Stanley Trumpet Voluntary for Recorder Consort

By: John Stanley (1713-86) arr.Keith Terrett
For: Wind quintet
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Composer
John Stanley (1713-86) arr.Keith Terrett
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Stanley's Trumpet Voluntary for Recorder Consort; for young/amateur players.

John Stanley was born in London on 17 January 1712. At about the age of two, he had the misfortune to fall on a marble hearth with a china basin in his hand, an accident which left him almost blind.

He began studying music at the age of seven. Under the guidance of Maurice Greene, composer and organist at St. Paul's Cathedral, he studied "with great diligence, and a success that was astonishing" (Burney). At the age of nine he played the organ, probably as an occasional deputy, at All Hallows Bread Street. The organist died on 23 September 1723 and exactly one month later eleven-year-old Stanley was appointed organist to the church at a salary of £20 per annum.

When he was fourteen "in preference to a great number of candidates" (Burney) he was chosen as organist at St Andrew's, Holborn, and at the age of seventeen became the youngest person ever to obtain the Bachelor of Music degree (B.Mus.) at Oxford University.

In 1734 he was appointed organist to the Society of the Inner Temple - a position which he held until his death in 1786. It was at the ancient Temple Church that his brilliant playing upon the organ and harpsichord attracted the attention of many fine musicians including George Frideric Handel, who regularly visited the church to hear him. Stanley was also an outstanding violinist.

In 1738 Stanley married Sarah Arlond (daughter of Captain Edward Arlond of the East India Company), who brought him a dowry of £7,000 per annum. Sarah's sister Ann, who at this time lived with them, became the blind composer's copyist.

Though virtually blind, Stanley had a remarkable memory which helped him direct many of Handel's oratorios and to enjoy music-making and card games with his many friends. If he had to accompany a new oratorio he would ask his sister-in-law to play it through just once - enough to commit it to memory. He frequently played the organ at the Vauxhall Gardens and was first choice to play at charity events and at the launch of any newly built church organs. He even found time to teach. His oratorio Jephthah was first performed in 1757.

After Handel's death, in 1760 Stanley began a partnership with the composer John Christopher Smith and later with Thomas Linley, in order to continue with the series of oratorio performances at Covent Garden. For the first season Stanley composed Zimri. Stanley accompanied all oratorios, and played a concerto during each interval. Also in 1760 he composed an ode in memory of George II and as homage to George III; it was first performed at the Drury Lane Theatre. On the occasion of the King's wedding in 1762 he composed a dramatic pastoral oratorio, Arcadia.

Handel had been a Governor of the Foundling Hospital, London. The Hospital's Chapel organ was Handel's gift, and Handel himself directed eleven performances of Messiah there, so raising 7,000 pounds for the charity. Continuing yet again in Handel's footsteps, Stanley was elected a governor of the Hospital in 1770, and from 1775 until 1777 he directed the annual performance of Handel's Messiah in aid of the hospital funds.

In 1779 Stanley succeeded William Boyce as Master of the King's Band of musicians. In this capacity he composed many New Year and Birthday odes to the King but unfortunately this music has not survived. Stanley's last work was probably an ode written for the King's birthday (4 June 1786). Stanley never heard its performance as he died at his home in Hatton Garden on 19 May 1786 aged 74. Stanley's works include the opera Teraminta, the dramatic cantata The Choice of Hercules, twelve other cantatas with texts by John Hawkins, the oratorios Jephtha, The Fall of Egypt and Zimri, and instrumental music, notably three volumes of voluntaries for organ (1748, 1752, and 1754). Nearly all of the voluntaries feature a short, slow introduction followed by either a solo-stop movement (such as the so-called trumpet voluntaries) or a fugue. Some of the former have been arranged in modern times for string chamber orchestra and trumpet.

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Swing Low, Sweet Chariot for Descant Recorder & Piano, Lily the Pink for School Recorder Quartet with KB & Drums, Badinerie from Suite No.2 for Tenor Recorder, Slaves Chorus from Nabucco ("Va, pensiero") for Recorder Quintet, Stanley Trumpet Voluntary for two Descant Recorders & Organ (no pedals), Vesti La Giubba for French Horn & Piano, Mattinata for Treble (Alto) Recorder & Piano, Vesti La Giubba for Tenor Recorder & Piano, Badinerie from Suite No.2 for Descant Recorder & Piano, Allegro from the Water Music for two Bb Euphoniums (TC), two French Horns & Concert Band, Be Thou My Vision (Hymn Tune:Slane) for Recorder Consort, Fugue for 6 Descant Recorders, Una Furtiva Lagrima for French Horn & Piano, Von Fremden Landern und Menschen for Recorder Consort, Three Welsh Chorales for Recorder Quartet, Arrival of the Queen of Sheba for Recorder Orchestra, Lustpiel Overture for Recorder Consort, Overture from Suite in D from the Water Music for two Treble Recorders & Keyboard, Jerusalem for Recorder Quintet (And Did Those Feet In Ancient Times), A Serenade for Recorder Consort, Twenty Minute Tango for Treble Recorder, Marimba & Double Bass, Allegro from the Water Music for a quartet of Recorders & Horns with Concert Band, Londonderry Air for Concert/Wind Band, Kokoda Trail (the) March for Brass Band, Pachelbel's Canon in D for Recorder Octet, Für Elise Boogie Woogie for Recorder Consort (Jazz for 5 Series), Frankie & Johnny for Bassoon & Piano, Kokoda Campaign for Concert /Wind Band (Keith Terrett Classic March Series), Moonlight Serenade (Glen Miller) for Recorder Quintet (Jazz for 5 Wind Series), 3 & 1/4 Classic Favourites for Five Recorders!, Elegy Sentimentale for Concert/Wind Band, Moonlight Serenade for Bassoon & Piano, Tico-Tico no fubá for Bb Piccolo Trumpet, Eb Alto Trombone & Piano and Rondo Alla Turca for Oboe & Piano

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