Flourish and Evocation
Flourish and Evocation was composed in response to a commission from The Prince�s Trust. The commission asked for a work to open a concert celebrating the marriage of its founder, HRH The Prince of Wales to Mrs Camilla Parker-Bowles.
In deciding the form and style of this work, the composer drew on two specific aspects of the commission. It is clear that the character of the piece should be the embodiment of regal celebration. In addition to this, the work is to be the opening item of a concert; therefore the obvious musical style to emulate would be that of the flourish or fanfare.
Structurally, the work owes much to the form of the processional works of William Walton (1902-1983). The two clear subjects of the piece are sandwiched in between a mood setting introduction which is quoted again in a short coda.
The combination of Mixolydian and Lydian modes may well remind the listener of harmonic colourations employed by contemporary wind band composers. However, it is important to acknowledge that these �contemporary craftsmen� have ostensibly �borrowed� these harmonic devices from Walton.
Whilst the material at letter A symbolizes the imperial splendour of the occasion, the second subject at letter B is written in a style attempting to epitomise the other emotion of the occasion, the emotion of love.
The recapitulation of the second subject at letter D should be performed with a more stately pulse however, the conductor should be wary not to stray onto the cumbersome side of the tempo.
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