Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
One thing I love about watching percussionists play is the visual experience; the way that the players move their sticks, the way they find the groove in the music, and the way they interact with each other is something that is really entertaining to me. When I wrote “As One” I wanted to not only capture a sense of unity between the two percussionists, in way of having two rhythms be played by both players, that when played together produces a more unified rhythm, but also heighten the visual experience. The manner in which the drums are set up means that the players have to be extra careful to stay out of each other’s way, which leads to interesting, and perhaps unorthodox sticking patterns, which adds visual interest. The musical content of this piece is quite straightforward, as it implements a ritornello-esque technique to signal the transition between different “episodes” throughout the work. This recurring pattern uses the main theme, which was presented in the first four bars of the piece, and builds upon it adding a more complex colour to it. After numerous episodes have been presented, each with their own unique rhythmic qualities, the ritornello pattern returns a final time and makes room for a highlight from each episode, the piece finishes with a variation on the recurring pattern, and ends with fierce confidence.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of As One
You might also like...