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Follow fingerings carefully, especially in the trickier parts (measures 12-15, 19, 22, 23, 26, and 27). I wrote my own Cat Stevens inspired turnaround, which takes up most of the first ending. I couldn't write out his due to copyright, but I would recommend finding his arrangement, transposing it, and adapting it to this key. You can even modulate up to the key of A, but that will take you beyond an intermediate level of difficulty. The final three measures of the first ending should give you some ideas how to vary the piece the second time through. Have fun!
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Reviews of Liturgical Guitarist: Morning Has Broken
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