A "London Composers Forum" experimental piece based on the idea of cosmic time behind it. Currently having series of seminars from John White about music theatre. This is what his first session inspired me to write.
It's based on the prime numbers 1,2,3,5,7,11,13,17,19 & 23. They are present in the initial rhythm of the piece as they count off the semi-quavers, in an eight bit binary form and in the melodic and chord structures.
Hopefully, the piece isn't as dry as it sounds.
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