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This the longest of five interludes from a complete evening's program of poetry by Ian McLachlan and music for jazz trio composed by MWM, a group called Credo 4. We had our premiere performance on January 31st, 2008. The score includes no drum part, and is written for five-string (electric) bass with a low B. Outside the context of the show, it's a straight ahead jazz waltz, pretty much.
The somewhat eccentric decision to call the opening chord Dm7/Eb triad (rather than EbMa7#11, or just Eb Lydian) reflects the fact that the desired sound and voicing should always have the tones D F A C above the tones Eb G and Bb, in whatever configuration. The popular "close" voicing of, for example, [rh] D-Eb-G, is lovely, but decidedly not the appropriate sound for this tune.
Dedicated with affection and encouragement to my friend Carmen Story.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
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