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This is the final, and in my opinion, most original, part of my concerto. Over a Mozart substrum, I erected an Italian tarantella for the main rondo section, and also use a hefty dose of Irish jig for the second theme and especially the coda (which contains, among other things, an arrangement of "Larry O'Gaff"). It also has a touch of influence from Mozart's K. 482 concerto in E-flat. Enjoy!
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