Jerusalem (With optional Voice or Choir)

And did those feet

By: Sir Hubert Parry (1848-1918)
For: Orchestra
page one of Jerusalem (With optional Voice or Choir)

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Jerusalem (With optional Voice or Choir)

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Composer
Sir Hubert Parry (1848-1918)
Year of composition
1916
Arranger
Year of arrangement
2012
Difficulty
Moderate (Grades 4-6)
Duration
3 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Sir Charles Hubert Hastings Parry, 1st Baronet (27th February 1848- 7th October 1918) was an English composer, teacher and historian of music. Parry’s first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", the coronation anthem "I was glad" and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". He was director of the Royal College of Music from 1895 until his death and was also professor of music at the University of Oxford from 1900 to 1908. He also wrote several books about music and music history. Some contemporaries rated him as the finest English composer since Henry Purcell, but his academic duties prevented him from devoting all his energies to composition.

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Princess Ida [Introduction], Berceuse Op. 16, Sweet Remembrance, Prelude (Te Deum), Ballet Egyptian, Danse Villageoise (Suite Pastorale), Legende Op. 17 for violin and orchestra, Sevilla [Suite: Espanola Op. 47], The Pelly Waltz, March: Entrance of the Boyards, Persian March Op 289, Londonderry Air, Memories of Covent Garden, Malaguena [Opera: Boabdil], Overture: The Land of the mountain and the flood, Passacaglia & Fugue in C minor, Boccherini's Minuet (Orch), March Lorraine (Orch), Arrival of the Queen of Sheba (Orch), L’enfance du Christ (Orch), Sheep may safely graze (Orch), La Mourisque (Orch), Jesu joy of man’s desiring, The Barber of Lavapies-Selection (Orch), El baile de Luis Alonso (Orch), Trumpet Voluntary (1700), March Radetzky, Wenzel March, Triumphal March from Tarpeja WoO2, Light Baggage Gallop, March: Remembrance of Paris, Triumphal March-Cantata: Caractacus Op. 35, Ouvre Ton Coeur (Open your heart), Pavane pour une infante defunte, The Shepherds’ Lottery, La Campanella, Eton Place, Weinachtkonzert [Concerto Grossi] No. 12, Scicilienne [Pelleas & Melisande] Op. 80, Bethena [A concert waltz], Dance of the Blessed Spirits [Orfeo & Euridice], Brother James’ Air (Marosa), Hungarian Dance [From Foreign Lands] Op. 23, Scheherazade: Theme from 3rd movement, Andantino, Lucy Long for Bassoon and orchestra, Humoresque Op. 101, Arioso (Orch), Theme from Organ Symphony No. 3, Andante Cantabile, Rondeau in C, Flower Duet [Opera: Lakme], Toasts and Tunes for all occasions, Beguine Royale, Polovtsian Dances [Prince Igor], March: The Grenadier’s Return, March of the Peers (Orch), Triumphal March: Cleopatra, March: Royal Standard, Where’re you walk (Flute or Oboe or Trumpet solo and orchestra), Selection: H. M. S. Pinafore, Zapateado [Danza Espanolas No. 2], A Highland Hoedown, Bourree [Suite ancienne], Saint-Saen's Gavotte, Water Music [Suite: 5 movements], Bolero, Overture: Di Ballo, March: National Emblem, La Boda de Luis Alonso (Orch), Gymnopedies No. 2, Gymnopedies No. 1, Clair de lune [Suite Bergamasque] (Orch), Selection: The Mikado, Selection: The Pirates of Penzance , Strange Adventure [Yeomen of the Guard], La fille aux cheveux de lin (Girl with the flaxen hair), Partita No. 3 in E major [BWV1006], Suo Gan [Welsh Air] (Orch), Dance of the little Moorish Slaves [AIDA], Introduction & Rondo Capriccioso Op. 28 for violin & orchestra, Havanaise Op. 83 for violin & orchestra, Chaconne, Concerto in G minor [4th Movement], Romanza Andaluza, Festmarsch Wo05, TOREADOR’S SONG for Trumpet and Orchestra, Procession of the Nobles [Ballet suite: Mlada], Symphony No 5 (Reformation) 3rd Movement, Delius: Sleigh Ride, Royal Fireworks Music, Notturno, Serenade for Solo Trumpet and orchestra, Wedding March, Scherzo Fantastique Op. 25, Sarabande, Russian March, Post Horn Galop (for Post Horn and orchestra) and A 17th Century Suite (1633)

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