Estos ejercicios han pasado de generaci�n en generaci�n en los conservatorios rusos desde la �poca de Cesar Ciardi hasta la actualidad en una forma verbal. Hace unos sesenta a�os le dec�a Vladimir Tsybin a su alumno D.Harkeyevich que es un buen suplente para los ejercicios de notas largas. Adem�s se trabaja sobre la din�mica, articulaci�n, entonaci�n, temperaci�n del timbre y etc. A mi pensar estos ejercicios permiten conseguir la misma expresividad en pianissimo como si fuera en una din�mica de mezzo-piano o forte. Le permiten al alumno liberarse de todo movimiento muscular innecesario cuando se trata de articular un intervalo y si se practica con frecuencia ayuda a purificar el sonido eliminando extra�os ruidos del timbre que aparecen por la falta de la practica diaria.

page one of LIBRO DE EJERCICIOS(Ejercicios de articulaci�n y entonaci�n de los intervalos)ASALTTEXT

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