Mattinata for Double (Contra) Bass & Piano

By: Ruggero Leoncavallo (1857-1919) Arranged by Keith Terrett
For: Solo Double Bass + piano
page one of Mattinata for Double (Contra) Bass & Piano

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Composer
Ruggero Leoncavallo (1857-1919) Arranged by Keith Terrett
Year of composition
1904
Arranger
Year of arrangement
1904
Difficulty
Moderate (Grades 4-6)
Duration
1 minute
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Mattinata for Double Bass & Piano.

Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. More than a half-century later this song was recorded by Italian-born tenor Sergio Franchi on his American-debut album, Romantic Italian Songs (RCA Victor Red Seal, 1962). In only three months, Franchi's album of mostly Neapolitan favorites songs placed number seventeen on the Billboard Top 200. Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.

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No. 1 of Trois Gnossiennes for Cello & Piano, Vedrò con mio diletto Aria: from the opera " Il Giustino" for Viola & Keyboard, O Sole Mio for Double Bass & Piano, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for Violin, Cello & Piano (Pro version), Fugue on B-a-c-h for Cello Quintet, O Sole Mio for Cello & Piano, Come Back To Sorrento (Torna a Surriento) for Cello & Piano, Arrival of the Queen of Sheba for String Orchestra, Times Lost for Violin & Piano, SUO-GAN for Cello & Piano, Nessun Dorma for Double Bass & piano, Vesti La Giubba for Viola & Piano, Nessun Dorma for Viola & Piano, Badinerie from Suite No.2 for Violin & Piano, Come Back To Sorrento (Torna a Surriento) for Violin & Piano, What Shall We Do With The Drunken Double Bassist?, Fanfare & Soliloquy for Viola & Piano, O Come All Ye Faithful for Flute, Violin & Cello, Badinerie from Suite No.2 for Double Bass & Piano in E minor (Pro-version), Badinerie from Suite No.2 for Viola & Piano, Badinerie from Suite No.2 for Cello & Piano, Chinese National Anthem for String Orchestra (March of the Volunteers) MFAO World National Anthem Series, Air on the G String from the Suite No. 3 in D for Solo Cello & Keyboard, Fugue on B-a-c-h for String Orchestra, Swing Low, Sweet Chariot for solo Viola & Keyboards, Were You There? Violin & Piano, 8 Swinging Xmas Carols for Viola & Piano, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Viola & Keyboard, Fanfare & Soliloquy for Cello & Piano, What Shall We Do With The Drunken Violinst? , A Serenade for Cello & Keyboard, Allegro from the Trumpet Concerto for Violin & Keyboard, 8 Swinging Xmas Carols for Double Bass & Piano, A Viola Player Goes Ballroom Dancing , Solveigs sang for Double Bass & Keyboard, Solveigs sang for Cello & Keyboard, Solveigs sang for Viola & Keyboard, A Serenade for Viola & Keyboard, Czardas for Violin & Concert Band , Moonlight Serenade for String Orchestra (Jazz for 5 Strings Series) BEST SELLER!, Israeli National Anthem (Hatikvah) for String Orchestra (World National Anthem Series), Norwegian National Anthem for String Orchestra, Una Furtiva Lagrima for Cello & Piano, Hebrew Slaves Chorus from Nabucco (''Va, pensiero" ) for String Orchestra, Rondo Alla Turca for Bb Bass Clarinet & Piano, Ave Maria for Cello & Piano, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Cello & Harpsichord and 7 Popular carols in Norway for two Violas

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