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Herold’s Zampa Overture has endured long since the opera which followed fell into oblivion. Since I am competing against several existing band versions, I had to offer some unique features. Firstly this version stays very close to the original score, including the most difficult passages with ossia versions below. Secondly I have paid close attention to dynamics, tempi, and articulations. Thirdly my scoring treats the band as its own entity, not as a adjunct to the strings.
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