Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
Gounod composed both the words (in French) and music to this song in April 1893, six months before his death, so it is one of his last compositions. Some consider it to be one of his last expressions of faith. The song was written originally for mezzo-soprano with orchestral accompaniment. It is thought not to have been published during his lifetime; however, an arrangement for piano and voice was published on 15 December 1894 in a famous French literary magazine, La Revue de Paris. The original title of the song is Repentir, meaning "Repentance," and is subtitled Scene sous forme de priere (literally, "Scene in the form of a prayer"). An original copy of this periodical is found in the rare books collection at Stanford University. Some find the 19th-century Roman Catholic images of mortification, humiliation, and punishment in the original text a bit unsettling. The English translation is more gentle, but still fairly true to the original French text. Some editions also include a text in Latin. The modern English text, added sometime later by an anonymous translator, is as follows:Ah! turn me not away, receive me, tho’ unworthy!/Hear Thou my cry, behold, Lord, my distress!/Answer me from Thy throne, haste Thee, Lord, to mine aid,/Thy pity show in my deep anguish!/Let not the sword of vengeance smite me,/Tho’ righteous Thine anger, O Lord!/Shield me in danger, O Regard me! On Thee, Lord, alone will I call./O Divine Redeemer! O Divine Redeemer!/I pray Thee, grant me pardon, and remember not my sins!/Forgive me, O divine Redeemer!/Night gathers round my soul; fearful I cry to Thee;/Come to mine aid, O Lord! Haste Thee, Lord, haste to help me!/Hear my cry, Save me, Lord, in Thy mercy;/Hear my cry! Come and save me, O Lord!/O, divine Redeemer! I pray Thee, grant me pardon,/And remember not, O Lord, my sins!/Save, in the day of retribution, from Death shield Thou me, O my God!/O, divine Redeemer, have mercy! Help me, my Savior! What has made this song so remarkably universally treasured? Certainly the lyrical tune is easy to remember. The text also speaks to the hearts of all listeners who love the Savior and trust in Him for forgiveness and a blessing. But also impressive is the knowledge that this gifted, inspired composer chose to seal his long career in sacred music with this final moving testimony. [Source: WIKIPEDIA]
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of O Divine Redeemer (GOUNOD) for Vocal Solo (Soprano) with Piano Accompaniment, arr. by Pamela Webb Tubbs
You might also like...