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Opening movement of the first piano sonata by Kit Povall.
Movement I - Dynamics should be played close to their extremes, and performers are invited to make use of rubato to enhance their interpretation. Performers should pay attention to the melody line, and take care to bring those notes out above all others, including in the same hand; for example, at 65, the melody in the right hand is the lower quaver note on the beat, rather than the c above.
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