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Bar lines are for coordination and ease of reading, and do not necessarily indicate phrasing. The vocal line in the latter part of the piece is not intended to be realised precisely as notated. It should begin as a shadow of the viola line, which gradually becomes independent. It is not necessary, or desirable, to vocalise all the notated line from bar 614 onwards. The line may be transposed ad libitum to suit the voice. Precise intonation and coordination with the viola line is not required - in fact such qualities are to be avoided. The vocal line should always remain a barely audible, ghostly presence.
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