Homage for Orchestra & Woodwind

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Homage for Orchestra & Woodwind


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Year of composition
Moderate (Grades 4-6)
3 minutes
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An original work for composed for a String Orchestra with Woodwind; dedicated to the enfindsam style composers of the Classical period.

The sensitive style (German: empfindsamer Stil), empfindsam style, or tender style is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque Affektenlehre (lit. "The Doctrine of Affections"), in which a composition (or movement) would have the same affect (e.g., emotion or musical mood) throughout.

This work is a great way to introduce the style to your musicians, and has good parts for all players.

Toward the middle of the 18th century, a small group of composers working for Frederick the Great rebelled against the Doctrines of the Baroque period.

Rather than sticking with one mood through a movement or piece, composers started shaking things up by inserting lots of pauses and frequently changing the mood of the music.

Carl Philipp Emanuel Bach, Johann Sebastian's second son (to survive), was a part of this movement, called Empfindsamkeit — or "sensitivity".

Other composers included Johann Quantz and Jiri Benda, as well as JS Bach's oldest son, Wilhelm Friedemann Bach.

For a live recording of Homage by an excellent French Army Band, take a listen here:


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Vedrò con mio diletto Aria: from the opera "Il Giustino" for Double Bass & Keyboard, Vedrò con mio diletto Aria: from the Opera "Il Giustino" for Bb Clarinet & Keyboard, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for Violin, Cello & Piano (Pro version), Lullaby for a Cellist, Keyboard & Double/E.Bass, Lullaby for a Bassoonist with Keyboard & Double Bass/Guitar, Frankie & Johnny for Bassoon & Piano, Für Elise Boogie Woogie for Double Bass & Piano (Keith Terrett Jazz for Strings Series), Für Elise Boogie Woogie for Oboe & Piano (Keith Terrett Jazz for Wind Series), Three Marches for Intermediate Strings & percussion, M’Appari Tutt’ Amor for Flute & Piano, O Sole Mio for Cello & Piano, Träumerei for String Orchestra, Air on the G String for String Quartet, O Mio Babbino Caro for Violin & Piano, M’Appari Tutt’ Amor for Oboe & Piano, Cwm Rhondda Oboe Quartet, Were You There? Violin & Piano, Cwm Rhondda for Flute Quartet, Jasmine Flower (The) for solo Violin & Concert Band (Keith Terrett Classic Band Series), Jerusalem for Flute Quintet (And Did Those Feet In Ancient Times), Mattinata for Oboe & Piano, Mattinata for Cello & Piano, Mattinata for Bassoon & Piano, O Mio Babbino Caro for Viola & Piano., Twenty Minute Tango for Violin & Piano, Lustpiel Overture for String Orchestra, Fanfare & Soliloquy for Cello & Piano, The Gypsy Violinist in New Orleans ( B minor), What Shall We Do With The Drunken Oboist?, Solveigs sang for Double Bass & Keyboard, Rondo Alla Turca for Bb Clarinet & Piano, Were You There? Flute & Piano, Czardas for Flute & Concert Band, A Serenade for String Orchestra , Badinerie from Suite No.2 for Cello & Piano, Badinerie from Suite No.2 for Viola & Piano, Scenes from Childhood (Kinderszenen) Opus 15, for String Orchestra, Czardas for Violin & Concert Band , Czardas for Solo C / Bb Euphonium & Concert Band (Bb minor), Swedish National Anthem for String Orchestra (MFAO World National Anthem Series), Badinerie from Suite No.2 for Double Bass & Piano in E minor (Pro-version), Elegy Sentimentale for Symphony Orchestra Opus 1, Träumerei for Strings & Harp, Havana Rhubarb Rumba for two Violins & Keyboard’s, Lullaby for an Oboist, Keyboard & Bass, Norwegian National Anthem for String Orchestra, Were You There? Oboe & Piano, Badinerie from Suite No.2 for Violin & Piano, Hebrew Slaves Chorus from Nabucco ("Va, pensiero") for Wind Quintet, Von fremden Landern und Menschen for String Orchestra, Haunted Woods (The) for Symphony Orchestra (Hollywood Film Cue Series), A Serenade for Oboe & Piano, Una Furtiva Lagrima for Violin & Piano, German National Anthem for String Orchestra, Polish National Anthem for String Orchestra (MFAO World National Anthem Series), Hebrew Slaves Chorus from Nabucco (''Va, pensiero" ) for String Orchestra, Tico-Tico no fubá for Clarinet Quartet, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Violin & Keyboard, Ave Maria for Bb Clarinet & Piano, Allegro from the Water Music for 2 solo Bb Cornets, 2 Eb Tenor Horns & Brass Band and A Cellist Goes Ballroom Dancing

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