Princess Ida [Introduction]

Castle Adamant

By: Arthur Sullivan
For: Orchestra
page one of Princess Ida [Introduction]

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Composer
Arthur Sullivan
Year of composition
1884
Arranger
Year of arrangement
2013
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Princess Ida; or, Castle Adamant is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. Princess Ida opened at the Savoy Theatre on 5th January 1884, for a run of 246 performances. The piece concerns a princess who founds a women’s university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students but are discovered, and all soon face a literal war between the sexes.

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Jerusalem (With optional Voice or Choir), Persian March Op 289, Londonderry Air, Berceuse Op. 16, Sweet Remembrance, Prelude (Te Deum), Ballet Egyptian, Danse Villageoise (Suite Pastorale), Legende Op. 17 for violin and orchestra, Sevilla [Suite: Espanola Op. 47], The Pelly Waltz, March: Entrance of the Boyards, Andantino, Lucy Long for Bassoon and orchestra, Humoresque Op. 101, Arioso (Orch), Theme from Organ Symphony No. 3, Andante Cantabile, Rondeau in C, Toasts and Tunes for all occasions, Flower Duet [Opera: Lakme], Beguine Royale, March: The Grenadier’s Return, Polovtsian Dances [Prince Igor], March of the Peers (Orch), March: Royal Standard, Where’re you walk (Flute or Oboe or Trumpet solo and orchestra), Triumphal March: Cleopatra, Zapateado [Danza Espanolas No. 2], Selection: H. M. S. Pinafore, A Highland Hoedown, Memories of Covent Garden, Bolero, Bourree [Suite ancienne], Water Music [Suite: 5 movements], Saint-Saen's Gavotte, Malaguena [Opera: Boabdil], Overture: The Land of the mountain and the flood, March: National Emblem, Overture: Di Ballo, Passacaglia & Fugue in C minor, Boccherini's Minuet (Orch), March Lorraine (Orch), Arrival of the Queen of Sheba (Orch), L’enfance du Christ (Orch), Sheep may safely graze (Orch), La Mourisque (Orch), Jesu joy of man’s desiring, The Barber of Lavapies-Selection (Orch), El baile de Luis Alonso (Orch), La Boda de Luis Alonso (Orch), Gymnopedies No. 2, Gymnopedies No. 1, Clair de lune [Suite Bergamasque] (Orch), Selection: The Mikado, Selection: The Pirates of Penzance , Strange Adventure [Yeomen of the Guard], Introduction & Rondo Capriccioso Op. 28 for violin & orchestra, Havanaise Op. 83 for violin & orchestra, Trumpet Voluntary (1700), March Radetzky, Wenzel March, Triumphal March from Tarpeja WoO2, Light Baggage Gallop, March: Remembrance of Paris, Triumphal March-Cantata: Caractacus Op. 35, Ouvre Ton Coeur (Open your heart), Pavane pour une infante defunte, The Shepherds’ Lottery, La Campanella, Eton Place, Weinachtkonzert [Concerto Grossi] No. 12, Scicilienne [Pelleas & Melisande] Op. 80, Bethena [A concert waltz], Dance of the Blessed Spirits [Orfeo & Euridice], Brother James’ Air (Marosa), Hungarian Dance [From Foreign Lands] Op. 23, Scheherazade: Theme from 3rd movement, La fille aux cheveux de lin (Girl with the flaxen hair), Partita No. 3 in E major [BWV1006], Suo Gan [Welsh Air] (Orch), Dance of the little Moorish Slaves [AIDA], Chaconne, Concerto in G minor [4th Movement], Romanza Andaluza, Festmarsch Wo05, TOREADOR’S SONG for Trumpet and Orchestra, Procession of the Nobles [Ballet suite: Mlada], Symphony No 5 (Reformation) 3rd Movement, Delius: Sleigh Ride, Royal Fireworks Music, Notturno, Serenade for Solo Trumpet and orchestra, Wedding March, Scherzo Fantastique Op. 25, Sarabande, Russian March, Post Horn Galop (for Post Horn and orchestra) and A 17th Century Suite (1633)

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