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" Rumbo" is a work structured and based on two contrasting ideas - one of endless forward motion and wandering, and the other on motionlessness and stillness. These two ideas lend to convey a quasi-rondo structure yet with complete liberation from the traditional form. The piece explores rhythmic intricacies in both instruments in an unsynchronized and coquet-like manner, but they also coincide and unite at points to emphasize the basic four sixteen note motif that begins, permeates and ends the work.
The violoncello is used in a very coloristic manner and employs a myriad of playing techniques and timbre, exploring the many possibilities of the instrument.
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