Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen)

By: Johann Pachelbel Arranged by Keith Terrett
For: Wind quintet
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Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen)

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Composer
Johann Pachelbel Arranged by Keith Terrett
Difficulty
Moderate (Grades 4-6)
Duration
5 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Pachelbel’s Chorale Partita & Seven Variations, arranged for Wind Quintet.

Chorales constitute almost half of Pachelbel’s surviving organ works, in part because of his Erfurt job duties which required him to compose chorale preludes on a regular basis. The models Pachelbel used most frequently are the three-part cantus firmus setting, the chorale fugue and, most importantly, a model he invented which combined the two types. This latter type begins with a brief chorale fugue that is followed by a three- or four-part cantus firmus setting. Chorale phrases are treated one at a time, in the order in which they occur; frequently, the accompanying voices anticipate the next phrase by using bits of the melody in imitative counterpoint. An example is Wenn mein Stündlein vorhanden ist:

The piece begins with a chorale fugue that turns into a four-part chorale setting which starts at bar 35. The slow-moving chorale (the cantus firmus, i.e., the original hymn tune can be seen initially. The lower voices anticipate the shape of the second phrase of the chorale in an imitative fashion (notice the distinctive pattern of two repeated notes). Pachelbel wrote numerous chorales using this model (Auf meinen lieben Gott, Ach wie elend ist unsre Zeit, Wenn mein Stündlein vorhanden ist, etc.), which soon became a standard form.

A distinctive feature of almost all of Pachelbel’s chorale preludes is his treatment of the melody: the cantus firmus features virtually no figuration or ornamentation of any kind, always presented in the plainest possible way in one of the outer voices. Pachelbel’s knowledge of both ancient and contemporary chorale techniques is reflected in Acht Choräle zum Praeambulieren, a collection of eight chorales he published in 1693. It included, among other types, several chorales written using outdated models. Of these, Nun lob, mein Seel, den Herren (Psalm 103) is based on the German polyphonic song; it is one of the very few Pachelbel chorales with cantus firmus in the tenor. Wir glauben all’ an einen Gott is a three-part setting with melodic ornamentation of the chorale melody, which Pachelbel employed very rarely. Finally, Jesus Christus, unser Heiland der von uns is a typical bicinium chorale with one of the hands playing the unadorned chorale while the other provides constant fast-paced accompaniment written mostly in sixteenth notes. Pachelbel only used the bicinium form in two other pieces.

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Air on the G String from the Suite No. 3 in D for Solo Bassoon & String Orchestra, Air on the G string for French Horn Duo, Little Fughetta in G minor for Clarinet Quartet (2 Bb, Alto & Bass Clarinets), Tico-Tico no fubá for Clarinet Quartet, Moonlight Serenade for French Horn & Piano, Moonlight Serenade for Flute & Piano, Moonlight Serenade for Clarinet Quintet + (Pro version), Homage for Concert / Wind Band, In Dulci Jubilo "In sweet rejoicing" for Oboe Consort, Lullaby for an Oboist, Keyboard & Bass, What Shall We Do With The Drunken Clarinet Quartet?, Moonlight Serenade (Glen Miller) for Wind Quintet (Jazz for 5 Wind Series), That’s A Plenty for Clarinet Quintet (2 Bb’s, 1 Alto, 1 Bass & 1 Contra Bass in Bb) (Jazz for Just 5 Series), Frankie & Johnny for Bb Bass Clarinet & Piano, A Clarinettist Goes Ballroom Dancing for Bb Clarinet & Piano, Gollidoll’s Cake-Walk for Clarinet Sextet, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Trumpet Tune from the Island Princess for Wind Quintet, Amazing Grace for Bassoon & Piano, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Bassoon & Keyboard, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for French Horn & Keyboard, Fanfare & Soliloquy for Cor Anglais & Piano, Badinerie from Suite No.2 for French Horn & Piano, Badinerie from Suite No.2 for Bassoon & Piano, What Shall We Do With The Drunken Bb Clarinettist?, The Saint’s Visit Havana with a Touch of W.A.M. for Bassoon & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for Bb Clarinet & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for Oboe & Piano, Air on the G String from the Suite No. 3 in D for Solo F Horn & String Orchestra, Air from the Suite No. 3 in D for Clarinet Quartet (Jazzy version), Fanfare & Soliloquy for Bass Clarinet & Piano, Piri piri for Concert/ Wind Band, Ancient Dances for Concert/Wind/Symphonic Band - Keith Terrett Classic Band Series, Royal Hussar (The) Ceremonial Slow March for Concert/Wind Band (Keith Terrett Classic March Collection), Chinese National Anthem for Wind Quintet (March of the Volunteers) MFAO World National Anthem Series, Twenty Minute Tango for French Horn & Piano, Allegro from the Trumpet Concerto for Flute & Keyboard , Times lost for French Horn & Piano, Times lost for Bb Clarinet & Piano, O Sole Mio for Oboe & Piano, Times lost for Flute & Piano, Times lost for Oboe & Piano, Be Thou My Vision (Hymn Tune:Slane) for Wind Quintet, M’Appari Tutt’ Amor for Bb Clarinet & Piano, Czardas for Tenor Recorder & Piano, Czardas for Treble Recorder & Piano, O Mio Babbino Caro for Flute & Piano, Swing Low, Sweet Chariot for Bass Clarinet & Piano, Swing Low, Sweet Chariot for Treble Recorder & Piano, Bollywood Tango for Treble,Tenor Recorders & Piano, Nessun Dorma for French Horn & Piano, Nessun Dorma for Oboe & Piano, English National Anthem Jerusalem for Flute Quintet (And Did Those Feet In Ancient Times), Nessun Dorma for Flute & Piano, Vesti La Giubba for Oboe & Piano, Vesti La Giubba for French Horn & Piano, Vesti La Giubba for Flute & Piano, O Mio Babbino Caro for Oboe & Piano, Bollywood Tango for Bb Clarinet, Bb Bass Clarinet & Keyboard, Mattinata for Oboe & Piano, Mattinata for French Horn & Piano, Mattinata for Bassoon & Piano, Mattinata for Bb Clarinet & Piano, M’Appari Tutt’ Amor for Oboe & Piano, Twenty Minute Tango for Bb Clarinet & Piano, Overture from Suite in D (Water Music) for two Bassoons & Keyboards, Austrian National Anthem (Federal Hymn Land der Berge, Land am Strome) for Wind Ensemble (MFAO World National Anthem Series), Twenty Minute Tango for Bassoon & Piano, Twenty Minute Tango for Flute & Piano, Twenty Minute Tango for Oboe & Piano, Swing Low, Sweet Chariot for Recorder Consort, Allegro from the Trumpet Concerto for Treble Recorder & Keyboard, Air from the Suite No. 3 in D for Recorder Quartet, Overture from Suite in D from the Water Music for two Treble Recorders & Keyboard, Swing Low, Sweet Chariot for Descant Recorder & Piano, Havana Rhubarb Rumba for Recorder Septet, Air on the G String for Bb Clarinet & Strings from the Suite No. 3 , Vedrò con mio diletto Aria: from the Opera "Il Giustino" for Bb Clarinet & Keyboard, Air on a G String for Flute & String Orchestra from the Suite No. 3 in D , Lustpiel Overture for Flute Choir, English National Anthem Jerusalem for Recorder Quintet (And Did Those Feet In Ancient Times), O Mio Babbino Caro for French Horn & Piano, Lustpiel Overture for Clarinet Choir, Prelude from the Te Deum(Eurovision Song Contest Theme) for two Oboes & Organ w pedals, Jasmine Flower (The) for Oboe & Piano, Pachebel’s Canon for Flute Choir/Octet, Lustpiel Overture for Wind Quintet, Lustpiel Overture for Recorder Consort, The Gypsy Bassoonist in New Orleans for Bassoon & Piano, Air on the G String from the Suite No. 3 in D for Oboe & Orchestra , African Anthem for Oboe Quintet, African Anthem for Recorder Quintet, African Anthem for Clarinet Quintet, Scenes from Childhood for Clarinet Quintet, Arrival of the Queen of Sheba for two Bb Clarinets & String Orchestra, Czardas for Descant Recorder & Piano, Arrival of the Queen of Sheba for two Oboes & String Orchestra, Largo (from Lute Concerto in D Major) for Wind Quintet, RV. 96, Arrival of the Queen of Sheba for two Bassoons & String Orchestra, Come Back To Sorrento (Torna a Surriento) for Flute & Piano, Arrival of the Queen of Sheba for two Descant Recorders & String Orchestra, Arrival of the Queen of Sheba for Flute Choir, Arrival of the Queen of Sheba for Oboe Consort, Arrival of the Queen of Sheba for Wind Quintet, Amazing Grace for Oboe & Piano, Jazz it up:When the Saint’s Go Marching In for Alto Flute & Piano, 7 julsangs for Clarinet Quartet (Norwegian Christmas carols) 2 Bb, 1 Alto + 1 Bass, Träumerei for Flute Choir, Träumerei for Flute & Piano, Franzosisches Lied: Est-ce Mars? for Recorder Consort, Franzosisches Lied: Est-ce Mars? for Wind Quintet, Franzosisches Lied: Est-ce Mars? for Clarinet Choir, Chorale Partita with Seven Variations for Clarinet Ensemble, Stanley Trumpet Voluntary for Flute & Organ with Pedals, Fugue on B-a-c-h for Recorder Consort, Fugue on B-a-c-h for Wind Quintet, Air from the Suite No. 3 in D for Oboe Quartet, Air from the Suite No. 3 in D for Woodwind Quartet, Air from the Suite No. 3 in D for Clarinet Quartet, Franzosisches Lied: Est-ce Mars? for Flute Ensemble, English National Anthem Jerusalem for Clarinet Choir (And Did Those Feet In Ancient Times), Chorale Partita with Seven Variations for Flute Choir (Alle menschen), Fugue on B-a-c-h for Flute Quintet, Chorale Partita with Seven Variations for Recorder Consort, Stanley Trumpet Voluntary for Oboe & Organ + Pedals, Czardas for Bb Clarinet & Pianoforte, Keep the Fire Alive for solo Flute & Concert Band, Echo for Clarinet Octet, 8 Swinging Xmas Carols for Oboe & Piano, Two Arias for String Orchestra, 8 Swinging Xmas Carols for Descant Recorder & Piano, Stanley Trumpet Voluntary for two Descant Recorders & Organ (no pedals), Stanley Trumpet Voluntary for two Oboes & Organ (no pedals), Two Arias for Oboe Consort, The Gypsy Oboist in New Orleans for Oboe & Piano, O Mio Babbino Caro for Bb Clarinet & Piano, English National Anthem Jerusalem for Double Recorder Quintet (And Did Those Feet in Ancient Times), Aria for Recorder Consort (HWV410), Overture from the Suite in D for two French Horns & Keyboard, 8 Swinging Xmas Carols for Bb Clarinet & Keyboard, 8 Swinging Xmas Carols for French Horn & Piano, 8 Swinging Xmas Carols for Bassoon & Piano, Amazing Grace for French Horn & Piano, Hebrew Slaves Chorus from Nabucco ("Va, pensiero") for Recorder Quintet, Hebrew Slaves Chorus from Nabucco ( "Va, pensiero") for Oboe Quintet, Were You There? Oboe & Piano, Fanfare & Soliloquy for Oboe & Piano, What Shall We Do With The Drunken Bassoonist?, Two Arias for Oboes, Horns & Bassoon, Amazing Grace for Flute & Pianoforte, What Shall We Do With The Drunken Oboist?, Für Elise Boogie Woogie for Saxophone Quintet (Jazz for 5 Saxophones Series), What Shall We Do With The Drunken Flautist?, What Shall We Do With The Drunken Recorder Consort?, What Shall We Do With The Drunken Saxophone Quintet?, What Shall We Do With The Drunken Wind Quintet?, A Serenade for Bb Clarinet & Keyboard, Fanfare & Soliloquy for Flute & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for F Horn & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Flute & Piano , Swing Low, Sweet Chariot for French Horn & Keyboard, Swing Low, Sweet Chariot for Bb Clarinet & Keyboard, Kanon in D minor, but not that one!, Keep the Fire Alive for solo Oboe & Concert Band, Three Welsh Chorales for Wind Quartet, Swing Low, Sweet Chariot for Oboe & Keyboard, The Gypsy Descant Recorder Player in New Orleans, Fallen Heroes for Saxophone Choir, Victory in Europe Day March for Concert/Wind Band (Keith Terrett Classic March Collection), Swing Low, Sweet Chariot for Flute & Keyboard, Swing Low, Sweet Chariot for Bassoon & Keyboard, Solveigs sang for Descant Recorder & Keyboard, Träumerei for Oboe Consort , Von Fremden Landern und Menschen for Oboe Consort, SUO-GAN for Descant Recorder & Piano, SUO-GAN for Flute & Piano, Two Arias for Clarinet Quintet, The Gypsy French Horn Player in New Orleans, A Serenade for Descant Recorder & Keyboard, Solveigs sang for Cor Anglais & Keyboard, SUO-GAN for Bb Clarinet & Piano, SUO-GAN for Oboe & Piano, Two Arias for Wind Quintet, A Serenade for French Horn & Keyboard, Jazz it up:When the Saints Go Marching In for Bb Clarinet & Piano, Jazz it up: ’When the Saints Go Marching In’ for Bassoon & Pianoforte, A Serenade for Oboe & Piano, Solveigs sang for Oboe & Keyboard, A Serenade for Cor Anglais/English Horn & Keyboard, A Serenade for Flute & Piano, Träumerei for Wind Quintet (Flt, Ob, Hn, Clt & Bsn), 7 Popular carols in Norway for two French Horns, 7 Popular carols in Norway for two Bb Trumpets, March from ’Judas Maccabaeus’ for Wind Quartet (School Junior Wind Series) with optional KB & Percussion, 7 Popular carols in Norway for two Flutes, Träumerei for Solo Oboe & Piano, Träumerei for Solo Clarinet & Piano, Träumerei for Solo Bassoon & Piano, 8 Swinging Xmas Carols for Flute & Piano, An Oboist Goes Ballroom Dancing for Oboe & Piano, Havana Rhubarb Rumba for two Oboes & Piano, Havana Rhubarb Rumba for two Flutes & Piano, Havana Rhubarb Rumba for two Bb Clarinets & Piano, Havana Rhubarb Rumba for two Bassoons & Piano, Allegro from the Trumpet Concerto for Recorder Trio & KB, Von fremden Landern und Menschen for Saxophone Quintet, Von Fremden Landern und Menschen for Recorder Consort, Von Fremden Landern und Menschen for Flute Choir, Von Fremden Landern und Menschen for Clarinet Choir, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet and An English Horn (Cor Anglais)Player Goes Ballroom Dancing

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