Eternal Source of Light Divine (Ode for the Birthday of Queen Anne) for Two D Trumpets & Organ

By: George F. Haendel Edited by Keith Terrett
For: Duet
page one of Eternal Source of Light Divine (Ode for the Birthday of Queen Anne) for Two D Trumpets & Organ

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Composer
George F. Haendel Edited by Keith Terrett
Year of composition
1713
Difficulty
Difficult (Grades 7+)
Duration
3 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Ode for the Birthday of Queen Anne (Eternal Source of Light Divine) edited for Two D Trumpets & Organ.

Notable performances:

On 23 August 2007, Kate Royal performed the aria "Eternal source of light divine" at the Proms. On 19 May 2018, Elin Manahan Thomas performed the aria "Eternal source of light divine" as the bridal entry music for the wedding of the Duke and Duchess of Sussex, accompanied by the event's orchestra and with David Blackadder playing the trumpet obbligato.

My favourite performances have to be:

1. Elin Manahan Thomas, Crispian Steele-Perkins, Armonico Consort 2)Alison Balsam, Lestyn Davies with Trevor Pinnock and the English Concert. 3) Wynton Marsalis & Kathleen Battle

Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, "Eternal source of light divine", provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. Other catalogues of Handel's music have referred to the work as HG xlviA; and HHA i.

The cantata celebrates Queen Anne's birthday, and the accomplishment of the Treaty of Utrecht (negotiated by the Tory ministry of Anne in 1712) to end the War of the Spanish Succession. It is scored for 3 solo voices, choir and chamber orchestra.

Queen Anne was said by the Duke of Manchester to be "too careless or too busy to listen to her own band, and had no thought of hearing and paying new players however great their genius or vast their skill." Nevertheless, and whether or not she ever heard this ode for her birthday, she granted Handel a "pension" (subsidy for living expenses) of two hundred pounds a year, for life.

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