Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
Those of you who watch the Eurovision Song Contest will recognise the theme from the opening Prelude, which for many years has been the signature tune for that competition. Arranged for French Horn & Organ by Keith Terrett - this instantly recognisable tune is ideal for processional and recessional music at weddings or other occasions requiring a stately theme. Although the original key is D or C Major this has been arranged in C Major making; it accessible in C Major making; it accessible to all players.
Marc-Antoine Charpentier was, next to Lully, the most remarkable figure in late seventeenth-century French musical life, with a prolific output of sacred and secular music.
As a young man, he studied in Rome with Carissimi, acquiring valuable first-hand experience of opera and oratorio - both relatively new forms at that time. On returning to his native Paris, he put these skills to effective use, composing seventeen operas and a large quantity of church music, and bringing the dramatic oratorio to France for the first time, giving it a special French character.
The Te Deum, which dates from about 1692, was probably written for the great Jesuit church of St. Paul in Rue St. Antoine, when he was Maitre de Musique there. Its brilliance and powerful dramatic impact suggest that it must have been written in celebration of some special occasion, such as the recent French victory at Steinkerque on August 3rd, 1692.
The powerful effect of the Te Deum is achieved by a variety of means. Firstly, Charpentier uses a much larger instrumental band than any previous French composer of church music. Secondly, he exploits to its fullest advantage the customary Baroque technique of contrasting full orchestral and choral forces with solo voices accompanied by just a few instruments. Thirdly, and perhaps most significantly, Charpentier has a remarkable ability to fuse the conflicting elements of drama and devotion into a unified whole, coupled with an instinctive feel for ceremonial brilliance. These are the qualities that strike one most in this wonderful work, and it seems extraordinary that it is not more widely performed.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of Prelude from the Te Deum for French Horn & Organ (Lower version)
You might also like...