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In the sixties I used to have a lot of Baroque ideas running around in my head, which I wrote down and called them "Post Vivaldianas" in analogy to Heitor Villalobos who named some of his pieces "Bachianas brasilheiras". This one, which I present now, is a recent recurrence of such a Baroque style imitation. Nevertheless we deal with new creations, since I was not so much worried about a composer's personal style but about that of the epoch, or, even better, it was its spirit that I wanted to capture.
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