MACROCOSM for piano
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The piece Macrocosm is framed as coherently developing compact area. Depicting of transparent sound picture with delicately ranked nuances is entrusted to piano instrument for this role as if fated for its pure fragile expression. Sense of this music is not to urge by rough force or to demonstrate a blinding technique. It would rather tempt to emotive immerse in irrecoverably passing of time, mystique of universe even human soul. (Name Macrocosm intentionally remembers famous Bartok’s Microcosm, but don’t let us looking for another relations with it.)
Skladba Makrokosmos je koncipována jako celistvá, souvisle se vyvíjející hudební plocha. Vykreslení průzračneho zvukoveho obrazu s jemne odstupňovanými odstíny je sveřeno klavíru - nástroji pro tuto roli jakoby predurčenemu svým křehce čistým projevem a jedinečnými výrazovými schopnostmi. Smyslem teto hudby není přesvedcovat hrubou silou, ani předvádět oslnivou techniku. Spíše by měla vábit k emotivnímu prožívání nevratně uplývajícího času, lákat do světa nekonečných prostor a tajemství vesmíru i lidske duše. (Názvem Makrokosmos se vědomě připomíná slavný Bartokův Mikrokosmos, bližší souvislosti tu však nehledejme.)
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