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This is intended to be a tender and mellow piece, not played too fast in the andante spectrum.
The tenuto’s in the left hand are important to create the desired rhythm and keep the pulse registering. It is important to keep the right hand as subtle as possible as it is the accompaniment.
The process is from repetition and its melody is contained in the top note of the left hand chords, so these should be brought out, with the bass kept below so as not to be overpowering.
Several of the bass chords are a very long stretch, so sympathetic arpeggio is needed. This can add a nice feel although I like to keep it to a minimum.
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