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Singaporean National Anthem (Majulah Singapura- May Singapore) for Brass Quintet (MFAO World National Anthem Series)
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Singaporean National Anthem (Majulah Singapura- May Singapore) for Brass Quintet (MFAO World National Anthem Series)
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An arrangement of the Singaporean National Anthem arranged for classical Brass Quintet.
Majulah Singapura(English: Onward Singapore; Chinese: 前进吧，新加坡; Tamil: முன்னேறட்டும் சிங்கப்பூர்) is the national anthem of Singapore. Composed by Zubir Said in 1958 as a theme song for official functions of the City Council of Singapore, the song was selected in 1959 as the island’s anthem when it attained self-government. Upon full independence in 1965, Majulah Singapura was formally adopted as Singapore’s national anthem. By law the anthem may only be sung with its original Malay lyrics, although there exist authorised translations of the lyrics of the anthem in Singapore’s three other official languages: English, Mandarin and Tamil.
Originally composed in the key of G major, in 2001 the national anthem was officially relaunched in the lower key of F major as this was said to allow for a "grander and more inspiring arrangement".
The national anthem is regularly performed or sung in schools and armed forces camps at ceremonies held at the beginning and/or the end of each day, during which the national flag is also raised and lowered and the national pledge is taken. Singaporeans are especially encouraged to sing the national anthem on occasions of national celebration or national significance such as at the National Day Parade, at National Day observance ceremonies conducted by educational institutions and government departments, and at sporting events at which Singapore teams are participating.
The composition of Majulah Singapura occurred during a push for independence from the United Kingdom. While Singapore was a British colony, its national anthem was "God Save the King (or Queen)". In 1951, the colony was conferred city status by a royal charter from King George VI. In 1958, Ong Pang Boon, the Deputy Mayor of the City Council of Singapore, approached Zubir Said, a score arranger and songwriter with Cathay-Keris Film Productions, to compose a theme song for the Council’s official functions to be titled Majulah Singapura (Malay for "Onward Singapore"). This phrase was chosen as it was a motto to be displayed in the Victoria Theatre after its renovation in 1958.
Zubir took a year to finish composing the music and lyrics for the song. In a 1984 oral history interview, he recalled the process: "The difficulty is in such a short melody, I have to put in all the words … It must be very simple, understandable for all the races in Singapore … I consult also [sic] an author in Malay language so that I can do it in proper Malay language but not too deep and not too difficult." Summing up his philosophy when composing the anthem, Zubir cited the Malay proverb "Di mana bumi dipijak, di situ langit dijunjung" ("You should hold up the sky of the land where you live").
The completed composition was first performed on 6 September 1958 by the Singapore Chamber Ensemble during the grand finale of a concert staged in the Victoria Theatre to celebrate its official reopening.
In 1959, Singapore attained self-government and the City Council was dissolved. The Government felt that a national anthem was needed to unite the different races in Singapore. The Deputy Prime Minister Toh Chin Chye selected the City Council’s song as it was already popular. At Toh’s request, Zubir modified the lyrics and melody, and the revised song was adopted by the Legislative Assembly on 11 November 1959. On 30 November the Singapore State Arms and Flag and National Anthem Ordinance 1959 was passed to regulate the use and display of these national emblems.
Majulah Singapura was formally introduced to the nation on 3 December when Yusof bin Ishak was inaugurated as the Yang di-Pertuan Negara, Singapore’s head of state. At the same occasion, which also marked the launch of "Loyalty Week", the national flag and the state crest were introduced. After Singapore’s full independence from Malaysia on 9 August 1965, Majulah Singapura was formally adopted as the Republic’s national anthem. A giant Singapore flag suspended from a CH-47 Chinook helicopter during a National Day Parade rehearsal on 29 July 2006. The flyover occurred when Majulah Singapura was being played. In Singapore primary schools at lower levels, lessons relating to the national anthem and the singing of the national anthem are carried out as part of the civics and moral education programme. The national anthem is sung in all mainstream schools and armed forces camps at ceremonies held at the beginning and/or the end of each day, during which the national flag is also raised and lowered and the national pledge is taken.
Singaporeans are especially encouraged to sing the national anthem on occasions of national celebration or national significance, such as at the National Day Parade, at National Day observance ceremonies conducted by educational institutions and government departments, and at sporting events at which Singapore teams are participating. In November 2004, Olivia Ong, an 18-year-old Singaporean based in Tokyo, sang Majulah Singapura at the 2006 FIFA World Cup Asian qualifying rounds at Saitama Stadium in Saitama, Japan.
Two months later in January 2005, Singapore Idol Taufik Batisah was invited to become the first performer to sing Majulah Singapura at an international football game at the National Stadium in Singapore – the return leg of the Tiger Cup (now the AFF Football Championship) final between Singapore and Indonesia in Singapore. Due to National Service commitments, Taufik had to decline and was replaced by singer Jai Wahab. In July 2005, Singaporean singer and actress Jacintha Abisheganaden sang the national anthem at the Esplanade – Theatres on the Bay during the opening ceremony of the 117th Session of the International Olympic Committee, at which London was selected to host the 2012 Summer Olympics.
It is conventional for persons present when the national anthem is performed to stand with their arms by their sides.
When the national flag is raised or lowered and the anthem is played, persons in military or paramilitary uniforms who are outdoors don their head dress and face the flag. If they are in formation under the orders of a commander, only the commander salutes; otherwise, all service personnel salute. Saluting is unnecessary if service personnel are indoors when a flag raising or lowering ceremony takes place. In such cases, the persons need only stop what they are doing and stand at attention. The national anthem is played at the sign-on and sign-off of broadcasting hours on TV and radio in Singapore, although this use of the anthem has declined somewhat due to the emergence of 24-hour TV channels and radio stations.
The national anthem has lent its name to the Majulah Connection, a Singapore-based not-for-profit organization set up November 2002 to connect Singapore with overseas Singaporeans and friends of Singapore. The organisation was formally established as a non-governmental organization (NGO) in January 2003.
The use of the national anthem is governed by Part IV of the Singapore Arms and Flag and National Anthem Rules made under the Singapore Arms and Flag and National Anthem Act. These rules provide as follows: The national anthem may be performed or sung on any appropriate occasion. In particular, it must be performed when the President receives a general salute. When the national anthem is performed or sung, every person present must stand up as a mark of respect. As regards musical arrangements of the national anthem: Any person performing or singing the national anthem must do so according to the official arrangement set out in the Third Schedule to the Act or any other arrangement permitted under the next paragraph of the Act. The national anthem may be rearranged in any manner that is in keeping with the dignity due to it, subject to the following conditions: (a) the national anthem must not be incorporated into any other composition or medley; and(b) every arrangement of the national anthem must accurately reflect the complete tune and the complete official lyrics of the National Anthem. Any person who sings the national anthem must follow the official lyrics and must not sing any translation of those lyrics. It is an offence for any person to knowingly perform or sing the national anthem in contravention of rule 13 (not performing or singing the anthem according to the official arrangement or any other permitted arrangement) or 1 not singing the anthem according to the official lyrics or singing a translation of the lyrics); the penalty is a fine not exceeding S$1,000.
In addition, guidelines issued by the Ministry of Information, Communications and the Arts (MICA) state that either instrumental or vocal versions of the national anthem may be performed, and that dignity and decorum should be observed whenever the anthem is played or sung. Interviewed by the Oral History Department in 1989, Dr. Toh Chin Chye said it was appropriate for the national anthem to be in Malay, "the indigenous language of the region, as English is not native to this part of the world." He felt that the "Malay version of the national anthem would appeal to all races… it can be easily understood. And at the same time [it] can be easily remembered… It must be brief, to the point; … and can be sung". However, on 22 July 1991, the English daily newspaper The Straits Times reported that during a meeting between the then Prime Minister Goh Chok Tong and community leaders, a group of grassroots leaders and a lawyer had suggested that "adjustments" be made to the national anthem. The given reason was that many Singaporeans could not sing it in Malay and therefore did not have "strong feelings" or "strong emotions when they sing the national anthem". In particular, some grassroots leaders argued that since the Chinese constitute a majority of the population, a Mandarin version of the anthem should be used. The Prime Minister’s response was that he would keep the national anthem as it was while ensuring that translations in other mother tongues were more easily available. The proposal to change the lyrics was also criticized by former Deputy Prime Minister S. Rajaratnam, who felt that the Malay lyrics of the anthem were so simple that "anyone over the age of five, unless mentally retarded, had no difficulty singing the anthem. All Singaporean children of kindergarten age have not only had no difficulty memorising the words but have for decades sung it every morning with ’strong feelings and emotion’." He also noted that the anthem had been translated into Singapore’s three other official languages (English, Mandarin and Tamil) for those who cannot understand Malay.
A subsequent poll by The Straits Times found that while many Singaporeans knew what the anthem generally meant, only seven out of 35 persons interviewed knew the meaning of each word. However, all but three of those interviewed agreed that the anthem should continue to be sung in Malay. The three persons who disagreed felt that the anthem should be in English because that was the language most commonly used in Singapore. All the interviewees, including those who did not know the meaning of the lyrics, said they felt a sense of pride when they heard or sang the national anthem.
Singer Taufik Batisah was criticised for incorrectly singing the word berseru (to proclaim) instead of bersatu (to unite) during his rendition of Majulah Singapura before the start of the 2009 Formula 1 SingTel Singapore Grand Prix on 27 September 2009. A Straits Times poll then found that out of 50 people only 10 were able to sing the national anthem perfectly. Most people got between 80 and 90% of the lyrics right, while six could only recite the first line or less. Although many correctly stated that the title of the anthem meant "Onward Singapore", a majority did not understand the meaning of the anthem. However, most of the persons surveyed disagreed that the anthem should be in English, one respondent saying: "It’s better in Malay because there’s a cultural history to it and [it] is more meaningful, and has traces to our roots."
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