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This is the 2nd 4-part In Nomine I have written and this one is a bimodal piece with the In Nomine in F-sharp minor and the surrounding parts largely in the key of one-flat, a device which has been used by quite a few other composers over the last 50 years. I think it works even though you might not like the idea of setting up keys in opposition to each other because the effect is of an extended mode around D, F and F-sharp.
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