !William Boyce !0g#g# AJoseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six concertos Op.15 originally written for 5 Flutes. It consists of three movements. I. Allegro, mirthful. II. Largo, graceful. Players would enjoy slow harmony-transitions. III. 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    Ensemble

    Big band Brass band Concert band / wind band Drum corps Marching band Military band School band Brass band Brass choir Brass quartet Brass quintet Brass trio Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) Piano four hands Choir + keyboard Solo instrument + piano Voice + keyboard Pop group R & B band Solo instrument String quartet String quintet String trio String orchestra Choir Choir (barbershop) Choir + keyboard Choir + orchestra Voice + guitar Voice + keyboard Double reed ensemble Wind quartet Wind quintet Woodwind choir Woodwind trio
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    Voice + keyboardNever Too Much
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    Ensemble

    Big band Brass band Concert band / wind band Drum corps Marching band Military band School band Brass band Brass choir Brass quartet Brass quintet Brass trio Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) C!50g#g#span claH#U#U#U#U#U#U0#U)tUt type=""U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ua
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    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music
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Great Latin number for your next performance. 13.00g#"U0An arrangement of Little Brown Jug for String Orchestra & Drum Kit. "Little Brown Jug" is a song written in 1869 by Joseph Winner, originally published credited to "Eastburn" (Winner’s middle name). It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era His version did not have the lyrics. In 1939, Glenn Miller and His Orchestra released a hit version of the song on RCA Bluebird, as an A side 78 single, B-10286-A, in a new arrangement by Bill Finegan backed with "Pavanne". The recording was an early chart hit for Glenn Miller. The song was performed in Glenn Miller’s Carnegie Hall concert that year and became a staple of the Glenn Miller Orchestra repertoire and a classic of the Big Band era. The song was featured in and was central to the plot of the 1953 Universal Pictures film biography The Glenn Miller Story starring James Stewart and June Allyson. the rUCopyright © 2018 Keith Terrett - All Rights Reserved Published and distributed by Music for all Occasions keithterrett@gmail.comrU!g#g#!0g#g# {U!1g#g#!0g#g#{U!1g#g#!0g#g#P{U!g#g# {U!0.00g#{U["177543","178169","179405","177980","97361","168757","156917","93551","364918","143824","55369","179067","143822","410386","143825","179189","150615","124437","173010"]{U!2020-09-09 02:01:02U!1g#g#12020-04-12 11:59:14U0{U0An arrangement of Little Brown Jug for String Orchestra & Drum Kit. "Little Brown Jug" is a song written in 1869 by Joseph Winner, originally published credited to "Eastburn" (Winner’s middle name). It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era His version did not have the lyrics. In 1939, Glenn Miller and His Orchestra released a hit version of the song on RCA Bluebird, as an A side 78 single, B-10286-A, in a new arrangement by Bill Finegan backed with "Pavanne". The recording was an early chart hit for Glenn Miller. The song was performed in Glenn Miller’s Carnegie Hall concert that year and became a staple of the Glenn Miller Orchestra repertoire and a classic of the Big Band era. The song was featured in and was central to the plot of the 1953 Universal Pictures film biography The Glenn Miller Story starring James Stewart and June Allyson. UΣrUaLittle Brown Jug for String Orchestra Drum Set Jazz for 5 Strings SeriesrUdancers !0g#g#!0g#g#!18g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Little Brown Jug for String Orchestra & Drum Set ''Jazz for 5 Strings Series'' Joseph Eastburn Winner (1837-1918) Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of Little Brown Jug for String Orchestra & Drum Kit. "Little Brown Jug" is a song written in 1869 by Joseph Winner, originally published credited to "Eastburn" (Winner’s middle name). It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era His version did not have the lyrics. In 1939, Glenn Miller and His Orchestra released a hit version of the song on RCA Bluebird, as an A side 78 single, B-10286-A, in a new arrangement by Bill Finegan backed with "Pavanne". The recording was an early chart hit for Glenn Miller. The song was performed in Glenn Miller’s Carnegie Hall concert that year and became a staple of the Glenn Miller Orchestra repertoire and a classic of the Big Band era. The song was featured in and was central to the plot of the 1953 Universal Pictures film biography The Glenn Miller Story starring James Stewart and June Allyson. chorõ!0g#g#PrU!0g#g#!0g#g#!0g#g#!2018-05-24 15:49:06!{"width":300,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"9BBEADFC-5F61-11E8-8CD3-12BAED28936B","position-x-pc":"0"}mpx)!0g#g#!1630g#!2040g#{U@{U{Ux{U@{UH{Ux{UP{U{U{U{U{U{U{U{Up{U0{UIU{U{U{U{U{U{U8{U{U{UP{Uh{U {U{U{U{U{U{U{U{U{U {U@{U{U({U{Ux{U8{UH{U{UP{Uh{U{Uh{U{U{UX{U0{U{U({UH{U{U{UX{U`{U{UP{U{U`{U({U{U{U{U{UX{U{U{Up{U{U{U{UScoreExc!2018-05-24 17:12:28U!0000-00-00 00:00:00U!g#g#Scores!885028g#? !0g#g#primary !0g#g#rU!0.00g#rU!15.49g#Scores!10.50g#<10g#g#pyUyU0@UвrUpUDU UDU0UD0U@UDPUPUDU`UD UpUD@UUD`UUDUUDUUDUUDUUDUUD UUDPUUDpUUDU UDU0UDU@UDUPUDU`UD0UpUDPUUDpUUDrUUD@rUUDUUDUUD0UUDPUUDpUUDUUDU UDU0UDU@UDUPUD0U`UDPUpUDpUUDUrU`UUDIgUx1Ur<UРUrU_UDmU8rU0 UDUUDUU 0UpUDp޿UUD_UUDpUhUDUEU2rUHygUaU rUU2XrU UUUv+UÛUDpU2U:UUDjUp8UDeUPUD0/UpUD`U>U2U-UDgUКUDUUD0U UD`U`UD yU0RUD UعrUX(UUUrU0UppxUD0rUÛUfU@UD@xU|xUDHUpU BUU20 UDpU U UUD~UrUUUDp U UD`UUDUUD)UY!UDUxUUuUUD@tBU@~pUDU#U4U@UDUoxUDP U+UDd3UpHU{xUDOU`'UD@mU`<UDvUUD0U0UDPrU`5UDU:;UD@U@U UUU4UD UP8UDUU PUUD2U<UDUxUUXUp UDgUU8UU@UUD@U%UD U`QUD;UU @UpUD@IUUD`CU-UDdU(UU4U UDU@UDU0rU@3UUDpAUUDzU|U@5;UDUUD4UUDUPU UUDhUUDPUxUU9UUDUMU3UPaUD`xUUD%UUD"U` UUUUDUbWUD`4UrUUpU2VUD@UUDgUXrUUprU<UDp#U:Up<UrU8rUUDp5U UDUОUD`zUWUDULUDUPUDUP.UDUUUAUUD"UjUD`8UrU1Terence Dwyer learnt the organ under George Gray and studied harmony and composition with Ben Burrows. In his twenties he sang in Leicester Cathedral Choir and Leicester Bach Choir. For over 60 years he has played a prominent part in the musical life of Leicestershire - performing, teaching, lecturing, and conducting local choirs and orchestras such as County Festival Chorus, Phoenix Opera Group and Leicester Chamber Orchestra. His wide interests cover subjects as diverse as harpsichord-making and electronic music, and his compositions range from solo songs and chamber music to opera and symphony. His first orchestral piece �Bayeux Tapestry� (1958) is still being performed by local orchestras. In recent years Dwyer has completed a violin concerto, a large orchestral suite, and an organ quintet, and shows no signs of running out of musical ideas at age 85. 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    queh2>oonand Melody)g#aXUhppU3IUa'rU,X U1 UXU"U"U0!9g# lUp!Rock and Pop !1.99g#yU10g#g#yU01Moonlight Serenade for Cello & PianoU!60g#g#$cU!373#g#\cU!3g#g#!2g#g#bU!2020-03-17 04:25:00U!2020-03-17 04:45:06U!Glenn Miller yU!Keith TerrettyU!1939g#yU12020g#0!sib#g#bU!250#g# bU!0g#g#0$cUAMoonlight Serenade for Cello & Piano.sibcUcU!2020-03-17 04:25:00U!0g#g#`fU!691#g#dU!0g#g#WU!1.50g#8yU!2020-03-17 04:25:02U!1g#g#yU!1g#g#xyU!0g#g#hyU!g#g#yU!0g#g#yU10g#g# yU0  )0!( X`ch)0$(68  $(68NP+0&(1?sU!0.98g#0}U!2021-06-16 16:38:55U!1g#g#}U!1g#g#}U!0g#g#@NyU!g#g#}U!0g#g#x}U10g#g#8}U0!0g#g#?sU!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#qCopyright © 2006, Music for all Occasions. All Rights Reserved. Photocopying is illegal. Ed. 2021U!g#g#!2021-06-16 16:51:27U1B59F3D42-CEBA-11EB-9E0A-5AB8E609653FU!189411g#}U!0g#g#P}U!0g#g#}U!0g#g#!0g#g#}U!1g#g#}U!650x919g#}U!0g#g#}U!0g#g#!5.00g#!2023-03-03 00:11:21U!2023-03-03 00:11:58U!2361168g#}U!3002101g# !1g#g#pCsU!0g#g#!0.0000g#!2021-06-16 16:42:57A7 Popular carols in Norway for two ViolasxchangeScores!0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#7 Popular carols in Norway for two Violas Gammel melodi Keith Terrett Music for all Occasions 7 Popular carols in Norway for two Violas, a great set for your concerts next Christmas.FsUEsU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!1300g#!957#g#H}U}U@}U(}U}U}U }U}U}U}U8}U}U}Up}U}U}U؈}UJUNyU}U}U(}Uh}U`}U}U}U}U}U}Uȉ}U}Ux}Ux}UP}U}U(}UP}U}U0}U}U0}UЇ}U}U }U@}U}U`}U@NyUp}Uh}U}U}Ux}UH}U}U}U}U}U(NyUp}U}U}UMyUMyU}U}UЊ}U8}U}U}U}U}UH}Uȃ}U}U}U8}UX}U2KsU!2021-06-16 17:00:20U!0000-00-00 00:00:00ores!g#g#lityScor!145678g#KsU!0g#g#KsU!0g#g# LsU!0.00g#eScores!3.94g#rtedZip!1.96g# @"!0g#g#pLsU!g#g#LsU!0.00g#defScor!g#g#ZipConve!0000-00-00 00:00:00inis11g#g#lU(lU0NsUNsUNsUNsUNsUNsU  ?NsUNsUNsUNsUNsUNsU   @! OsU0OsUOsUOsUOsUNsU   ?defhangScoreExchangesGenressGenresmIDDisplID? defScoreExchangeGenresoGenresNameUNameUdefUScoreExchangeGenresGenresImageDisplayYngImageDisplayYVerificationCodeSentVerificationCodeSent? > <0PsUOsUMuch (PiOsUOsUOsUOsUOsUPsUPsU+PsUdefScoreExchangeUsersUsersVerificationCountryCodeVerificationCountryCode! PianoPsUHPsUitar ChoPsUPsUPsUPsUPsUPsUPsUPsUdefScoreExchangeUsersUsersVATNumberLastValidatedVATNumberLastValidated? cores/nQsUQsU1190.htm@QsUDQsURQsUXQsU^QsUtQsUQsUQsUdefScoreExchangeUsersUsersScoresRequireApprovalScoresRequireApproval?a8RsUQsUtle" conQsUQsURsURsURsURsU&RsU3RsUdefScoreExchangeUsersUsersUseBetaSiteUseBetaSite?xchanRsUPRsU/1200x63RsURsURsURsURsURsURsURsUdefScoreExchangeUsersUsersNeverCropPhotoNeverCropPhoto?a propeSsURsUight" co8SsUXsUXsUYsUYsUYsU"YsU6YsUCYsUdefScoreExchangeUsersUsersCatalogueExtraTitleCatalogueExtraTitle?titleZsU`YsU ExchangYsUYsUYsUYsUYsUYsUYsUZsUdefScoreExchangeUsersUsersCatalogueExtraInstrumentationCatalogueExtraInstrumentation? ZsU ZsUmportmap`ZsUdZsUrZsUxZsU~ZsUZsUZsUZsUdefScoreExchangeUsersUsersScoreCountCurrentScoreCountCurrent?  @0H[sUZsU9/app"}<[sU [sU[sU [sU&[sU/[sU8[sUE[sUdefScoreExchangeUsersUsersPlatinumPlatinum? @tCo[sU`[sUoCurrent[sU[sU[sU[sU[sU[sU[sU[sUdefScoreExchangeUsersUsersCreditBalanceCreditBalance? c\sU\sUD":true,@\sUD\sUR\sUX\sU^\sUn\sU~\sU\sUdefScoreExchangeUsersUsersPlatinumRenewalPlatinumRenewal? "canP@]sU\sUsRequire\sU\sU\sU]sU]sU]sU,]sU9]sUdefScoreExchangeUsersUsersPlatinumDoNotRenewPlatinumDoNotRenew?9999998]sUX]sUe.min.cs]sU]sU]sU]sU]sU]sU]sU]sUdefScoreExchangeUsersUsersPlatinumRenewalAttemptedPlatinumRenewalAttempted?al_^sU^sUss">
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    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship
    g#P6tUuot;Camila Cabello" "Jeffery Lamar Williams" "Kaan Gunesberk" "Louis Bell" "Pharrell Williams"" class="form-control">

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    g#:tUname="purpose_7" > A specific event > Christmas (sacred) A ȃUPTmUU_(UNpUnUU8YuUG1Un(U 6tUUpoUUWIUoUQ U oUHUXoU(MUoUGUoUXUoUGU $UYuUUȾoUTUHoUU`oUYuUUxoU(MUoUGUoUp)U8UoUGU*UXZuUUпoU>U߈UعUU(aUU0߈UqUUkUUxU Ua UoU\ UoU(4eUXW UoUw Uxe(UzUqUUoUxUx߈U]uUUHoUU߈UeU'rU\uUU߈UxoUoUUpoUU߈U#UU8UHL]UPEqUhO]UoUUP*UU0oUU߈U0WUlU(oUؕUmUxUY>UpmUxFaUqUHaUpmUUmUXUrUx%U8QqU U KqU UclU8aUU(kUmUukUJnUHaUH3kUKqUDU^ULeUPzGU^Uh*rUU0rUpmUUoU)UoU)U`oU)UXmU]uUhUPaU2!U(aUKdU86(UoUpUhUpUU0qU]uU8U8zsU(UmUxU-rU8\uUUUUHUDqU<UNnU(U0kU\uUxY'UТCUHVUV>U.UrU\uUH&UpUU(aU_uU]UoUXCUoUDU0oUDUxoUmUXgUoUHUoUUoUh}TUxoU`uUط~UoUXPpUGUEqUGU$vUXd8U@'vU`auUU%vUDUdyUqU.vUheuUXa8U'vUXg8UX'vUPbuU<U'vUU'vUxDUp'vUBU'vUHBU'vUcuUBU(vUeuUBU(vUeuUCU0(vUeuU)UH(vU@U`(vUhHUx(vUhIU(vUDU(vUpfuUHFU(vU%FU(vUX;U(vUQU)vUU )vUHU8)vU`guUTUP)vUUh)vUbuUGU)vUGU)vUHU)vUU)vU(U)vUXU)vUxfU*vUU(*vUIU@*vUHyUX*vUPeuUzUp*vU{U*vUH]U*vU\U*vUȋU*vUguU^U*vU_U+vUU+vUXaU0+vUHbUH+vUeuUXU`+vUUx+vUdU+vUheU+vUu>U+vUauUgU+vUguU8[U+vUZU,vUzU ,vU8{U8,vUHUP,vUXfuU(}Uh,vUsU,vU8U,vUtU,vUlU,vUxoU,vUU,vUؕU-vUxU(-vU8^U@-vUnUX-vUHUp-vUduUU-vU(ΨU-vUҨU-vUwU-vUhU-vUneField XrUxoU)Up"UҏU"Uc$UXoU_(UoUPTmUPn(UoUntation!NAMEg#XuUXuUXuUXuU6tU86tUox" valu1~oUhuU Original composition Arrangement Transcription Other (e.g. worksheet)instrumentatA

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    g#mble (unpitched)     Piano four hands 1H[uU]pU0[uUpUU:U U[ { "Desc" : "", "Url" : "www.jsbach.org", "Text" : "Extensive catalogue of Bach's works" } ] .gU1Benché severo e immutabil fato01Amazing Grace for Viola & Piano0

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    "on" selected>on `wUwU8wU:wUQwUTwUWwU4Other (e.g. worksheet)4050reExchangeScoreTypesScoreTypesIDID? BU(wUwUwUwUwUwUwUwUwUwU'wUdefScoreExchangeScoreTypesScoreTypesNameName!wU@wUwUwUwUwUwUwUwUwUdefScoreExchangeScoreTypesScoreTypesOrdOrd? wU wUwU*wU5wU@wUNwU\wUiwUdefScoreExchangeScoreTypesScoreTypesImageDisplayYImageDisplayY? defScoreExchangeObjectCacheObjectCacheClassClassdefScoreExchangeObjectCacheObjectCacheCachedCacheddefScoreExchangeObjectCacheObjectCacheExpiresExpiresdefScoreExchangeObjectCacheObjectCacheKeyValueKeyValuedefCacheTime7wU7wU6wU7wU6wU6wU  ?X7wU`7wU87wUH7wU(7wU 7wU !7wU7wU7wU7wUp7wUh7wU  ?7wU7wU7wU7wU7wU7wU  ?defScoreExchangeScoreTypesScoreTypesIDIDdefScoreExchangeScoreTypesScoreTypesNameNamedefScoreExchangeScoreTypesScoreTypesOrdOrddefScoreExchangeScoreTypesScoreTypesImageDisplayYImageDisplayYdenied52992058e.comnge.comnu-bar" role="toolbar" aria-label="">
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    Tomas Luis da Victoria (c. 1549-1611), Ave Maria, gratia plena (8 parti) - Riduzione e Analisi
    A. Verrengia, Analisi compositiva contrappuntistica : Orlando di Lasso Sequuntur Cantiones Quatuor Vocum N. 58. (49, I. pars.)
    A. Verrengia, Analisi compositiva contrappuntistica - O. di Lasso, Cantiones Duarum Vocum (n. 9)
    A. Verrengia, Analisi compositiva contrappuntistica - J.S. Bach, Arte della Fuga, Contrapunctus XIII
    A. Verrengia, Il fenomeno degli armonici e la generazione della Scala musicale
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
    A. Verrengia, Morfologia della Fuga (A) - Metodologia costruttiva - A) Fuga scolastica in modo Maggiore
    A. Verrengia, Morfologia della Fuga (B) - Metodologia costruttiva - B) Fuga scolastica in modo minore
    A. Verrengia, Cifratura di una serie dodecafonica
    A. Verrengia, Tetraintervalli : dimostrazione di tutti gli intervalli, semplici e composti, nell'ambito tetracordale
    A. Verrengia, Esemplificazione di parametri analitici nell’analisi armonica (Foglio di lavoro)
    A. Verrengia, Analisi di musica non tonale - Musica Contemporanea per Pf. - B. Canino, "Piccolo labirinto" (1971)
    Composizione Strumentazione Orchestrazione (Educational Instrumentation Orchestration)
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
    A. Verrengia, Analisi Armonica Fraseologica e Formale - W. A. Mozart, Trio K. V. 548
    Composizione Dodecafonia (Educational Twelve-tone music)
    A. Verrengia, Cifratura di una serie dodecafonica
    Composizione Musica moderna e contemporanea (Educational modern and contemporary music)
    A. Verrengia, Studi di Componotazione : Studio I
    A. Verrengia, Analisi di musica non tonale - Musica Contemporanea per Pf. - B. Canino, "Piccolo labirinto" (1971)
    A. Verrengia, Notazioni musicali convenzionali, in campo aperto, proporzionali, grafiche (Esemplificazioni pratiche)
    Canto e Orchestra (Music production : Voice and Orchestra)
    A. Verrengia, "Verde" Aria da Concerto per Canto e Orchestra
    A. Verrengia, "Credo laico" Aria da concerto per Canto e Orchestra
    Orchestra (Music production : Orchestra)
    A. Verrengia, "Caccia" (Fighter) per Orchestra
    A. Verrengia, "Postmonizioni", per Orchestra
    Musica da camera (Music production : Chamber music)
    A. Verrengia, "Dedans" - Quintetto strumentale - Partitura
    A. Verrengia, "Onirico-Ricorrente-Variato" - Violino e Pianoforte
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - TEMA
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - I Variazione
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - II Variazione
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - V e VI Variazione
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - IV Variazione
    A. Verrengia, "Onirico-ricorrente-variato" - Vno e Pf - III Variazione
    A. Verrengia, "Lirico" - per Trio d’ Archi
    A. Verrengia, "Doppiobis - excursus psichico di due Pianisti" - per 2 Pf.
    A. Verrengia, "Remake" - Fuga per Trio d’Archi (Soggetto di P. Hindemith)
    A. Verrengia, "Specchio" - Fugato cancrizzante per Trio d’Archi
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
    Pianoforte e Soli strumentali (Music production : Piano and Solo instruments)
    A. Verrengia, "Prélude" - per Pianoforte
    A. Verrengia, "Adieu" - per Pianoforte
    A. Verrengia, "Danse" - per Pianoforte
    A. Verrengia, "Ostinato" - per Pianoforte
    A. Verrengia, "Fraseologia in campo aperto" (esemplificazione didattica strumentata per Violino)
    A. Verrengia, "Intervallo creativo" - Studio sugli intervalli musicali - strumentato per Vibrafono solo
    Trascrizioni (Music production :Transcriptions)
    J. S. Bach, Quaerendo invenietis - Canone a 2 voci tratto all'Offerta musicale
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quintetto di Fiati)
    "Kinderszenen Op.15 n.4 di R. Schumann" - Trascrizione-elaborazione di Andrea Verrengia (Quartetto d’Archi)
    Uncategorised music
    A. Verrengia. China song - opera aperta - Versione con testo, per Canto e Campana tibetana e/o Strumenti
    e="checkbox" value="1" name="common_76" >Double Bass
    Percussion (pitched)
    Percussion (unpitched)

    Genre

    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship

    Difficulty

    Easy (Grades 1-3) Moderate (Grades 4-6) Difficult (Grades 7+) Not applicable (e.g. worksheet)

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    Original composition Arrangement Transcription Other (e.g. worksheet)

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    /div> rity 1 D)Uh'UM)UC)UJ)U؜'UP$U@$U$U0$UpQ)U(U$U(UU)U'U(U.U$UI)UPP)U(U(U'UM)U'U(U'UU(H)UXE)U(UR)Ux(UH(U(UH(UM)UJ)UF)U$U0$U"$U(U(U'UX$U$UG)U0U'U(UhU$U$UpH)U(U($UxF)UP(U@K)U$UXUB)UP)U$U'UPM)U@UE)U$U0'U$UU8'U($U$Up$U(UpB)UUU(U8$UN)U@U$UX(UUL)U$UH'U'U(U(U$U(Ux$UX'U'UP!$UN)UH$UU`U`(U'U0F)U$U`$UC)UK)UUP)U@(U0(U!$Up$UxU!$U((Uh)U` $U U$U@(U`L)U(UD)UX"$U(U(U(U$U(U`'U8$UxO)UX'Ux$UPJ)UH)UN)UL)UUH $U)U8$U(U$U`$U(U$U(UL)UK)UU$UHC)U(UX(UU8(U`I)U$UhD)UE)U$Ux(U$U 'U$U$U)UD)UJ)UH)UPG)UО'Uh(U(U'U $UP'U$UP$UP(U(U0O)Up$U$U$U(U(UxU($U@'U'UhUhU('U('UE)U 1. O holy night! The stars are brightly shining, It is the night of the dear Saviour's birth. Long lay the world in sin and error pining, Till He appeared and the soul felt its worth. A thrill of hope the weary world rejoices, For yonder breaks a new and glorious morn; Fall on your knees, O hear the angel voices! O night divine, O night when Christ was born! O night divine, O night, O night divine! Led by the light of Faith serenely beaming, With glowing hearts by His cradle we stand. So, led by light of a star sweetly gleaming, here came the wise men from the Orient land. The King of kings lay thus in lowly manger, In all our trials born to be our friend; He knows our need, to our weakness no stranger; behold your King! Before Him lowly bend! Behold your King! your King before Him bend! Truly He taught us to love one another, His law is love, and His gospel is peace; Chains shall He break, for the slave is our brother, And in His name all oppression shall cease. Sweet hymns of joy in grateful chorus raise we, Let all within us praise His holy name; Christ is the Lord, Sing praise to Him forever, His pow'r and glory evermore proclaim! His pow'r and glory evermore proclaim! 2. Minuit, Chrétiens, c'est l'heure solennelle Où l'Homme Dieu descendit jusqu'à nous, Pour effacer la tache originelle, Et de son Père arrêter le courroux. Le monde_entier tressaille d'espérance A cette nuit qui lui donne un Sauveur! Peuple_à genoux! Attends ta délivrance! Noël! Noël! voici le Rédempteur! Noël! Noël! voici le Rédempteur! De notre foi que la lumière ardente nous guide tous au berceau de l'enfant, comme autrefois une étoile brillante y conduisit les chefs de l'Orient. Le Roi des rois naît dans une humble crèche; puissants du jour, fiers de votre grandeur, à votre_orgueil c'est de là qu'un Dieu prêche; courbez vos fronts devant le Rédempteur, courbez vos fronts devant le Rédempteur. Le Rédempteur a brisé toute entrave, La terre est libre_et le ciel est ouvert; Il voit un frère_où n'était qu'un esclave, L'amour unit ceux qu'enchaînait le fer. Qui lui dira notre reconnaissance? C'est pour nous tous qu'il naît, qu'il souffre_et meurt. Peuple, debout, Chante ta délivrance, Noël! Noël! chantons le Rédempteur, Noël! Noël! chantons le Rédempteur!!g#g#!0.0000g#P !2015-09-22 18:56:161O Holy Night Cantique de Nol Adam!0g#g#!0g#g#core Exc!7g#g#s2' data!0000-00-00 00:00:00on>!0g#g#le="img"!0g#g#link:hre!0g#g#  "U _U2U@aU`9Uh3U3U+UU8BU@UpUUU@fUeUHUeUHU>UHU@UXU4UH&U+2U5UUHbU:U8d0U1UBU?U@?UcU\?UHVUCUW<UUr@UHBU<U`eUhV?UP:<Uȷ<U U3U0U@Uy4U/UH45U3U,AUP@UЖ3Up^U8UTUU V<U2U?UX%Uhy4UhU #Ux>UUJU=UUP1Ux/U8/5U&AUXz4UUU:U@rU@U]U`>Ux~@U>U]U^BU؁U>UpUH0Uص0UX><U?U>6U>U*AU(xUؖ2U(#UX;U>2U@4U0;UUhBU3UrCUp[UHSU0U3UeBU(3U<<U`UP<U1UCU`B6U@UBUAUd?U`;U@3UPAU22U@UU`#U(AU:UXUhAUAU/U(hU BUUp@UhCUȍAUw@U<U!UU0UeBUUV3UPV<U(q@UhUȂ4U(BUp<UU83Uح<UX/<U`@UPU@U?Uh82U2UhAU0BUCU!UȶBU@:2UN<U(<UphBUh#U@OU DUI<UXAUX;UX90U3U@UxU C6U(U ;UBUBU 3U؉U8BUs@U8=Uض?U8CUUgUXK<U?U@U8=U82U,5UxX?U>UU8>U0AU2U;U45Ui0U/U5UBUAUp 1UhBU%U<U#Ur2Uha0UfBU)AUx\U<UZUXCU03U0 1Ux)UU@1UU9#U#U:U =<U8s@UH(5U`dU|2U:<UA0UPlU kUUhUUX2UxNUqCU8/UUCU@U8S3U@ UUhUhBUCU>U03Uh/#U Up@U:U,AU:Ux0U)UU1UUAU0U@v!U2U4UZUpUVU2UHX?U83U42U U0UAU`U1Uж#U2UX2U+5U8r!U:U@@U($vU(UH<UU U]BU 0U @U`/UhU x!UlUjU@7U @U82U@U?UоUxU5UP4U>U3UXZ?U=U=UP3UX:UXgU@*AU2Uy@Uq2U @U`CU>U8U1UX4U@U3UU<UȤUL<Ux3UU4UU@U+Ux@Ux#UgBUq2U0UbBUDU(;U|@UU@UHUU BUjBUpBU0#U@6U(4UBU(U/UQ<U2UAU15Uk;Uؑ3UBUd?U/U{@UH1AUPAUQUU>Uw4UU4U8UUX2UUȷ3U`U'UHU0kUh5U4UEUUUUbUz2U65U80U5UR3U25U5UU4U=UU$U0Uإ0UUUUZU w2UH0U0=U82Upe0U0UbUU@UUUrU^0UU5U*UUUpUP0UpUU0UPhUUȸUUU̼U@%U@UHFUH3UhU4U*U،5UEUػ2UС0U g0UpgUAUU2UؙU0U%U0U `Uȹ2USU0AUU3U.2U%UYUp_0U(U8U#UCU(UPU22UkU`bU(U`U`UUpqUPGUX~2UU32UPUgxU|4U4UiUU5UUPUp2Ux8U84U0UUhU'UPUhUUǻUطrU!U42U@U4UU 2U3U5U8SUHc0U`gU2UйU"UU` U@UUS>UȢU0U5UU(k0UHU{pU0U`U`\U2UUlU0UU2U5UkUpU;iUU@UPU=UaUp=U4U Up32U4UxUhU2UU4U@RUUU8UbU2U0U0U t2UUp3U0U U("U>U<U5UU3U`#U852Uu4U012U4U05U` U42U(0Uhv4Ua0U^UU0U`U฾U[Ux+5UXPU045UUhU0jUp4UHhUX^U\U'UU3UIU4U@Uu2UU,5U d0UFUPAU"U/IUtrumentGroupNavMenu9'>Woodwind
    Alto ClarinetAlto SaxophoneBaritone SaxophoneBass ClarinetBassoonClarinetContra Alto ClarinetContra Bass ClarinetCor Anglais / English HornFluteHarmonicaOboePiccoloRecorderSoprano SaxophoneTenor Saxophone
    Big bandBrass bandConcert band / wind bandDrum corpsMarching bandMilitary bandSchool band
    Brass bandBrass choirBrass quartetBrass quintetUEUPHU2zUFUh2zUhHUhEUاmUX3zU2zUGU0GUpU`5tUȥmUGU3zUIUFU2zUH>Up3zUFUEU2zUFUGUHU>U3zUEUHUWU@'UBUCUhBUEUHU'U(IU HU'Up'UHU2zU1zUqU04zUp'U EUxmUPqU'UFUmUEU5tU@UX'UIU3zUIU@3zUFU>UAUDUqUBU('UȰ'U@FU!0g#g#-zU!0g#g#,|U!0.00g#Faroe Is!2.50g#e}U!0.00g#!0g#g#!g#g#!0.00g# Q1. If I have wounded any soul today, if I have caused one foot to go astray, if I have walked in my own willful way, Dear Lord, forgive. Forgive the sins I have confessed to Thee, Forgive the secret sins I do not see, O guide me, love me, and my Keeper be, Amen. 2. If KeepKeeper be, Amen. 3. If I have been corrupt or hard or cold, if I have longed for shelter in Thy fold when Thou hast given me some fort to hold, Dear Lord, forgive. Forgive the sins I have confessed to Thee, Forgive the secret sins I do not see, O guide me, love me, and my KeepKeeper be, Lord, guide me, love me, and my KeepKeepKeeper be, Won't You guide me, love me, and my KeepKeepKeeper be, Amen. 2. (2. If) I have uttered idle words or vain, if I have turned aside from want or pain, if I offend some other through the strain, Dear Lord, forgive.9PxU UU86(U(UUUhO]Uw!UU)U&U8UopUXǿUUUUpUx UpUUUAUU DUwIUsU.UU>UUBUfUH3U>UUU(UP?UZU:U8u6UUHU56UN>UV]UPOfUGUUU0UUP>0UrUИUH23UH<5UN<UHUUҨUUhUUUU0UU)UcU.UU@1gUx]U]UDU U蟳UU@UȆUHUwUMU(;U)UP`UsU0UؕUXUXQ]ULUAUAUp>U&*U.UzUUbUUgUpTUUHUGUUzUUa5U^U0[?UHUU@%?U8:USUU(U5Ux]UUU8z2U&*UP+UUUUUPwUhO]UȐUxfUUUPUHU0U`UH&UUw>UD>U>UOxU^UT3Uh6UxuU4UC U8:Ur2U)U8UUUUnUxUxFaUXUXϤU(CUUU{5UXIUZ3UeU UX;UhU(ݻUHUUhUAUK5U3UKU86(UU(ΨUgUpU?U({gU3UhU AUHUPUUи3UhUUU@U8hUUЉ#UUlUFU 5UU gUXU]UhU@UUUUPUzUGU5UXd8UUUhUʿUU UXCUgUqUU@UsiU(ݻUhUؕUU2!UUHUTU(UU)UPbyUعUYUUUUUUHU2 U @ qU *U TUD@hUUsxUD`2UUUD UU UUD:UpU 0gU UD UqUжUD2UhUU8U@UDJ UUU0UUD4U@[UDPU 7UDgUUDOUzUDU:UD0tU8UDUUDgU1UDxU5UD0xUsxUDUnUDU4UDPxUU0UP,^UDUpUDU0<UDU@UDU`7UDUp0AUIU0dxUPUDYjUUDU QUDUsxUDUsxUDпU8UDxU=UDxU;UЪIUUU3UUD`UpUDpSUHUDU5UbUD@UpUDGlUUD rzUsxUD@"U;UDxUP$UDUp7UDp'U :UDxU%UDPiUXfxU,UDPUUDU`cCUPU2UUp0UpUDuU@qxUDp*U:U-UD )2UYUDUUDU UU` UxU @pUmUDUp8UDxUmU  UsxUDjxUOUDPUsxUDUUs8UD xU7UD'U=Uf^9UUD U3UDxUptxUD xUtxUDxUtxUD@xU7UDxU7UDxU@UDIU7UDxU@txUDxU txUD'UixU`UUDU`UD@UUD0ZU7UDxUades/haa169649pאU4c5be88)ry" cla0!cpotter39@gmail.com!0.00U UUh~UyUU EU`UxsU(U UU5U@UU`U(UxU(0UU U8U1UhU0UUKUhUp4UpU8UpUU0URxU@U^UU+U aUUHUUU؝UhU(JUX*UUUBUHUhUU0UUUXUjU9U@7UUZUUU`DUU.UMUUU YUU_U204652!4g#g#!0g#g#U11g#g#0UwU0 0\`nUU0QU@ 0U K2U#(0U Q?U_>U  $(#(&(sU@U ĐU=@Uchd<U`UnU=CU%(=@$(  0BUd six of!Public domain !Back For Good 1\[NAME\]]]]\]NID\]-xsqhttps://img.sheetmusic.direct/catalogue/album/ce32acef-2617-4f69-94d3-454ad096b229/large.jpgpqU!0g#g#pU!0g#g#@hU!g#g#U!0g#g#U!0g#g#U!0g#g#U!0g#g#Q\U10.0000g#P9U0!0g#0RU!g#g#!8.44g#10g#g#0!191421@"U !HASHUg#g#!HASHUg#`!HASHUg#1xUs604853!0g#hg#!g#g#!57918g#!1g#g#xU!0g#g#!g#g# Leave Her, Johnny [sea shanty] (voice + piano) pump shanty (sung during the last round of pumping the ship dry before going on shore) Traditional Traditional Joris van der Herten The "her" being left is not a woman, but the ship. This shanty was traditionally sung when the ship was at port after it had docked. The shanty was also known as "Leave Her Bullies", "Time for Us to Leave Her". This song was used at the pumps, but it also served the purpose of the seamen airing their grievances (hence it being done at the end of a voyage). There were also several vulgar versions directed at the food and the owners which cannot be printed here. 1!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UUUpUU@U.U`UЃUɿUh?UU̿UUh8U_UhUUUUUǿU0U UؽUP~UU@U)U8UQU02UU UHUJUU~UU,UUHV|UXBUUUBU}UhEU`TUxUХUUUhOUXUUU *gUUVU U0U|U(UPUUheUuUU(Uh0U(UUCU(U0UhUjor-gabr!2020-08-22 23:36:24!12600pUr-johnny1597#g#166756.htmlure0!g#Xg#/organ-c!169.0896g#p-11-d-m!2021-01-13 14:31:32ml">QLeave Her Johnny sea shanty voice piano Gabriel FaureP!0g#U10000-00-00 00:00:00012g#`U58438q N0!2g#CU !2013-04-13 08:42:17!Brooklandsg#1Cae Ffynnon#xVxU0!2267U !2020-09-10 12:44:25!0g#g#WxU10000-00-00 00:00:00U0!0g#pgU q[{"Desc":"","Url":"http://carmarthenband.co.uk/","Text":"Carmarthen Symphonic Wind Band"}]U!0g#g# !HASHUXg#0U!HASHUg#LUX#!0g#U !608#`UcoreIncl!5165g# !HASHPU !2023-04-28 15:42:14!354710g#!340306g#!0000-00-00 00:00:00!0000-00-00 00:00:00!g#pxU!g#g#1g#g#0!0g#9lU !1g#U!Kidwellyg#10000-00-00 00:00:000!0g#ЋxU !gbg#xU!07881864420#101554899600#0!1g#UU!3.00g#x U!2023-05-07 02:44:38U!2023-05-07 02:44:39U!123344g#U!113053g#`U!0000-00-00 00:00:00U!0000-00-00 00:00:00!0g#pWU8U!0g#g# XeU`UXxULUX#dU@eU  $!0g#g#!g#g#VxU!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!55g#g#WxU10000-00-00 00:00:00UVxU0I live in South Wales and have worked in education for 25 years. I play French Horn in a local symphony orchestra, conduct a local symphonic wind band and sing in a small vocal ensemble. Much of my composing and arranging has been for these ensembles. I have many more arrangements and compositions residing in the dusty recesses of my hard drive which I hope to bring to this page in time. I would welcome enquiries regarding commissions. 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(eval 312)#@!0000-00-00 00:00:00U1g#g#}U01"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!2011-05-08 08:29:41!2022-09-29 11:22:26!ateUss://sys1dUXyUFn108035!0g#.U!g#g#!0000-00-00 00:00:00!0g#g#[U!2106g# ASE_SMD_PrintLog_insert_customsert_custom!0g#`DU !2019-06-04 01:13:51QUU&U!HasCopyrightReport!0g#knU a_UHU|H U!2023-04-16 15:59:21!2023-04-16 15:59:35ata-!925384g#c ofU|UEVUpۈUU)UטU~UgyUU)U|UXU[UDUT>UX#Up|UDUUhUrUU|UUйU#yUxY'UhT>UUhMnU8U(aUHVUSUUkyUx~UhF}U U\UhU|UU@|UU^U{UPݑUh}TUAU1}UgUH|UxU|UUU W|UUkyU UH}U@UxFaU؂|U~UlU8UDU08UR|U^UkUkU,U&}U(U|UhU@U_Uȃ|U<UpUU)U|U.UMmU|UUU.}UH&Ux|UUx|UxUh|UHaU|UX|UTUH|U@|UH&UrU UX|UU]UxE}UXY]UɊU`UpUTUȋU8U|UUX(UX>$UukU|UHBU|UU |UxTU(UعUUV]UۈUؕUrUx U|UIUhyUeUX>UȵUۈUU86(UxUxU|U(yUzUB}UUU U&*U8F}U&yUUmUHUڈUV]UD}UDU|U8{U|U'}UH3kUrUعU|UxDUUUx 5U1UzUPiUHR]U|UXQ]Up|Ux$yUhU|UȋUhL}U8MyUUxN}UUh|UԙU|U<UPUUX,U|U^UmyUxoUI}UkU@|UU]UȉUx~U(UxP|UhU0rUZ]U0UȀ}UUdU>UX|UH1UD}UHU(|UzU|UXQ]UHyU(Up|U'}UhUqU@U0|U UX|U(yUTU0jyUNU0E}U"yU8U L}UHUU@|UhUȉUBUhyU(ΨU C}UqUUU(U2}UUmU(UUxUȫU[|UUyUHU#UظU@M}UU.rU%FU|U"yU(}U(J}U.UّUV]UUol-md-6 11800#!Ueexchange.com/0qIU 8U(1U!0g#PU!Danza Española Nº11g#g#g0!|U09.122876rimaryAEternal Source of Light Divine G F Handel (1685-1759) Trad Rodney Parker Dorset Wind Music Composed as part of Queen Anne's birthday music, Handel captures here all the charm of the English Baroque period. There are separate parts for Organ (including solo cues) and Soprano and Trumpet on one part together.  ~ ~Q@@Q@ $@$@@ $@$@@@Gz?Gz?@@@~@@!fbjiA !fl^jiA!f^djiA-C6@@E!fkiA@E!f)iAUnited 10g#g#s0x@yUx%U UUU8IVUU!/UGU@yUUbUHCyUXUUUU@yU&*UU'UUUUx8U8U kU('UȆUHMU!/UUGUUByUU8UAyUU8 UUqUCyUhUXUBU&*U8UEUHUHUByUȆUU]UUUrU'UUhU86(UUTUUUUgUPUUU DyUXUOUAyUx%U8UXUUeU0Up'U[#U\UEVUXU.UUGU(UUU@U8U`3UGUXj;UXU(lUUpUMUXpIU QUUTUUXUxuUUUU;U`UH UUXgUXUHUUUAUx1U?UxIU;UhO]UUUhU(CUXY]U@UU)UUUhUU0.UGUU!3UhU2UUGUUXCUUiU(UؕUU<UؔIU{4U(UUDyUU%UIU(0U`5U UhUC;UAUf0UعU0aUxUH2UU UU UUfUU8Ux%Uxy2UȵUhsUHL]U`0UHL]UU7UhUʹUUUU)UU)UBUIyUukUUqU3UGUPUDUU0UGUUxUHsU UUH|U0>Ux%UPUUUP@Uȩ3UP<U0UȆU Ux~U4UJyUx%U 0UXY]UUXQ]UOU&*U]UKyUhUxpUEVUfULyUUhwU8UHUgUpgUUUKyU&*UUJyUUUPƋUXUHUTUUGU>UUUXKyU[#UUUUJyUUUeUrUUжrUU`hU86(UpUJyUU UhJyUȆU`U8IVUU(BUU8/#UŋUhU@BUGUU.UhkUEVU,U!/UhUTUHUXCU|UCUnUayUXCUUGU(gUU 8UUoU`U@yUU@U(ݻUXU8Uط~Uȃ$UUsUUXxU>U8sUU)U(yU}UTUyUU@P}UUXrU&*UplUHUaUXY]UlUxUlUعUlUXaU0Uh|UGUaUU8 |UxTUp|UXQ]U(cyU@܎UHFUXUgUxوUY|U86(UKeUU]UوUGUqUzUɊUx UE}UUqUQU|UUrUh}TUYUHUH[UU8|UHaU IU&*UxyU.UڈUg-score-A/usr/www/resources/ADAP3/GenericObject2.pm--> @!319772g# hUhUfU0UpU0U8U8UU.UpUUUpUG4U 4U`wUUUuU UEUrUU UU UPUUpfU(UE4UUHFU;4UpUHUWUh 5U&U(UU@=4U3U5UxUpUU}U0UȅU5Ua5U0UDUȡU/U`rUU3U UМUȿU5Ui5U)U8E4UX3U8 UiU 5U/Ux$3U UZU3UhU?U !PaymentCurrencyID!931999@ U !650x916NU !1g#`" U12011-11-01 08:15:340!HASHg#!HASHg#!HASHg#10g#p0USUPER0!SoloInstrumentID!0g#g#ux; Andr!g#g#d/MMB29P!1g#g#TML, lik175C51BE4-886F-11E9-A780-F3D41D17C62937.!1g#g#t/2.1; +11g#g#t.html)01@ U(WyUgKq33264!31g#g#!1394g#19g#g#0!0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g# !g#(g#>U!g#g#(U!1.50g#XU!0000-00-00 00:00:001Ange Flégier (1846-1927).Z01UncategorisedScoresFolderNament0!HASHsU!HASHg# 12018-01-08 20:21:59UU0!HASHp<Uscores/11HASHg#x400.png 400w01B4B20AC8-FDD7-11EE-8183-3C6416FC75B9!usg# <U{U!g#g#UĈU ;|UD`c|U\}UDxU UDUUSUpbyU $UD`0U@!rUDO[UrUDO[UGvUD I_U`ʏUDˑUUD0Uxx}UUP9U0cyUPÈUDPL|U0ȈUD \UPDUDdUUD`U@ÈUD0L|UUĈUĈUDzUÈUDzUĈUDzUÈUDL|UĈUÈUDzU0[}UDPqU-#U `UUDЛ|U0UDU{rUD}UmqU0lUDPyU|UD }U@eyU`yUK9UDmUlUDP|UxUU~}U%UDp9UUDPT#UxUUJiUM}U0}U `UtrUD0UPUHfyU`mUˆUD`J|U kUDUfyU!}U9|UDvyU@OU(xUU`pUp.#U zU gyUxU|UD nU@nU @zU^UUxUU"U {UUv;UNvUGUBUUDKU=U`;U@.U`(UDUU|UhyU0|UD@nUhyUKvUDUnU @P|U@~zUnU PUpaUD%U`iyU UUUUD J|UPyUȻnU @`/U^}UDPψU?|UjyU{rUDpÇUUDXU`ȏUD=U͏UDyUp?|UD\yU7|UDpy|UxUU0DU1UD=UP.mUD@mU*UDunU0#U {U(kyU@kyU'UDozUxUU0xmUaUD0dzU;|UDgUkyU|U7|UUU U y"Uf9U5yUvP"rUoUPlUDPyyUU xxUUqUlyUUDU>U`UxUD`q|UlyU|UD yUBUPUxUU|UpDFU@U}UD0U`bUD 49U|UDyzUmyUxU`C|UDwyUwU|UD cUUD;U(:rUUU}U 0Uype="sub UUU~U)gUXUUUU`aUUUHUUPNU~UUUUU`UUU8UUUUrUUx^URU{URxUBUyUPUUEU`2U0UXU`UU-gUpUx[UUx)U+UUpCU0U03U 8UUUgU` UU9U@UhU`UQUHvU8UxUUXUfUPVUU176542!0000-00-00 00:00:0010g#g#I0D0APiano, Vocal & Guitar Chords (Right-Hand Melody)1HsyU=fx30::!1g#)!U!0g#g#13.5200g#0!0000-00-00Ufor="ema1g#g# col-md-5">Passw010g#^|UtryCodeU0!57g#pSU 1HASHg#999999)0!1g#8g#!Missouri City(U!0000-00-00 00:00:00U10000-00-00 00:00:00U(#yU01g#g#^9U`U0!LyricistNameU 1The Angel Gabriel choral 1.5 Final.sib!USQLigcyID["57109","85203","85023","44088","82788","85021","44367","55027","60755","49716","30694","60774","67329","144018","60773","130391","99185","27632","144578"]U12020-09-27 09:26:510!!2011-06-10 11:27:57!2017-11-22 16:42:14!HASHg#!HASHg#!HASHg#!HASHg#!HASHg#126g#pUP|U010 BUg#"U"U0QAUQ0LyUKyUU!HASHСUscores/51HASHg#x620.png 620w01dUyyU:z!0g#g#!0g#g#10g#g#0!2023-02-23 08:16:50!g#g#xU118780g#TU0!g#@U 1HzyU=*([170171!360939U Agnus Dei James A. Collignon WorldViews Other secular and sacred compositions by James A. All compositions are in the public domain.":{"name":"Home","@id"!PianoU !0000-00-00Uicon" hr1g#g#vg" color="#5bba0!1322730.744383!2320559(g#8zU!0000-00-00 00:00:00!0000-00-00 00:00:00UQ=zU1|yU=}96139!174995g#!2017-06-09 17:10:17U10000-00-00 00:00:00>zU0AThree Kings from Persian lands afar [Cornelius]U!26g#g#(U!0g#g#> !3g#g#9zU!1g#g#!2015-10-07 19:30:41U!2024-04-18 17:38:10U1Cornelius_Three_Kings_Gma.sib0!650x919ǺU !3g#g#U!2g#g#U!2022-08-04 15:32:18U!2022-08-15 10:52:38U!1g#8g#(yU!0g#g#(U|U!g#g#Ȱ|U1g#g#01sib#g# (Malvinas)UxyUUyU(yUUyUx~UyUhUطyUUyU(ݻUyUyUx]U yUU8yUUPyUUhyUeUyUUyUUyUHL]UȸyUhO]UyU8yUUyUXyUlUyUxoU(yUU@yUؕUXyUxUpyUxyUxFaUyUHaUyUUyUXUйyUx%UyU UyU UyUyUU0yUyUukUHyUȢyUH3kU`yUyU^UxyUyU^UyUUyUȥyUUyU)UغyU)UyU)UyUyUhU yU2!U8yUyU86(UPyUyUhUhyUUyUyU8UyU(UyUxUȻyUHyUUyUHUhJbU<U8lU(UlUyUxY'UP}UHVUTbU.UTbUyUH&UhlUUlU0yU]UlUXCUlUDUPlUDUlUyUXgUlUHUlUUlUyUa Tico-Tico no fubá for Viola, Cello & Piano Zequinha de Abreu Arranged by Keith Terrett Keith Terrett Music for all Occasions Arranged for Viola, Cello & Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.PlUyU0mUD-sU@mUD0-sUPmUDyU`mUDyUpmUDyUmUDyUmUD yUmUD@yUmUD `yUmUDyUmUD0sUmUD 0sUmUD@0sUmUD`0sUmUD0sU mUD0sU0mUD0sU@mUD0sUPmUDЙyU`mUDyUpmUmUDyUmUD0yUmUDPyUUmUDyUmUDyUmUDyUmUDyUmUDyUmUD yUUmUDzU mUD@yU0mUD`yU@mUDyUPmUDyU`mUDyUpmUDyUmUDyUmUD yUmUDzUmUDyUmUDyUmUDyUmUD yUmUD@yUmUD`yUmUDyU mU0mUDyU@mUDyUPmUDyU`mUDyUpmUD yUmUD@yUmUD`yUmUDyUmUDyUmUDzUmUDzUmUDzUmUDzUmUDzUmUDzU mUDzUyUmUHUDx~UPL]UU~UDhU0~UDiU@~UD iUP~UD@iUsU zUiU2ؼyUmUeU2`zUD\{U0*{UDzU8yU){UDzU0 UDtU UDtU oUDrU){UDpzU@*{UDzU*{UDzU*{UDzU@sU  rU=sUD@zU0mUDzU@mUDzUPmUD0zU`mUDmUpmUDmUmUDmUmUDmUmUDmUmUDmUmUDmUmUDmUmUD0mUmUDPmUmUDpmUmUDmU mUD`zU0mUDmU@mUD mUPmUD@mU`mUD`mUpmUD rUmUDUbUmUDUbUmUDUbUmUDUbUmUDmUmUDmUmUDmUmUD mUmUD rU{UDrU{UD@mU {UD`mU {UDmU {UDmU0 {UDmU@ {UD rUP {UDmU` {UDmUp {UD0mU {UDPmU {U {UDpmU {UDmU {UDrUU {UDrU {UD rU {UD@rU!{UD`rU!{UDrU !{UDrUU0!{UD rU@!{UD`rUP!{UDrU`!{UDrUp!{UDrU!{UDrU!{UDrU!{UD rU!{UD@rU!{UD`rU!{UDrU!{UDrU!{UDбrU"{UDrU"{UDrU "{UD0rU0"{UDPrU@"{UP"{UDprU`"{UDrUp"{UDrU"{UDrU"{UDrU"{UDrU"{UDrUdefo"> Q8yUAyUl109677@1A5D346A8-7CAC-11EA-81E8-788383FEA0E1U!940708g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x501g#!0g#g#!0g#g#!5.00g#!2023-03-20 00:58:49!2023-03-20 01:04:19!6740231g#!7365723g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q{U1yU+1442281yUyU1530731`WU8yUW97195!95297g# eU!2017-06-09 17:10:17U10000-00-00 00:00:00{U01Twenty Minute Tango for Cello & Piano!60g#g#AU!374#g#8hU!3g#g#eU!1g#g# eU!2013-10-06 17:58:45U!2022-06-12 12:13:50U!Keith TerrettЋ{U!g#g#0{U!2011g#@{U10g#g#0!sib#g# jU!250#g#0iU!0g#g#dUATwenty Minute Tango for Cello & Piano.sibeU eU!2013-10-06 17:58:45U!0g#g#(fU!1418g# !0g#g#0yUACome Back To Sorrento for Viola & Piano.sibUHGU!2020-03-28 15:09:36U!1g#g#xdU!1919g#(dU!1g#g#MkU!0g#g#}U!1g#g#h{U!0g#g#X}U!g#g#}U!0.0000g#}U!2020-03-28 15:11:03UQCome Back To Sorrento Torna a Surriento for Viola PianoP!2010g#8jU!1g#g#iU!1g#xg#dU!0g#g#eU!g#g#"jU!g#g#fU!0g#g#@fU!g#g#`EUACopyright © 2010 MFAO (keithterrett@gmail.com){U!g#g# {U!1.20Xg#"U!2020-03-28 15:09:37U!1g#g#"U!0g#g#"U10g#g#"U0!0g#g#0yU!2.00g#h{U!2013-10-06 17:59:06U!1g#g#{U!0g#g#{U!170166g#{Uq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !2g#g#`yU saucy little Tango I composed in 20 minutes for Cello & Piano. If you would like to perform this work, but cannot locate your instrumental version in my store, e-mail me:keithterrett@gmail.com yUyU!3.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!2011 MFAOg#!g#g#!g#g#h{U!8786g#!1g#g#P{U!3g#g#!6.00g#{U!3.00g#h{U!6.00g#@{U!3.00g#`{U!0g#g#ȍ{U!g#g#0{U!0.00g#{U["14830","186795","127088","3218","62969","169884","62991","35467","202296","62995","62992","113229","62990","194936","35988","16098","62971","193572","62994","23795"]A saucy little Tango I composed in 20 minutes for Cello & Piano. If you would like to perform this work, but cannot locate your instrumental version in my store, e-mail me:keithterrett@gmail.com al 0yU!0g#g#!0g#g#!1g#g#!0g#g#!0.0000g#!2013-10-06 18:04:081Twenty Minute Tango for Cello PianoU!0g#g#!0g#g#!3g#g#!2013-04-18 23:06:41!0g#g#!0g#g#!Twenty Minute Tango for Cello & Piano Keith Terrett Music for all Occasions saucy little Tango I composed in 20 minutes for Cello & Piano. If you would like to perform this work, but cannot locate your instrumental version in my store, e-mail me:keithterrett@gmail.com or!0g#g#!0g#g#!0g#g#!0g#g#!2017-03-31 13:31:00A{"width":197,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"EC3122D6-160D-11E7-BF6B-C54F12F6D5FE","position-x-pc":"0"}UyU!0g#g#!79g#g#!120#g#{U{U{U{U{U{U{U{UX{UP{U؏{UH{U{U{U8{U{Ux{UJU`{UЋ{UH{Uȓ{U{U{U{U{U@{U{U{Uh{U@{U{U{UX{UX{UȐ{U{U{Uh{U{UБ{Up{UP{U{U{U{U{U{U{U{U{U {U@{U{Ux{U`{Up{U{Uȍ{U{U{U{U0{U{U{U{Up{Uؒ{U({U0{U{U{U{UH{U{U {UP{U{U`yU!2020-09-24 04:36:05U!1g#g#!2019-09-25 12:59:531FC265A68-DF8B-11E9-8692-78Transpos!2479g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-28 00:15:40!2023-04-28 00:16:02!1141029g#!1775476g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q{U!0g#g#pyU!2g#g#!2g#g#!2014-06-24 16:09:04U!2022-06-26 13:27:27UARobert Schumann Transcribed by Keith Terrett}U!Keith Terrettȳ}U10g#g#0!sib#g#iU!250#g#H_U!0g#g#HGUATraumerei for String Orchestra Edited 2014.sibxdU!2014-06-24 16:09:04U!3g#g#MkU!1995g#jU!2g#g#iU!1.99g#}U!2014-06-24 16:09:09U!1g#g#x}U!1g#g#0}U!0g#g# }U!0g#g#}U!0g#g#ȳ}U11g#g#ص}U0!0g#hg#!2g#g#!1g#(g#!0g#g#!g#g#УdU!g#g# !60g#8g#rIDPubl!367#g#hyU!2g#g#,yU!2g#g#QyU!2020-03-28 15:09:36hang!2022-08-23 10:32:49CounAErnesto De Curtis Arranged by Keith Terretth{U!Keith Terrettx{U11902g#0!sib#g#DU!250#g# !205298g#\cU!0g#g#0{U10g#g#{U0ALittle Fugue in G minor for String QuartetUdU!12g#g#WU!0g#g#"U!3g#g#"U11g#g#"U0M’Appari Tutt’ Amor by Flotow arranged for Cello & Piano. Friedrich Adolf Ferdinand, Freiherr von Flotow (27 April 1812 - 24 January 1883) was a German composer. He is chiefly remembered for his opera Martha, which was popular in the 19th century. Flotow was born in Teutendorf, in Mecklenburg, into an aristocratic family. He studied at the Conservatoire de Paris and came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French opéra comique flavour exists. He completed his first opera in 1835, Pierre et Cathérine, but his breakthrough came with Le naufrage de la Méduse (1839), based on the wreck of the warship Méduse. The three-act romantic opera Alessandro Stradella of 1844 is recognized as one of Flotow’s finer works. Martha was first staged in Vienna at the Theater am Kärntnertor on 25 November 1847. Between 1856 and 1863 Flotow served as Intendant of the court theatre at Schwerin. He spent his last years in Paris and Vienna and had the satisfaction of seeing his operas mounted as far away as Saint Petersburg and Turin. He died in Darmstadt at the age of 70. ‘M’appari’ is the best-known name for the central aria from Friedrich von Flotow’s Martha, a romantic comic opera in four acts. Flotow – who was born into a musical family, his mother playing the piano and his father the flute – composed some thirty operas during his lifetime, beginning his career after studying at the Conservatoire de Paris, before achieving his first big success with Alessandro Stradella, which premiered in Hamburg at the end of 1844. But his work has fallen into obscurity: Martha is sometimes described as the most performed opera of the second half of the nineteenth century, but today even it experiences only the occasional revival. Flotow’s style drew from the music of his home country Germany, incorporating elements of German folk song; from the Italian bel canto which emphasised virtuoso technique, mellifluous legato punctuated by staccato, the frequent alteration of tempo, and a highly articulated manner of phrasing; and from the French habits of the composers he studied under and befriended, including Anton Reicha, Charles Gounod, and Jacques Offenbach, plus the genre of opéra comique. His melodramas were stylish and graceful, but came to be perceived as derivative and middlebrow, their pulpy lightness and lack of musical daring no doubt contributing to their popularity. The success of Alessandro Stradella in Germany and Austria, where it enjoyed an acclaimed run at the Theater am Kärntnertor in Vienna, led that theatre to commission of Flotow a new work. Thus Martha premiered at the Theater am Kärntnertor on 25 November 1847. In German with a libretto by Friedrich Wilhelm Riese, based on a story by Jules-Henri Vernoy de Saint-Georges, and set in Richmond, England in the year 1710, it tells of two young noblewomen who to relieve their boredom attend a country fair and masquerade as maids. Lady Harriet Durham and her confidante Nancy are hired by two young farmers, half-brothers Lyonel and Plunkett. They give their names as Martha and Julia, but when the women discover that they have bound themselves to work for their new masters for a year, they make a hasty escape. However Lyonel has fallen in love with Martha, and it is from his state of despair, in the third act of the opera, that the song ‘M’appari’ begins to emerge. The compositional history of both Martha and ‘M’appari’ is complex. Martha – in full Martha oder Der Markt zu Richmond (Martha or the Market of Richmond) – was itself an adaptation from Flotow’s earlier work on a ballet, Lady Harriette ou La Servante de Greenwich, which he composed on short notice with Friedrich Burgmüller and Édouard Deldevez, and was performed by the Paris Opera Ballet at the Salle Le Peletier on 21 February 1844. The libretto for the ballet was written by Jules-Henri Vernoy de Saint-Georges, who Flotow worked with again a couple of years later, on the two-act opera L’âme en peine which premiered in Paris on 29 June 1846. So Martha is an outgrowth of two earlier works, but perhaps owing to the opera’s convoluted origins, there is some debate as to when ‘M’appari’ first appeared. It was written for L’âme en peine and seems to have been part of Martha from the first performance in Vienna, but thanks to The Complete Opera Book by the American critic Gustvav Kobbé, it has sometimes been cited as a later addition, upon the opera’s debut at the Théâtre Lyrique in Paris in December 1865. On that occasion, Léon Carvalho, the director of the Théâtre Lyrique, inserted into Act 4 of Flotow’s opera a baritone aria from L’âme en peine entitled ‘Depuis le jour j’ai paré ma chaumière’. Certainly ‘M’appari’ was conceived as part of Martha in the original German, where it was known as ‘Ach! so fromm, ach! so traut’. Martha travelled from Vienna on to Weimar, Dresden, and Leipzig, then Budapest and Prague. By 1849 it had made its way to London, where it was sometimes performed in five acts, with the libretto translated into English by Charles Jefferys. It was produced in New York City in 1852, and in Melbourne in 1856. And it was first performed in France by the Théâtre-Italien at the Salle Ventadour in Paris on 11 February 1858. This Italian version of Flotow’s opera introduced the song as ‘M’appari tutt’amor’. d legacy; "Mill!2020-04-06 04:12:29U!0000-00-00 00:00:00!g#g#xЄU!368198g#!0g#g#̈́U!0g#g#ЄU!0.00g#̃U!4.90g#τU!2.40g#̈́U!0g#g#̓U!g#g#H΃U!0.00g#ЄU!2020-09-13 10:32:49!1g#g#ЄU!2019-09-25 13:01:361394F60EC-DF8C-11E9-8692-78U0!0g#g#60A. A Vq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } sc was !0.0000g#ing by G!2020-04-06 03:31:59n Ba1MAppari Tutt Amor for Cello Piano was !0g#g#1944 on 10g#g#hrmacht Hour. 0 Moonlight Serenade for Cello & Piano Glenn Miller Keith Terrett Music for all Occasions "Moonlight Serenade" arranged here for Cello & Piano, is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and performed as Miller's signature tune as early as 1938, even before it had been given the name "Moonlight Serenade." In 1991, Miller's recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame. The song was recorded on April 4, 1939 for on RCA Bluebird. It was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for a total of fifteen weeks. It was the fifth most popular hit of 1939 in the Billboard year-end tally, where Miller had five records in the top 20. In the UK, "Moonlight Serenade" was released as the A-side of a 78 for His Master's Voice with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks. The recording was also issued as a V-Disc in November 1943. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he composed "Moonlight Serenade". The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song[5] for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise". Jazz critic Gary Giddins wrote about the song's impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match 'Moonlight Serenade' for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004). The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as Army V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released as the Navy V-Disc No. 160A and the Marine Corps V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces (AEF) was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour. hangety!360#g#pzUyU{UyUyUXyU`yUyUhyU(yU yUyUyUyUyUyUyUHyU@IU0yUyUyUyUتyUЩyUPyUyUyUhyUyU8yUyUyUyU(yU(yUyUyUУyU8yUXyUyU@yU yUyUPyU`yUЦyUhyUyUاyUyUyUyUh{UHyU0yU@yU`yUyUyUpyUxyUyUhyUyUxyU{UyUyUyUyUpyUyUyUyUyU yUȨyUecording!0.00g#zU["143958","189489","169087","77043","61680","169572","169054","8379","58091","55533","29522","361716","169148","62109","56829","134050","361695","62099","99166"]orest!2020-09-03 22:09:59!1g#g#!2020-03-17 04:36:271DD5428DA-6808-11EA-8C1F-788383FEA0E1999!17880g#!0g#g#!0g#g#!0g#g#!1g#g#!650x459g#!0g#g#!0g#g#!5.00g#!2023-03-08 14:14:05!2023-03-08 14:14:24!1417547g#!2061977g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q {U!2020-07-27 05:29:31U!2020-07-27 08:26:03!Keith Terrett{U!g#g# {U!0g#g#0{U10g#g#0!sib#g# eU!250#g#fU!0g#g#1:UALittle Fughetta in G minor for String Quartet.sibfU!2020-07-27 05:29:31U!0g#g#8hU!1061g#jU!0g#g#iU!1.60g#X{U!2020-07-27 05:29:32U!1g#g#{U!0g#g#{U!0g#g#{U!0g#g#{U!2018-04-08 12:48:33U12020-07-27 08:26:03U0!2g#g#!0000-00-00 00:00:00!g#g#!653643g#!0g#g#!0g#g#!0.00g#!8.39g#PzU!6.40g#!0g#g#uantityS10g#g#A^UGU0!1087098g#1 MFAO (!12.99g#2U10g#g#x2U0!35g#g# !207069g#8eUQJoseph Eastburn Winner (1837-1918) Arranged by Keith TerrettaLittle Brown Jug for String Orchestra & Drum Set ''Jazz for 5 Strings Series''GE_PERMIS!37g#g#ricted_d!0g#g# !sib#g#`bU!250#g#bU!0g#g#$cU1Tico Tico for Viola, Cello & Piano.sib!2021-01-31 12:54:50U!0g#g#8bU!795#g#h\cU!0g#g#gcU!1.50g#}U!2021-01-31 12:54:52U!1g#g#}U!0g#g#@}U!0g#g#0}U!g#g#}U!0g#g#؋}U10g#g#}U0!2020hg#/138w/20!3g#g#138w" si!0g#(g#dth: 120!g#g#92px) 51!g#g# for ITE!0g#g# U`UUU`UhUUpU0U(UU U舊U葊UUUPU蘐U8UU UUU؏UXUUUpUU@UUUU0U0UUȐU؉U@U`UUHU(UUXUhU،UpUUUUUUUPU8UHUhUU莊UxUUUXUȊUUHUUUU苊UxUU UUU(UЎU!766267Hg#0%zU!0000-00-00 00:00:00!0000-00-00 00:00:00QxU!424367g#%zUQSchumannMdchenSchwermutOp142 No3in c minorfor VoicePianoSUQSchumann-Mädchen-Schwermut,Op.142 No.3,in c minor,for Voice&Piano!26g#g#@U!0g#g#U!3g#g#xcU!2g#g#nU!2019-11-12 01:58:09U!2019-11-12 02:14:12U!Schumanng#hTU!weiwu huag#TU!1700g#SU12019g#0!pdf#g#mU!121622g# U!0g#g#ЌUaC13510W0114N09Schumann-Mädchen-Schwermut,Op.142 No.3,in c minor,for Voice&Piano.pdfU!2019-11-12 01:58:09U!1g#g#U!467#g#h_U!1g#g#|U!5g#Xg#xU!1.508g#@yU!0000-00-00 00:00:00U!0g#g#g#11g#g#"U0Q2022 Bach-Gounod - Ave Maria (High voice duet) - Full Score.pdf1Ave Maria (Bach/Gounod) (Vocal duet)!0g#g#!3g#g# U!2g#g#,|U!2022-12-13 00:28:45ed K!2024-02-23 00:05:17UQJ.S. Bach (1685-1750) adapted by Charles Gounod (1818-1893)UU!John Rossg#hU!0g#g# !pdf#g# !eg#g# !eg#g#@&Y#!og#g#!og#g#@&Y#!kag#g#!gag#g#@&Y#!kig#g#zU!gig#g#D!kug#g# !CathyCU-america!Parkerg#r-spangl!choralesibg# !0000-00-00UinEditab!g#g# !Lin PyU1Tun g# 0!G F Handel (1685-1759)!Rodney Parker PyU!0g#g#V|U10g#g#0!sib#g#8aU!749#g#KeU10g#g#@aUXU0!. g#cU 1Chi 0p5U&Y#0HUhUHUhUHUUHU8UHUhUHUUHUӈUHUӈUHUԈUHU8ԈUHUhԈUHUԈUHUԈUHUԈUHU(ՈUHUXՈUHUՈUHUՈUHUՈUHUֈUHUHֈUHUxֈUHUֈUHUֈUHU׈UHU8׈UHUh׈UHU׈U<UU2zU(qUyUzU yUHsyUdyUXzU yUȕzUX yU(UxzU yUHUxY'U8yU(UpiUHVUU8HUH&UHjU.UlUUUXCUlUHGU]UmUDUjUX'UXgUrUDUaUHUaUh}TU@rUUbAU(3zUط~U`3HUU)U UH4zUU UPfU}U U9zUTU Uh?UGU yUGUP UXQ]U U`Uп UHR]U UHU` UU]U0 U4zUhUH UxTUx U.U UgU U8.U UU]U U6zUȆU U&*U U9zUU UzUP UZ]U UXY]U8 UȵUh Ux U U8u6U UEVU UU UV]U UU UxU( UU@ U(Up UعU UqUX Ux7zUU UX6zUU UxU UkU UU0 U 8zUnU UU UxUH UU` U>Ux U4zUU UU Ux~U UU UhU U(ݻU UUP U 5zUx]U UU8 UeU UUh UU UHL]U UU UhO]U U5zUlU U9zUU UxoU@ UؕUX UU( UxU UHaU U(6zUxFaUp UU Ux%U UXU U U U4zUU U U0 U88zUukUH U7zU^U` Ux4zUH3kUx U5zU^U U`7zUU UU U)U U)U U)U U`:zUhU U85zU86(Uh U2!U8 U8zUhUP U:zU8U UU U(U U8zUU UxU UHUU(U0 yU<UUp9zUxY'UpP}U.U yUHVUUX9zUH&U yU;zU]U܈UU yUXCUxlUDUH܈UDUH yU@6zUXgUx܈UUxrUHU`܈Uh}TU(yU>zUU Ux=zUط~U҈UU)U (U7zUGUȾ U |U (UiUTU (U`U (UGU UXQ]U( (UU]U@ (UHR]UX (UHU (U-4 col-lXUpUUUUСU衉UUU0UHU`UxUUUUآUUU U8UPUhUUUUȣUࣉUUU(U@UXUpUUUUФU褉UUU0UHU`UxUUUUإUUU U8UPUhUUUUȦUউUUU(U@UXUpUUUUЧU觉UUU0UHU`UxUUUUبUUU U8UPUhUUUUȩU੉UUU(U@UXUpUUUUЪU誉UUU0UHU`UxUUUUثUUU U8UPUhUUUUȬUଉUUU(U@UXUpUUUUȼU༉UUU(U@UXUpUUUUнU轉UUU0UHU`UxUUUUؾUUU U8UPUhUUUUȿU࿉UUU(U@UXUpUUUUUUUU0UHU`UxUUUUUU‰U ‰U8‰UP‰Uh‰U‰U‰U‰U‰U‰U‰UÉU(ÉU@ÉUXÉUpÉUÉUÉUÉUÉUÉUĉUĉU0ĉUHĉU`ĉUxĉUĉUĉUĉUĉUĉUʼnU ʼnU8ʼnUPʼnUhʼnUʼnUʼnUʼnUʼnUʼnUʼnUƉU(ƉU@ƉUXƉUpƉUƉUƉUƉUƉUƉUljUljU0ljUHljU`ljUxljUljUljUljUljUljUȉU ȉU8ȉU0GzU!Lu #g# GzU!E g#g#!Ge #g#!Mei g#!Ai #g#!Qi #g#!Cheng g#!Wu #g#!Gao g#!Fu #g#!Jiao g#!Hong g#!Chi g#!Sheng g#!Ne #g#!Tun g#!Fu #g#!Yi #g#!Dai g#!Ou #g#!Li #g#!Bai g#!Yuan g#!Kuai g#![?] g#!Qiang g#!Wu #g#!E g#g#!Shi g#!Quan g#!Pen g#!Wen g#!Ni #g#!M g#g#!Ling g#!Ran g#!You g#!Di #g#!Zhou g#!Shi g#!Zhou g#!Tie g#!Xi #g#!Yi #g#!Qi #g#!Ping g#!Zi #g#!Gu #g#!Zi #g#!Wei g#!Xu #g#!He #g#!Nao g#!Xia g#!Pei g# U!Yi #g#[zU!Xiao g#!Shen g#!Hu #g#!Ming g#!Da #g#!Qu #g#!Ju #g#!Gem g#!Za #g#ӈU!Tuo hg# U!Duo g#h~U!Pou g#U!Pao g#8U!Bi #g#lU!Fu #g#mU!Yang g# U!He #g#U!Zha g# U!He #g#ЕU!Hai g#0U!Jiu g#ÅU!Yong g#܈U!Fu #g#8݈U!Que g#݈U!Zhou g#݈U!Wa #g#XވU!Ka #g#ވU!Gu #g#߈U!Ka #g#x߈U!Zuo g#߈U!Bu #g#8U!Long g#U!Dong g#pU!Ning g#ОU!Tha g#0U!Si #g#U!Xian g#U!Huo g#PU!Qi #g# 1. Du holde Kunst, in wie viel grauen Stunden, wo mich des Lebens wilder Kreis umstrickt, hast du mein Herz zu warmer Lieb entzunden, hast mich in eine bessre Welt ent-rückt, in eine bessre Welt entrückt! Oft hat ein Seufzer, deiner Harf entflossen, ein süßer, heiliger Ak-kord von dir dem Himmel beßrer Zeiten mir erschlossen; du holde Kunst, ich danke dir da-für, du holde Kunst, ich danke dir!U!g#g# U!0g#g#U!Lowerg#cension !g#g# !Wan czU1Dan g#@0!U`UЭ[U!de# !Wei аzU1Zhu g#0!650x919PUxS>U!0g#g#!0g#g#xS>U!5.00g# !,,g#`U"U1@g#g#"UA 0!37g#&U !``g#`dzU"U1''g#g#"U 0q1. For unto us a Child is born, unto us a Son is given, unto us a Son is given, unto us a Son is given: and the government shall be upon His shoulder, and the government shall be upon His shoulder, and His name shall be called Wonderful Counselor, The mighty God, The everlasting Father, The Prince of Peace, The everlasting Father, the Prince of Peace.dU!Isaiah 9:6g#10g#g#pUrgg#0!Qiu UkzU1Liang g#`gzU0A"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U g#@!Cheng fzUkzU1Diu g#`gzU0PkU(|U9UhhyU9U|UmUmUP|U9U|U"UpʋU@|UhU|UXR>UJU0ayUM}UhmU(rUUX|U@|UmU|UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!]] #dzU"U1~ g#g#"U0aUh|UU!)) #jzU"U1[[g#g#"U10!0g#mU !Gun  U@&Y#1Jiu g#0aAn arrangement for Viola & Piano of Amazing Grace. Check out the Boogie section!!Bing kzU@&Y#1Sang g#g#01C07578W0037N04P03UFN01 .pdfidc0!0g#PU !HASHаU !Apache2::Filter::read!26g#DU !0000-00-00 00:00:00!0000-00-00 00:00:00QUQUɋUUQɋU1HASHqUB0!1g#g#!1g#g#g#!0g#g# !g#͑U!0000-00-00g# !g#g#!0g#g#HˋU!0g#g#zU!0000-00-00 00:00:00U!0g#g#0ݎU!0g#g#NU!0g#g# {U1g#g#PU؆U0!www.josedearagon.com!TotalSalesU !Dou g#!Wen g#!Hou g#!Ou #g#!Wu #g#!Gao g#!Ya #g#1Jun g#0!1g#zU!0g#g#1g#g#0!SMD#`U 1HASHqU"U"U0!Cheng (g#"U!Cheng g#"U!Yi #g# yU!Yin g# !114#g#BU!0g#g#6zU!17031g#5zU!g#g#p6zU!1g#g#(6zU!0g#g#6zU!1g#g#5zU!0g#g#4zU10g#@U6zU0!7g#g#UBecause of two missing notes in measure 6, I removed the score submitted 1/7/2002. This is the same score with the two notes. This piano part was commissioned.andsf!5.95g#b2' data!0g#g#- Channe!1g#g# !Zhang U !5g# Uclass='a16g#g#iv class0!1g#pbUOfU!1.50g# !Yi #d(U !3g#uzU="margin14g#g#">> # r5UzU0!Lu # zU1A g#g#dress"> 0!An arrangement for soprano and piano of Vivaldi’s popular motet, Nulla in mundo pax sincera (complete). In the linked scores are versions for Soprano and Orchestra (original), Soprano and Organ, and Soprano with Melody Instrument in C (i.e. violin), and continuo. !5.00g#@yU!0g#g# !Fu #|zU@&Y#1Yi #g#@0AZU|zU|b 3.138.138.144@!Yi #U@&Y#1Nai g#0!HASH 0U !+g#bU1+g#g# A0!0g#PXU !+g#0}zUzU1+g#g#p}zU0!0000-00-00UdU!0000-00-00g# A/usr/www/resources/ADAP3/GenericObject2.pmU !g#}zU'panel p!0000-00-00U !Xia zzU1Ye #g#zU0!For Unto Us a Child is Born (HANDEL) from "Messiah," for UNISON VOICES with piano accompaniment (condensed and transposed for choral introit or congregational response), arr. by Pamela Webb Tubbs G. F. Handel Isaiah 9:6 Pamela Webb Tubbs Here is a greatly condensed version of "For Unto Us a Child is Born" (from Handel’s MESSIAH), arranged for unison voices (vs. the original SATB) and transposed down from the original G major, making the piece very easy to sing key as a choral introit or congregational response. Enjoy! !Xiang ~zU1Zha g#zUg#0!g#hg#!0g#g#!g#g#!Copyright © Gosztonyi!g#g#U!2023-04-24 05:02:23U!2023-04-24 05:02:33!1067856g#uU!1552807g#!0000-00-00 00:00:00U!0000-00-00 00:00:00UQЋ'U1pNUHzU1#411139!96139g#!1g#g#`'U10g#g#0'U0!Antonio VivaldiqU!Pamela Webb TubbsU!1739g# !1.50zU!2013-12-10 09:04:11!0g#g#!0g#g#ff2" cro!0g#g#o' data-!g#g#@!0g#g#m' data-10g#g#0!"g#zU !Li # zUpzU1Tu #g# Piano 0["52827","103986","8283","199124","411917","152934","43370","68167","90063","106114","144278","201896","126421","175859","176687","176509","175453","189568","207843","128908"]!Xia U !+20+zU@&Y#1+30+g# !0ah|U[(U!818#X8UdU!0g#g# ![?] g# 1Zhi g#0!Ming PzUpzU1Hou g# Piano 0A/usr/local/share/perl5/Text/Unidecode/x4e.pm@QxzUText/Unidecode/x4e.pmidecode/xP!26g#Hg#ȊU!0g#g#U!3g#g#ԁU!2g#g#qzU!2013-12-10 09:04:08U!2023-11-05 11:35:33U!Louis GosztonyipU!0g#g#pU!0g#g#pU15g#g#0!sib#g#U!444#g#U!0g#g#U1OHelga PianoBbTheshit.sibUԁU!2013-12-10 09:04:08U!69g#g#U!5591g#H2U!32g#g#<U!1g#g#0rU!0g#g#pU!g#g#qU!0.0000g#pqU!2013-12-10 09:05:05UAOh Holy Night O Helga Natt for baryton and PianopU10g#g#rU01A.Adam g# ,hUg#0!Kao PU !1800g#12018g##U0!0.00;U !USQLrencyID1pEIUzUbc573356!g#U AhzU?D=Text::Unidecode::x30!g#g#!0.00g#["52827","106114","43370","103986","68167","144278","411917","199124","8283","207843","201896","152934","126421","90063","175453","128908","176687","175859","411251","12944"]!2020-09-08 20:51:25U!1g#g# zU!2024-02-26 17:45:591E6BA66C8-D4CE-11EE-96FD-B39C539980F0U!177353g#pw|U!0g#g#!0g#g# aPȉUX yUx_U!5.00g#phU!2023-04-03 12:12:20!2023-04-03 12:12:27U!410821g#!646653g#hU!0000-00-00 00:00:00U!0000-00-00 00:00:00UQ0oU1(zUT207038!120167g#!2017-06-09 17:10:17U10000-00-00 00:00:00oU0AOh, Holy Night (O, Helga Natt) for baryton and Piano!2015-10-07 19:30:49U!0g#g#=zU!1g#g#10g#g#p|Utates0!Shang `zU aUgyUUA/usr/local/share/perl5/Text/Unidecode/x30.pml//Text/UniApxUXzUxj*Text/Unidecode/x30.pm/1<<g#PzzUpzUg#0|U|U9UP|U9UhyUh|UJ}UxmyU9U|U"UpʋUHmyU|UX|U|UJU|U؎|U@|U|U`|U|U|U|U׈UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UAȕzUfx4e::zU@1Mang .zUies-70998.html0!2019-07-07 14:07:13U!20198g#U!5g#g#่U!1g#g#U10g#g#0!pdf#g#U!121622g#U!0g#g#cU!2019-07-07 13:19:46U!5g#g#U!590#g#PU!1g#g#x΅U!Richard StraussU!weiwu huag#U11700g#UU0!0g#g#tAttempt!2020-04-12 17:23:16U10g#g#UU0!149#8g#U!0g#g#02U!2022-12-13 00:28:45U!57g#g#!4527g#U!33g#g#02U!3.99g#xU!0000-00-00 00:00:00U!1g#g#U!0g#g#U!0g#g#U!g#g#(U!0g#g#PU10g#g#`U0!2018hg#蟃U!2g#g#(U!1g#(g#U!0g#g#`cU!51.3600g#mU!2018-05-23 03:01:19U1Ave Maria BachGounod Vocal duetPU!0g#g#x΅U!0g#g#U!6g#g#U!0000-00-00 00:00:00U!0g#g#P_U10g#g#"U0!1.50g#U!0000-00-00 00:00:00U!0g#g#U!1g#g#XU!0g#g#HU!g#g#ȹU!0g#g#U10g#g#U0This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Richard (Richard Strauss), 1864-1949, for Voice and Piano, published by More Sheet Music Press. g#!8.99g#ing Low,10g#g#Viola & Keyboard0A9UxzUZ (eval 313)U@!USQLrencyID!Manuel de Falla !2267Uonfigst!0000-00-00 00:00:00U!g#g#!964590g#U!1g#g#!2g#g#HU!9.00g#U!8.99g#U!9.00g#U!8.99g#xU!0g#g#่U!g#g#U!0.00g#HU1E0091E26-DF9D-11E9-AFAE-78UظU!293269g#U!0g#g#кU!0g#g# 1Richard Strauss-Geduld in G Major,For Voice&Pno Richard Strauss weiwu hua This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Richard (Richard Strauss), 1864-1949, for Voice and Piano, published by More Sheet Music Press. option>@!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!2484g#!3509g#U(UUpU8U@UpU8UUUUUUU؆UhU(UUUUUhUUU UUUHU`UUUȿUȼUUUxUUUU8UU UU`U0U@UUHU`UUPUUUU(UU U@UxUUPUXU่U0UUXUUxUȇU࿈UUPUUUhUкUUU12019-07-07 14:07:13o & Keyboard0!Hang g#@!Shun g#!Qi #g# AFUzU~Text/Unidecode/x54.pm A8zUsYText::Unidecode::x4eUPFUxUUUUpDUU`U"U"U"U"U"U!1g#PjU !2011-05-07 00:57:00!0g#(U&vU!1g#g#@|U!650x840g#|U!0g#g# !Fa #0U !Le #g#!Zhong g#zU!Ping g# ! g#гzU !0g#@8UXU!0g#g#2rU!2g#g#qU!0000-00-00 00:00:00!0000-00-00 00:00:00 WHE!16245g#BY Name!5.95g#!g#g# !1g#zU!0g#g#11g#g#01ȫzU76y!g#g# !$VERSIONU"U"U"U"U"U"U"U"U"U"U"U"U"U"U1UserRefet::UserRefa7U0!1g#.U !size='1'de#@1HASHg#rue" required0!id="countrycode"1id="countrycode"Qg#!0000-00-00 00:00:0011EE!3g#g# amU]|UqUa9U PU(1U!class="form-control"1class="form-control"1049027'); 0!1g#g#!0g#g#10.0000g#0!g#sU!111, New Writtle Street1g#wU0!kzU}zU !Jing UPzU1Li #g# 0As Steals the Morn George Frideric Handel Charles Jennens Joyce Moorman Because of two missing notes in measure 6, I removed the score submitted 1/7/2002. This is the same score with the two notes. This piano part was commissioned.g#Cookies !2g#rU-menu me!2013-01-10 00:00:00!> g#g# !Password:Password10000-00-00 00:00:0001Ji #pnU;U0![?]#U@&Y#1[?]#g# 0Composed as part of Queen Anne's birthday music, Handel captures here all the charm of the English Baroque period. There are separate parts for Organ (including solo cues) and Soprano and Trumpet on one part together.UUU!154898g#`zUQAir on the G String Solo Viola & String Orchestra (edited 2021).sibaAir on the G String from the Suite No. 3 in D for Viola & String OrchestraU`fU!65g#g#dU!366#g#WU!3g#g# :gU!2g#g#`U!2021-04-20 16:41:18U!2021-04-22 20:03:37UQJohann Sebastian Bach (1685-1750) Edited by Keith TerrettzUzU!Keith TerrettzU!1717g# !sib#g#OfU!250#g#AU!0g#g#8hU!2021-04-20 16:41:18U!0g#g#iU!1872g#iU!0g#g#dU!2014g# eU!4g#g#"jU!1.99hg#!0g#g#!0g#g#!0g#g#!g#g#!g#g# A little Fughetta for your quartet, an excellent piece to introduce the idea of Fugue to your audience during your performance! Would also be a great way of introducing the concepts of ''Fugue'' to children during a school concert. Need a national anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (DenmarzU!1.99g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#MFAO © 2018 Music for all Occasions Publications www.musicforalloccasions.org.uk. All Rights Reserved. Photocopying is illegal.U!g#g#!0g#g#X{U!0g#g#!0g#g#zU!0g#g#!g#g#{U!0.00g#zU["180097","127372","74669","48749","179092","9671","77458","94529","86566","12680","104237","49900","108324","54795","79710","32973","83660","101585","43992","167607"]!2020-09-02 04:19:25!1g#g#{U!2019-09-25 13:54:59UAAE990BE4-DF93-11E9-B6D0-78@{Uh{U@A little quasi fugue for String Quartet, hope you enjoy! Need a national anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.?!0g#g#!0g#g#!1g#g#!0g#g#!0.0000g#!2020-07-27 05:33:38ALittle Fugue in G minor for String QuartetUUHzUU`zUzUUxzUx~UzUhUzUUzU(ݻUzU@zUx]UzUUzUU zUU8zUeUPzUUhzUUzUHL]UzUhO]UzUzUUzUzUlUzUxoUzUUzUؕU(zUxU@zU0zUxFaUXzUHaUpzUUzUXUzUx%UzU UzU UzUzUUzUXzUukUzUzUH3kU0zUzU^UHzUzU^U`zUUxzUzUUzU)UzU)UzU)UzUhzUhUzU2!UzUpzU86(U zUzUhU8zUUPzUzU8UhzU(UzUxUzUzUUzUHUbU<U0{U(U(0{UzUxY'UmUHVU bU.UbUxzUH&U0{UU0{UzU]UlUXCU/{UDU0{UDUlU`zUXgUlUHUlUUlUh}TUlUzUط~UlUXzUUzUІEU(fU{UGUzUzUGU:{UB{UTUzUU)U 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{UU]U8{U8.UP{UI{UȆUh{UM{UU{U&*U{UzU{UXY]U{UZ]U{UȵU{U8u6U{Ux U({UEVU@{UV]UX{UUp{UU{UU{UxU{U(U{UqU{UعU{UJ{UU{UxU0{UI{UUH{UkU`{U8K{UnUx{UU{UU{UU{UxU{U>U{UU{UG{UU {Ux~U8{UhUP{UUh{U(ݻU{UPH{Ux]U{UU{UU{UU{UeU{UU{UU({UHL]U@{UhO]UX{UM{UUp{U H{UlU{UxoU{UU{UؕU{UxU{U@I{UxFaU{UHaU{UU0{UXUH{Ux%U`{U Ux{UdefScoraAir on the G String from the Suite No 3 in D for Viola String Orchestra`N{U!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Air on the G String from the Suite No. 3 in D for Viola & String Orchestra Johann Sebastian Bach (1685-1750) Edited by Keith Terrett Keith Terrett Music for all Occasions An arrangement of J.S.Bach's Air on the G String arranged for Viola & String Orchestra. Air on the G String is August Wilhelmj's arrangement of the second movement in Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. The original orchestral suite was written by Bach for his patron Prince Leopold of Anhalt some time between the years 1717 and 1723. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major and transposing the melody down an octave, Wilhelm was able to play the piece on only one string of his violin, the G string. Later, a spurious story was put about that the melody was always intended to be played on the G string alone. The Air on the G String was the first work by Bach ever to be recorded. This was by the Russian cellist Aleksandr Verzhbilovich and an unknown pianist, in 1902 (as the Air from the Overture No. 3 in D major, BWV 1068).sSimilarS!0g#g#S{U!0g#g#!14g#g#!22g#g#!2017-03-31 16:23:26{"width":300,"position-y-pc":"22","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":6,"width":70,"x":7,"center-y":48.5,"height":85,"center-x":42}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":224,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":42,"average-center-y":48.5,"id":"02C3B758-1626-11E7-A79E-EF6117D6AA5F","position-x-pc":"14"}U!1g#g#!700#g#!1024g#HA{UF{U@F{U ?{U@{UA{U B{UE{UC{UE{U8B{UA{UzUpF{UE{UA{UD{U0JU>{U0>{UD{U(F{UhE{U`D{UE{U@@{UF{UB{UC{UE{UC{UxD{UxA{U@{UF{U(C{UPE{U`>{U?{UC{U0D{UC{UB{U E{U?{UD{U`A{U?{U@{UhB{UF{UE{UzUHG{U>{UA{U={U>{U(@{UpC{U>{UB{U>{UzUP?{UE{UF{U8E{UF{UD{Up@{UD{UHD{U>{UD{U?{U?{UXC{Uz[{U["163333","172861","131053","159450","144114","165107","144104","133857","42868","144105","144675","160659","179038","96435","469747","187607","148432","180545","6331"]ExchangeScores!2020-09-16 12:21:51!1g#g#!2021-04-20 16:36:2012706F3FC-A1EE-11EB-810B-788383FEA0E1cor!281876g#!0g#g#!0g#g#!0g#g#!1g#g#!650x840g#!0g#g#!0g#g#!5.00g#!2023-04-13 18:53:36!2023-04-13 18:54:43!6590494g#!4243532g#!0000-00-00 00:00:00!0000-00-00 00:00:00 $(-0%()0  `h$(*0 ;@+0+0 bh/0bh8@}$( A little Tango I wrote one night in the Aravali Hills in India, for Violin, Cello & Piano; with an optional snare drum part; which could be replaced with shakers or a cabassa. This piece would make an excellent lollipop for your next concert; and maybe you could have a couple dance the ’’Tango’’ while you play! The tango is a partner dance that originated in the 1890s along the Río de la Plata, the natural border between Argentina and Uruguay, and soon spread to the rest of the world. Early tango was known as tango criollo (Creole tango). Today, there are many forms of tango extant. Popularly and among tango dancing circles, the authentic tango is considered to be the one closest to the form originally danced in Argentina and Uruguay. In 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930 caused tango to decline. Its fortunes were reversed as tango again became widely fashionable and a matter of national pride under the government of Juan Perón. Tango declined again in the 1950s with economic depression and as the military dictatorships banned public gatherings, followed by the popularity of rock and roll. In 2009 the tango was declared as part of the world’s "intangible cultural heritage" by UNESCO.\r{U!10084g#J{U!1g#g#!3g#xg#L{U!6.00g#!3.00g#0J{U!6.00g#M{U!3.00g#G{U!0g#g#K{U!g#g#`J{U!0.00g#H{U["97972","98442","143983","143988","387510","159812","363263","190495","430068","425078","146813","204501","197134","197446","393291","37945","132915","519345","167933"]I{UL{UA little Tango I wrote one night in the Aravali Hills in India, for Violin, Cello & Piano; with an optional snare drum part; which could be replaced with shakers or a cabassa. This piece would make an excellent lollipop for your next concert; and maybe you could have a couple dance the ’’Tango’’ while you play! The tango is a partner dance that originated in the 1890s along the Río de la Plata, the natural border between Argentina and Uruguay, and soon spread to the rest of the world. Early tango was known as tango criollo (Creole tango). Today, there are many forms of tango extant. Popularly and among tango dancing circles, the authentic tango is considered to be the one closest to the form originally danced in Argentina and Uruguay. In 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists.?  @!1g#g#!0g#g#!1g#g#!0g#g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } y{U!0.0000g#!2021-09-01 19:51:58ABollywood Tango for Violin Cello KeyboardUPy{U!0g#g#!0g#g#!5g#g#!2013-04-14 09:50:15!0g#g#!0g#g#1Bollywood Tango for Violin, Cello & Keyboard Keith Terrett Music for all Occasions A little Tango I wrote one night in the Aravali Hills in India, for Violin, Cello & Piano; with an optional snare drum part; which could be replaced with shakers or a cabassa. This piece would make an excellent lollipop for your next concert; and maybe you could have a couple dance the ’’Tango’’ while you play! The tango is a partner dance that originated in the 1890s along the Río de la Plata, the natural border between Argentina and Uruguay, and soon spread to the rest of the world. Early tango was known as tango criollo (Creole tango). Today, there are many forms of tango extant. Popularly and among tango dancing circles, the authentic tango is considered to be the one closest to the form originally danced in Argentina and Uruguay. In 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930 caused tango to decline. Its fortunes were reversed as tango again became widely fashionable and a matter of national pride under the government of Juan Perón. Tango declined again in the 1950s with economic depression and as the military dictatorships banned public gatherings, followed by the popularity of rock and roll. In 2009 the tango was declared as part of the world’s "intangible cultural heritage" by UNESCO.resA{"width":197,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"0FD53960-160F-11E7-BD42-D92CCD967FFB","position-x-pc":"0"}{U!0g#g#!1280g#!720#g#K{UP{U{UXI{U K{U(L{UXL{U`{U {U{UpL{UK{UG{U؉{U{UPK{U@{UJUH{UhH{U{U{UЈ{Uȇ{UH{UxJ{U{U0M{UHM{U0{U{U{UK{UJ{U {U`M{U{UH{UJ{UP{U{U8{UL{U{UJ{UX{UK{U0J{UHJ{UL{Ux{U{UG{U{UI{UK{UH{U(I{U`J{UM{U8H{U@L{UH{UG{UI{Up{U8{U{U{U{UJ{Uh{U{UH{U{UI{UI{UM{Ux{U U{UG{UU{UhK{UukU{UG{UH3kU{UJ{U^U{UH{U^U{UU {UJ{UU8{U)UP{U)Uh{U)U{UxM{UhU{U2!U{UH{U86(U{UK{UhU{UU{U{U8U{U(U({UxU@{UL{UUX{UHU0$cU<Uh\cU(UzUL{UxY'U/{UHVU\cU.U0zUL{UH&UzUUzU({U]UlUXCUzUDUzUDUlUpI{UXgUlUHUlUU0lUh}TUHlU{Uط~U`lU{UU`{U&)Uh{UGUH{UK{UGU@{U8{UTU{UU)U{U`U{UXQ]U{UHR]U{UU]U({UHU@{UȊ{UhUX{U.Up{UxTU{UgU{UU]U{U8.U{U8{UȆU{U{UU{U&*U{UzU0{UXY]UH{UZ]U`{UȵUx{U8u6U{Ux U{UEVU{UV]U{UU{UU{UU{UxU{U(Uș{UqU{UعU{U({UU{UxU({U{UU@{UkUX{U{UnUp{UU{UU{UU{UxUК{U>U{UU{UX{UU{Ux~U0{UhUH{UU`{U(ݻUx{U{Ux]U{UU{UU{UU؛{UeU{UU{UU {UHL]U8{UhO]UP{Uh{UUh{U{UlU{UxoU{UU{UؕUȜ{UxU{U{UxFaU{UHaU{UU({UXU@{Ux%UX{U Up{U U{U({UU{UЎ{UukU{U{UH3kUН{U@{U^U{U{U^U{UU{U{UU0{U)UH{U)U`{U)Ux{U{UhU{U2!U{U{U86(U{U0{UhU؞{UU{U({U8U{U(U {UxU8{Ux{UUP{UHU\cU<UX{U(UfcU {UxY'U`:{UHVUgcU.U{U{UH&U{UU{U`{U]UxlUXCU({UDU{UDUlU،{UXgUlUHUlUUlUh}TUlU{Uط~UlUp{UGU{UGU@{UU)U{U{UUX{U}UTU{U08MUDU@{U`Uء{UXQ]U{UHR]U{UU]U {UHU8{U{UhUP{U.Uh{UxTU{UgU{UU]U{U8.UȢ{U}UȆU{U}UU{U&*U{UzU({UXY]U@{UZ]UX{UȵUp{U!2020-09-27 18:30:17U!1g#g#!2021-09-01 19:47:371136CB856-0B55-11EC-B32D-B153C87B2AFC!64624g#!0g#g#!0g#g#!1g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-27 12:29:49!2023-04-27 12:30:35!2050994g#!2234865g#!0000-00-00 00:00:00!2024-01-22 14:32:210{Up{Ub{UDyUb{UDyU b{UD0yU0b{UDPyU@b{UDpyUPb{UDyU`b{UD`yUpb{UDyUb{UDyUb{UDyUb{UDyUb{UDyUb{UDyUb{UDyUb{UDyUb{UDyUc{UDyUc{UD yU c{UD@yU0c{UD`yUU@c{UDyUPc{UDyU`c{UDyUpc{UDyUc{UDyUc{UD0yUUc{UDPyUc{UDpyUc{UDyUc{UDyUc{UDyUc{UDyUd{UDyUd{UDPyU d{UDpyU0d{UDyU@d{UDpyUPd{UDyU`d{UDyUpd{UDyUd{UDyUd{UDyUd{UD0yUd{UDPyUd{UDpyUd{UDyUd{Ud{Ue{Ue{U e{U0e{UDyU@e{UDyUPe{UDyU`e{UDyUpe{UDyUe{UDyUe{UDyUe{UD yUe{UDPyUX{U0{U@UDUPL]UU0%UD`U`%UDUp%UDୀU%UDU`sU 0yUU2H{U{Up/UDrU~UDG~U{UD}U{U@{UDP}U0ՅUDyU ՅUDyU`ۅUDU{UD}U{UD}UP{UDp}U`{UD}UsU  0V~UU!0g#Xg#Hg#!4g#g#!1.99g#!2016-05-15 05:10:3511g#g#"U0!1.99g#?{U!2021-04-20 17:10:04U!1g#g#P?{U!0g#g#?{U!0g#g#?{U!0g#g#x>{U!0g#g#zU11g#g#?{U0An arrangement of J.S.Bach's Air on the G String arranged for Viola & String Orchestra. Air on the G String is August Wilhelmj's arrangement of the second movement in Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. The original orchestral suite was written by Bach for his patron Prince Leopold of Anhalt some time between the years 1717 and 1723. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major and transposing the melody down an octave, Wilhelm was able to play the piece on only one string of his violin, the G string. Later, a spurious story was put about that the melody was always intended to be played on the G string alone. The Air on the G String was the first work by Bach ever to be recorded. This was by the Russian cellist Aleksandr Verzhbilovich and an unknown pianist, in 1902 (as the Air from the Overture No. 3 in D major, BWV 1068).::Scor!0g#xg#{U!g#g#A© 2010 MFAO (keithterrett@gmail.com) Edited 2014U!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#B{U!608829g#!0g#g#?{U!0g#g#B{U!0.00g#zU!13.93g#A{U!11.94g#(@{U!0g#g#>{U!g#g#P?{U!0.00g#B{UQG{UA({U^LC114251@An arrangement of J.S.Bach's Air on the G String arranged for Viola & String Orchestra. Air on the G String is August Wilhelmj's arrangement of the second movement in Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. The original orchestral suite was written by Bach for his patron Prince Leopold of Anhalt some time between the years 1717 and 1723. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major and transposing the melody down an octave, Wilhelm was able to play the piece on only one string of his violin, the G string. Later, a spurious story was put about that the melody was always intended to be played on the G string alone. The Air on the G String was the first work by Bach ever to be recorded. This was by the Russian cellist Aleksandr Verzhbilovich and an unknown pianist, in 1902 (as the Air from the Overture No. 3 in D major, BWV 1068).index=!0g#(g#ksheets !g#g#e270">U BmUD`zU$UDt9UnU @yUPUDЗzUqUDUJvUD|sUPU nqUPUPxUU|Ueet)1<U?U?Ux?U8%UH?UUp?U?U ?U?U8?U0?U%U ?U$Ux?UUAU8?U?U?U?Uئ?U$U?U0?U?U`$UUxU?U?Uh?Ux$UX?UkUhU UȤ?U?U?U?U`?UP?U %U?U(U(?U(\UU@U12018P$UidateddsU0!220U57.070386 class . J'aime le son du cor, le soir, au fond des bois, Soit qu'il chante les pleurs de la biche aux abois, Ou l'adieu du chasseur que l'écho faible accueille, Et que le vent du nord porte de feuille en feuille. J'aime le son du cor, le soir, au fond des bois, Que de fois, seul, dans l'ombre à minuit demeuré, J'ai souri de l'entendre, et plus souvent pleuré! Car je croyais ouïr de ces bruits prophétiques Qui précédaient la mort des paladins antiques. Bien souvent, seul, dans l'ombre à minuit demeuré J'ai souri de l'entendre, et plus souvent pleuré! Ame des chevaliers, revenezvous encor? Estce vous qui parlez avec la voix du cor? Roncevaux! Roncevaux! dans la sombre vallée L'ombre du grand Roland n'est donc pas consolée! J'aime le son du cor, le soir, au fond des bois, J'aime le son du cor, le soir, au fond des bois,sorrows die, and ev'ry longing satisfied, then joy unspeakable will flood my soul, for I am trulythem go. All our sick 3. (All our sick)ness, all our sorrows Jesus carried up the hill. He has walked this path before us, He is walking with us still, turning tragedy to triumph, turning agony to praise. There is blessing in the battle, so take heart and stand amazed.ve her.ng Christ. And though we forget Him and stumble around He picks us up safely and gives us His light. The woes of our planet, with hunger and wars, Are lessened by those who will love as He said. For those who seek heaven bring grace to the earth And those who love Jesus will rise from the dead.! Noël! Noël! voici le Rédempteur! De notre foi que la lumière ardente nous guide tous au berceau de l'enfant, comme autrefois une étoile brillante y conduisit les chefs de l'Orient. Le Roi des rois naît dans une humble crèche; puissants du jour, fiers de votre grandeur, à votre_orgueil c'est de là qu'un Dieu prêche; courbez vos fronts devant le Rédempteur, courbez vos fronts devant le Rédempteur. Le Rédempteur a brisé toute entrave, La terre est libre_et le ciel est ouvert; Il voit un frère_où n'était qu'un esclave, L'amour unit ceux qu'enchaînait le fer. Qui lui dira notre reconnaissance? C'est pour nous tous qu'il naît, qu'il souffre_et meurt. Peuple, debout, Chante ta délivrance, Noël! Noël! chantons le Rédempteur, Noël! Noël! chantons le Rédempteur!="Score ExAO Holy Night (Cantique de Noël) [Adam]P~yU!26g#g#!0g#g#!3g#g#!1g#g#U!2015-09-22 17:45:47#!2024-04-18 17:38:06r-Le!0g#g#yU!0g#g# 15g#g#<0!c}U24.321624yUN|UN|U@+}U|Up.}U(&yU|UO|Up|UV|UȪ|UOyU)yUh}U0|U&yU)yUʋUhN|UOyUP-}U)}U|UyUز|U"yUU|UO|UW|U,}U([|U'}U(X|UR|U0)}UQ|Uظ|U`}U8|U@#yUPyUH'yUxOyU|UP|Ux!yUN|U'}UN|UЮ|U|UP|UV|U|U|U8"yUyU@&yU-}UyU0|U+yU PyU|U%yU`,}UX|U5}U|U)yU|U|UM|UyU0M|U|U|Ux5}U!723154g#!0g#g#10g#g#tyU0{U0!1|U23.707619======FU(@U'UpURrUpUqUpU`WU8aU pU@dU'eU>UHmU OpUWUU8]UpUНmU'UpUHmUhpU`pU?UkUmU(mUhPrUPrUpUpU ?UOpUpUqUNpUpU(eU]UqU>dUXmU(kUqUNpUOpUPpU(qUP3eUWUX@UmUЁqUWUmUpUHqeU=dUP`GU}eUpUpUreU8?U1eU?UPpUmU(PpUmUhpU{eUpUmUpUPzU!0g#xg#,|U!0g#g#EgyptUHVU|UHL]Ux|Ux UࠉU|UȆUxU)UkUxUXoUU̞U(yUXa8UP|UhUxrU08UhUmU`2}UUhsUh}TUPL}UXY]U@ۈUxyUط~UkUUrUHU|UU]U|UQU[UU1}UUM}U'yUUD}UZ]UkyUHUȉUhU[UUikUUжhUX|UH&U(U>UxU0Up1}UxFaUGUXY]U]UUE}U<U PnU)U(pUgU`myUHUXUNyUx]UАrUzUQUU`UU|Up|UnU(UUX|U8Up|U'}UUsU*yU'UP|UxU UXR|U+UK}UOUxUЯUXUp;U UUUBUUXU>UBU<UHR]UeyU.UȉU[|UUB}U%yU)U8|U>UhmUUXG}UU byU yUط~UػmU4}U5U0|U8U'U@QU UYUXQ]U@ yUGUZUHY|UAU kyU"yUUx|U0$yUnU|UPU+UّUU|UXCU.rUV]UpUqUP|UعU8UU@(UlUhyU`UeyUXd8Ux|Ux~U08UGUpUHR]U|UxU|UUgyUU@cyUZ]U)U&*UHɊUȃUHAUUjyUUH|U(@UӛUHUpU:"UȫzUa7UUU)UP|U&*U8|UXg8Uh;UHU`UUUZUU(U(8U(ݻUhUU]U؈U3}UxY'Up[Ux~UXUx%UaUUL}UUۈU@UȢAUG}U(UUȊU@|UHR]URU U#U&*UPUHaUOqUXaU|UzUU(UH}U(ݻUpUUhU(UxU(Uxm^UUhO]UdU.U`E}U3}UTUȆ|UUh|Uh}TU0GqU)UkyU8.U|UU|UHʸUHoUh3}UH3kUjyUxDU`UHyUX|U8UE}UkUU9UU8UȵUUyU]U|UU؈|UEVUU`S|U^U(|UHU|UU|UZ|U^Ux|UऒUU(QU`UUUU2UP&UH&UxӘUȊUU|UU0mUU|UU08UXU |UU|UGU yU }UTUUXU|UHUH|UU^U)}UxY'UT>UUiyUxU8RU\UUUH&U@U!yUukU|U`UxFaUЙU Percuss!7341y|U!0g#g#!0g#g#!0g#g#0{U!1g#g#0!650x919g#0!0g#g#k' data-!1g#g#ormer Yu!3.00g# !0|U37.002018box" v!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00!g#g# !282U81.128805entati13g# UrtsU0!0|U80.092910heckbo#yU\UɋU|U|UhUPƑUx\|UUU|U`őU'yUU U@)yUȞUȑUUU(đU0V|U0UПU(Ux*yUU|U!yU|UɑUX|UU@đU U&}U U@UđUU@UU@|UUhU8U`|UUUUUU辑U()yUHUU UpUQ|U|UxUW|U}Up4}UXyUOyUɑUƑUUUpđU ÑUUpUUXUU1(c|U goGy!sibU71.627690eld ">I've recently been asked to arrange this piece for friend's wedding. There was a restriction on the soloist's range so I've dropped the original by a major third making the soprano's top note an F with an occasional top G. |U11g#g#|Ugg#0!3|U70.556631q1. Star vicino_al bel idol che s'ama, È_il più vago diletto d'amor! È_il più vago diletto, diletto d'amor, Più vago diletto d'amor, Più vago diletto d'amor! Star lontan da colei che si brama, È d'amore_il più mesto dolor! È d'amore_il più mesto dolor! è_il più mesto dolor! più mesto, più mesto dolor! più mesto dolor! il più mesto dolor!U!g#g#!0g#g#!Lower g#AOnline printing in any key from www.schubertline.co.uk-!g#g#!g#g#ఈU!0.00g#["52827","106114","103986","43370","411917","68167","144278","207843","411251","201896","152934","8283","126421","199124","90063","128908","175859","184822","175453","149514"]زU!2020-09-25 01:18:43U!1g#g#'U!2024-02-28 11:10:47U1060BB2FA-D62A-11EE-B343-B39C539980F0!177353g#'U!0g#g#'U!0g#g#U!0g#g# !2g#g#ls, xs s!0000-00-00 00:00:00ata-!0g#g#!0g#g#Star vicino [Rosa] Lower Rosa Schubertline Songs / arias by Rosa available for online printing in any key.o|U!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!882#g#@U!1240g#,|U!2017-06-09 17:10:17co5689!0.00g# 10g#g#x0!4|U14.489684!0g#8g#('U!2g#g#'U!2.50g#'U10g#g#0!sib#g#U!62021g#U!0g#g#g#!Rosa Star vicinoԁU!2015-10-22 21:55:58U!91g#g#U!5144g#H2U!40g#g#<U!1g#g#ఈU!0g#g#'U!g#g#H'U!8.2227g#'U!2015-10-22 21:56:36U!Star vicino Rosa'U!0g#g#'U10g#g#ȰU0!0g#g#@U!0g#g#U!1.50s|UxcU!2015-10-22 21:56:02U!0g#g#(U!1g#g#8U!0g#g#(ąU!g#g#U!0g#g#U10g#g#0!10.0006.253946!0g#k}U0)}U!0g#g#!0g#g#@1|U!0g#g#PzU!0g#g#!0g#g#!2017-03-31 13:51:21!0g#g#public o!470#g# !0|U03.090401!0g#g#uantityS1Schubert An die Musik Feb 15 b!2015-10-24 16:23:5164'!256#g#OpU!2184g#!91g#g#BU!2015-10-24 16:24:00U!0g#g#5tU!1g#g#X'U!0g#g#'U!g#g#'U!0g#g#5tU!0g#g#qU11g#g#Ȱ'U01Schubertg#qUPOpU0!2017-03-31 15:52:44!2023-02-13 15:21:40/sch!2023-02-13 15:21:58{"it!1233938g#:"https:!1714846g#"},"posi!0000-00-00 00:00:00{"it!0000-00-00 00:00:00"htt!95218g#ores WHE!26g#g#!0g#g# !0|U89.134056Laudamus Te (VIVALDI) from "Gloria" [RV589], vocal duet for two treble (Soprano) voices with Piano accompaniment, arr. by Pamela Webb Tubbs Antonio Vivaldi Traditional Pamela Webb Tubbs Antonio Lucio Vivaldi, nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian Baroque composer, Catholic priest, and virtuoso violinist, born in Venice. Recognized as one of the greatest Baroque composers, his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over forty operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi had been employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival and Vivaldi himself died less than a year later. Though Vivaldi's music was well received during his lifetime, it later declined in popularity until its vigorous revival in the first half of the 20th century. Today, Vivaldi ranks among the most popular and widely recorded of Baroque composers. [Source: WIKIPEDIA]!0g#(g#!0g#g#|U!2017-03-31 13:33:18ata-!0g#g#  |U" name="|UHU6|UD:$UP}U =UÈUDK|UU|U٘UD`U|UD`GU|U@4yUv`yUP@|UDAUpUD@UߞUDU4yUvv|UËUDًUˆUDJ|UxUU@9qU|UUsU0HvUDpU0:UDJUpUDψU(|U@|U|U#UUz|UpvrUDUp|UD|U|UЃ|U6#U 0UzUЊUUD0zUS}UDU,U@|UDR}UpFvUDp&sU|ȔUD:U`Y}UDvqUU}UDjUAUUW}UDAU8|UxrU5yUUPmU07|UDQvU@U2xUUyU@~zUZ}UDU1#U ЭzUyUDUaUDnUUUD zU<UUlUDUp|U|UvU`LvUDlU@eUDR}UxUUP[UX}UDppUxUUpqU`aUDpAU@6(U |UDPWU@vUDuU|UבU:UD0ƏU8UDUUD`UxUUkU8|UxUUdzUY}UD%UܘUDrU|UGU =|UDP|U0qUD`qUhnU `UxU8|UD@nU8UDpڎU|UD>UeUDajUU,UˏUD0mU xUU]|U B|UDSqU@pU5yUv0!U@|U |UUPuU |UDbUX}UDnU l UDb9U 0#U zUxUU{yUGU hUU|<Uz}UUWUЏ|UxUU@_U@tdUDUCU @`|UD@jU0vUD0vzU|UD U/#U qU|U ]UD-9U8#U U
    !Zhi g#-- conta1Shen g#0hzU!Qin  UU1Jie g#UQ0ap|U(U!usa|U(U!0g#zUdap_html!g#g# !HASH7U a|U(U!LicensePartsU a`|U(U!ADAP3::HtmlhYAUYAUUYAU U(ZAUuUpZAUȨUAUUAUUAUexU0AUhUg#!Shi U1Shi g#@0!0g#pnnU!0000-00-00 00:00:00!g#g#!0g#g# !Qiu U1Bing g#0!0g# Uj' data-!g#g# Mayen 0![?]#g#PU![?]#g#![?]#g#![?]#g#!g#g#!g#g#!g#g#!g#g#!"g#g#!"g#g#![?]#g#![?]#g#!ag#g#!ag#g#!ig#g#!ig#g#!ug#g#!ug#g#!eg#g#!eg#g#!og#g#!og#g#!kag#g#!gag#g#!kig#g#!gig#g#!kug#g#!gug#g#!keg#g#!geg#g#!kog#g#1gog#g#0!466076zUXU!0g#g#&vU!0g#g#_yU!1g#g# !0.0000nU !Shime U 1Jiu g# @0!2023-04-26 00:31:12!2023-04-26 00:31:14!239944g#!234166g# !Jiu GU 1Zhe g# U0!HASHGUT TotalV!1g#~U !1g#`vzU0000009912g#g#eneric/m0["52827","106114","103986","411917","43370","68167","207843","144278","201896","411251","8283","126421","152934","199124","90063","175859","149514","128908","184822","175453"]0U!2020-09-29 07:20:18!0g#g#!2019-09-25 15:07:57!0g#g#U!1g#g#!650x918g#!0g#g#!1g#g#!3.00g#!2023-03-12 00:42:58!2023-03-12 00:42:58!1452864g#!1365868g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q@U!35g#g#U!1817g#!12g#g#!1g#g#pU!1g#g#8U!0g#g#U!g#g#U!0g#g#U!0g#g# U!1g#g#HU10g#g#XU0!2g#g#XƆU!g#g#U!3.00g#h_U!0g#g#|U!0g#g#g#!0g#g#Q1. Min hvide svane du stumme, du stille, hverken slag eller trille lod sangrøst ane. Angst beskyttende alfen, som sover, alltid lyttende gled du henover. Men sidste mødet, da eder og øjne var lønlige løgne, ja da, da lød det! I toners føden du slutted din bane. Du sang i døden; du var dog en svane! en svane!!g#g#!0g#g#!g#g#!g#g#0U!g#g#0!1.50g#uantityS!2016-05-21 21:04:33!176545g#zUQSongs by Purcell available for online printing in any key.U1If music be the food of love!26g#g#!0g#g#!3g#g#!1g#g#12015-10-21 16:34:30SUU0!Qi #pzU !0g#U DUоxUDUpyUUXgUX҈UHUyUUdyUh}TUyUUط~UUxUGUUФU0UUGUUxUUUUTUUU)U0U`UHUXQ]U`UHR]UxUU]UUHUUUhUU.UUxTUUgUUU]U U8.U8U UȆUPU`UUhU&*UUzUUXY]UUZ]UUȵUU8u6U0Ux UHUEVU`UV]UxUUUUUUUxUU(UUqUUعU U UU8UxUPU UUhUkUU UnUUUUUUUUxUU>UUU(U8 UU@Ux~UXUhUpUUU(ݻUU Ux]UUUUUUUUeUUU0UUHUHL]U`UhO]UxUHUUUh UlUUxoUUUUؕUUxUU UxFaU UHaU8UUPUXUhUx%UU UU UU UUU UukUUUH3kUU U^UU U^U(UU@U UUXU)UpU)UU)UUUhUU2!UU U86(UU UhUUUUU8U0U(UHUxU`UX UUxUHUrU<UU(UPUUxY'UUHVUhU.U U UH&UPUUhU@U]UHUXCUUDU8UDUU UXgUDUHU0yUUdyUh}TUO}UUط~UQ}UUUUpUbUGUhUP UGU(U@HUTU UU)U U`U!UXQ]U!UHR]U0!UU]UH!UHU`!UUhUx!U.U!UxTU!UgU!UU]U!U8.U!UPUȆU"UHUU "U&*U8"UzUP"UXY]Uh"UZ]U"UȵU"U8u6U"Ux U"UEVU"UV]U"UU#UU(#UU@#UxUX#U(Up#UqU#UعU#U@UU#UxU#U UU#UkU$UUnU$UU0$UUH$UU`$UxUx$U>U$UU$UpUU$Ux~U$UhU$UU%U(ݻU %UUx]U8%UUP%UUh%UdefScorUUUD|UUD UUD!UUD0!UUDP!UТUD|UࢊUD|UUDP|UUDp|UUD|U UD|U0UDД|U@UD|UPUD0|U`UDP|UpUD p>}UUD>}UUDp|UUD|UUD|UUD|UУUD|U࣊UD |UUD@|UUD`|UUD|UUD@}UUDA}UUDpA}UUDA}UUDA}UUUDA}UUDB}UUD0B}UUDPB}UUDpB}U UD@UU0UD`U@UDpUPUDU`UDUpUDХUUDUUDUUD0UUDPUUDpUUDUUDUUD>}UUD>}UUD?}U UD0?}U0UDP?}U@UPUDp?}U`UD?}UpUD?}UUUD?}UUUUD?}UUD@}UUD0@}UUDUUDPUUDpU UDU0UDU@UDЫUUU0UDpU0UD=UeUDUUDUUPؘUD`5UUDmUPdU P@}UjU2pUUtUDUBU0IU)UD`>UU(UD=UUUD.UAUD0nU(U)UD>U(UD>U(UD >UU  P|U|UDUPUD U`UD`UpUDUUDUUDUUDஊUUDUUDUUDЯUUDUUDUUD0UUDPU UDpU0UDp:}U@UD UPUD@U`UD`UpUDUUD;}UUD;}UUD;}UUD<}UUD <}UUD@<}UUD 0qUUDЭUUDUUD`<}U UD<}U0UD<}U@UD:}UPUD:}U`UD:}UpUD:}UUD;}UUD0;}UUDP;}UUDp;}UUD<}UUD=}UUD =}UUD@=}UUD`=}UUD=}UU UD=}U0UD=}U@UD=}UPUD>}U`UD0>}UpUDP>}UUUD WUUDWUUDXUUD XUUD@XUUD`XUUDXUUDXUUDXUUDXU UD`U0UDU@UDUPUDU`UDUpUD@zUUD`zUUTrp?0:`jf p f p f p f p f p PZ *@JFPPZ@JPZ *Шڨ ЩکPZfp6@p*U1@6U*UD161834!NAMEp=U0UqUq0U0Up!1.50g#U!2015-10-08 06:23:31U!0g#g#hU!1g#g# U!0g#g#U!g#g#U!0g#g#U10g#g#ȖU0!0g#(g#,U1. Bist du bei mir, geh' ich mit Freuden zum Sterben und zu meiner Ruh', zum Sterben und zu meiner Ruh'. Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner Ruh', zum Sterben und zu meiner Ruh'. Ach, wie vergnügt wär so mein En de, es drückten deine schönen Hände mir die getreuen Augen zu. Ach, wie vergnügt wär so mein Ende, es drückten deine schönen Hände mir die getreuen Augen zu. Bist du bei mir, geh' ich mit Freuden zum Sterben und zu meiner Ruh', zum Sterben und zu meiner Ruh'.U/U!g#g#!0g#g#!Lowerg#AOnline printing in any key from www.schubertline.co.uk!g#g#!g#g#U!124448g#!0g#g#șU!0g#g#!0.00g#U!2.50g#U!0.00g#U!0g#g#ؘU!g#g#@U!0.00g#U["52827","106114","43370","103986","144278","411917","68167","207843","8283","199124","201896","126421","152934","411251","90063","175453","128908","175859","184822","176687"]ȖUU!1g#g#1U!0g#g#!g#g#!2.1120g#!2015-10-08 06:24:21ABist du bei mir fr Anna Magdalena Notebook sop or tenor!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Bist du bei mir [fr. Anna Magdalena Notebook: sop. or tenor] Lower Bach (attr.) Schubertline Songs by Bach available for online printing in any key.!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!882#g#!1240g#`UUXU8UUU8UUКUȜUPUUUUU0UUUؕUHUU@UUxUUXUUU(UUUUUЗUНU@UhUxUUUHU蚋UșU8UUUxUU(UU(UUU`UUؘU蔋UU@UUU UUUhU U蝋UPUUUUU`UU0UUȖUpUe!!2020-09-15 20:27:52U!1g#g#!2024-02-26 17:36:1618B63D724-D4CD-11EE-887F-B39C539980F0Lyr!177353g#!0g#g#!0g#g#!0g#g#!1g#g#!650x841g#!0g#g#!0g#g#!5.00g#!2023-02-15 04:02:54!2023-02-15 04:03:01!398208g#!650050g#!0000-00-00 00:00:00!0000-00-00 00:00:00QU1;U{175021!21335U1SE::SMD::PrintLog::OBJECT_CACHEg#1SE::SMD::PrintLog::OBJECT_CACHE175128ahUpU-(1U!ArrangementU 1FTY#<hUA/usr/www/resources/ADAP3/GenericObject2.pm613742!g#g# 1GU=UHt qDU@U(FUU UofUaU`UإU~URUh'UgUUUU!0g#00U !ReExtractParts !ADAP3!Voiceg#8hU!351#g# !612171:U !HASH@U!HASHg# aTrio Sonata No.2 For Oboe, Cor Anglais & Bassoon William Boyce Spence Bundy Qget_all_count_of_unread_message_threads_for_user_idfor_user_id0!0g#,yU!g#g#1g#g#01Easter Hymn 151 (F major)HERE ID ='0'1g#g#rdReminderSentd0!0.00)U 1UAUZP&z!g#g#ores WHE!2020-04-12 17:20:02goog!1g#g# ADC0AAA02-70F3-11ED-A817-4F25F5556F5DUg#@!0g#g#U11g#g#U0!Hutchingsg# !1g#`U !0g#@tyU aEaster Hymn Christ the Lord is Risen Today Alleluia for Brass Quintet Timpani and Organ!0g#g#g#!20g#g# !12168g#U!0g#g#ཏU!0g#g# This is an arrangement for Brass Quintet, Timpani and Organ of the Easter Hymn (Jesus Christ is Risen Today, Alleluia!). This is No. 151 in the Church Hymnal (Church of Ireland), 1919. Easter Hymn (Lyra Davidica, 1708). I'm not sure of the basic history of the hymn. Stewart Schuele, the hornist and arranger of my brass quintet orchestrated this for the entrance hymn at Easter services at Immanuel Lutheran Church in New York City. The brass parts add descant and emphasis to the overall presentation of the hymn in this setting. It is very effective. I have played many Easter gigs and from a purley musical standpoint Stewart's arrangements are the best and most fun to play. Thank you for looking at this score.617366!0g#g# !1g#g#4xchang!0g#g#`!g#g# !1g#@АU U%UeU%UU%UU%UHL]U%UhO]U%UpHUU&UUlU(&UxoU@&UUX&UؕUp&UxU&UUxFaU&UHaU&UU&UXU&Ux%U'U U'U U0'U@UUH'UUukU`'UUH3kUx'UXU^UHaU0U^U`aUUxaUUUaU)UaU)UaU)UaUHUhUaU2!UbUU86(U bUHUhU8bUUPbU0IU8UhbU(UbUxUbUGUUbUHUU<U@U(UU(HUxY'UxUHVU U.UUGUH&UUUUhJU]UخUXCUUDUUDUPR}UUXgUUHUQ}UU Uh}TUULUط~U U MUUcUU)U eUUHmUUGUUxRUTUeUGUcU`U8eUXQ]UPeUHR]UheUU]UeUHUeUMUhUeU.UeUxTUeUgUeUU]UfU8.U(fUxOUȆU@fURUUXfU&*UpfUzUfUXY]UfUZ]UfUȵUfU8u6UfUx UgUEVUgUV]U0gUUHgUU`gUUxgUxUgU(UgUqUgUعUgUhPUUgUxUhUHOUU hUkU8hUPUnUPhUUhhUUhUUhUxUhU>UhUUhUMUUhUx~UiUhU(iUU@iU(ݻUXiUMUx]UpiUUiUUiUUiUeUiUUiUUjUHL]UjUhO]U0jURUUHjUMUlU`jUxoUxjUUjUؕUjUxUjUNUxFaUjUHaUjUUkUXU kUx%U8kU UPkU UhkUhMUUkUQUukUkU8MUH3kUkUPU^UkUXNU^UkUUkU8PUUlU)U(lU)U@lU)UXlU SUhUplU2!UlU(NU86(UlUpQUhUlUUlUhSU8UlU(UmUxUmUQUU0mUHU8U<U02U(UX U`RUxY'U`UHVUH2U.UU0RUH&U UU UTU]U UXCUUDUp UDU UOUXgUX UHUp UUP}Uh}TUH{U8VUط~U{UXWUU8nUU)UoUOUEUPUGUdUXUTUoUGU nU aO Holy Night (Cantique de Noël) [Adam] Low Adolphe Adam Schubertline !0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#hCU!882#g#!1240g# 11D68FFC0-D99A-11EE-B7B7-B39C539980F0U!177353g#CU!0g#g# !0g#g#?!0g#g# DU!1g#g#CU!650x840g# !0g#g#?!0g#g#pDU!5.00g#0DU!2023-04-03 20:13:40!2023-04-03 20:14:07?!2237735g#DU!3373628g#DU!0000-00-00 00:00:00!0000-00-00 00:00:00?QLU1֗Ux[U424367!395171g#UQSchubertGretchen am Spinnrade in c sharp minorfor Voice and Piano!26g#g# 1. If music be the food of love, Sing on, sing on, sing on, sing on till I am fill'd, am fill'd with joy; For then my list'ning soul you move, For then my list'ning soul you move, To pleasures that can never cloy. Your eyes, your mien, your tongue declare That you are music ev'rywhere, Your eyes, your mien, your tongue declare That you are music ev'rywhere. Pleasures invade both eye and ear, So fierce, so fierce, so fierce, so fierce, the transports are, they wound, And all my senses feasted are, And all my senses feasted are; Tho' yet the treat is only sound, Sure I must perish by your charms, Unless you save me in your arms. Sure I must perish by your charms, Unless you save me in your arms." rel='no!g#g#!0g#g#!Lowerg#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#(U!144853g#!0g#g#pU!0g#g#@U!0.00g#U!2.50g#8U!0.00g#U!0g#g#U!g#g#ȊU!0.00g#pU!5.008g#!2023-02-14 10:10:03U!2023-02-14 10:10:291444393g#(UPU0!0g#g#aU!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#If music be the food of love Lower Purcell Schubertline Songs by Purcell available for online printing in any key.e('s!0g#g#9999/app!1g#g#(`intent!0g#g#00000099!0g#g# a delay!0000-00-00 00:00:00yTag!g#g#ild(file!0g#g# ->zUhUp (UxTU (UU]U (UgU (U8.U (UjUUH (UhUȆU (U&*U0 (UXY]U` (UzUx (UZ]U (U8u6U (UȵU (Ux U (UV]U(UEVU (UU8(UUh(UU (UxUP(UqU(U(U(UعU(UxU(U8%yUU(UgUU(UAUx|UU Up|UAU|U(U|U|UXAU`|UؕUh(U`fUlU (UxoUP(UU(U`iUU8(UU(UhO]U(UxU(UHL]U(U>zUUp(Ux%U((U U(U U@(UgUxFaU(UXU(U(yUukUX(UU(UHaU(Uض2U|UeU(UU(UUx(UU(UU`(UfUx]U0(U(ݻUH(UhU(UU(U>zUH3kU(U T|U^U(UfU^U(UU(U *}UU(U)U(U)U(U)U0(UjUhU`(U2!UH(UfU86(U(UkUhUx(UU(UjU8U(U(U(UxU(UXkUU(UHU0U<UU(U@ UxiUxY'UlUHVUдU.U UiUH&UX UU UlU]U҈UXCU UDUp UDU҈UgUXgUӈUHUUUpUh}TUUnUط~UкUoUU(UU)Ux(U|U`}UXX|UGU0 UuUTUH(UGU(U`U(UXQ]U(UHR]U(UU]U(UHU(UoUhU (U.U(UxTUP(UgU8(UU]Uh(U8.U(UrUȆU(UHuUU(U&*U(UzU(UXY]U(UZ]U(UȵU@(U8u6U((Ux UX(UEVU(UV]Up(UU(UU(UU(UxU(U(U(UqU0(UعU(UrUUH(UxUx(UqUU`(UkU(UhsUnU(UU(UU(UU(UxU (U>U(UU8(U pUUh(Ux~UP(UhU(UU(U(ݻU(UpUx]U}UU(UU}UU}UeU}UU0}UU}UHL]U`}UhO]UH}U0uUUx}UPpUlU}UxoU}UU}UؕU}UxU}UpqUxFaU }UHaU}UUP}UXU8}Ux%Uh}U U}U U}UoUU}UsUukU}UoUH3kU}Uesheet" "U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U(UyUxUyU(UUxUHUȊU<UU(U`xUнUxY'U@(UHVUU.UH"}UUH&UxxUUxUU]U ԈUXCU"}UDUHxUDUԈUUXgUԈUHUԈUU@ՈUh}TUՈUUط~UpՈUUU`rUU)U8ڈUHzUxU UGU|UUTUxyUGULmU`U ڈUXQ]U`وUHR]UhڈUU]UوUHUX؈UUhUxU.UrUxTU`YUgUUUU]UxU8.U8oUUȆUxUXUUoU&*UUzUUXY]U(xUZ]U8R}UȵUU8u6U xUx U^UEVU0%vUV]U`UUUUXUUpcyUxU8U(UxUqU UعUHUUU…UxUyUUUUkU`N}UxUnUxUU&vUUUUوUxUhmU>UyUU8xU0UUPxUx~UUhUUmUUkU(ݻUd;UUx]UhZ>UUXUU@pUUJnUeU0RWUUPnUUMnUHL]UpUhO]UQnU@UUPnU`UlUPpUxoU8NmUUoUؕUoUxUGqUUxFaU oUHaUoUUoUXUHoUx%UmU UhoU UoUUUPaUUukUmUЈUH3kU@mUU^UoUU^UpUUh`(UЋUUPoU)UxrU)U@qU)UoUUhU0mU2!UoUU86(UqUUhUqUUoUU8U(mU(UXmUxUxUPUUؼxUHUU<UU(U|UUxY'U}UHVU(U.UJ}UȍUH&U8|UU|U8U]UՈUXCU8|UDUh |UDUՈUUXgU0ֈUHUֈUU`ֈUh}TUֈUБUط~UֈUUUxUU)UHxUΈUXUHUGUHوUUTU0xUGUȽxU`U`xUXQ]UxxUHR]UxUU]UxUHUxUؒUhUؿxU.UxUxTUxUgU xUU]U8xU8.UPxUHUȆUxUPUUxU&*UxUzUxUXY]UxUZ]UxUȵU(xU8u6U@xUx UXxUEVUpxUV]UxUUxUUxUUxUxUxU(UxUqUxUعU0xU8UUHxUxU`xUUUxxUkUxUpUnUxUUxUdefScor    *0=@%(48)0pU!0g#`'U`'USchubert's Ave Maria, arranged for voice and violin Franz Schubert Richard Russell Design for Lightning Music Schubert's classical great, Ave Maria, with a violin part to add variety to the traditional voice line. Suitable for weddings, Christmas, etc. @!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g# UhUU Uh Up U UxU8U0U U( UUUU UXUU@ U U(UUUU`U U UxUUHU UU U8 U8UUU UH UhUUPU0UU` UpU Ux U U UUU UUX U@ UP Up U UU U U UU UUPUUUU UUU( UU U0 UU00099999["52827","103986","43370","411917","68167","144278","207843","201896","8283","199124","152934","411251","126421","90063","128908","184822","175859","175453","12944"]00!2020-09-22 00:51:02!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#
    Sc!3.00g#to use o!2023-02-14 03:23:36ike !2023-02-14 03:23:37clas!495339g#gin-top-!465304g#btn-prim!0000-00-00 00:00:00-all!0000-00-00 00:00:00ton !173758g#<U!g#g#XU10g#g#(U0AO Holy Night (Cantique de Noël) [Adam]UU!26g#g#`<}U!0g#g#U!3g#g#@U!1g#g#U!2015-09-22 17:43:19U!2024-04-18 17:38:06U!Adolphe AdamU!g#g#HU!0g#g#XU10g#g#0!sib#g#ript> !0g#g#zU!Adam Holy NightpfU!2015-09-22 17:43:19!51g#g#zU12138g#zUU0!Ju #0|zUPzU1Pie g# 0!g#8g#pU!2.50g#}eU!0g#g#WU10g#g#0!sib#g#mU!62021g#!0g#g#m|U!Adam Holy Night_aU!2015-09-22 17:45:47!172#g#P!3239g#rated St!54g#g#`|U!Adolphe Adam!g#g#  glyphico!sa-shopping-cart">
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F. Handel, is specifically for flute, violin, and cello. 1Six Christmas Carols violin/cello duets!0g#g#U!2g#g# !johnross@dunelm.org.ukR!Mrg#g#PMU!g#g# 1Param20 UiredDatenstrume0Aeaster hmyn 151 revised and edited f major.sib@!g#y5U!2018-08-27 00:00:0010g#g#0!ResellerNetwork 1H1UOm3599791x1U618843!619149g#0eU!0000-00-00 00:00:00U10g#g#@U01Salut d'Amour for Clarinet DuetXƆU!42g#g#05U!511#g#΅U!3g#g# U!2g#g#XƆU!2024-02-24 14:38:36U!2024-02-24 14:42:45UAEdward Elgar arranged by David Burndrett`U!David BurndrettpU10g#g#0!sib#g#U!496#g#ƆU!0g#g#8_U1salut d amour for clarinet duet.sibU!2024-02-24 14:38:36U!0g#g#@yU!33g#g#8U!0g#g#` yU!0g#xg# U!3g#g#(UThis is my arrangement of Salut d' Amour for clarinet in Bb duet. Download includes the score and both of the parts.g#Richard Russell (b. 1968, Illinois) began writing songs at an early age and began formal piano and composition studies at age 13. He received his BA in Music Composition from Blackburn College in Carlinville, Illinois, graduating magna cum laude. He has continued his studies taking various classes at New School University in New York City. His music has been performed internationally and at prominent venues in New York. Highlights include a performance on September 11, 2002, of his flute solo Remembrances at Merkin Concert Hall, a performance of Design for Lightning by trombonist Haim Avitsur in Israel, and a July 2006 concert of his songs in Bulgaria. As well, his compositions have been performed at CAMI Hall, the Ethical Culture Society, Symphony Space, and numerous times at Mannes College of Music. Mr. Russell's approach to composition embraces both popular and classical idioms. In his music, he often endeavors to bridge the gap between these two styles. He is interested in musical theater and has participated in the BMI Musical Theater Workshop. He has written many songs for sundry musical projects. He currently resides in New York City, where he is the Associate Director of the Mannes College of Music Extension Division. Richard Russell has been active in the New York Composers Circle for several years, having served on its Steering Committee and acting as Managing Director. Currently, he acts as the NYCC webmaster and In The Loop newsletter editor. He is also the artistic consultant for [[http://InMidAirProductions.wordpress.com|In Mid Air Productions]], which has presented several pieces by Richard. q{"width":240,"position-y-pc":"51","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":111,"width":60,"x":13,"center-y":147.5,"height":73,"center-x":43}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":74,"width":161,"x":29,"center-y":154.5,"height":161,"center-x":109.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":77,"width":155,"x":32,"center-y":154.5,"height":155,"center-x":109.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":73,"width":163,"x":30,"center-y":154.5,"height":163,"center-x":111.5}]},"height":300,"position-x-combined":"39%","position-x":"left","position-y":"center","position-y-combined":"51%","average-center-x":93.375,"average-center-y":152.75,"id":"1A37C0C0-512A-11E7-8DB5-AF8EA62AB5DB","position-x-pc":"39"}!4g#g#UȯUHU谐UpUpUU UUUU(UUU@UU`UU`UUUU0U(U(UUhUUUU U8UpUUUUUUUU@UௐUUPUpUUUxU0UUUUUUUUUаU8UxUUUUUU0U`U@UxUUU!0g#g#pCU!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!1g#g#!0g#g#!g#g#!0g#g#!0000-00-00 00:00:00qPianocellot3.Tenhtrombone 2)rinet)net)noeesizer Chinese Cymbalare limited)p!UmbList !2020-08-21 17:18:52!0g#g#!2022-11-30 18:34:30!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g# !0000-00-00 00:00:00!0000-00-00 00:00:00QX>U!0g# U !ADAP3::SQLg# !OrigCorruptU 1NUXHU 3021371"U"U"U"Um/!hnUnU!g# U !0g#g#!0g#g#!0000-00-00 00:00:00CT I!0000-00-00 00:00:00 0 A!g#g#='Back F!812496g#(Title, !0g#g# !0g#g#!0.00g#10.00g#0!1.50P9U !2016-01-29 07:35:0613g#`U9UpU0!g# Z*U !1.50@U !SubTitleU !44182U !176527g#p-minor-!271#MU mU!4g#g# !0000-00-00 00:00:00!0g#g#10g#g#0QȾUq U UA_ULU 66.249.78.10@!g#jU !g#`U!0g#g#10000-00-00 00:00:000!315488U !2g#@PUrdRemind!2020-04-12 17:20:001;UMUk122053QUU!9156PqUU!0g#g# qUpUUNUOULUX#UU w !SaleItemIDg#!UserAgentg#(U1Dateg#U78.343020!2020-12-17 20:33:11Incl!sib#g# !3g#IU UdU{UUyU2#U 0zUʐUD`UQU|UUUUDgUkUDPU;UvUs8UD=U@UDۋUUD`%UQUHUU xUUpUX |UUc}U0UUD`-UUU 69U|UUPUPUD)UydUDPUP]UUDUUD"Uz}UU 8U |UUnUUU0hUk UD%U@ËUD tUo}UU`ՎUxUU mUUD@Upn}UUUU0pUD`iU0+UDPZUeUDU6UDU8 |UU`}UUfjU|UUuUpO7UD0=UۘUD5U`8U rUDPoU|UUP[UU20<Uv%U0hUDU8UUP|U|UDtyUUDU0<|UDPlUxUU ؕUUD 7nUUDp7UUD?UPɐUDGUxUU@{UgUD@U`|UUU`UD@;U|UDUVU  0UPeUD@%UVU$U0ċUDjUy}UU=Up }U 0*UʐUD@@UYU  UHWUf%UD@NU&UD UnU @vU<UvPz<U|UUpU0gUDpUWUӨU0;rUU`mUq}UUb9UXz}UU@zU8|UU<UgUDPUXUm}UU=UȐU0A|UD%UxȔUD%U(YUU8UDPUUDU!UDUp˒UVUD1U|UUUu}UU0=U |UU0xUʐUD`%U`ːUDnUU`ɐUטUDK UP̏UDPrU@UvUs}UU8UiNUD%UZU88UhnU @WUhUD@U`eiUDNUUDَUUD8U 0UDPڎU U&U  UPˏUD0U@DTUDPUH|UUP*U ːUDpfUUDPUۘUDsUkUD `ajU@\UU|8UD/U໛UUGUU\U0=UfCUUDԷUUfPU`gUDՍUUD`7U|UDlU@UDPUpgUD'U`UD%UgUDPUUD?nU]U@gUD(U |UU U^UE@KvUDUp8UD6U(|UUknUWUvp=Uy8UD`UPBUPfUsUpUvzUUDФU@fUDxU[}UDU9rUUUUf9UĐUD P&U`xUU=U_U_UU2y"Uv>UpUDpMUUfp!UPȏUDঞUH-U DUpgUDWUːUDU  :U(0  px0^<U#( $(   38'(FH$(  ]`PX 78  PX,0&(`<UU <@   \` !121622g#ores WHE!0g#g#JnU!2022-04-12 10:00:27!3g#@U !g#q'U !g#U !g#8g#!1g#g#HˋU!Gerag#(ZU10000-00-00 00:00:00U`ыU0!g#g# U!Thüringeng#U!07548g#U!deg#g# !g#@U AJenner-Es träumte mir,in a minor,Op.7 No.3 TE @1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U1Copyright © May 2021 (Burndrett Music)QJenner-Es träumte mir,in a minor,Op.7 No.3 Gustav Jenner weiwu hua !g#Я U qThe whole work has been re-engraved and some expression sign has been modified for user.UNyU!1.50g# !1g#uqU !HASHUg#!g#Xg#U!0g#g#LUX#!1656g#!2339g#10000-00-00 00:00:000!5.00)U !2023-12-21 16:07:40!7g#g#`U11765g#U79.573240!211645PU !HASH!23g#@9U !0g#yU !0g#pq5U !1g#`8U!1g#g#10g#g#0!HASHg#pires=We!2023-12-21 15:57:531106462g# +UU0!117902.9U !0000-00-00U !0g#9U!0g#g#!0g#g#12024-03-09 14:17:280!3g#(g#`U!2g#g#H-U!2011-01-06 00:00:00U!2024-04-05 00:00:00hYUhҋUU VUUURUȄURU܎UHU}UHݎUPҋU8U0U{UyUhUUҋU@WUPMUVU@ߎUNUPUގUPU(͋U(WU\UȴUP̋UpyUP{UێUUU貏ŰUVU8ҋU@U0΋UVUҋUWU UpUPU͋U@U`΋UpߎUH΋UߎUЋU(yUUUhގURU\UxU~UHXUxOU͋UގUp͋ULUHUpUyUUSUUUU`ˋU{U!g#g#{U!583047g#{U10g#g#|UEF0!g#LU The Angel Gabriel (GABRIEL'S MESSAGE) Choir with Organ Accompaniment Traditional / Mary Rose Jensen Mary Rose Jensen Garden Rose Music Choir anthem for Advent or Christmas, SATB with organ accompaniment. 3" 30" "The Angel Gabriel" is especially useful for "Lessons and Carols" and Christmas Eve church services. The main tune is the traditional Basque carol, GABRIEL'S MESSAGE. Music of verse 3 is newly composed. The words have been almost completely rewritten to follow more closely the scripture passage, Luke 1:26-38, the account of the Annunciation. Purchase of this score includes the right to make copies for the choir members of one church. Lyrics: The angel Gabriel was sent by God To Mary in a town in Galilee. He greeted her and said, “The Lord is with you now. You are the highly favored one.” Gloria! But Mary wondered what his words could mean. The angel told her “Do not be afraid. You will conceive and bear a son named Jesus. You are the highly favored one.” Gloria! “He will be great and will be called the Son of God most high And sit on David’s throne. And sit on David’s throne. His rule of Jacob’s house and kingdom will not end. His kingdom will not end. His kingdom will not end.” Gloria, gloria, gloria. Gloria, gloria, gloria. Gloria, gloria, gloria. Gloria, gloria, gloria. Then Mary, as a virgin, wondered, “How?” He said, “All things are possible with God As God the Holy Spirit overshadows you You are the highly favored one.” Gloria! Then Mary said, “Behold, I serve the Lord. So let it be according to your word.” The angel then departed and we say with him, “You are the highly favored one.” Gloria!401222!g#8g#!1g#g#U!0g#g#XU10g#g#HUHU0!g#g#U!Middxg#КU!UB2 5UFg#0U!gbg#g#`U!g#g#!0208 7373782tp://sch1g#g#t":[{"item":{"na0!sagadrom@aol.comHmU!wernw999g#`mU!sagadrom@aol.commU1Mrg#g#? 0!RussellU !CopyrightU !UserRefet::userRef1DBD::mysql::stEE-8183-3C6416FC0This is No.3 Duet combination of Mix and Match Accompaniment to Hunters' Chorus violin 1. Viola plays (Viola as Violin 2) part from the main score. Please take a look at the main score.!$Uql::st 1g#ХUiredDate0QU!0g#Uers WHER10g#g#0!weiwu7U !HASH["33258","33265","64697","83923","106462","115838","115848","33260","103990","18258","85972","62091","94095","94073","31058","40254","53675","18095","33267"]!0000-00-00 00:00:00!0000-00-00 00:00:00U!121622g#U1204.80g#pUU0!207038l::st !g#g#1g#g#0!0g#0.U!0g#g#10000-00-00 00:00:000QUUap^9UhTY#@;U@vU@vU@vUp A/usr/www/resources/ADAP3/GenericObject2.pmU@!0000-00-00U 1ADAP3::GenericObject::IsDigitrcer%22!1g#lU !0.00iU10000-00-00 00:00:009U0!175021U We are a team of writing and adapting music. We have done this for over 15 years. High quality original sheet music and adapted sheet music. Publishing house standards. 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Also transcribed for Clarinet Choir. Please see my homepage for further details.U U!0g#Xg#@#U!0g#g#LUX#!1g#g#!0g#g#12011-05-08 14:27:430!HASH)U !g#@Urrencies!217551g#!0g#g# 141g#gUPU01SE::User:ImageumentationU0!PartOfProductID !578601pjU!779828g#10000-00-00 00:00:000!2nd Violing#!0g#g#10.00g#01$UUQr2665491 ~9U讐U3*f154860!HASHU/U U5U8U8UPUhU(UhUAUUU\UUUUUUUԙUUxUՙUUUHUUU(UU[U@UȊUXUPUUpUUUUXU8<UUXU+UUȳUU8UU.kUUU'UUUxuU0UHUȮUHUxm^U`U UxUGUP$U{tUUGUP_UUUh_UhUسUHU@UTUhUU3UUxU8UؕU!UxoUȱUnU(UҨUȮUX#U`UXU(UU蹐UxU8UAUUUUUU5UUH1UвUlUxU8UЬUhUPUtUHU8U(UwUUطUhDFU@U(ΨUЯUUUU\UUsUUIU`U8^UPUzUUUUȋUിUHbU8UdUHU{UUUzU!UUgUU\UȴUUUu>U!U8{UU8U^UUHU8[U貿UheUضU(UUXg8UpUUUXd8UUZU౿UXaU(UشUXU U_UUHyUUHU`UxDUUGU(UH]U UUUȥU8U(}UUDUxmUGUUHUpčUUU@UUHUBUlUhHUеUX;UUHUUUUUGUUHBUhnUhIUUGU(UUUUHUXUHUUXa8UUUUQUUGUUU(UUHUUUxUUxU<UU@UUUUBUUUCUUxfU0UTU`GEU(U)UUUhU%FU0UBUHUhUTUhUGU*UHUaUOUU(ݻU(BUGUUhUUhUUUUTUUUU@= U0UP3UȵUHFUU@;UX:U(3UِUUUUgU}UAU=UxU UHUUUIUXUUUGUUX;UxU@|UXϴUU輐UUƍUU UGUXUХU8UU^UhDFUUU&UGUUTU YUU]U` UEVUUHU U)UUHUnUU(_7UGUXUHU8bUx[UZUU%U8U8V3U)UU@UH3kUUUUӛUUUZU~UhU HqUPQ|UGUUPU 0JAUtgU KAU PBUpxFH 7U,0EH @3U:U PΌU0UnU!(?Uh4U`BU, BU#(RX p[>U@>U`^<UBUWX@N?U0 0U;CUpBUGHLP 8U,0$(    0U FHbh&( 8UG͐UQU!Manuel de Falla!José D´Aragón!0g#g# !HASHUts" cont!HASHg# QU!0g# 4U Q0U!3.00`=U 19g#g#cUmU0!0g#@U!1g#g#10g#g#0!2640ӐU!aug#g#10260414250g#0!2476325lU QU0 U!1g#PMHU !0g#wU !3g#g#"U12019-06-06 16:24:09U0!1g#p*Uevero-e-!0g#g# !1g#g#!0g#g#!0g#Hg#!0000-00-00 00:00:00U!4g#g#АU!0g#g#!0g#g# 1g#g#SUPERn_idc0!0g#U!Miscelg#114313g#0!g#8U Ahatsuhokuwayama@yahoo.comUHUU@![]g# ҐU!0g#g#11g#g#0!relevanceU !g#ԐU!g#g#1g#g#0!g# U !g#0֐U!1g#g#1Alburyg#0!395171l::st !319#*U8kU!0g#g#aU!0.00g#aU!0000-00-00 00:00:00U!0g#g#qU!0g#g#0mU!g#g#؋mU!0000-00-00 00:00:00!sib#pfU!267#g#10g#g#0!18g#U !0000-00-00 00:00:00!0000-00-00 00:00:001149#g#0!2013-11-22 22:00:57!0.00ҐU!johnrossg#12g#g#0!Mary Rose Jensen!g#5U 1Wes Montgomery, Wes Montgomery0!P.O. 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David Burndrett Eight Easy Duets! Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four seasons. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part.!0g#g#10g#g#"U0aThis arrangement is about three standard and upwards and works well as a concert piece or just for fun, for clarinet in Bb duet. I have tried to keep it simple while making it sound interesting for various standards of playing. Each instrument gets part of the tune. 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    Viola Concerto in G minor Movement II: Pastorale
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    Hunters' Chorus Trio No.2 for Two Violins and Viola
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    $2.95
    Annie Laurie (Flute/Oboe/Cello/Piano)
    by Traditional Scottish Melody Words by William Douglas - arr. Taylor Donaldson
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    $2.95
    When I am laid in earth (Purcell)
    by Henry Purcell 1659-1695
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    by Arr fr. E di Capua Re-arrangend By Jayson F. Witbooi
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    Humoresque Op. 101 (ME)
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    三套车 тройка Troika
    by 选自李文平《 世界风采》 Russian folk songs Selected from Li Wenping "world charm ", - arr. wenping LI
    Large mixed ensemble
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    $1.75
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    Large mixed ensemble
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    Crucifixion #10 (The Litany of the Passion)
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    html">Michael, Row the Boat Ashore
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    Solo instrument (Piano)
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    George's Brooklyn Blues
    by John Maul
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    class='composer'>by Jef Le Penven - arr. Steven Griffin
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    Voice + keyboard
    $2.50
    X!f/iAX!f ^iAX!f$`iAX!f9iAX!fLiAX!f+iAX!f^LiAX!fiiAX!f.qiAX!fXUiAX!fp_iAX!f-iAX!fhiAX!f:iAX!f;iAX!f{iAX!fw,iAX!fS<iAX!f,iAX!f=,iAX!f{iAX!f^iAX!fiAX!f ^iAm!fsiAX!fiAf!fMiAX!f~iAt!fJ iAt!fI iAd!f5ȝiAX!fiAX!fڏiAX!f^iAX!f3T iA@.@.@??.@.@Q@Q@Q@| f} Td]`| e} NR_`rvn{g}NRi}LMWd k}suozJKl}[bj}ZbpyORtuh}~Ud^` NRSdVd\al}qw!f#kiA!f miA!fΦkiA!fkiA!fhkiA!f kiA!f_zmiA"stylesh!2.99hg#!2.99g#!2.99g#!0g#g#pU!g#g#itemCond!0.00g# !33138aU!0000-00-00 00:00:00!1g#U !0000-00-00U !0g#0lrU !2011-03-03 00:00:00 WHE!2023-12-01 00:00:00h-or!g#g# XO|UÑU8UpUhUU\|UpUUUőUXU8ÑUUUXU`UP8UO|UU8UࡒUÑUUUXUXU"yUU(|UXU0}UUxUUUZ|UUPW|Up|UUUUUU UđUxUZ|U+yUȶ|UȑUPUU0‘UP|U@X|UY|UUS|UUU|UUȽUU‘UU蜒UƑUǑUU*}U@ǑU|UUhÑUUU!g#5U 1g#zUerride0!484083l::st !{UЮU !0g#0U !0g#G"U AU(JUF147163@!0000-00-00 00:00:00!g#@U 10g# Uentation0QU &Y#!0000-00-00g# 1273490USentanceion00ӑUPKU0UD `:U$UDUPUD'U‹UDН'U UD'U.UD'U@vUD0'UmUDaUUDaUˁUDaURURUPUD`PUUDPUUDPUUDQUUD QUPL]UU UDϔUPUDPДU`UDpДUpUDДUUDДUPL]UUpUD@ڔUUDڔUUDڔUUDڔUжUD۔UPL]UU`UDpUUDЪUUDUUDUUD0UPL]UUUDc%UUDPd%UUDpd%UUDd%UUDd%UPL]UUf%UD0U@f%UDUPf%UDU`f%UDUpf%UDUPL]UU`l%UDp(Ul%UD(Ul%UD(Ul%UD)Ul%UD0)UPL]UUUDU@UDUPUDU`UD UpUD@UPL]UU`UD UUDp UUD UUD UUD UPL]UUUD.UUD0/UUDP/UUDp/UUD/UPL]UU@ƓUD ۓUpƓUDۓUƓUDۓUƓUDۓUƓUDۓUPL]UU̓UDܒU̓UDݒU̓UD ݒU̓UD@ݒU̓UD`ݒUPL]UUUDHUUD0IUUDPIUUDpIUUDYUPL]UUUDzUUD{UUD {U[U!0000-00-00 00:00:00U!g#g#!0g#g#!0g#g#!0g#g#UUؓUU8UXUpUU`UHUU@U |UUUUUhUX8UhUUUUȑUxU؀U8UUU`UxUUxUUPUȎU0UYUOUUXUUU蒎UUUUUHUUUpU{UU[UPUU0ыUX$UHUU8U 9U<"UU(UhU@U UUUUUUU8U0XUU`U!g#hg#`U!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-03 19:04:20!2023-03-03 19:04:34!887810g#!1124054g#!0000-00-00 00:00:00!0000-00-00 00:00:00QU!0g#8g#?U!0g#g#@U!2g#g#(?U11.50g#0!sib#g#iU!496#g#ڈU!0g#g#PyUAwilliam tell overture for clarinet duet.sibUU!2024-02-24 15:00:51U!0g#g#U!28g#g#P_U!0g#g#iUWilliam Tell Overture for Clarinet Duet Gioachino Antonio Rossini arranged by David Burndrett David Burndrett This arrangement is about three standard and upwards and works well as a concert piece or just for fun, for clarinet in Bb duet. I have tried to keep it simple while making it sound interesting for various standards of playing. Each instrument gets part of the tune. I have added an optional piano part, for added support.U"U!0g#g#"U!0g#g#"U!0g#g#"U!0g#g# !0g#g#U!g#g#`U!0g#g# U!0g#g#ؖU!1g#g#ȗU!0g#g#HU!0.0000g#pU10000-00-00 00:00:00U0!2.95xg#gU!0g#g#gU!1g#g#Scores!0g#g# !g#g#pU!g#g#ahU!0g#g#hU!g#g#Scores!Copyright © June 2013!g#g# !2024-02-24 14:42:45U!0000-00-00 00:00:00!g#g#:U!670117g#!0g#g#ȗU!0g#g#:U!5.95g#pU!5.95g#9U!3.00g#U!0g#g#`U!g#g# U!0.00g#H:U!g#g#!0000-00-00 00:00:00U!1g#g#10000-00-00 00:00:00U(9U0!1.50(g#eExchang!2024-02-24 14:39:04Coun!1g#g#8Z%U!1g#g# #*U=U'UQU UUplGUU UU[UpU~U=ZU U0UUUVU0U}UIUEU}UTUUU9UxUxUU 0U UU0U0޽U8#U9U$=hU0UPΎUU{UĽUURUUU U@U$$pU ^DUpUUUUmUPUp?UU0dU|UU>U(UyUU$$U$=gUBU`NUpUiU iUUpiU#UpU@UUUp֌U֌UU$$U$=U UpOU$$pU$=0UgUPЍU-warning1Be Thou My Vision for Clarinet Duet43'!511#g#U!2g#g#!2g#g#U!2024-02-20 20:49:16U!2024-02-20 20:56:11U!20248g#U!2g#g#U!1.50g# U12024-02-20 20:50:200!sib#g#|U!496#g#xU!0g#g#@yU1be thou my vision for clarinet duet.sib!2024-02-20 20:49:16U!0g#g#ƆU!23g#g#8_U!0g#g#iU!1g#g#HU!1g#g#U!0g#g#U!g#g#U!0g#g#xU!0g#g#U!1g#g# U10g#g#0U0ATraditional Irish arranged by David BurndrettxU!David Burndrett!0g#g# !g#g#0U!g#g#!0g#g#!g#g#!g#g#U!2021-04-07 10:35:11U!0000-00-00 00:00:00!g#g#U!728527g#!0g#g#U!0g#g#U!0.00g#{U!5.95g#PU!3.00g#X$U!0g#g# 9U!g#g#U!0.00g#U!g#g#!0000-00-00 00:00:00U!1g#g#10000-00-00 00:00:00UhU0!1g#g#U!0g#g# !0.0000g# !2021-04-07 10:25:13ASymphony No40 1st movement for Clarinet Duet !0g#g# !0g#g#!2g#g#PU!0000-00-00 00:00:00!0g#g# !0g#g#Symphony No.40 (1st movement) for Clarinet Duet W.A Mozart arranged by David Burndrett David Burndrett This arrangement of this Mozart classic is about grade 2-3 standard upwards. Both parts get part of the tune. ?!0g#g#U!0g#g#XU!0g#g#!!10g#g#?0!s!0000-00-00 00:00:00!365176tU !4g#tU!0000-00-00 00:00:00U10g#g#3925560!sib#ΑU Otherf="/scores/le-cor-joseph-roger-a-de-vigny-191733.html">Le Cor (Joseph Roger / A. de Vigny)C07578W0037N04P03UFN01woff2" a!0g#*U!148#g#@Y9U!1g#g#9U!10.30g#162218!2024-05-17 11:53:2810g#g#گ 0!2U70.5566311xU162932!192422g#U!Dan Gravesg#2U10g#g#2U0QChristmas Angels (The Angel of the Lord) Christmas Carolg#!22g#g#NU!0g#g#U!2g#g#zU!1g#g#hU!2017-02-18 23:24:47U!2020-06-16 17:57:29U!Mary Rose Jensen3U!g#g#3U!2016g#2U10g#g#0!sib#g#zU!865#g#U!0g#g#U1Christmas Angels.brass.sibUHU!2017-02-18 23:24:47U!28g#g#U!1550g# OU!1g#g#YU!1g#Hg#͕U!g#(g#וU!Copyright © 2016U!g#g#jU!1.50g# !95463160.632320"http:QHunters' Chorus Trio No.2 for Two Violins and Viola Cartl Maria von Weber none Hatsuho M. Kuwayama This is No.2 Trio combination of Mix and Match Accompaniment for Hunters" Chorus violin 1. Viola plays the Viola part from the main score. Please take a look at the main score for individual parts Find "Associated Scores".
    For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
    attr-value'>U&*U8U.Up`UhU0U>UȘUU]UX)U8{UUUWUV]U\U艎UXa8Up]Ux%UpU`|U8UrUUxY'U*Ux~U%UX;U͘UUU(ΨU0|UUqUHU|UQU`UUUH֛UUHUzUUT|UukU"U0U]UpU5UUPU(UЇrU]U%2U7iUUH8UHUU(UUU)UH֘UHIU"U2!UHU%UH3kU8UU]UUU]U8\UhUGUU`U@ؑU2!U@FU8U֘U軑U_9UU8.U0UHUјUXd8UH^UGUUUUUȮUHUhU8lUXCUUU]URUUj<UAUxU`OnUUU_yUwU UxUmUU0UgUUXCUXU_9U@p;U8u6UUxU(WUxUkU.UUxUx]Uh'UxoU0k;UHUUUXUUU`yUHL]UUU8UHR]UPԛUpD$UU 8UU`RUHaU($UgUޑU[|UhU\U8IVUUGU8UUxFaU_U@UU2!UUp{7UlUp8UPYuUHUh9U(8UH&U8UXUUgUU 8UukU }$UHUxFaU`8U<UPU(ݻUUzUU(UUT|UUUX}UH&U@UHVU8UDUU|UXgUUxUp,U8.U(ZU8u6UU UȈ8UظUUkUgyUU)UUDUUH‘Ux]U8p!U‘UlUxUHUgUhHUޑU`Ux]UU8UnUXU8UCUpUؕUU08UXUUȳUUU)UhiU*yUȆUU@U88UHU(1U8U8UUUU8UUVUxU#UX#UӑUU<U88UеU^U0XUAUUV]UU)UX<*U`UEUҨU*Uxs-2 col UUU@ÓUDғUPÓUDӓU`ÓUD0ӓUpÓUDPӓUÓUDpӓUÓUDӓUUÓUDӓUÓUDpԓUÓUDԓUÓUDԓUÓUDԓUÓUDԓUēUDՓUēUD0ՓU ēUDPՓU0ēUDpՓU@ēUD@4UPēUD`4U`ēUDГUpēUD0ГUēUDPГUēUDpГUēUDГUēUēUDГUēUDГUēUēUœUœU œU0œUDГU@œUDѓUPœUD0ѓU`œUDPѓUpœUDٓUœUDٓUœUDٓUœUDړUœUD ړUUU@UDUPL]UU0UDݖU`UDݖUpUDޖUUD0ޖU(U ܓU@U2UxU8UDmU}UD1UUDHUXUPUDpHUUUDЖU |UDU UUDIU`UDHUpUDHU0 U  `֒UUDܓUƓUDP0UƓUD0UƓUD0UƓUD0UǓUD0UǓUD1U ǓUD 1U0ǓUD1U@ǓUD1UPǓUD2U`ǓUD02UpǓUD`2UǓUD2UǓUD2UǓUD2UǓUD3UǓUDܓUǓUDܓUǓUD@1UǓUD`1UȓUD1UȓUD1U ȓUDU0ȓUD0U@ȓUDPUPȓUDpU`ȓUDUpȓUDUȓUDUȓUD UȓUD0UȓUD2UȓUD3UȓUD 3UȓUD@3UȓUD`3UɓUD3UɓUD3U ɓUD3U0ɓUD`ÒU@ɓUD0UPɓUD 0U`ɓUDӒUpɓUDӒUɓUDӒUUɓUDӒUɓUDԒUɓUD0ԒUɓUDPԒUɓUDpԒUɓUDԒUUɓUDԒUʓUD@ՒUʓUD`ՒU ʓUDՒU0ʓUDՒU@ʓUDՒUPʓUDՒU`ʓUD֒UpʓUD ֒UʓUD@֒UʓUDPUʓUDpUʓUDUʓUDUʓUDUʓUDUʓUD’U˓U˓UD0’U ˓UDP’U0˓U@˓UP˓U`˓Up˓U˓UDp’U˓UD’U˓UD’U˓UDpڒU˓UD ےU˓UD@ےU˓UD`ےU˓UDےU̓UDےUUذUUDPޖUPL]UUUDUUDUUD UUD@UP U ’UP.U2xU@UfUD@BnU UD`UUDzUػU@U!181716g#UQCopyright © March 2013 Copyright © January 2016 (Burndrett Music)1Tico Tico for Clarinet DuetU}U!42g#g#؟U!511#g# U!3g#g#(U!2g#g#}U!2016-01-30 14:00:19U!2017-11-22 16:53:54UAZequinha Abreu arranged by David BurndrettUU!David BurndrettUU10g#g#0!sib#g#(U!496#g#x"}U!0g#g#p|U1tico tico clarinet duet.sibUxU!2016-01-30 14:00:19U!15g#g# U!3387g#`dU!11g#g#nU!0g#g#U!1g#g#`RnUAThis works well as a concert piece or just for fun!U!2.95g#M}U!0g#g#"U!1g#g#"U!0g#g# !0g#g#U!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © Feburary 2009 (Burndrett Music)UScores!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#HŒU!638901g#!0g#g#U!0g#g#`ŒU!0.00g#U!2.95g#XĒU!0.00g#@U!0g#g#U!g#g#hU!0.00g#ŒUQɒUA@U8ÒU1184431@!1g#g#PÒU>UUU0UнUUHUx~U`UhUxUUU(ݻUU0Ux]UUUضUUUUUeU UU8UUPUHL]UhUhO]UU`ŒUUUUlUUxoUȷUUිUؕUUxUU UxFaU(UHaU@UUXUXUpUx%UU UU UUUUиUÒUukU踒UpUH3kUUU^UUU^U0UUHUpUU`U)UxU)UU)UUŒUhUU2!UعU`U86(UU(ĒUhUUU U ƒU8U8U(UPUxUhUpĒUUUHU|U<UڈU(UUŒUxY'UXzUHVUxU.UUĒUH&UHUU`UXǒU]UYUXCUUDU0UDUYUPUXgUYUHUZUUZUh}TU0ZUȒUط~UHZUʒUUUU)UޒUh)UUUGUhUhϒUTUpޒUGUpU`UޒUXQ]UޒUHR]UޒUU]UޒUHUߒUɒUhUߒU.U0ߒUxTUHߒUgU`ߒUU]UxߒU8.UߒUh̒UȆUߒUϒUUߒU&*UߒUzUߒUXY]UUZ]U UȵU8U8u6UPUx UhUEVUUV]UUUUUUUUxUU(UUqU(UعU@UX͒UUXUxUpU8̒UUUkUU͒UnUUUUUUUUxUU>U0UUHUʒUU`Ux~UxUhUUUU(ݻUUʒUx]UUUUUUU UeU8UUPUUhUHL]UUhO]UUϒUUUʒUlUUxoUUUUؕUUxU(U˒UxFaU@UHaUXUUpUXUUx%UU UU UUXʒUUUΒUukUU(ʒUH3kUUp͒U^U0UH˒U^UHUU`U(͒UUxU)UU)UU)UUВUhUU2!UU˒U86(UU`ΒUhU UU8UXВU8UPU(UhUxUUΒUUUHUoU<UyU(U౒UPϒUxY'U؄UHVUPyU.UU ϒUH&UUU(UђU]U`ZUXCUPUDUUDUxZU̒UXgUZUӒU!0.0000g#pӒU!2014-06-20 17:48:391Old MacDonald for Clarinet DuetionalRev!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Old MacDonald! for Clarinet Duet Traditional arranged by David Burndrett David Burndrett This is a fun duet for two clarinets!stitutio!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#ÒUɒUȒU8UÒUĒUĒUȒUPƒUHȒUĒU@ĒUUɒU0ȒUÒUpǒUUؾUHU@ǒUȒUȒUƒUxȒUXU8ɒUŒUŒU`ȒU8ƒUǒUĒUUPɒUŒUǒUxU࿓UƒUƒUhƒUHŒUǒUUǒUÒUU(UŒUȒUȒUUɒUUXĒU轓UU@UƒUUĒUUUhUǒUhɒUǒU ɒU(ǒUUƒUƒUUƒUUȿUŒUHiddenH["68734","68738","68670","69529","69759","71099","102825","92338","69331","69528","155473","40067","457380","206467","85603","457367","457395","457386","457371"] !2020-08-27 12:20:16!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-13 04:08:04!2023-04-13 04:08:08!283270g#!424981g#!0000-00-00 00:00:00!0000-00-00 00:00:00UpݒUUD@zU0|UD U`|UD`UpUDߜUpUUDzUUD`zUUDzUPU  @CUpUD@U͓UDU ͓UDU0͓UD U@͓UD0 UP͓UDP U`͓UDUp͓UDU͓UDU͓UDU͓UDU͓UD U͓UDPU͓UDpU͓UDU͓UDUΓUD0UΓUD`U ΓUDU0ΓUDU@ΓUD UPΓUD!U`ΓUDp!UpΓUD!UΓUD!UΓUD!UΓUD<UΓUD<UΓUD<UpUD=UUD 0=UUDp=UUDUUDUUD UUD0 UUDP UUDp UUD UUD U UD?U0UD?U@UD?UPUD@U`UD @UpUD@@UUUD@UUD@UUD@UUD@UUDAUUD AUUUD@AUUD BUUD@BUUD`BU UDBU0UDBU@UDBUPUDBU`UDCUpUD CUUD`UUDUUD=UUD=UUD=UUD=UUD>UUUD0>UUDP>U U0U@UPU`UpUDp>UUD>UUD>UUD>UUDPGUUDpGUUDGUUDGUUDGUUXUUD`UPL]UUUD@/U UD/U0UD/U@UD/U U iU`U2UXޒUU[UDU`~UDUU}UDUUDUUDPUkUDЪU ~UD@Up~UDU0~UD`U@~UDU U  0uU0UD@UUDUUDU UDU0UD U@UD@UPUD`U`UDUpUD0UUDPUUDpUUDUUDUUDUUDUUD UUDUUDUUDU UDU0UD@U@UD`UPUDU`UDUpUDUUDUUD UUD0oUUDPoUUDpoUUD oUUDoUUD nUUD@nUUD`nU UDnU0UDnU@UDnUPUDnU`UDoUpUDrUUD rUUUD@rUUD`rUUDrUUUDrUU (058 "('(38+0   *038DH defScor1xUb+%1856301U`114144!185630g#zU!0g#g#p0U10g#g#@0U0aThe Word, In the Beginning (BRETON CAROL) SATB hymn from John 1 - Advent, TrinityU!22g#g#hU!0g#g#U!2g#g#ݒU!2g#g#HU!2017-07-12 17:13:35U!2020-06-16 18:41:53U!20168g#1U!1g#g#`1U!1.50Up0U12017-07-12 17:13:360!sib#g#!865#g#!0g#g#AThe Word, in the beginning SATB (BRETON CAROL).sib!2017-07-12 17:13:35!60g#g#!2836g#!2g#g#!Traditional#!Mary Rose Jensen!1800g# !0g#g#XU!g#g# U!0g#g#U!0g#g#U!1g#g#U!0g#g#U!g#g#0U10.0000g#@U0A children's choir arrangement of a classical Christmas favorite: "For Unto Us a Child is Born" - a chorus from G. F. Handel's "Messiah." The two easy parts can be sung by any two equal groups of treble singers. Useful in church and schools. Purchase of this score will enable you to print as many copies as needed for your choir. You are also granted permission for any type of performance (e.g. during a church service or concert) or recording with limited distribution. Please do contact me if any recording will be sold. This score may be transposed. Also on Score Exchange is a similar kind of arrangement of "And the Glory of the Lord."!15.00g#!0g#g#!1g#g#!0g#g#1. For unto us a Child is born, unto us a Son is given unto us a Son is given; For unto is a Child is born, unto us a Son is given, unto us a Son is given; and the government shall be upon His shoulder; and His name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace. Prince of Peace. The everlasting Father, The Prince of Peace.U@U!The Bible (Isaiah 9:6)!0g#g#!g#g#1Copyright © 1989 Garden Rose MusicU!g#g#!2017-09-17 06:25:16U!0000-00-00 00:00:00!g#g#@U!479#g#!0g#g#U!0g#g#XU!0.00g#0U!15.00g#PU!0.00g#U!1g#g# U!0g#g#U!g#g#U!0.00g#Q`%U!FeaturedU !2017-06-29 17:54:38U!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!For Unto Us a Child is Born (From "Messiah" - for children’s choir) G. F. Handel The Bible (Isaiah 9:6) Mary Rose Jensen Garden Rose Music A children's choir arrangement of a classical Christmas favorite: "For Unto Us a Child is Born" - a chorus from G. F. Handel's "Messiah." The two easy parts can be sung by any two equal groups of treble singers. Useful in church and schools. Purchase of this score will enable you to print as many copies as needed for your choir. You are also granted permission for any type of performance (e.g. during a church service or concert) or recording with limited distribution. Please do contact me if any recording will be sold. This score may be transposed. Also on Score Exchange is a similar kind of arrangement of "And the Glory of the Lord."!0g#g#!1g#g#!28g#g#!10g#g#!2017-03-31 16:03:11{"width":300,"position-y-pc":"10","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":8,"width":26,"x":72,"center-y":21,"height":26,"center-x":85}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":8,"width":28,"x":70,"center-y":22,"height":28,"center-x":84}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":84.5,"average-center-y":21.5,"id":"2E8D730E-1623-11E7-B8F8-D23A2CB94E8E","position-x-pc":"28"}res!2g#g#!3264g#!2448g#UH%U$UUxUUUX$UH U$UU8UU$U#UU8#UPNUPUU#U$U#U"U@$UU%UUU($U0 U"UUHU%UU#UUXUx U"U` U@U#UpUP#UUUUUp$U#U0U%UhUPU`UUU UUU UUUh#U0%U#U$U"UU`"U"U8Ux"UU@UUU["162181","139863","125628","162932","125617","149583","203445","162682","144475","203449","127771","181051","203443","145467","137749","137332","137744","155046","133061"]UU!2020-09-01 03:48:11!1g#g#!2019-09-25 13:22:221204188B6-DF8F-11E9-B562-78!U!1410731g#!0g#g#!0g#g#!1g#g#!0g#g#!1g#g#!650x840g#!0g#g#!0g#g#!5.00g#!2023-04-17 01:09:57!2023-04-17 01:10:14!599300g#!750449g#!0000-00-00 00:00:00!0000-00-00 00:00:00!1g#g#ΚU!0g#g#`1U!0.0000g# 2U!2017-07-12 17:13:54UaThe Word In the Beginning BRETON CAROL SATB hymn from John 1 Advent Trinityp0U10g#g#ΚU0This Celtic tune is a traditional Christmas carol from Brittany. The original lyrics are in Breton, and I could find no English translation that fits the music. The tune has been recorded by The Chieftains (with Breton lyrics) and Loreena McKennitt (instrumental only). The words are new, and are a paraphrase of parts of the first chapter of the Gospel of John. This hymn is featured in Global Christian Worship: http://globalworship.tumblr.com/post/155133195280/the-word-in-the-beginning-new-carol-from-john!1.50g# U!0g#g#"U!1g#g#"U!0g#g#"U!0g#8g#"U!g#g#"U!0g#g#10g#g#tAttemptedU0!22g#g# !180964g#0U!2017-06-09 17:10:17U10000-00-00 00:00:00JU01Greensleeves for Clarinet Duet(U!42g#g#p|U!511#g#x yU!2g#g# (U!2g#g#(U!2016-01-09 16:12:14U!2017-11-22 16:53:53U1Traditional arranged by David Burndrett!David BurndrettJU!0g#g#JU!0g#g# !sib#g#h (U!496#g#}U!0g#g#0xU1greensleeves for clarinet duet.sibU!2016-01-09 16:12:14U!11g#g#XU!2091g#( U!7g#g#xdU!2g#g#`GUAThis works well as a concert piece or just for fun.U!2.95g#*U!0g#g#rU!1g#g#"U!0g#g#"U!g#g# !171162g#s04-19 !2017-06-09 17:10:17U10000-00-00 00:00:00@ʒU0AEine Kleine Nachtmusik (1st movement) for Clarinet Duet!42g#g#00:02:43!511#g#.281504!2g#g#p U!2g#g# !0g#hg#` U!0g#g#!2g#g#!2013-04-09 09:08:03!0g#g#!0g#g#Blues Duet for Clarinet in Bb David Burndrett A fun jazzy clarinet duet making use of the blues scale. This works well as concert piece or just for fun! 04-18 23:!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#8%UgUgU%U؃%U%U%UfU%UfU(%U%U`%U@gUhfU%UeUU%U %UxeUfU8fU0eUfU0%UpgU%U%UfU%UHeUh%U%UgU%U fUP%U%U؆%UeU%U%UeUЂ%UeUP%U%U%UX%UfUPfU%UhUȁ%U%U%U%U%U`%U%U%U%U0%U@%UeUgUfUXgU`eU`%U%UeU%U%Up%U%UH%Ue2024-0!1g#g#'U!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#9709202!0g#g#5211831!1g#g#(U!650x916g#R(U!0g#g#(U!0g#g#52:31.68!5.00g#.000000!2023-05-01 20:50:21 -!g#1U !23g#~FU !1g#@U !274560@ U 4eU]UmUpUX]UXmUmU aǘU̕U+X/=U!8 UPבUA U/U$ 3.133.79.70U@!865#PU!0.00g#!maryrosejensen!0g#g#g#!0g#g#U!0g#g# !USQLrencyID!0000-00-00 00:00:00!2023-02-02 17:41:3010g#,yU"U;U0!0g# lU !1g#PU !1g#nU qP*sU F'Y#!D mU mU3PP#*UU!HASH U !g#Uers WHER11.99g#0!SaleIDPU !0g#`U1g#g#0!Stingg# a9U iU(1Uing-338717.html">>77.html">iment-365176.html">t-553553.htmldton>.
    p!0g#0CU !Sadness Without Reason141g#g#dScores0+sU0!0g#U!g#g#10000-00-00 00:00:000!1g#`U11g#g#0ASadness Without Reason Fishel Pustilnik dir!2013KU !1g#g# !Jensen8g# !mrjensengrm@gmail.comER!WoaV2010seg#1mrjensengrm@gmail.com0!2019-09-25 14:38:16Q8U!smd_h_1326533T5ORyV1Hx0!Mary Roseg# AUUUUUȦUU@U8UU87UXUxݓUU8UU@UUX'UU U*UUUpUnUUݓUPUUU0U-=U0U@1X9U%33261!142645g# !0000-00-00U19Ud30791410xU9U'1501651(:U$k143255!551819g#QCopyright © April 2021 (Burndrett Music) |UPASymphony No.40 (1st movement) for Clarinet Duethg#!42g#g#10505151!511#g#es="52px!2g#g#px) 68px!2g#g#x, 68px"12021-04-07 10:16:33EASALTTEXT">0!111299g#ores WHE!2017-08-13 02:36:17U10000-00-00 00:00:00۝U010g#`2UIDdDateU0!g#`>U 1ADAP3::GenericObjectJohnny Mercer%22!1g#U !g#g#<U!g#g#!0g#g#!g#g#ACopyright © July 2015 (Burndrett Music)=U=U!g#g#!g#g#̒U!278551g#!0g#g#ϒU!0g#g#!0.00g#̒U!2.95g#ϒU!0.00g#pʒU!0g#g#ΒU!g#g#̒U!0.00g#`˒U["121512","71375","129008","129012","48311","126132","129538","129011","155599","99676","169002","129015","129010","63104","99821","129006","129013","129009","56156","196709"]̒UΒU!1g#g#?U!0g#g#!g#g#!0.0000g#!2015-07-19 12:22:25AEine Kleine Nachtmusik 1st movement for Clarinet Duet!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Eine Kleine Nachtmusik (1st movement) for Clarinet Duet W.A Mozart arranged by David Burndrett David Burndrett This is my easy arrangement of this wonderful piece by Mozart. Both parts get the tune!UdefScor!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#ΒUIUӒU˒U͒UΒUΒUҒUВUҒUϒUxΒU@ʒU@ӒUhҒU͒UђUU˒U˒UxђUҒU8ҒU0ђUҒU͒UIUϒUϒUҒUpВUHђUHΒU͒UIUϒU ҒU0˒U̒UВUђUВUϒUђU̒UђU0ΒU̒U̒U8ϒUҒUPҒUpʒU8JU˒UΒUʒU˒U̒U@ВUʒUΒU`˒UɒU ̒UђUIUҒUXӒU`ђU@͒UВUђUx˒UВUP̒U̒U(ВUGU!2020-09-16 07:40:39U!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-05 08:50:51!2023-04-05 08:50:58!366850g#!586313g#!0000-00-00 00:00:00HUZUUZUh}TUZU(ӒUط~UZUhJUUUU)UUjU]U͒UGU軒UOUTUUGUU`U UXQ]U8UHR]UPUU]UhUHUUPJUhUU.UUxTUUgUUU]UU8.UULUȆU(UPUU@U&*UXUzUpUXY]UUZ]UUȵUU8u6UUx UUEVUUV]UUU0UUHUU`UxUxU(UUqUUعUUMUUUxUULUUUkU U(NUnU8UUPUUhUUUxUU>UUUUJUUUx~UUhUUU(U(ݻU@U@KUx]UXUUYUUYUUYUeUZUU(ZUU@ZUHL]UXZUhO]UpZUOUUZUKUlUZUxoUZUUZUؕUZUxU[U0LUxFaU[UHaU0[UUH[UXU`[Ux%Ux[U U[U U[UJUU[UXNUukU[UJUH3kU[UMU^U\UKU^U \UU8\UMUUP\U)Uh\U)U\U)U\UhPUhU\U2!U\UpKU86(U\UNUhU\UU]UPU8U(]U(U@]UxUX]UOUUp]UHU@yU<UyU(UݒUOUxY'UpUHVUPyU.UݒUxOUH&U(ޒUU@ޒUQU]U[UXCUлUDUޒUDU [U`LUXgU8[UHU(UU2Uh}TU2USUط~U2UMUGUUȉUhUGU`^UXTUUx^U3UTU_UU)U_U`U_UXQ]U`UHR]U(`UU]U@`UHUX`UTUhUp`U.U`UxTU`UgU`UU]U`U8.U`UVUȆUaU3UUaU&*U0aUzUHaUXY]U`aUZ]UxaUȵUaU8u6UaUx UaUEVUaUV]UaUUbUU bUU8bUxUPbU(UhbUqUbUعUbUWUUbUxUbUVUUbUkUbU`XUnUcUU(cUU@cUUXcUxUpcU>UcUUcUUUUcUx~UcUhUcUUdU(ݻUdUxUUx]U0dUUHdUU`dUUxdUeUdUUdUdefScor!0000-00-00 00:00:00UݒUYUUDrUUDrUUDsUUD0sU UDPsUU0UDpsU@UDtUPUD0tU`UDPtUpUDptUUDtUUDtUUDtUUDtUUDuUUD`UUDUUDoUUDpUUD0pU UDPpU0UDppU@UPUDpU`UDpUpUUUUUUDpUUDpUUDqUUD0qUUDqUUD@yU UD`yU0UDyU@UDyUx]UpUPUD0UPL]UU BUDnUPBUD0oU`BUDPoUpBUDpoUp}U `UU2h^UU]UD`UPaUDUUD`U^U0UDUkUDU@kUD0UqUD0UpUDଓUUDUUDUUD U}U  DU UDUPUDU`UDUpUDмUUDUUDUUD0UUDPUUDUUD UUD@UUD`UUDUUDU UDоU0UDU@UDpUPUDU`UDнUpUDUUD0UUDPUUDUUDUUDпUUDUUD/UUD0/UUDP/UUDp/U UD 0U0UD/U@UD.UPUD .U`UD@.UpUD`.UUD.UUD.UUD.UUD.UUD1UUD1UUUD2UUD 2UUD@2UU UDp2U0UD2Up{UD2U{UD2U{UD2U{UD3UU{UD0CU{UDCU{UDCU{UDDU{UD0DU|UDPDU|UDpDU |UDDU0|UDDU@|UDDUP|UDIU`|UD IUp|UD@IU|UD`IU|UDIU|UDIU|UDIU|U|UD/U|UD/U|U}U}U }U0}U@}UD/UP}UD0U`}UD00Up}UDP0U}UD1U}UD 1U}UD@1U}UD`1U}UD1UgUH^UBUDoUPL]UUpHUDUHUDࠗUHUDUHUD Up}U U`U2hU_U0K!UDjUpUD`ƕU[UDUHiU[UD UqUDpU QIU1jUQj1711621HjUJ543541!542217g#!42g#g# !2020-10-13 22:12:10U10000-00-00 00:00:00U01Drunken Sailor for Clarinet in Bb Duet!511#g#cyU!2g#g#U!2g#g#pU!2020-10-13 22:09:06U!2020-10-13 22:12:10U1Traditional arranged by David Burndrett!David BurndrettU!0g#g#U!0g#g# !sib#g#U!496#g# U!0g#g#`dU1drunken sailor for clarinet duet.sibU!2020-10-13 22:09:06U!0g#g#U!508#g#P|U!0g#g#U!1g#hg#p)UAThis works well as a concert piece or just for fun.U!1.95g#0U!0g#g#NU!1g#g# !1.50g#LU!2016-01-09 16:12:18U!1g#g#xLU!1g#g#0LU!0g#g# MU!g#g#KU!0g#g#JU10g#g#LU0!g#g# oU!0g#g#!g#g#ACopyright © January 2016 (Burndrett Music)YPhotoDispl!g#g#!g#g#LU!509653g#!0g#g#OU!0g#g#!0.00g# MU!5.95g#OU!3.00g#JU!0g#g#NU!g#g#PMU!0.00g#KU["99809","457283","196666","135299","73116","142769","122706","196636","61379","73102","366561","61378","196676","13006","73110","10238","142770","184431","457232"]U!2020-09-27 21:18:19!1g#g#qU!0g#g#!0.0000g#!2016-01-09 16:13:221Greensleeves for Clarinet DuetrU!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Greensleeves for Clarinet Duet Traditional arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun.UAtU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#pNUTUhSUHLUNUOUHOU SUPURU`OUNUJUSURU@NURUUKUXKUQUPSURUQUSUhMUSU PU8PURUPUQUNUMUSUPPUxRUKULUQUXQUPUOUHRUMURUNU MU8MUOU8SURUJU(TULUNUJULUPMUPU(KU0OUKUJUxLU0RUSU`RUSUQUMU(QUpQUKU@QULULUPULyricist!1g#g#0yU!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-02-26 07:14:55!2023-02-26 07:15:09!605734g#!857981g#!0000-00-00 00:00:00!0000-00-00 00:00:00   (08CH)0  ($(&(48,0 (UQpTU1]9UȉUI180964!0g#g#ЉU!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-25 05:20:17!2023-03-25 05:21:03!974868g#!1326807g#!0000-00-00 00:00:00!0000-00-00 00:00:00YUpUqUDPUUD UP[UDU[UD U`[UDUp[UDUp U  UUD*U~UDp*U~UD*U~UD*UUD*UUD+U UD +U0UD@+U@UD+UPUD,U`UD0,UpUDP,UUD,UUD,UUD,UUD,UUD`+UUD+UUD+UUD-UUD -UUD *U UD@-U0UD`-U@UD-UPUD-U`UD-UpUD-UUDUUD0UUD PUUDUUDUЀUD UUD@UUD`UUDUUDU UDU0UDࠓU@UDUPUD࣓U`UpUDUUD UUD@UUUDpUUDUUDUЁUDФUUDUUDUUUD0UUD॓U UDU0UD U@UD@UPUD`U`UDUpUDUUDUUDওUUDUUDСUUDUЂUDUUD0UUDPUUDpUU UDU0UDU@UPU`UpUUUDТUUDUUDUUDUЃUDUUD૓UUDUUD UUD@UpUhUHUD@UPL]UU0UDU`UD0UpUDPUUDpU}U 0U U2`U(UU UDUaUDUU`aUDUUD0 UUDp UUD JUaUDUaUDUaUD UaUD@UU  UUD U UDU0UDU@UDஓUPUDU`UD UpUD@UUD`UUDUUD0UUDPUUDpUЅUDUUDUUDఓUUDUUDU UDU0UDЯU@UDUPUD0U`UDPUpUDUUDUUDНUUDUUDUUD0UІUDPUUDpUUD UUDОUUDU UDU0UD0U@UDPUPUDpU`UDUpUDUUDПUUD UUD@UUUD`UЇUDUUDUUUDМUUDUUDU?QX8U15 U蛓U181716!0g#g#U!1g#g#mU!0g#g#lU!0.0000g#pmU!2020-11-06 20:34:34U1Non Piu Andrai for Clarinet DuetnU!0g#g#lU!0g#g#mU!2g#g# !1g#xg#`RnUAThis is a short arrangement for clarinet in Bb duet.U!0.95g#M}U!0g#g#)U!1g#g#xU!0g#g#g#!g#g#|U!g#g#NU!0g#g#U!g#g#PUACopyright © December 2015 (Burndrett Music)UU!g#g#ȱU!1.35U0U!2020-11-06 20:34:13U!0g#g#U!0g#g#"U!0g#g#"U!g#g#"U!0g#g#"U10g#g#"U0!1.50g#;U!2016-04-07 15:58:48U!1g#g#:U!1g#g#P:U!0g#g#@;U!g#g#9U!0g#g#8U10g#g#:U0!0g#g#U!g#g#ACopyright © April 2015 (Burndrett Music)U֡U!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#=U!811995g#!0g#g#@;U!0g#g#>U!0.00g#8U!5.95g#=U!3.00g#p;U!0g#g#9U!g#g#:U!0.00g#@>UQBU!541700g# |U!42g#g# !1g#g#U!0g#g#!0.0000g#!2016-04-07 16:00:271Shenandoah for Clarinet Duet?!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Shenandoah for Clarinet Duet American Traditional arranged by David Burndrett David Burndrett This is my arrangement of the lovely Shenandoah for clarinet duet. 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    Solo instrumentSnare DrumSnare Etude No.3

    Snare Etude No.3

    By: Mike Lamagna
    For: Solo instrument (Snare Drum)
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    Composer
    Mike Lamagna
    Year of composition
    2007
    Lyricist
    none
    Difficulty
    Difficult (Grades 7+)
    Duration
    1 minute
    Genre
    Other
    License details
    For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

    Performance notes coming soon

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    Snare Etude No.3 - Download Sheet Music PDF file
    Solo instrumentSnare DrumSnare Etude No.3

    Snare Etude No.3

    By: Mike Lamagna
    For: Solo instrument (Snare Drum)
    page one of Snare Etude No.3
    ←
    →
    $ £

    Buy this score now

    Snare Etude No.3

    $10.00

    (+ VAT when applicable)
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    Instant download

    You are purchasing high quality sheet music PDF files suitable for printing or viewing on digital devices.
    Composer
    Mike Lamagna
    Year of composition
    2007
    Lyricist
    none
    Difficulty
    Difficult (Grades 7+)
    Duration
    1 minute
    Genre
    Other
    License details
    For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

    Performance notes coming soon

    To purchase this score, please add it to your cart above. To purchase music not currently available on Score Exchange or for extended license requests, please contact the publisher directly.

    Reviews of Snare Etude No.3

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