By: William MacSems
page one of TOOT SUITE

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William MacSems
Year of composition
Moderate (Grades 4-6)
10 minutes
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Toot Suite Program Notes Toot Suite was written for Tony Emrich, my friend and comrade in arms, so to speak. We served together in the USAF Band. This composition, has a duration of 9 minutes, 21 seconds, includes five short movements with unique and contrasting styles and character.

1. Fanfare: dur. (1’16”) The thematic material is typical of the traditional stereo -type and is born from a combination of quartal and tertial harmonies. A contrasting canonical interlude separates the beginning and ending phrases.

2. An OK Choral: dur. (3’13”) was first written for brass and then successfully transcribed for chorus and then re-transcribed, with some minor changes, back into a piece for brass quintet. It is labeled with the key of Db major but has difficulty in identifying with tonality and mode. It is like a homeless wanderer, knocking on various doors in search for a home and identity. It is in the final cadence that the search comes to an end in the stable key of Bb major.

3. Pocito Mexicana: dur. (1’ 58") reflects the style of the Mariachi band and the spirit of the Mexican Fiesta. The meter alternates between 3/4 and 6/8 much the same as the Spanish dance, the Seguidilla.

4. Nostalgia: dur. (2' 10") is a simple but lyrical and flowing melody and warm harmonies all of which make for pleasant listening and a moment of reverie.

5. Surprise March (1' 33") begins with a short introduction followed by a repeated, sprightly, eight measure phrase and a slight extension or development section, followed by a fanfare introduction to the surprise, which is a variation set in a jazzy/blues style.

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