Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
For you, a musical rendering of a beautiful, brilliant ideal round cut diamond! Long serving as a poetic representation of invincibility, purity, enlightenment, and enduringness across diverse cultures, "Reason: Ice Diamond" revolves around a fixed melody (cantus firmus), derived from the trigonometrical attributes of a brilliant round diamond, examined from three contrasting and increasingly revelatory points-of-view: its cut, colour, and clarity.
The Three Points-of-View:
Movement I. “Cut”: Imagine the essence of a diamond reduced to Euclidean vectors: pure lines and angles in beautiful symmetry. The orchestra becomes monophonic and united in purpose, with the tune passing among crackling octaves and supported by either subtle drones or driving rhythms representing the churnings and forgings of the cthonic earth, the maw of Sheol, with the wide octaves evoking the stardust from which all diamonds and all life ultimately comes from.
Movement II. “Colour”: The bright light of triadic harmonies, built on the first six partials of the harmonic series, embraces and caresses the cantus firmus. Yet, the light bends and metamorphoses during its journey through the stone, expressed by parallel musical keys–especially heard in the pure tones of the synthesizer–becoming more and more remote from along the circle of fifths, creating shifting polytonal degrees of dissonance–an odyssey of photons.
Movement III. Clarity: Beginning with romantic guitar strums, the Song of Solomon pleads for the listener to arise and be loved. The Crown setting is a more through-composed arioso with the Upper Pavilion being a horah-inspired dance.
With melodies contrapuntally gushing and swooping from all corners, they draw from the Otonal scale for the Crown and the Utonal scale for the Pavilion. These scales, exotic yet familiar, were chosen because of their origins in the harmonic and subharmonic series and because I recognize them to be musical metaphors for the prism effect of a diamond transforming white light into all the colours of the rainbow–the glorious “fire” and “sparkle!”
A labour of love and devotion, this work is the fourth of a series of six orchestral works, named after the six continents of James Turner’s Map of Humanity. Completed works include: –Abandonment for Trumpet and Orchestra (2013) –Hedonism for Trumpet and Orchestra (2013) –Wisdom: A Setting of the Torah for Harp and Orchestra (2017) –Reason: Ice Diamonds for Chamber Orchestra (2019)
I dedicate this work first and foremost to my wife, but to all of those who were a part of my life in the past year, including family, fellow teachers, artists, and my colleagues at the jewellery store I used to work alongside.
The recording was made using Noteperformer Software and features the vocal talents of Quebecois tenor Marc-Antoine Brûlé.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of Reason: Ice Diamonds
You might also like...