Water Music Suite No.3 in G

By: George F. Handel
For: String quartet
page one of Water Music Suite No.3 in G

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Composer
George F. Handel
Year of composition
1717
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
10 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

There is a highly fictionalized story that George Frideric Handel's magnificent Water Music was originally intended as a peace offering to King George I. In 1710, the then Elector of Hanover had given the rather vagabond composer a generous position at his court; but Handel never actually fulfilled his duties. After the Elector relocated to London, the composer was more than a little reluctant to face his old master. As the story goes, it was not until 1717, when Handel seized the opportunity to provide some musical entertainment for the King's now-famous barge party on the River Thames, that the composer was restored in the royal eye; George I was completely enamored with the Water Music and all past transgressions were immediately forgotten. There was indeed a grand party on the Thames on July 17, 1717, during which some of Handel's music (possibly but not definitely the Water Music) was played.

It appears that Handel drew upon three already-composed suites of instrumental music when putting together the Water Music; the Water Music Suite No.3 in G major/minor, HWV 350, is, in terms of instrumentation, the most intimate of the three, calling for just flutes, strings, and basso continuo.

There are really only four movements in the Third Water Music Suite, but three of these are da capo organizations built around two individual pieces, and so one will sometimes see HWV 350 listed as comprising seven or eight separate items. Unlike the Second Suite, which begins with a robust and lengthy overture, or the First, which contains no fewer than three large-scale through-composed movements, the Water Music Suite No.3 is made up entirely of small dance and character pieces.

First up is a gentle, untitled piece in triple meter (sometimes called lento), in which a solo flute ? supported by the first violins ? sings a flexible melody atop a transparent background that, even at its most active, moves no faster than in quarter notes. Each of the piece's two halves is repeated.

In the following Aria the flutes are sometimes replaced by oboes, but this is most likely a modern enhancement and not Handel's idea. A rapid bourr?e style is at work in each of the two parts of this da capo organization, and each is itself cast in simple binary form. Handel provides some delightful harmonic contrast in the second part ? he moves to the parallel minor (G minor), but not directly at first, and even after establishing the new mode feels free to veer off towards B flat major and C minor for a bit ? but the reprise of the opening re-establishes good natured G major.

A Menuet and Trio in G minor is next (sometimes the minuet portion and its trio, which is not actually marked as such, are separated into individual movements). There is a wonderful line for piccolo flute, or, possibly recorder, in the trio section.

A pair of Country Dances ? titled such by tradition, not by Handel ? make a jovial conclusion.

This arrangement is for standard string quartet, with an optional bass part for use with string orchestra.

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The Barber of Seville - Overture, Song Without Words No.30 - Spring Song Op.62 No.6, Song Without Words No.45 - Scherzo Op.102 No.3, Of The Father's Love Begotten, La Damnation de Faust - Rakoczy March, St. Paul's Suite - 1. Jig, St. Paul's Suite - 4. Finale (The Dargason), Water Music Suite No.2 in D, Morning Has Broken, Habanera from "Carmen", String Serenade - 2. Waltz, String Sonata No.1 - 2. Andante, Slavonic Dance, Op.46 No.8, Birthday Minuet, Children's Corner, No.6 The Golliwog's Cake-Walk, Kinderszenen, Op.15 No.11 Furchtenmachen (Frightening), Children's Corner, No.6 The Golliwog's Cake-Walk, Song Without Words No.27 "Funeral March" Op.62 No.3, Kinderszenen, Op.15 No.7 Traumerei (Dreaming), Souvenir d'un lieu cher, Op.42 - No.3 Melodie, Suite Bergamasque - No.3 Clair de Lune, Tales From The Vienna Woods, Thaxted (I vow to thee, my country), The Amazon Rag, We Wish You A Merry Christmas, Symphony No.40 - 3. Menuetto, The Blue Danube Waltzes, The Blue Danube Waltzes, Gradual, The Cannon Ball Rag, The Carnival of the Animals - The Swan, The Merry Wives of Windsor - Overture, The Coventry Carol, A Midsummer Night's Dream Op.61 "The Wedding March", Pavane, Op.50, Espana - 2. Tango, In Dulci Jubilo, Serenade No.10 "Gran Partita" - 3. Adagio, The First Noel, The Gladiator March, Thais - Meditation, The High School Cadets, A Midsummer Night's Dream Op.61 "The Wedding March", The Holly And The Ivy, The Liberty Bell March, La Cinquantaine, A Midsummer Night's Dream Op.61 - Nocturne, The Manhattan Beach March, The Stars And Stripes Forever, The Washington Post March, Trio No.1, The Nutcracker - Overture, Trio No.2, Symphony No.29 - 3. Menuetto, Trio No.3, Trombone Johnsen, Trumpet Tune, Un bel di vedremo, from "Madama Butterfly", Unto Us A Child Is Born, Vissa d'arte, from "Tosca", Water Music Suite No.1 in F, Trio No.4, While Shepherds Watched Their Flocks, Who Let The Cows Out?, Carmen - Act 1: Prelude, Orchestral Suite No.2 - 3. Sarabande, Who Let The Cows Out? - For Sax Quartet (AATB), Wine, Women and Song, Brandenburg Concerto No.5 - 3. Allegro, Brandenburg Concerto No.2 - 1. Allegro, Song to the Moon, from "Rusalka", Sonata in A, KV 331 - 3. Rondo "alla Turca", Sonata in A, KV 331 - 2. Menuetto and Trio, Sonata in A, KV 331 - 1. Andante grazioso (Theme and variations), Sonata "Pathetique" Op.13 - 2. Adagio cantabile, Sonata "Pathetique" Op.13 - 1. Grave - Allegro, Sleepy Sidney, Silent Night, Siegfried Idyll, Si. Mi chiamano Mimi, from "La boheme", Sextet: Chi mi frena, from "Lucia di Lammermoor", Senza Mamma, from "Suor Angelica", Semper Fidelis, Roses From The South, Radetzky March, Op.228, Preludes, Book 1 No.8 - The Girl With The Flaxen Hair, Praise, My Soul, The King Of Heaven, Pictures at an Exhibition - Promenade, Piano Sonata No.14 "Moonlight" - 2. Allegretto, Once in Royal David's City, Ode To Joy, O soave fanciulla, from "La boheme", O Little Town Of Bethlehem (2), O come, O come, Emmanuel, O Come, All Ye Faithful (Adeste Fidelis), O Christmas Tree, Mon coeur s'ouvre a ta voix, from "Samson et Dalila", Minute Waltz, Op.64 No.1, Maple Leaf Rag, Lullay My Liking, Lullaby, Lohengrin - The Bridal Chorus, Lohengrin - The Bridal Chorus, Little Jesus, Sweetly Sleep, Le Coucou, Largo al factotum, from "The Barber of Seville", La Primavera ("Spring") - 3. Allegro: Danza pastorale, La Primavera ("Spring") - 1. Allegro, La Marseillaise, L'Inverno ("Winter") - 3. Allegro, L'Inverno ("Winter") - 2. Largo, L'Inverno ("Winter") - 1. Allegro non molto, L'Estate ("Summer") - 3. Presto, L'Estate ("Summer") - 2. Adagio, Presto, L'Estate ("Summer") - 1. Allegro non molto, L'Autunno ("Autumn") - 3. Allegro, L'Autunno ("Autumn") - 1. Allegro, King Cotton, Key-Stone Rag, Joy To The World, Jingle Bells, Jesu, Joy of Man's Desiring, Jerusalem (And Did Those Feet In Ancient Time), It Came Upon The Midnight Clear, In The Bleak Mid-Winter, I Saw Three Ships, I Got The Blues, Humoresque, Op.101 No.7, Holberg Suite - 5. Rigaudon, Holberg Suite - 4. Air, Holberg Suite - 3. Gavotte and Musette, Holberg Suite - 2. Sarabande, Holberg Suite - 1. Prelude, Hark! The Herald Angels Sing, Hands Across The Sea, Good King Wenceslas, God Save The Queen, Emperor Waltz, El Capitan, Duet: Sous le dome epais, from "Lakme", Concerto in D minor for 2 Violins - 3. Allegro, Concerto in D minor for 2 Violins - 1. Vivace, Concerto for Two Violins "L'estro armonico" Op.3 No.8 - Movement 3, Concerto for Two Violins "L'estro armonico" Op.3 No.8 - Movement 1, Christians, Awake!, Che gelida manina, from "La boheme", Chanson Triste, Op.40 No.2, Chanson de Matin, Capriol Suite, Canon in D, Brook Green Suite - 3. Dance, Brook Green Suite - 2. Air, Bethena - A Concert Waltz, Babes in Toyland - March of the Toys, Away In A Manger, Ave Maria, Op.52 No.6, Auld Lang Syne, Au fond du temple saint, from "The Pearl Fishers", Anvil Chorus, from "Il Trovatore", Anvil Chorus, from "Il Trovatore", Angels We Have Heard On High, Angels From The Realms of Glory, Ah! per sempre io ti perdei, from "I Puritani", Advance Australia Fair, A Thousand And One Nights, A Midsummer Night's Dream Op.61 - Scherzo, A Cyclone in Darktown, 16 Songs for Children, Op.54 No.6 Legend ("When Jesus Christ Was Yet A Child") and Serenade No.10 "Gran Partita" - 6. Theme and variations

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