Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
This score is free!
This score is available free of charge. Just click the 'Download & Print' button above.
Buy this score now!
Buy this score and parts now!
You have already purchased this score. To download and print the PDF file of this score, click the 'Download & Print' button above. The purchases page in your account also shows your items available to print.
While most every work, large or small, produced by composer Edvard Grieg bears the stamp of rightness and focused simplicity, writing music did not always come easily to him. During many of his earlier years, other duties were necessary for making ends meet � directing the Harmonien Orchestra of Bergen, for example. Even over his final two decades, Grieg was obliged to undertake grueling tours as a piano soloist. In 1885, a new home, Troldhaugen, began to provide a place of solitude and comfort. Despite the fact that Ludvig Holberg (1684-1754) lived most of his life in Denmark and was considered the father of Danish literature, his birthplace was Bergen, Norway, and on the bicentenary of his birth, Norwegians heartily celebrated. Even as a resident of Denmark, Holberg recalled his childhood in his works and celebrated the time he spent there. Educated at the universities of Copenhagen and Oxford, Holberg is regarded as having established Danish as a literary language. Prior to his time, Danish was employed only in ballads and hymns; plays were presented in French or German. Besides more than a dozen successful plays (several of them comedies), he wrote a history of his adopted country and published a collection of philosophical treatises. Notwithstanding his stronger relationship to Denmark, Norwegians were pleased to acknowledge Holberg, and Grieg, also a Bergen native, was one of those who directed the planning for the event. As early as 1878, he contributed a fee from his publisher toward the construction of a Holberg statue in Bergen. Further, he wrote two works, the first for male voices, a Cantata for the Unveiling of the Holberg Memorial, and a second (of more lasting consequence) entitled From Holberg's Time: Suite in Olden Style. Grieg himself premiered the piano suite just days after the dedication of the memorial. Its great success led Grieg to score it for string orchestra the following year, and both versions enjoy enduring popularity. The suite in five sections was intended by Grieg to recall the dance suites that might have been heard during Holberg's lifetime, which roughly corresponded to the period of the late Baroque. The Gavotte that forms the third section beguilingly trips over the course of its three minutes, yielding to the Andante religioso tempo of the Aria.
This arrangement is for string quartet with an optional double bass part.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of Holberg Suite - 4. Air
You might also like...