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This setting of Chorus #42 of Elijah, is for Brass Septet.
It can serve as accompaniment for choristers, with, or without organ. It can also serve as a work for brass ensemble, alone, and can be used in service or concert.
I recommend the use of more than one on a part.
This is because the work is rather long,not to mention "Full", which makes it tough on the lips, as well as on the lungs. The Trp.3 & Fr. Hn do double most of the time. This is primarily because they cover the chorister "tenor" line. The tempo changes are purely my own ideas. Feel free to experiment.
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