Indian National Anthem for Brass Quintet (MFAO World National Anthem Series)

By: Composed by Rabindranath Tagore (1861-1941)
For: Brass quintet
page one of Indian National Anthem for Brass Quintet (MFAO World National  Anthem Series)

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Composer
Composed by Rabindranath Tagore (1861-1941)
Year of composition
1911
Arranger
Year of arrangement
2013
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangementof the Indian national anthem for Brass Quintet. There are versions for String Orchestra, full Orchestra & Band in my store.

On offficial occasions, you should perform the anthem in 52seconds!

Jana Gana Mana" (Bengali: জন গণ মন, Sanskrit: जन गण मन) is the national anthem of India. Written in highly Sanskritised (Tatsama) Bengali, it is the first of five stanzas of a Brahmo hymn composed and scored by Nobel laureate Rabindranath Tagore. It was first sung in Calcutta Session of the Indian National Congress on 27 December 1911. "Jana Gana Mana" was officially adopted by the Constituent Assembly as the Indian national anthem on 24 January 1950. 27 December 2011 marked the completion of 100 years of Jana Gana Mana since it was sung for the first time. The original poem written by Rabindranath Tagore was translated into Hindi by Abid Ali. The original Hindi version of the song Jana Gana Mana, translated by Ali and based on the poem by Tagore, was a little different. It was "Sukh Chain Ki Barkha Barase, Bharat Bhagya Hai Jaga….". Jana Gana Mana was officially adopted by the Constituent Assembly as the Indian national anthem on 24 January 1950.

A formal rendition of the national anthem takes fifty-two seconds. A shortened version consisting of the first and last lines (and taking about 20 seconds to play) is also staged occasionally. Tagore wrote down the English translationof the song and along with Margaret Cousins (an expert in European music and wife of Irish poet James Cousins), set down the notation at Madanapalle in Andhra Pradesh, which is followed only when the song is sung in the original slow rendition style of singing. However, when the National Anthem version of the song is sung, it is done in the traditional grandiose Martial Style of music.

Rabindranath Tagore translated "Jana Gana Mana" from Bengali to English and also set it to music in Madanapalle, a town located in the Chittoor district of Andhra Pradesh state, India. Though the Bengali song had been written in 1911, it was largely unknown except to the readers of the Brahmo Samaj journal, Tatva Bodha Prakasika, of which Tagore was the editor.

During 1919, Tagore accepted an invitation from friend and controversial Irish poet James H. Cousins to spend a few days at the Besant Theosophical College situated at Madanapalle of which Cousins was the principal. On the evening of 28 February 1919 he joined a gathering of students and upon Cousins’ request, sang the Jana Gana Mana in Bengali. The college authorities, greatly impressed by the lofty ideals of the song and the praise to God, selected it as their prayer song. In the days that followed, enchanted by the dreamy hills of Madanapalle, Tagore wrote down the English translation of the song and along with Cousins’ wife, Margaret (an expert in Western music), set down the notation which is followed till this day. The song was carried beyond the borders of India by the college students and became The Morning Song of Indiaand subsequently the national anthem.

Today, in the library of Besant Theosophical College in Madanapalle, the framed original English translation of Jana gana Mana, titled as The Morning Song of India in Tagore’s handwriting, is displayed.

The National Anthem of India is played or sung on various occasions. Instructions have been issued from time to time about the correct versions of the Anthem, the occasions on which these are to be played or sung, and about the need for paying respect to the anthem by observance of proper decorum on such occasions. The substance of these instructions has been embodied in the information sheet issued by the government of India for general information and guidance.

Controversy shadowed Jana Gana Mana from the day of its first rendition in 1911 at the Congress session in Calcutta. King George V was scheduled to arrive in the city on 30 December and a section of the Anglo-Indian English press in Calcutta thought – and duly reported – that Tagore’s anthem was a homage to the emperor.

The poet rebutted such claims in a letter written in 1939: "I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity." In another letter to Pulin Behari Sen, Tagore later wrote, "A certain high official in His Majesty’s service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Vidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India’s chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was excessive, he was not lacking in simple common sense."

In July 1985, in the state of Kerala, some of the Jehovah’s Witnesses children were expelled from school under the instructions of Deputy Inspector of Schools for having refused to sing the national anthem, Jana Gana Mana. A parent, V. J. Emmanuel, appealed to the Supreme Court of India for legal remedy. On August 11, 1986, the Supreme Court overruled the Kerala High Court, and directed the respondent authorities to re-admit the children into the school. The decision went on to add, "Our tradition teaches tolerance, our philosophy teaches tolerance, our Constitution practices tolerance, let us not dilute it".

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

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Inno e Marcia Pontificale “Pontifical Anthem” “Hymnus Pontificius” for Brass Quintet (MFAO World National Anthem Series), Ukrainian National Anthem (Shche ne vmerla Ukraina) for Recorder Consort MFAO World National Anthem Series and Vanuatu (Ni-Vanuatu) National Anthem for String Orchestra

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