Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen)

By: Johann Pachelbel Arranged by Keith Terrett
For: Wind quintet
page one of Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen)

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Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen)

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Composer
Johann Pachelbel Arranged by Keith Terrett
Difficulty
Moderate (Grades 4-6)
Duration
5 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Pachelbel’s Chorale Partita & Seven Variations, arranged for Wind Quintet.

Chorales constitute almost half of Pachelbel’s surviving organ works, in part because of his Erfurt job duties which required him to compose chorale preludes on a regular basis. The models Pachelbel used most frequently are the three-part cantus firmus setting, the chorale fugue and, most importantly, a model he invented which combined the two types. This latter type begins with a brief chorale fugue that is followed by a three- or four-part cantus firmus setting. Chorale phrases are treated one at a time, in the order in which they occur; frequently, the accompanying voices anticipate the next phrase by using bits of the melody in imitative counterpoint. An example is Wenn mein Stündlein vorhanden ist:

The piece begins with a chorale fugue that turns into a four-part chorale setting which starts at bar 35. The slow-moving chorale (the cantus firmus, i.e., the original hymn tune can be seen initially. The lower voices anticipate the shape of the second phrase of the chorale in an imitative fashion (notice the distinctive pattern of two repeated notes). Pachelbel wrote numerous chorales using this model (Auf meinen lieben Gott, Ach wie elend ist unsre Zeit, Wenn mein Stündlein vorhanden ist, etc.), which soon became a standard form.

A distinctive feature of almost all of Pachelbel’s chorale preludes is his treatment of the melody: the cantus firmus features virtually no figuration or ornamentation of any kind, always presented in the plainest possible way in one of the outer voices. Pachelbel’s knowledge of both ancient and contemporary chorale techniques is reflected in Acht Choräle zum Praeambulieren, a collection of eight chorales he published in 1693. It included, among other types, several chorales written using outdated models. Of these, Nun lob, mein Seel, den Herren (Psalm 103) is based on the German polyphonic song; it is one of the very few Pachelbel chorales with cantus firmus in the tenor. Wir glauben all’ an einen Gott is a three-part setting with melodic ornamentation of the chorale melody, which Pachelbel employed very rarely. Finally, Jesus Christus, unser Heiland der von uns is a typical bicinium chorale with one of the hands playing the unadorned chorale while the other provides constant fast-paced accompaniment written mostly in sixteenth notes. Pachelbel only used the bicinium form in two other pieces.

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Vedrò con mio diletto Aria: from the Opera "Il Giustino" for Bb Clarinet & Keyboard, Air on the G String from the Suite No. 3 in D for Solo Bassoon & String Orchestra, Come Back To Sorrento (Torna a Surriento) for Flute & Piano, Jazz it up:When the Saint’s Go Marching In for Alto Flute & Piano, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Trumpet Tune from the Island Princess for Wind Quintet, Fanfare & Soliloquy for Cor Anglais & Piano, What Shall We Do With The Drunken Bb Clarinettist?, Swing Low, Sweet Chariot for Bassoon & Keyboard, Largo (from Lute Concerto in D Major) for Wind Quintet, RV. 96, The Saint’s Visit Havana with a Touch of W.A.M. for Bassoon & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for Bb Clarinet & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for Oboe & Piano, Cwm Rhondda for Flute Quartet, Jerusalem for Double Recorder Quintet (And Did Those Feet in Ancient Times), Swing Low, Sweet Chariot for Bass Clarinet & Piano, Mattinata for Oboe & Piano, Twenty Minute Tango for French Horn & Piano, Franzosisches Lied: Est-ce Mars? for Flute Ensemble, Allegro from the Trumpet Concerto for Flute & Keyboard , Times lost for French Horn & Piano, Times lost for Bb Clarinet & Piano, Mattinata for Bassoon & Piano, Times lost for Flute & Piano, Times lost for Oboe & Piano, Jerusalem for Flute Quintet (And Did Those Feet In Ancient Times), Lustpiel Overture for Flute Choir, Swing Low, Sweet Chariot for Treble Recorder & Piano, O Sole Mio for Oboe & Piano, Echo for Clarinet Octet, Mattinata for Bb Clarinet & Piano, Two Arias for Oboe Consort, Chorale Partita with Seven Variations for Clarinet Ensemble, Lustpiel Overture for Clarinet Choir, Franzosisches Lied: Est-ce Mars? for Clarinet Choir, Jerusalem for Recorder Quintet (And Did Those Feet In Ancient Times), Jerusalem for Clarinet Choir (And Did Those Feet In Ancient Times), Solveigs sang for Oboe & Keyboard, Swing Low, Sweet Chariot for French Horn & Keyboard, Chorale Partita with Seven Variations for Flute Choir (Alle menschen), Two Arias for String Orchestra, Declamation for Flute & Piano, Two Arias for Oboes, Horns & Bassoon, Franzosisches Lied: Est-ce Mars? for Wind Quintet, Air on the G String from the Suite No. 3 in D for Solo F Horn & String Orchestra, 8 Swinging Xmas Carols for Bassoon & Piano, Austrian National Anthem (Federal Hymn Land der Berge, Land am Strome) for Wind Ensemble (MFAO World National Anthem Series), Arrival of the Queen of Sheba for Oboe Consort, Swing Low, Sweet Chariot for Oboe & Keyboard, Stanley Trumpet Voluntary for Flute & Organ, Twenty Minute Tango for Bb Clarinet & Piano, Lustpiel Overture for Recorder Consort, Fugue on B-a-c-h for Flute Quintet, O Mio Babbino Caro for Oboe & Piano, Overture from Suite in D from the Water Music for two Treble Recorders & Keyboard, Overture from Suite in D (Water Music) for two Bassoons & Keyboards, O Mio Babbino Caro for Flute & Piano, Overture from the Suite in D for two French Horns & Keyboard, Jasmine Flower (The) for Oboe & Piano, Fugue on B-a-c-h for Recorder Consort, Twenty Minute Tango for Bassoon & Piano, 7 julsangs for Clarinet Quartet (Norwegian Christmas carols) 2 Bb, 1 Alto + 1 Bass, Twenty Minute Tango for Oboe & Piano, Swing Low, Sweet Chariot for Recorder Consort, Air from the Suite No. 3 in D for Recorder Quartet, Franzosisches Lied: Est-ce Mars? for Recorder Consort, Air on the G String from the Suite No. 3 in D for Oboe & Orchestra , Allegro from the Trumpet Concerto for Treble Recorder & Keyboard, 8 Swinging Xmas Carols for Oboe & Piano, Two Arias for Wind Quintet, Two Arias for Clarinet Choir, Fanfare & Soliloquy for Oboe & Piano, Havana Rhubarb Rumba for Recorder Septet, Scenes from Childhood for Clarinet Quintet, Arrival of the Queen of Sheba for two Clarinets & String Orchestra, Arrival of the Queen of Sheba for two Bassoons & String Orchestra, Arrival of the Queen of Sheba for two Descant Recorders & String Orchestra, Arrival of the Queen of Sheba for Flute Choir, Air on the G string for French Horn Duo, Amazing Grace for Flute & Pianoforte, The Gypsy French Horn Player in New Orleans, March from ’Judas Maccabaeus’ for Wind Quartet (School Junior Wind Series) with optional KB & Percussion, Three Welsh Chorales for Wind Quartet, Träumerei for Flute Choir, Solveigs sang for Cor Anglais & Keyboard, Arrival of the Queen of Sheba for two Oboes & String Orchestra, Chorale Partita with Seven Variations for Recorder Consort, Prelude from the Te Deum(Eurovision Song Contest Theme) for two Oboes & Organ, Nessun Dorma for Flute & Piano, Fugue on B-a-c-h for Wind Quintet, Were You There? Oboe & Piano, Air from the Suite No. 3 in D for Oboe Quartet, Hebrew Slaves Chorus from Nabucco ("Va, pensiero") for Recorder Quintet, The Gypsy Bassoonist in New Orleans, Amazing Grace for French Horn & Piano, M’Appari Tutt’ Amor for Oboe & Piano, Amazing Grace for Oboe & Piano, Swing Low, Sweet Chariot for Bb Clarinet & Keyboard, Fallen Heroes for Saxophone Choir, Fanfare & Soliloquy for Flute & Piano, 8 Swinging Xmas Carols for Flute & Piano, What Shall We Do With The Drunken Flautist for Flute & Piano, 8 Swinging Xmas Carols for French Horn & Piano, SUO-GAN for Flute & Piano, Fanfare & Soliloquy for Bass Clarinet & Piano, 8 Swinging Xmas Carols for Descant Recorder & Piano, 8 Swinging Xmas Carols for Bb Clarinet & Keyboard, Twenty Minute Tango for Flute & Piano, Aria for Recorder Consort (HWV410), What Shall We Do With The Drunken Bassoonist?, What Shall We Do With The Drunken Oboist?, What Shall We Do With The Drunken Recorder Consort?, What Shall We Do With The Drunken Saxophone Quintet?, What Shall We Do With The Drunken Wind Quintet?, Jazz it up: ’When the Saints Go Marching In’ for Bassoon & Pianoforte, The Saint’s Visit Havana with a Touch of W.A.M. for F Horn & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Flute & Piano , Träumerei for Oboe Consort , Stanley Trumpet Voluntary for two Descant Recorders & Organ (no pedals), Solveigs sang for Descant Recorder & Keyboard, Czardas for Tenor Recorder & Piano, Swing Low, Sweet Chariot for Descant Recorder & Piano, Air from the Suite No. 3 in D for Clarinet Quartet, Air on a G String for Flute & String Orchestra from the Suite No. 3 in D , SUO-GAN for Oboe & Piano, The Gypsy Descant Recorder Player in New Orleans, The Gypsy Oboist in New Orleans , Swing Low, Sweet Chariot for Flute & Keyboard, Hebrew Slaves Chorus from Nabucco ( "Va, pensiero") for Oboe Quintet, Von Fremden Landern und Menschen for Clarinet Choir, Czardas for Descant Recorder & Piano, Von Fremden Landern und Menschen for Flute Choir, O Mio Babbino Caro for French Horn & Piano, SUO-GAN for Descant Recorder & Piano, Czardas for Treble Recorder & Piano, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for French Horn & Keyboard, O Mio Babbino Caro for Bb Clarinet & Piano, Amazing Grace for Bassoon & Piano, Von Fremden Landern und Menschen for Recorder Consort, Bollywood Tango for Treble,Tenor Recorders & Piano, SUO-GAN for Bb Clarinet & Piano, Australian National Anthem (Advance Australia) Fair for Clarinet Quintet, Bollywood Tango for Bb Clarinet, Bb Bass Clarinet & Keyboard, Nessun Dorma for Oboe & Piano, Von fremden Landern und Menschen for Saxophone Quintet, Träumerei for Wind Quintet (Flt, Ob, Hn, Clt & Bsn), Badinerie from Suite No.2 for Bassoon & Piano, Jazz it up:When the Saints Go Marching In for Bb Clarinet & Piano, 7 Popular carols in Norway for two Bb Trumpets, Gollidoll’s Cake-Walk for Clarinet Sextet, M’Appari Tutt’ Amor for Bb Clarinet & Piano, Träumerei for Solo Oboe & Piano, Träumerei for Solo Clarinet & Piano, Träumerei for Solo Bassoon & Piano, An Oboist Goes Ballroom Dancing for Oboe & Piano, Von Fremden Landern und Menschen for Oboe Consort, Havana Rhubarb Rumba for two Oboes & Piano, Havana Rhubarb Rumba for two Flutes & Piano, Havana Rhubarb Rumba for two Bb Clarinets & Piano, Ancient Dances for Concert/Wind/Symphonic Band - Keith Terrett Classic Band Series, Air on the G String for Bb Clarinet & Strings from the Suite No. 3 , Havana Rhubarb Rumba for two Bassoons & Piano, Allegro from the Trumpet Concerto for Recorder Trio & KB, Air from the Suite No. 3 in D for Clarinet Quartet (Jazzy version), Air from the Suite No. 3 in D for Woodwind Quartet, Nessun Dorma for French Horn & Piano, Badinerie from Suite No.2 for French Horn & Piano, Lustpiel Overture for Wind Quintet, 7 Popular carols in Norway for two French Horns, A Clarinettist Goes Ballroom Dancing for Bb Clarinet & Piano, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, A Serenade for French Horn & Keyboard, A Serenade for Bb Clarinet & Keyboard, A Serenade for Flute & Piano, A Serenade for Oboe & Piano, Piri piri for Concert/ Wind Band, Stanley Trumpet Voluntary for Oboe & Organ + Pedals, Stanley Trumpet Voluntary for two Oboes & Organ (no pedals), Vesti La Giubba for French Horn & Piano, Vesti La Giubba for Flute & Piano, Vesti La Giubba for Oboe & Piano, Declamation for Bb Clarinet & Piano, Declamation for Oboe & Piano, Declamation for Bassoon & Piano, A Serenade for Cor Anglais/English Horn & Keyboard, Czardas for Bb Clarinet & Pianoforte, African Anthem for Recorder Quintet, Pachebel’s Canon for Flute Choir/Octet, Kanon in D minor, but not that one!, Für Elise Boogie Woogie for Saxophone Quintet (Jazz for 5 Saxophones Series), Royal Hussar (The) Ceremonial Slow March for Concert/Wind Band (Keith Terrett Classic March Collection), Frankie & Johnny for Bb Bass Clarinet & Piano, A Serenade for Descant Recorder & Keyboard, Chinese National Anthem for Wind Quintet (March of the Volunteers) MFAO World National Anthem Series, What Shall We Do With The Drunken Clarinet Quartet?, That’s A Plenty for Clarinet Quintet (2 Bb’s, 1 Alto, 1 Bass & 1 Contra Bass in Bb), VE March for Concert/Wind Band (Keith Terrett Classic March Collection), Be Thou My Vision (Hymn Tune:Slane) for Wind Quintet, Keep the Fire Alive for solo Oboe & Concert Band, Keep the Fire Alive for solo Flute & Concert Band, Homage for Concert / Wind Band, African Anthem for Oboe Quintet, Lullaby for an Oboist, Keyboard & Bass, Moonlight Serenade (Glen Miller) for Wind Quintet (Jazz for 5 Wind Series), In Dulci Jubilo "In sweet rejoicing" for Oboe Consort, Träumerei for Flute & Piano, Moonlight Serenade for Clarinet Quintet + (Pro version), Mattinata for French Horn & Piano, Moonlight Serenade for Flute & Piano, Moonlight Serenade for French Horn & Piano, Tico-Tico no fubá for Clarinet Quartet, Arrival of the Queen of Sheba for Wind Quintet, African Anthem for Clarinet Quintet, Little Fughetta in G minor for Clarinet Quartet (2 Bb, Alto & Bass Clarinets), Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Bassoon & Keyboard, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Bassoon & Keyboard and 7 Popular carols in Norway for two Flutes

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