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Sailing away from C major, Breval brings us now to it's dominant, with a luminous and open first movement. Very interesting comes Breval's choice of having all first movement in cut-C time. Also, this is one of the few sonatas of this collection where the first movement is more musically attractive than the second one.
Technically, the young cellist starts working with sixth intervals and with short and fast trills. Fast 16th-note runs make the Rondo a very appealing exercise.
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