Choral et Variation (3)

Year of composition
2010
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Classical music
Instrumentation
Large mixed ensemble
Instrumental parts
Not available
Related scores
Auf meinen lieben Gott, Jesu meine Freude: Variation for Organ, Das alte Jahr vergangen ist, Meine Seele erhebt den Herren, Ach wie fluchtig, ach wie nichtig: Choral variation for Organ, Choral et Variation , Choral in Baroque Style N� 12b, Choral in Baroque Style N� 13, Choral in Baroque Style N� 13b, Choral in Baroque Style N� 14, Choral in Baroque Style N� 14b, Choral in Baroque Style N� 15, Choral in Baroque Style N� 15b, Choral in Baroque Style N� 16b, Choral in Baroque Style N� 17, Choral in Baroque Style N� 17b, Choral in Baroque Style N� 2, Choral in Baroque Style N� 3, Choral in Baroque style N� 4, Choral in Baroque Style N� 5, Choral in Baroque Style N� 6, Choral in Baroque Style N� 9, Choral in Baroque Style N� 9b, Choral in Baroque Style N�6b, Choral N� 5 b, Chorale Fugato for Organ on 'Freu' dich sehr, o meine Seele', Chorale in Baroque style, Chorale in Baroque Style N� 16, Chorale in Baroque Style N� 18, Chorale in Baroque Style N� 20, Chorale in Baroque Style N� 20b, Chorale Variations for Piano 3 and 4 Hands, Chorale-Variation for Piano solo (2), Chorale-Variation for Piano solo (3), Ein feste Burg ist unser Gott: Choral variation for Organ, Es steh'n vor Gottes Thron: Choral variation for organ, Es steh'n vor Gottes Throne, Fugato for Strings on a theme by J.-S. BACH, Herzliebster Jesu was hast du verbrochen: Choral variation for organ, Herzliebster Jesu, was hast Du verbrochen, Jesu meine Freude, Komm, Gott Sch�pfer: Choral variation for Organ, Komm, Gott, sch�pfer, heiliger Geist, Meinem Jesum lass' ich nicht, Meinen Jesum lass' ich nicht: Choral variation for Organ, Nicht so traurig, nicht so sehr: choral variation for organ, O Welt, ich muss dich lassen and The Book of Variations (Part I)

The chorale harmonization is a way to learn about nonharmonic tones. The works of J.-S. Bach serve as supreme models in the application of such nonharmonic tones. With respect to the problem of matching voices to given melodies, nowhere is this more true than in the 371 chorale harmonizations, four-part settings of hymn tunes from the Protestant rites (Luther). The student will find profitable to examine these chorales frequently, especially during the first years of harmony study. A number of chorales appear in several harmonizations, which are well worth comparing. Many of them contain at least one modulation, those in the minor mode often haven diminished seventh chords, and nearly all the chorales make use of secondary dominants and non dominant sevenths. It is instructive for the student to try his hand at chorale harmonization: two or three different versions should be made for each phrase, including one using only triads in root position and first inversion without nonharmonic tones. The chorale must be given as a melody ready for a four-part vocal harmonization. The variation has been composed for Organ with respect to the model "Ich ruf zu dir, Herr Jesu Christ BWV 639 (in J.-S. Bach's Orgelbüchlein), using the two obliged - continuous - lines of eights (left hand) and fourth notes (Pedals).

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