Home > Orchestra + solo > Brooks-Davies: A Shropshire Pastorale for oboe and string orchestra

Brooks-Davies: A Shropshire Pastorale for oboe and string orchestra

Year of composition
2005
Lyricist
none
Difficulty
Moderate (Grades 4-6)
Duration
5 minutes
Genre
Modern classical music
Instrumentation
Orchestra + solo (Oboe)
Instrumental parts
Related scores
CHRISTMAS CAROLS FROM POLAND FOR STRING ENSEMBLE (SET 2), BUTTERWORTH, George: The Banks of Green Willow, arr. for Flute Choir (4fl, afl, bfl), BROOKS-DAVIES, Douglas: A Shropshire Pastoral for oboe d’amore and string orchestra, Haydn: Piano Sonata no 54 in G for Wind Quintet, Vanhal, Johann Baptist: Flute Quartet in F (fl, vln, vla, cello), Godard, Benjamin: Suite de Trois Morceaux, Op. 116 arranged for Flute Choir (3 fl, alto fl, bass fl), Christmas Carols from Poland for Wind Quintet, Christmas Carols from Poland for string ensemble, Elgar, Edward: Salut d’amour, Op. 12 for flute choir (3fl, alt.fl., bass), Brooks-Davies: Lullaby for flute and clarsach, Brooks-Davies: Suite for Flute Choir (picc., 3 fl, alto fl, bass fl), Elgar, Edward: Salut d’amour for flute and piano, Brooks-Davies: Presto for string orchestra, Brooks-Davies: Adagietto for String Orchestra, Brooks-Davies: A Shropshire Lad, Poem 36 (White in the moon the long road lies), Mendelssohn: Lieder ohne worte, Book 8, #46 in G minor for string orchestra., Mozart, Piano Sonata in F (K.547a) for wind quintet, movt. 1 (Allegro), Mozart, Piano sonata in F (K.547a) for wind quintet, movt. 2 (Allegretto), Tchaikovsky: Waltz of the Flowers from the Nutcracker Suite for wind quintet, Brooks-Davies: A First Suite for Classical Guitar, Mendelssohn: Lieder ohne worte, Book 8, #48 for wind quartet (fl, ob, clt, bassoon), Mendelssohn: Lieder ohne worte, Book 5, #28 in G for string orchestra., Hopkins: We Three Kings of Orient are, arr. for flute, oboe and piano, Mendelssohn: Lieder ohne worte, Book 8, #45 in C for string orchestra or string quartet. , Mendelssohn: Lieder ohne worte, Book 2, #7 in E flat for string orchestra, Mendelssohn: Lieder ohne worte, Book 1, #6 in G minor for oboe and piano, Brooks-Davies: Night Piece for oboe and piano, Christmas Carol Medley: Eleven European Carols for flutes, oboe and keyboard, Brooks-Davies: Tarantella (No 3 of Four Old-Style Miniatures for oboe and piano), Bach, J.S.: Flute Sonata in D (BWV 1028) from the viola da gamba sonata., Brooks-Davies: Idyll for oboe and piano, Brooks-Davies: Allegro moderato (No 2 of Four Old-Style Miniatures for oboe and piano), Brooks-Davies: Air (No 1 of Four Old-Style Miniatures for oboe and piano), Brooks-Davies: Allegretto grazioso (No 4 of Four Old-Style Miniatures for oboe and piano), Czerny: Sonatina in F (1st movement) for wind quintet, Brooks-Davies: Rondino poco Latino for solo flute, Brooks-Davies: The Happy Poodle: For Harriet (simple piano solo) and Brooks-Davies: The Lazy Cuckoo: For Harriet (simple piano solo)

The origins of this piece lie in a setting for tenor and piano of A.E.Housman’s Shropshire Lad, poem 36 (White in the moon the long road lies) which I wrote in 1962-3 while an undergraduate at Brasenose College, Oxford. I laid it aside for many years, but the melody kept on insisting, and fragments of it emerged in my Advent Anthem (2000), a setting of Christina Rossetti’s ’The Advent moon shines cold and clear’. It takes on a fuller and more final form in the present Pastorale, a homage not only to Housman and an almost-lost ’Englishness’, but also to my many years spent playing (trying to play?) the oboe - a Howarth, of course! - as I listened with admiration to Leon Goossens, Evelyn Rothwell, Janet Craxton, Heinz Holliger and, more relatively recently, Nicholas Daniel. The piece’s final form has now (2014) emerged as a slight rearrangement for oboe d’amore and strings (also on Score Exchange).

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