Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
The prelude is 16 bars (I think), not at all complicated, simple line alternating between manuals. The rest of the piece derives from these 16 bars. The next 40 or so bars form the canon. It contains two mirror canons and two crab canons, simultaneously, using three voices. The rest is fugal form, loosely. The ending is most un-fugal.
There are apparent tempo changes and apparent dynamic changes. Only apparent. The tempo and velocity are constant, and I did this purposely as part of a long range plan. I have taken great care to assure that the piece will use two manuals by making the use of a single manual very close to impossible. I am thus requiring a contrast in voices. It would be really good but not essential if the divisions were on opposite sides of the auditorium, with the pedal division between. The swell shutters won’t really be needed. Just lock them open and try to empty the air reservoirs and burst the bellows! Soon I will write a soft, gentle organ work, but this is not it yet.
This piece began when I discovered I had a truckload of unused triads in my construction zone, and some rhythmic ideas. And now, there it is. The triads are not readily apparent, but that was the start of it all. It is really a happy, bouncing sort of piece. I have laughed quite a bit visualizing an episcopal entourage in a processional, with this as the music. Or visualized elderly women doing a chair dance in the pews! The mp3 is GPO organ.
The title may ultimately be changed to something like "Juan Arroyo in Agua Prieta". The main point, I don’t want to call it "Prelude, Canon and Fugue to avoid the thought that it will sound like J. S. Bach, as it surely does not.
New score submitted 14 Sep 2006 corrects score appearance only.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of Habichuelas y Frijoles
You might also like...