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The contrasting themes of Duo No. VIII illustrate Darr�s unique ability to utilize simple materials in a very effective manner. This, and his rigorous use of motives, makes Darr the only nineteenth-century guitarist to truly demonstrate Beethoven�s influence. Like Duo No. VII, this work is also relatively free of expression indicators. The first known publication of this work was in August of 1906, in the Augsburg Guitar Club�s Freie Vereinigung f�r das F�rderung guter Guitaremusik, Jahrgang 3, Heft III. The �printer�s copy� follows the printed version faithfully, except for the wrong bass not in Guitar II, m.16 (�A� instead of �C#�) and the missing accident g# in Guitar II, m. 22. For more information on Darr see my DMA research paper "ADAM DARR (1811-1866) THE CAREER AND WORKS OF A GERMAN ROMANTIC GUITARIST AND ZITHERIST."
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